Guan Xiao in Association with K11 Art Foundation Lower Gallery 20 April

| 2016

Betty Woodman Lower and Upper Galleries 3 February – 10 April 2016

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The first UK solo presentation of works by Betty Woodman (born 1930), one of the most important contemporary artists working with ceramics today. The exhibition focuses on work Woodman has created in the last ten years, including a number of major new mixed media pieces. Betty Woodman began making work in 1950 with clay as her chosen medium, and throughout her practice has constantly explored new directions and introduced new techniques and media. Woodman's conceptual boldness and her ambitious experimentation—in which she combines such unlikely materials as lacquer paint on earthenware and terra sigillata, a slip glaze often used on ancient ceramics, on paper—have generated a unique series of innovations. Significantly, the ways in which she combines ceramics and painting in her three-dimensional works resonates with younger generations of artists. All her work relates to her ceramics, their decorative design, imagery and unusual use of various media, and can be seen as a way of exploring her painterly sensibility. The ICA exhibition follows her first solo museum show in Italy, at the Museo Marino Marini in Florence which is the artist’s second home and where she has been living and working for six months of every year for over 50 years.

Over the course of her lengthy career, Betty Woodman (b. 1930, Norwalk, Connecticut, USA) has had numerous solo exhibitions at museums and galleries internationally as well as been included in frequent group exhibitions. Since her retrospective at the Metropolitan Museum of Art in New York, “The Art of Betty Woodman,” in 2006, these include: “Betty Woodman,” Museo Marino Marini, Florence, 2015; “BIACI - 1st Bienial Internacional de Arte Contemporáneo Cartagena de Indias, Colombia,” Cartagena, 2014; “Alessandro’s Rooms,” Art Unlimited, Art Basel, Basel, 2013; “Playing House,” Brooklyn Museum, Brooklyn, New York, 2012; “Postmodernism: Style and Subversion, 1970-1990,” and many more. Woodman currently lives and works in New York City and Antella, Italy. During 2016 the artist has been invited to participate in the Liverpool Biennial in the summer.

Curated by Vincenzo de Bellis with the ICA.

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Supporters: With thanks to Belgraves Image credit: Detail of Wallpaper #9, Betty Woodman, 2015. Courtesy the artist.

Guan Xiao in association with K11 Art Foundation Lower Gallery 20 April – 19 June 2016

Working mainly in sculpture and video, Guan Xiao explores how ways of seeing are now influenced by digital image circulation as an increasingly dominant source of knowledge and information exchange. In various works and installations she endeavours to expand the aesthetic and cognitive possibilities for how identity and meaning are assigned and understood. Music is also an important element in her work that often weaves visual material (including video clips found on the internet), digital rendering techniques and objects to offer fresh perspectives on the ‘new’ and the ‘old’. She often juxtaposes references from the past and present (or future), alongside so- called primitive and high tech elements into distinct and evocative installations. Guan Xiao comments, ‘What we consider today as new or advanced things are actually things that are ancient or unknown. The incomprehension of the past and unknowns gives rise to intriguing discussion in the present. That’s why I have been prone to putting these extreme things together—the old and new—and making them work together.’ For her first solo exhibition in a UK institution, Guan Xiao will present a new installation comprising large printed screens in grey- scale, in front of which will be presented sculptures made up of various materials, including speakers that emit new audio works.

Guan Xiao (b. 1983, Chongqing; lives and works in Baijing) received her BA in Directing at the Communication University of China in 2006 and has exhibited internationally including at the OCT Contemporary Art Terminal, Shenzhen, the V&A Museum, London, the National Museum of Contemporary Art, Korea, Seoul; the Shanghai Art Museum and the Art Museum of Nanjing University of Art. Selected exhibitions include: the shortlisted exhibition of Hugo Boss Asia Art Award, Rockbund Art Museum, Shanghai, 2015; Basic Logic, Antenna Space, Shanghai, 2015, 13th Biennale de Lyon: La vie modern, Lyon, 2015, 2015 Triennial: Surround Audience, New Museum, New York, 2015, From a Poem to the Sunset, New acquisitions of contemporary Chinese and international art, Daimler Contemporary Berlin, 2015, Rare Earth, Thyssen-Bornemisza Art Contemporary, Vienna, 2015; Degeneration, ACAF, Sydney, 2014; Don’t You Know Who I Am? Art After Identity Politics, M HKA Museum, Antwerp, 2014; Something Happened Like never Happened, Kraupa-Tuskany Zeidler, Berlin, 2014, Film Section, Basel Hong Kong, Agnes B Cinema, Hong Kong, 2014; Die 8 Wege, Uferhallen, Berlin, 2013; and OCT Contemporary Art Terminal, Shanghai, 2013; Difference Engine, Magician Space, Beijing, 2013; China Design Now, Victoria & Albert Museum, London, 2007; and Floating - New Generation of Art in China, National Museum of Contemporary Art, Seoul, 2007.

______In association with K11 Art Foundation Image credit: Documentary: From National Geographic to BBC, 2015. Fiberglass, camera tripod, spotlight, camera lens models, brass, digital print on vinyl, background stands. Courtesy the artist and Antenna Space

Judy Blame Lower Gallery 29 June – 11 September 2016 ______

The ICA is pleased to present the first solo exhibition by influential British jewellery designer, fashion stylist and art director, Judy Blame. The exhibition will trace Blame’s prolific output beginning with his involvement in the London underground club culture of the late 1970’s and early 80’s, this was followed by collaborations with Ray Petri, Neneh Cherry, Jean-Baptiste Mondino, Christopher Nemeth, and Derek Jarman. He was also responsible for creating the legendary boutique The House of Beauty and Culture. More recent creative affiliations include Rei Kawakubo of Comme des Garçons and Louis Vuitton amongst others. The exhibition explores Blame’s pioneering DIY Punk ethic, creating unique items of clothing and assemblages from found objects and recycled materials, an approach that was universally perceived at the time as radical for its capacity to challenge conformist notions of beauty. On display will be a range of innovative designs, complimented by ephemera selected from Blame’s vast archive, including collages, drawings, graphics, and videos from the past up until the present day.

Judy Blame has worked at the forefront of jewellery design, fashion styling and art direction for over 35 years. He was one of the architects and key faces of London’s underground club culture – a boom time for unfettered creativity whose energies continue to fuel the fashion industry today. It was in those days of dressing up for endless nights out that he adopted the name Judy Blame and became one of the legendary figures of London nightlife. Judy also ventured into styling fashion shoots and cover stories for the London magazines i-D, The Face and Blitz. Collaborating with his friends the shoemaker John Moore, fashion designer Christopher Nemeth and knitwear designer Richard Torry, he set up the legendary boutique The House of Beauty and Culture in east London. In the early 2000s he was contacted by Rei Kawakubo of Comme des Garçons, who invited him to sell his jewellery in her Dover Street Market stall. In the wake of his work with Comme des Garçons, the fashion establishment began to acknowledge his longstanding and uncompromising commitment to creativity. He continues to style for i-D magazine as well as leading men’s bi-annuals Numero Homme, GQ Style and Another Man. The exhibition coincides with the first comprehensive publication documenting the history and legacy of The House of Beauty and Culture, published by the ICA and featuring an authoritative text by Kasia Maciejowska.

______Image: Judy Blame portrait for POP magazine by Ben Dunbar-Brunton, 1999

James Richards Lower and Upper Gallery 21 September – 20 November 2016 ______

For his ICA exhibition, Richards aims to develop three distinct areas whereby works will be "smeared and spread across multiples rooms" allowing images and soundtracks to wash over each other. The exhibition will also feature a selection of rhythmic musical and visual cues, as well as textile room dividers - modular structures designed to break up the space, allowing for alterations of sound and light. "My aim is to work on an exhibition that will have three parts, iterations or edits. I want to play with deja vu, as well as a certain form of chiming whereby sound spill from one section of the gallery becomes the soundtrack for an image within its near reach. I'm building a number of multichannel setups to include looped film but also so I can compose sound across space as well as time."

Richards will be participating in three major exhibitions in 2016, starting with Bergen Kunsthalle, Norway, then ICA, London, and finally Kestnergesellschaft Hannover, Germany. While comprising similar elements, each exhibition will be altered in response to the given architecture of each institution. While connected, the three exhibitions will nevertheless remain open to additional material as it moves from one venue to the next. James Richards (b. 1983) is a British artist presently residing in Berlin where he is completing a DAAD Scholarship. Born in Cardiff, Richard's studied Fine Art at Chelsea College of Art & Design, London. He recently exhibited as part of 'Saltwater: A Theory of Thought Forms', 14th Istanbul Biennial, Istanbul (2015), 'Speculations On Anonymous Materials', Fridericianum, Kassel (2014), 'Meanwhile… Suddenly, and Then', 12th Lyon Biennial (2013), 'The Encyclopedic Palace', 55th Venice Biennale (2013), 'Clunie Reid and James Richards, Art Now, Tate Britain' (2010), and 'Nought to Sixty', ICA, London (2008). Recent solo-shows include James Richards, Kunstverein München, Munich (2015), 'Raking Light', Cabinet, London (2014), 'The Screens", Rodeo, Istanbul' (2013), and Chisenhale, London (2011). In 2014, Richards was nominated for the Tate Turner Prize. Edited by Isla leaver Yap, a catalogue will coincide with all three exhibitions.

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Image credit: James Richards, Radio at Night. Stills, digital video, 7 min. 47 sec., 2015. Courtesy the artist, Rodeo, and Cabinet, London. Commissioned by the Walker Art Center with major support provided by the Bentson Foundation

Art into Society – Society into Art: Seven German Artists

ICA Fox Reading Room 19 January – 6 March 2016 ______

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This archival display documents the seminal 1974 ICA exhibition Art into Society – Society into Art: Seven German Artists (29 October – 24 November 1974). Organised by ICA Curator Norman Rosenthal and German art dealer Christos M. Joachimides, this seminal exhibition sought to engage with ideas around the relationship between art and politics emerging from West Germany at that time. Artists involved included Albrecht D., Joseph Beuys, KP Brehmer, Hans Haacke, Dieter Hacker, Gustav Metzger, Klaus Staeck and photographer Michael Ruetz. Art into Society – Society into Art was a key part of a season staged at the ICA called German Month which featured film screenings, talks, performances and exhibitions showcasing the wide-ranging cultural developments emerging from West Germany at that time.

The exhibition drew on the notion of an ‘active’ working process and form of exhibition display. Both curators and artists alike sought to move away from an individualistic approach to art and exhibition-making, and towards a more democratic system of organising. A key example of this process was the staging of a colloquium involving the curators and artists and which took place on 26-27 April 1974 in Dieter Hacker’s studio in Berlin. Its aim was to open a discussion with all parties involved in the project as a way to create a more egalitarian work-process between artists and curators. The original display included wall-based works by artists such as K P Brehmer and Klaus Staeck as well as photographs of key political events from that time by Michael Ruetz. Whilst Gustav Metzger decided to physically remove himself from the exhibition itself, as a protest against the art world, Josef Beuys remained present in the gallery for the majority of the exhibition and engaged in conversations with the audience around democracy and education, sketching out his ideas onto numerous chalkboards subsequently strewn across the floor – a work now known as Richtkräfte. To mark the 30th anniversary of Joseph Beuys’ death on 23 January 1986, this display will be accompanied by a series of performances and talks programme.

______Image credit: Installation view of Joseph Beuys performing at the Institute of Contemporary Arts, London, 30.10.1974.

ICA Fox Reading Room Highlights

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PIL: METAL BOX 22 March - 17 May 2016

PIL: METAL BOX focuses on the Public Image Ltd (PiL) second album and critically acclaimed post-punk classic Metal Box (1979). The title of the album originates from the Metal Box Factory in Hackney, London, who manufactured the distinctive packaging; it consisted of a metal 16mm celluloid film canister embossed with the band’s logo containing three untitled12” records (it was later reissued in more conventional packaging as a double gatefold LP, entitled Second Edition). The design for the PiL’s inaugural album First Issue (1978) and Metal Box was by Photographer and Designer Dennis Morris, whose original and inventive approach remains evident today. This display presents an insight into the conceptual and creative process that informed Morris’s landmark design, the experimental sound of PiL - characterised by the vocals of John Lydon's, bassist Jah Wobble, and guitarist Keith Levene - whilst reflecting upon the bygone age of UK manufacturing industry.

Detroit: City of Techno 26 July - 2 October 2016

This display takes a studied look at Detroit in the late 1970s and 1980s and the musical and environmental influences behind its early experiments with techno. The sound of techno was driven by the rising and falling fortunes of industry in Detroit, new technology and the aspirations of people living in the city at that time. Merging the sounds of synth-pop and Italo-disco with funk, this musical genre was distinct and admired across the world by cities experiencing similar social and economic changes. Through spotlighting early experiment of techno’s pioneers, Juan Atkins, Derrick May, Jeff Mills and Kevin Saunderson, this display uncovers the ways in which the social and economic surroundings of a generation of young people living in Detroit inspired a new musical genre that would alter electronic music as we know it.

______Image credit: PIL: METAL BOX

Artists’ Film Events Throughout 2016

The ICA Artists’ Film Biennial 2016 is a four-day celebration of artists’ film and moving image taking place 2‒5 June 2016. The Biennial’s comprehensive series of screenings and talks extends the ICA’s Artists’ Film Club, our regular programme of artists’ film, which profiles and debates the best international artists’ moving image. Established in 2007, the Artists’ Film Club platforms emerging and established artist filmmakers here in London, and at partner venues across the UK via the ICA’s Artist Moving Image Network. Fostering dialogues between artists and audiences, Artists’ Film Club enables discussion and debate around recent moving image practice, with many of the programme artists giving presentations and Q&A’s with several screenings taking place at ICA every month.

This edition of the Biennial features ambitious retrospectives, artist selected programmes, programmes selected by international curators, a programme selected from an international curatorial open, a programme selected from an artist-filmmaker open call; and a series of talks, symposium and seminar groups examining the context and concerns for moving image practices today.

The ICA’s national network of venues committed to showing a regular programme of artists’ moving image, with support from the Foyle Foundation and Arts Council England. These venues include MK Gallery (Milton Keynes); Tramway (Glasgow); Spike Island (Bristol); ICIA (Bath); Peninsula Arts (Plymouth); Exeter Phoenix (Exeter); Phoenix (Leicester); mima (Middlesbrough); Grundy Art Gallery (Blackpool) and Home (Manchester). These partnerships will also inform the content of our 2016 Biennial. With support from Arts Council England the network will see the development of four new Artist Moving Image co-commissions, with Phoenix (Leicester); mima (Middlesbrough); Grundy Art Gallery (Blackpool), will begin in 2016 (finished in 2017) and be screened across the national network on their completion. STOP PLAY RECORD, our initiative for young people aged 16- 24, boasts a series screenings, talks, workshops and practical sessions, helping emerging talent access a range of expert-led opportunities to establish and develop their skills. From January—March 2016 young people based in London will be able to apply to develop a film to completion in partnership with Bloomberg New Contemporaries, the Chisenhale Gallery, DAZED, Kingston University and SPACE who will provide a range of activities across the capital.

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Cinema Highlights Throughout 2016

The ICA’s cinema programme continues to support independent releases and partner with leading film festivals. A number of successful festivals return and continue including the London Short Film Festival (8 – 17 January 2016), The Japan Foundation Touring Film Programme at the beginning of February 2016 and the Essay Film Festival that will return in March for its second year in partnership with Birkbeck University of London. In April the ICA will welcome Kinoteka Film Festival back for its 14th edition and this year the ICA and Polish Cultural Institute in London will celebrate the remarkable filmmaking of Polish film director and writer Andrzej Zulawski (b. 1940).

In spring 2016, the ICA hosts the inaugural programme of 'Frames of Representation (FoR)'. FoR is a curatorial platform through which new forms of documentary cinema can be experienced and discussed. For the first edition of FoR which features new work from Roberto Minervini and Zhao Liang the programme will address the subject of the new periphery and cinema's role in bringing the excluded into the centre of conversation.

Across 2016 the ICA film programme will feature essential titles, including Anomalisa, Charlie Kaufman's boundary pushing stop-motion feature and László Nemes’ visceral search for an aesthetic able to give subjective experience to the Holocaust’s atrocities in Son of Saul.

In late 2016, the ICA will focus on the work of Japanese documentary film director Shinsuke Ogawa (1936-92), considered an important figure in the realm of world documentary cinema.

______Image credit: Film still from Behemoth by Zhao Liang (2015)

Music Highlights Throughout 2016 ______

Established in 2012, the ICA Associates programme continues to evolve and develop new relationships with established and emerging national and international music organisations. With a shared interest in experimentation and examination of current themes in contemporary music the ICA Associates programme offers a platform for likeminded individuals and organisations to present innovative and visually engaging events. For 2016 the ICA is pleased to continue its on-going collaboration with NTS Radio and Warp Records. Also featured are JUST JAM, ThirtyThree ThirtyThree (formerly known as St Johns Sessions), alongside their partners Nawa Recordings, showcasing the most compelling art, film and music from the modern Arab World. They will be accompanied by Berlin based label PAN who will present a concise programme of multi-disciplinary events, providing an overview of their online and audio productivity for 2016. Courtesy of The Wire during the year a series of talks and discussions will focus on themes prevalent within contemporary music. JUST JAM is a live audiovisual stream. It showcases some of the most progressive electronic music from around the globe, set to a backdrop of psychedelic visuals. The visuals are mixed live; featuring the work of highly celebrated digital visual artists alongside curated artefacts found on the internet by the Just Jam team. NTS is a family of like-minded and passionate individuals, dedicated to supporting exciting music and culture through online radio and events. NTS uncovers the best of the musical past, celebrates the present and cultivates the future of the underground music scene, and prides itself on being open-minded and experimental. Since 2008, multi-disciplinary label PAN has been building a network of international artists with an emphasis on adaption to the rapidly changing cultural and material conditions of contemporary musicians and sound artists today.

Through a constant stream of releases and events, PAN has evolved year by year to reflect the state of sound production and sound-based art practices. As the St John Sessions series' reputation has grown over the past three years, so too have opportunities outside of the church's stained-glass windows: an accompanying string of performances have been established in new venues across London, a record label has been formed to curate and release one-off performances from the world's sonic visionaries (starting with Ryuichi Sakamoto) whilst international shows in Cairo and Beirut have set the tone for bringing together the best contemporary artists from across the globe. All of this is now housed under the larger umbrella entitled ThirtyThree ThirtyThree – a double quip on both the sonic (full-length RPMs) and the spiritual (Jesus’ rather untimely demise). For 25 years Warp Records has been a synonym for adventures in sound and vision, consistently furthering their position as one of the most creative independent record labels in the world. With a rich legacy and consistently groundbreaking vision of the future, Warp and its artists traverse mediums to explore new spaces. Founded in 1982, The Wire is the world's leading authority on underground, experimental and alternative music. It's main activity is publishing a monthly magazine, which is available in both print and digital editions. The magazine has won multiple awards for its journalism, photography and design. The Wire's other activities include running a specialist online music bookshop; hosting two radio shows; curating various live events, talks and panel discussions internationally; and producing its own branded compilations of new underground music. The Wire is based in East London, and is 100 per cent independent.

______Installation view of ICA and K11 Art Foundation present Zhang Ding: Enter the Dragon (VIP preview with Bo Ningen & Powell, 12 October 2015), Institute of Contemporary Arts London (ICA). Photo: Benedict Johnson© K11 Art Foundation

Talks and Events Highlights Throughout 2016 ______

The ICA’s dynamic Talks & Events programme in 2016 places a focus on questions around urbanism, salvage and new materialism whilst continuing to present new performances in the theatre space.

Featuring artists’ talks and lectures by key practitioners and thinkers, the ICA will present Artist’s Talk: Betty Woodman and Culture Now will continue to serve as a platform for the latest ideas and thought across the contemporary arts.

Continuing the ICA’s long-standing interest in the influence in of new technologies on arts and culture, the ICA this year presents a new events programme responding to new thought on digital culture. Kicking this off, the work of Aaron Swartz will be explored via a new publication of his writings, covering intellectual property, intellectual diversity, politics and media, free culture and open access and more.

At a time when urban centres across the world and arguably particularly London face critical challenges in how to house, and sustain its population, the ICA continues its exploration into the significance and purpose of art and cultural activity, continuing its series Artists, What is Your Value? Early internet pioneers JODI will be first up to respond to the question.

Another key focus continues to be gender issues in relation to contemporary society and culture and the ICA will welcome key theorists, artists and thinkers such as Judith Butler.

The ICA will continue to reach out internationally, partnering with projects such as Global Art Forum (Jan) and Projeckt Fiktion (Feb).

______Image credit: Courtesy JODI

Associate Poet: Kayo Chingonyi Throughout 2016 ______

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Lately my artistic practice has been concerned with bringing together my interest in poetry, music, and dance. The ICA is space where a range of art forms intersect and I'll be using this environment, and the role of Associate Poet, to extend this hybrid approach and devise a programme that takes in a range of influences, presenting poetry in surprising contexts. My work is concerned with and influenced by the musicality in language and the non-linguistic meanings enacted by sound, literary theory, Hip Hop, black studies, Contemporary British and American Poetry, DJing, Sampling and Music Production - Kayo Chingonyi.

The ICA is delighted to announce the appointment of Kayo Chingonyi as Associate Poets for a period of 10 months, starting Spring 2016. Following the Associate Artist programme that includes NTS, Luke Fowler and 6a architects, these appointments mark the beginning of an exciting range of events and projects. As a response to the growing intersection between art and poetry today, this Associate Poet programme also continues a longstanding interest and engagement with language and poetry throughout the ICA’s history. Both Herbert Read and Roland Penrose, who founded the ICA in 1946, were poets themselves; a particular interest which was reflected in the ICA’s programme in the early stages of its history.

Kayo Chingonyi is a writer, editor, events producer, and creative writing tutor. His poems have been published in a range of magazines and anthologies and in a debut pamphlet entitled Some Bright Elegance (Salt Publishing, 2012). In 2013 he was awarded a writing residency at Cove Park (Scotland) as well as the Geoffrey Dearmer Prize from the Poetry Society. He represented Zambia at Poetry Parnassus, is a fellow of the Complete Works programme for diversity in British Poetry, and has been invited to give readings and performances across the UK and further afield in Ireland, Mexico, Abu Dhabi, and South Africa. He is currently working on his first full-length collection entitled Kumukanda and a new pamphlet calling a spade a spade is forthcoming from the African Poetry Book Fund, in collaboration with Brooklyn-based independent publisher Akashic Books, in 2016.

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Learning Programme highlights Throughout 2016 ______

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The ICA programme is currently aimed at students 16 years + at A level, Foundation, BA, MA, Post Graduate and Research level. Our Learning programme seeks to maintain a historical close engagement between the ICA and young and emerging thinkers and practitioners. The ICA has 8 university partners who have worked collaboratively with the ICA on a number of research projects and events within the public programme for the last three years. In 2013 the ICA launched an MA in the Contemporary with the University of Kent with an interdisciplinary programme aimed at exploring the field of contemporary practice. Next year will see a module of the programme taught in Paris.

The ICA Student Forum continues to be a unique curatorial platform open to students, to propose and deliver projects on the ICA Public Programme. STOP PLAY RECORD, our initiative for young people aged 16-24, boasts a series of screenings, talks, workshops and practical sessions, helping emerging talent access a range of expert-led opportunities to establish and develop their skills. From January—March 2016 young people based in London will be able to apply to develop a film to completion in partnership with Bloomberg New Contemporaries, the Chisenhale Gallery, DAZED, Kingston University and SPACE who will provide a range of activities across the capital.

______Image credit: uncredited.

ICA Editions

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The ICA works in close collaboration with some of today’s most exciting artists to commission and produce beautiful and affordable limited editions and artworks. All editions are exclusive to the ICA and signed and numbered by the artist. Each is part of an innovative series with all proceeds supporting the ICA programme. ICA Members receive a 25% discount. Recent collaborations include Pawel Althamer, Cory Arcangel, Lutz Bacher, Neïl Beloufa, Judith Bernstein, Marc Camille Chaimowicz, Ryan Gander, Haroon Mirza, David Ostrowski, Viviane Sassen, Hito Steyerl, Juergen Teller and Imran Qureshi to name a few. Future editions are planned with artists Betty Woodman, Guan Xiao, James Richards and a very special selection of artists for the ICA 70th Anniversary editions.

In 1978 Sir Peter Blake, along with Patrick Caulfield and Allen Jones each designed bomber jackets (pictured above) to be sold to raise funds for the ICA. Made of brightly coloured polyethylene, and selling in 1978 for £6 each, these jackets were designed during the height of throwaway pop fashion. The back is emblazoned on the back with the words ‘THE I.C.A LIKES ART,’ and its sleeves bear the names of artists, from The Beatles to Joseph Cornell. The ICA is delighted to relaunch original Art Jaks editions after 37 years and they will be available for sale for £70 each just before Christmas. For more information please contact Ruta Radusyte: [email protected], 020 7766 1425 / ica.org.uk/shop/editions

______Image credit: Art Jaks. Photo: Mark Blower.