Absolutism - Philip II of Spain Biographical Information
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BINONDO FOOD TRIP (4 Hours)
BINONDO FOOD TRIP (4 hours) Eat your way around Binondo, the Philippines’ Chinatown. Located across the Pasig River from the walled city of Intramuros, Binondo was formally established in 1594, and is believed to be the oldest Chinatown in the world. It is the center of commerce and trade for all types of businesses run by Filipino-Chinese merchants, and given the historic reach of Chinese trading in the Pacific, it has been a hub of Chinese commerce in the Philippines since before the first Spanish colonizers arrived in the Philippines in 1521. Before World War II, Binondo was the center of the banking and financial community in the Philippines, housing insurance companies, commercial banks and other financial institutions from Britain and the United States. These banks were located mostly along Escólta, which used to be called the "Wall Street of the Philippines". Binondo remains a center of commerce and trade for all types of businesses run by Filipino- Chinese merchants and is famous for its diverse offerings of Chinese cuisine. Enjoy walking around the streets of Binondo, taking in Tsinoy (Chinese-Filipino) history through various Chinese specialties from its small and cozy restaurants. Have a taste of fried Chinese Lumpia, Kuchay Empanada and Misua Guisado at Quick Snack located along Carvajal Street; Kiampong Rice and Peanut Balls at Café Mezzanine; Kuchay Dumplings at Dong Bei Dumplings and the growing famous Beef Kan Pan of Lan Zhou La Mien. References: http://en.wikipedia.org/wiki/Binondo,_Manila TIME ITINERARY 0800H Pick-up -
Presentación De Powerpoint
Painted by Titian 1551 PHILIP II KING OF SPAIN “ THE PRUDENT” Signature CONTENT AND LANGUAGE INTEGRATED LEARNING UNIT (UNIDAD DIDÁCTICA CLIL) 2017/18 HISTORY lrs Lourdes Ruiz Juana of Castile Philip “The Handsome” Maria of Aragon. Manuel I of Portugal 3rd DAUGTHER OF of Austria 4TH DAUGTHER OF Isabel and Ferdinand Isabel and Ferdinand Charles I of Spain Isabella of Portugal nd Born: 21 May 1527 1st wife 2 wife 3rd wife 4th wife Died: 13 September 1598 Maria Manuela Mary I of England Elizabeth Anna of Austria Philip II of Spain of Portugal “Bloody Mary” of Valois Spain, the Netherlands, Italian Territories & The Spanish Empire lrs 1527: Philip II of Spain was born in Palacio de Pimentel, Valladolid, which was the capital of the Spanish empire. In June 1561, Philip moved his court to Madrid making it the new capital city. Philip was a studious young boy, he learnt Spanish, Portuguese and Latin. 'The Baptism of Philip II' in Valladolid. He enjoyed hunting and sports as well as music. Historical ceiling preserved in Palacio de Pimentel (Valladolid) Also, he was trained in warfare by the . court [kɔːt] N corte Duke of Alba hunting [ˈhʌntɪŋ] N caza, cacería lrs warfare [ˈwɔːfɛər] N guerra, artes militares Look at this map. In 1554-55, Philip’s father, Charles I of Spain and Holy Roman Emperor abdicated in favour of his son Philip and his brother Ferdinand. Charles left all the territories in ORANGE to his son. After different battles and expeditions, Philip’s Empire would include all the territories in GREEN. That is, he took control of Portugal and its colonies in America, Africa and Asia. -
Keyboard Sonatas Nos. 87–92 Levon Avagyan, Piano Antonio Soler (1729–1783) Sonatas Included in Op
Antonio SOLER Keyboard Sonatas Nos. 87–92 Levon Avagyan, Piano Antonio Soler (1729–1783) sonatas included in Op. 4 bear the date 1779. These Sonata No. 92 in D major, numbered Op. 4, No. 2, is Keyboard Sonatas Nos. 87–92 sonatas follow classical procedure and are in several again in four movements and in a style that reflects its movements, although some of the movements had prior date, 1779, and contemporary styles and forms of Born in 1729 at Olot, Girona, Antonio Soler, like many Llave de la Modulación, a treatise explaining the art of existence as single-movement works. Sonata No. 91 in C composition, as well as newer developments in keyboard other Catalan musicians of his and later generations, had rapid modulation (‘modulación agitada’), which brought major starts with a movement that has no tempo marking, instruments. The Presto suggests similar influences – the his early musical training as a chorister at the great correspondence with Padre Martini in Bologna, the leading to a second movement, marked Allegro di molto, world of Haydn, Soler’s near contemporary. The third Benedictine monastery of Montserrat, where his teachers leading Italian composer and theorist, who vainly sought in which the bass makes considerable use of divided movement brings two minuets, the first Andante largo included the maestro di capilla Benito Esteve and the a portrait of Soler to add to his gallery of leading octaves. There is contrast in a short Andante maestoso, a and the second, which it frames, a sparer Allegro. The organist Benito Valls. Soler studied the work of earlier composers. -
Representations of Spain in Early Modern English Drama
Saugata Bhaduri Polycolonial Angst: Representations of Spain in Early Modern English Drama One of the important questions that this conference1 requires us to explore is how Spain was represented in early modern English theatre, and to examine such representation especially against the backdrop of the emergence of these two nations as arguably the most important players in the unfolding game of global imperialism. This is precisely what this article proposes to do: to take up representative English plays of the period belonging to the Anglo-Spanish War (1585–1604) which do mention Spain, analyse what the nature of their treat- ment of Spain is and hypothesise as to what may have been the reasons behind such a treatment.2 Given that England and Spain were at bitter war during these twenty years, and given furthermore that these two nations were the most prominent rivals in the global carving of the colonial pie that had already begun during this period, the commonsensical expectation from such plays, about the way Spain would be represented in them, should be of unambiguous Hispanophobia. There were several contextual reasons to occasion widespread Hispanophobia in the period. While Henry VIII’s marriage to Catherine of Aragon (1509) and its subsequent annulment (1533) had already sufficiently complicated Anglo-Hispanic relations, and their daughter Queen Mary I’s marriage to Philip II of Spain (1554) and his subsequent becoming the King of England and Ireland further aggravated the 1 The conference referred to here is the International Conference on Theatre Cultures within Globalizing Empires: Looking at Early Modern England and Spain, organised by the ERC Project “Early Modern European Drama and the Cultural Net (DramaNet),” at the Freie Universität, Ber- lin, November 15–16, 2012, where the preliminary version of this article was presented. -
Queen Mary I
Queen Mary I Queen Mary I of England, also known as Mary Tudor, was one of the five monarchs from the famous Tudor family. Early Life Mary was born on 18th February 1516. She was the daughter of King Henry VIII and his first wife, Catherine of Aragon. Mary was a very clever child and was able to speak, read and write in many languages including Latin and Spanish. She was also very religious like her mother and followed the Catholic faith. In 1533, Henry decided to divorce Catherine as he was desperate for a son to be his heir. Mary was removed from her place in line to the throne, became known as ‘The Lady Mary’ rather than ‘Princess Mary’ and sent away from court. She was not allowed any contact with her mother as she would not accept her father’s new wife, Anne Boleyn, as queen. This hurt her relationship with her father and they did not speak for three years. Henry’s third wife, Jane, tried to make peace between Mary and her father. Mary agreed to the king’s request to recognise him as the head of the church and was reunited with her father in 1536. After Jane died, Henry married another three times. His final wife, Catherine Parr, persuaded the king to return Mary and Elizabeth to the line of succession in 1544. In 1547, Henry died and Mary’s half-brother Edward became king. During his reign, Mary spent most of her time away from court as she disagreed with laws he had passed. -
Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More Information
Cambridge University Press 978-0-521-83747-7 - Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More information Britain and the Dutch Revolt 1560–1700 England’s response to the Revolt of the Netherlands (1568–1648) has been studied hitherto mainly in terms of government policy, yet the Dutch struggle with Habsburg Spain affected a much wider commu- nity than just the English political elite. It attracted attention across Britain and drew not just statesmen and diplomats but also soldiers, merchants, religious refugees, journalists, travellers and students into the confl ict. Hugh Dunthorne draws on pamphlet literature to reveal how British contemporaries viewed the progress of their near neigh- bours’ rebellion, and assesses the lasting impact which the Revolt and the rise of the Dutch Republic had on Britain’s domestic history. The book explores affi nities between the Dutch Revolt and the British civil wars of the seventeenth century – the fi rst major challenges to royal authority in modern times – showing how much Britain’s chang- ing commercial, religious and political culture owed to the country’s involvement with events across the North Sea. HUGH DUNTHORNE specializes in the history of the early modern period, the Dutch revolt and the Dutch republic and empire, the his- tory of war, and the Enlightenment. He was formerly Senior Lecturer in History at Swansea University, and his previous publications include The Enlightenment (1991) and The Historical Imagination in Nineteenth-Century Britain and the Low Countries -
UNIVERSITY of CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early M
UNIVERSITY OF CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Sara Victoria Torres 2014 © Copyright by Sara Victoria Torres 2014 ABSTRACT OF THE DISSERTATION Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia by Sara Victoria Torres Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Christine Chism, Co-chair Professor Lowell Gallagher, Co-chair My dissertation, “Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia,” traces the legacy of dynastic internationalism in the fifteenth, sixteenth, and early-seventeenth centuries. I argue that the situated tactics of courtly literature use genealogical and geographical paradigms to redefine national sovereignty. Before the defeat of the Spanish Armada in 1588, before the divorce trials of Henry VIII and Catherine of Aragon in the 1530s, a rich and complex network of dynastic, economic, and political alliances existed between medieval England and the Iberian kingdoms. The marriages of John of Gaunt’s two daughters to the Castilian and Portuguese kings created a legacy of Anglo-Iberian cultural exchange ii that is evident in the literature and manuscript culture of both England and Iberia. Because England, Castile, and Portugal all saw the rise of new dynastic lines at the end of the fourteenth century, the subsequent literature produced at their courts is preoccupied with issues of genealogy, just rule, and political consent. Dynastic foundation narratives compensate for the uncertainties of succession by evoking the longue durée of national histories—of Trojan diaspora narratives, of Roman rule, of apostolic foundation—and situating them within universalizing historical modes. -
Looking Beyond the Walls
Looking Beyond the Walls It was a sunny morning when Jose Estrella decided to take a walk by the Maestranza plaza in Intramuros, Manila City. Estrella was the administrator of the Intramuros Administration (IA), an organization attached to the Department of Tourism (DOT) of the Philippines. He was walking by the plaza because he wanted to check on the current state of Maestranza in preparation for several meetings he had lined up for the week. A concert had recently been held at the Maestranza plaza, and an exhibit had been held a few weeks ago. A civic organization was currently eying Maestranza as the venue for its annual meeting six months from now. A few years back, however, this portion of Intramuros where the Pasig River can be seen had an unwelcoming sewage-like smell that dominated a person’s senses. It consequently was not a pleasurable place for a walk. There were informal settlers who had made their homes and lives right in the middle of the street, blocking important historical markers and obstructing the view of Pasig River as well as portions of the historic walls of Manila. A few meters from Maestranza were ruins of what used to be the Central Bank of the Philippines. No matter how historic and rich in potential this area was, it was not a prime tourism destination. As the administrator of Intramuros, Estrella was proud that in the two years’ time since he had assumed his position, the plaza had a facelift, allowing it to become a viable venue for different events and an open space good for a morning or afternoon stroll. -
Fluc 2º Ciclo - Mestrado
UNIVERSIDADE DE COIMBRA FACULDADE DE LETRAS - FLUC 2º CICLO - MESTRADO HISTÓRIA DA IDADE MÉDIA: ESPAÇOS, PODERES, QUOTIDIANOS D. ISABEL DE PORTUGAL, ÍNCLITA DUQUESA DA BORGONHA (1430-1471), DIPLOMATA EUROPEIA DO SÉCULO XV Contributo para uma bibliografia crítica. FELIPE PARISOTO COIMBRA 2011 FELIPE PARISOTO D. ISABEL DE PORTUGAL, ÍNCLITA DUQUESA DA BORGONHA (1430-1471), DIPLOMATA EUROPEIA DO SÉCULO XV Contributo para uma bibliografia crítica. Dissertação em História da Idade Média, apresentada à Faculdade de Letras da Universidade de Coimbra, sob a orientação da Professora Doutora Maria Teresa Nobre Veloso. COIMBRA 2011 Aos meus Pais A cada um a dama abençoa Pela sua doçura, pela sua sabedoria Viva a senhora, e bendito seja Quem nos dá tal princesa! Martin le Franc (séc.xv) AGRADECIMENTOS O estudo que a seguir apresentamos resultou de muitos meses de trabalho e de pesquisa. A sua conclusão deve-se, em grande parte, não só ao valioso apoio e auxílio de meus Pais e de meus Mestres, mas também ao estímulo dos meus Amigos. Por isso, aqui desejo deixar-lhes expresso o meu reconhecimento. Aos meus Pais agradeço, penhoradamente, a aposta feita na minha formação superior e o apoio financeiro. À minha orientadora, Prof. Doutora Maria Teresa Nobre Veloso, o meu bem- haja pela inteira disponibilidade com que me apoiou e auxiliou, ora corrigindo, ora sugerindo, inúmeros aspectos que me tinham escapado durante a elaboração do meu estudo. Aos meus Professores da Universidade de Coimbra, do Curso de Mestrado de História da Idade Média, agradeço a formação completamente nova que me propiciaram, apurando o meu olhar para a Península Ibérica (e em particular para a História medieval portuguesa), de modo bem diferente daquilo que havia aprendido no Brasil. -
The Sustainable Debts of Philip II: a Reconstruction of Spain's Fiscal
The Sustainable Debts of Philip II: A Reconstruction of Spain’s Fiscal Position, 1560-1598* Mauricio Drelichman Hans-Joachim Voth The University of British Columbia ICREA/Universitat Pompeu Fabra and and CIFAR CEPR This Draft: January 2010 Abstract: The defaults of Philip II have attained mythical status as the origin of sovereign debt crises. We reassess the fiscal position of Habsburg Castile, deriving comprehensive estimates of revenue, debt, and expenditure from new archival data. The king’s debts were sustainable. Primary surpluses were large and rising. Debt/revenue ratios were broadly unchanged across Philip’s reign. Castilian finances in the sixteenth century compare favorably with those of other early modern fiscal states at the height of their imperial ambitions, including Britain. The defaults of Philip II therefore reflected short-term liquidity crises, and were not a sign of unsustainable debts. * For helpful comments, we thank Daron Acemoglu, George Akerlof, Carlos Alvarez Nogal, Fernando Broner, Albert Carreras, Marc Flandreau, Caroline Fohlin, Regina Grafe, Avner Greif, Viktoria Hnatkovska, Angela Redish, Alberto Martín, Paolo Mauro, David Mitch, Kris Mitchener, Joel Mokyr, Lyndon Moore, Roger Myerson, Kevin O’Rourke, Sevket Pamuk, Richard Portes, Leandro Prados de la Escosura, Nathan Sussman, Alan M. Taylor, Francois Velde, Jaume Ventura, and Eugene White. Seminar audiences at American University, Harvard, Sciences Po, Hebrew University, UBC, UPF, UC Irvine, LSE, HEI Geneva, NYU-Stern, the ECB, and Rutgers, as well as the EHA meetings in Austin, the CREI / CEPR Conference on “Crises – Past, Policy, and Theory”, CIFAR, NBER, CEPR – ESSIM, the BETA Workshop, and the Utrecht Workshop on Financial History offered advice and constructive criticism. -
J. J. González García, Charles V and the Habsburgs' Inventories, RIHA
RIHA Journal 0012 | 11 November 2010 Charles V and the Habsburgs' Inventories. Changing Patrimony as Dynastic Cult in Early Modern Europe Juan uis !on"#lez !arc$a Peer revie% and editing organized by& Instituto Amatller de Arte Hispánico, Barcelona 'evie%ers& Antoni José itarch, "antia#o Alcolea Blanc! (bstract Apart from a deep respect for the achievements of the Habsburgs, Emperor Maximilian I transmitted to his heirs a practical attitude towards their art collections. Pearls and precious stones were extracted from set pieces to produce new ones; old fashioned !eweller" or silver ob!ects were melted down; and tapestries, paintings and sculptures were publicl" sold to pay off debts. #" stud"ing how some of these goods were reused, recycled, and recirculated among the Habsburg famil" members, I will explain how crown patrimon" changed owners and $ingdoms, and how the cult of their d"nast", activel" promoted b" %harles &, heightened the notion of a collective consciousness which served as a topos for aristocratic collecting in the 'enaissance. Contents Introduction $!e %r#ani&ation o' (arl) Habsbur# Inventories and t!e Hierarchy o' *edia +!an#in# $aste and t!e *anipulation o' t!e %b,ect +!arles -'s Inventories and t!e +reation o' an (mpire /)nastic *arria#es, /)nastic Inventories Introduction ()* +he ro"al inventories of the Habsburgs are documents of extraordinar" importance for the anal"sis of art collecting in the Modern Age. +he" are often the onl" available tools to interpret the value, arrangement, uses and original functions of the ever changing princel" possessions , today !ust partiall" preserved ,, and provide us with references about the best European painters, sculptors, goldsmiths, weavers, or armourers of the time, to name but a few. -
The Portrait of Juana of Austria in the Bilbao Fine Arts Museum
IN THE KING’S NAME The Portrait of Juana of Austria in the Bilbao Fine Arts Museum Leticia Ruiz Gómez This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao Photography credits © Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao: fig. 1 © Kunsthistorisches Museum, Wien: fig. 7 © Musées Royaux des Beaux Arts de Belgique, Bruxelles: fig. 4 © Museo Nacional del Prado, Madrid: figs. 2, 3, 5, 9 and 10 © Patrimonio Nacional, Madrid: figs. 6 and 8 Text published in: B’06 : Buletina = Boletín = Bulletin. Bilbao : Bilboko Arte Eder Museoa = Museo de Bellas Artes de Bilbao = Bilbao Fine Arts Museum, no. 2, 2007, pp. 85-123. Sponsored by: 2 n the 1550s Princess Juana of Portugal was a regular subject for portrait artists, being one of the leading women in the House of Austria, the dynasty that dominated the political scene in Europe throughout the I16th century. The youngest daughter of Charles V and Isabella of Portugal, she had a special role to play in her father’s geopolitical strategies, first as the wife of the heir to the Portuguese throne, to whom she bore a posthumous son who would eventually come to the throne of Spain’s neighbour, and subsequently as regent of the Emperor’s peninsular territories.