DOCSLIB.ORG

Max Kohn, Psychoanalyst, Senior Lecturer, Paris-7 University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Max Kohn, Psychoanalyst, Senior Lecturer, Paris-7 University DIMANCHE 7 MAI 2006 SUNDAY MAY 7, 2006 15h30-16h00: Max Kohn, Psychanalyste, Maître 3:30pm-4:00pm: Max Kohn, Psychoanalyst, Senior Après-midi Afternoon Matinée Morning Lieu: Auditorium Feldman, bâtiment 301, Where? Feldman Conference Centre (Building # 301), de conférences, Université Paris-7: «Une langue prend- Lecturer, Paris-7 University: “Does a language take on 14h00-14h 45: Juliette Hassine, Professeur de 2:00pm-2:45pm: Juliette Hassine, Professor, 9h00-9h30: Accueil par Mordechai Omer, 9:00 am-9:30 am: Welcoming by Mordechai Omer, Université Bar Ilan Bar Ilan University elle un visage?». a face?”. littérature comparée, Université Bar Ilan: «Les visages Department of Comparative Literature, Bar Ilan University: Directeur et conservateur en chef du Musée d'art de Tel Director and Chief-Curator of the Tel Aviv Museum of Visage, exil et métamorphose, Face, Exile and Metamorphosis 16h00-16h30: Discussion et pause 4:00pm-4:30pm: Debate and break de Swann: itinéraires et symboles». “Swann’s faces: itineraries and symbols”. Aviv, Professeur d'histoire de l'art, université de Tel Aviv, Art, History of Art Professor, Tel Aviv University and Survivance et réminiscence Survival and Remembrance 16h30-17h00: Robert Samacher, Psychanalyste, 4:30pm-5:00pm: Robert Samacher, Psychoanalyst, 14h 45-15h15: David Mendelson, Professeur de 2:45pm-3:15pm: David Mendelson, French and et ouverture de la journée Céline Masson, Anne Brun opening of the day by Céline Masson, Anne Brun and Maître de conférences, Université Paris-7: «Nez Juif». Senior Lecturer, Paris-7 University: “Jewish nose”. littérature et de culture française et méditerranéenne, Mediterranean Literature and Culture Department, et Michel Wolkowicz. Michel Wolkowicz. Le visage est un matériau d’interlocuteur, éveillant cette The Face is a material for the Interlocutor, bringing 9h30-10h00: Ofer Lellouche, Peintre: «De la 9:30am-10:00am: Ofer Lellouche, Painter: “About puissance de l’image et des métamorphoses qui up the power of image and metamorphosis that 17h00-17h30: Danièle Brun, Professeur de 5:00pm-5:30pm: Danièle Brun, Psychopathology Université de Tel Aviv: «Proust, Swann et le Visage de Professor, Tel Aviv University: "Proust, Swann and the symétrie», présenté par Michel Gad Wolkowicz, Symmetry”, presented by Michel Gad Wolkowitz, émergent avant tout du langage. En effet, que serait le are mostly created by language. What would psychopathologie, Université Paris-7: «L’amitié aux Professor, Paris-7 University: “Friendship has many l'Exil dans «La recherche » de Marcel Proust». Face of Exile in «La recherche » by Marcel Proust.”. souvenir sans visage et un visage sans nom, sans remembrance be without the Face? What would a multiples visages». faces”. Psychanalyste A.P.F. et Professeur associé aux Psychoanalyst A.P.F., Associated Professor at Paris, Tel 15h15-15h30: Discussion 3:15pm-3:30pm: Debate universités de Paris, Tel Aviv et Glasgow. Aviv and Glasgow Universities. «œuvre de sépulture »? La mémoire peut-elle se passer nameless Face be? Can remembrance exist without 17h30-18h00: Laurie Laufer, Psychanalyste, 5:30pm-6:00pm: Laurie Laufer, Psychoanalyst, 15h30 -16h00: Monique Jutrin, Maître de 3:30pm-4:00pm: Monique Jutrin, Senior Lecturer, des noms, des lieux, des figures qui, seuls, témoignent names, places, faces – for they alone testify of the 10h00-10h30: Sylvie Courtine-Denamy, Docteur 10:00am-10:30am: Sylvie Courtine-Denamy, Dr of Maître de conférences, Université Paris-7: «Romain Senior Lecturer, Paris-7 University: “Romain Gary or the conférences, département de français, Université de Tel French Language Department, Tel Aviv University, de l’insigne courage de se détacher de la masse? Le immense courage it takes to be different? The Face Gary ou les visages de l’apatride». faces of the apatrid”. en philosophie, chercheur associé au Centre d’histoire Philosophy, Associated Researcher at the Center of Aviv, présidente de la Société d'études Benjamin Fondane Director of the Cahiers Benjamin Fondane and President moderne et contemporaine des Juifs, EPHE (Ecole Jewish Modern and Contemporary History, EPHE (Ecole visage est, de façon paradigmatique, porteur de traces, bears, in a paradigmatical way, the traces - inactual 18h00-18h30: Conclusion par Eric Ghozlan et 6 :00pm-6 :30pm: Conclusion by Eric Ghozlan and condensations inactuelles des sédimentations et des condensations of sedimentations and changes - of et directrice des Cahiers Benjamin Fondane: «Un visage of the Benjamin Fondane Studies Society: "Just the face Pratique des Hautes Etudes): «Peindre l’impossible». Pratique des Hautes Etudes): “Painting the Impossible”. Michel Wolkowicz Michel Wolkowicz. transformations, des marques de l’histoire et de History’s and Experience’s marks, of Exile’s d’homme, tout simplement : visage, exil et poésie dans of a man : face, exile and poetry in L’Exode, by Benjamin 10h30-11h00: Sabine Kraenker, Maître de 10:30am-11:00am: Sabine Kraenker, Senior Lecturer, l’expérience, des stigmates de blessures d’exil. wounds. L’Exode de Benjamin Fondane». Fondane”. conférences, Université d’Helsinki, département des Helsinki University, Roman Languages Department: 16h00-16h30: Nelly Wolf-Kohn, Maître de 4:00pm-4:30pm: Nelly Wolf-Kohn, HDR Senior langues romanes: «En exil volontaire, visage de soi et “Voluntary exile: the face of the Self and the face of the Coordinateurs de la journée : Eric Ghozlan et Michel Day Coordinators: Eric Ghozlan and Michel Gad LUNDI 8 MAI 2006 MONDAY MAY 8, 2006 conférences HDR, Université Lille III, directrice de l’équipe Lecturer, Lille III University, ACT Team (Texts Analysis visage de l’autre». Other”. Gad Wolkowicz Wolkowicz. Lieu: Auditorium Feldman, bâtiment 301, Where? Feldman Conference Centre (Building # 301), de recherche ACT (Analyse et Critique des Textes): and Critics) Research Director: “Georges Perec: the scar 11h00-11h30: Discussion et pause 11:00am-11:30am: Debate and break Université Bar Ilan Bar Ilan University Matinée Morning «Georges Perec: la cicatrice ou le visage de l’exil». or the exile’s face”. 11h30-12h00: Itzhak Goldberg, Historien de l’art, 11:30am-12:00am: Itzhak Goldberg, Historian of Art, 8h00: Accueil des participants 8:00 am: Welcoming the participants 16h30-17h: Pause 4:30pm-5:00pm: Break Maître de conférences à Paris-10: «L’effacement du visage». Senior Lecturer, Paris -10 University: “Vanishing faces”. Le visage et l’exil dans le judaïsme Face and Exile in Judaism 12h00-12h30: Anne Brun, Maître de conférences 12:00am-12:30pm: Anne Brun, Senior Lecturer in 8h30: Ouverture officielle du colloque par le Prof. 8:30 am: Official opening of the Conference by the Dean 17h00-17h30: Bluma Finkelstein, Professeur de 5:00pm-5:30pm: Bluma Finkelstein, Literature L’apparence et l’intériorité. L’interdit de la représentation Appearance and Interiority. Representing the Face of en psychopathologie, Université Lumière, Lyon: «Visages Psychopathology, Lumière University, Lyon: “Faces in Dov Schwarz, Doyen de la Faculté des Lettres de of the Faculty of Humanities in Bar Ilan University, Prof. littérature, Université de Haïfa: «Paul, juif de l’exil - la Professor, Haifa University: “Paul, a Jew of the Exile - l’Université Bar Ilan et par Francine Kaufmann (Bar Dov Schwarz and Francine Kaufmann (Bar Ilan), Céline de la face de Dieu, les descriptions bibliques de la God is forbidden. Biblical descriptions of the Light of en exil dans la peinture d’Henri Michaux». exile in Henri Michaux’s painting”. Ilan), Céline Masson (Paris-7) et Michel Wolkowicz. Masson (Paris -7) and Michel Wolkowicz. lumière divine, la face non visible du divin. God, the hidden Face of God. dichotomie». the dichotomy”. 12h30-13h00: Asaf Gottesman, Architecte: 12:30pm-1:00pm: Asaf Gottesman, Architect: 9h00- 9h15: Eric Ghozlan, Psychanalyste, 9:00 am-9:15: Eric Ghozlan, Psychoanalyst, Coordinateurs de la journée : Francine Kaufmann et Day Coordinators: Francine Kaufmann and Abram 17h30-18h00: Rachel Weissbrod, Maître de 5:30pm-6:00pm: Rachel Weissbrod, Senior “Architecture as reflection” (en anglais). “Architecture as reflection” (lecture in English) directeur de la maison d’enfants de l’OSE-Draveil: "L'OSE, Director of the Children’s Home of OSE-Draveil: "OSE, Abram Coen. Coen. conférences, département de traductologie, Université Lecturer, Department of Translation Studies, Bar Ilan histoires et visages de l'exil à travers le siècle". histories and figures of exile through the century" Bar Ilan: «Le visage comme lieu de la dramaturgie : de University: ”The Face as the site of the Drama : the use Après-midi Afternoon 9h15-9h45: Shmuel Trigano, Professeur de 9:15 am-9:45 am: Shmuel Trigano, Sociology Matinée Morning l’usage du gros-plan dans deux films sur les rescapés of close-ups in two films about Holocaust survivors” 14h00-14h30: Céline Masson, Maître de 2:00pm-2:30pm: Céline Masson, Senior Lecturer, sociologie, Université de Nanterre: «Le visage est déjà Professor, Nanterre University: “The face is already an 8h45-9h00: Ouverture de la journée par 8:45am-9:00am: Opening of the day by Francine de la Shoah» (en hébreu). (In Hebrew). conférences, Université Paris-7 et Anne Brun, Maître Paris -7 University and Anne Brun, Senior Lecturer in un exil». exile”. 18h00-18h30: Tobie Théophile Nathan, 6:00pm-6:30pm: Tobie Théophile Nathan, de conférence en psychopathologie, Université Lumière, Psychopathology, Lumière University, Lyon: “The Self- 9:45 am-10:15 am: Gérard Rabinovitch, Sociologist, Francine Kaufmann Kaufmann. 9h45-10h15: Gérard Rabinovitch, Sociologue, Lyon:
Load more

Recommended publications
  • Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
    1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b.
    [Show full text]
  • Ofer Lellouche
    Ofer Lellouche 1947 Born in Tunisia 1960 Migrated to France 1966 Migrated to Israel Lives and works in Tel Aviv and Paris Education 1963-66 Mathematics and Physics, Saint Louis College , Paris 1969-71 Avni Institute of Art, Tel Aviv French Literature, Tel Aviv University, Tel Aviv 1971-75 Ecole des Beaux Arts, Paris Selected Solo Exhibitions 2006 Krugier Gallery, Art Basel Between sculpture and etching", Tefen Museum of Art, Israel 2001 Self-Portrait , Tel Aviv Museum of Art, Tel Aviv Landscapes , traveling exhibition of prints 1999 Galerie Mabel Semmler, Paris 1997 Museum of Fine Arts, Charters, France Galerie Mabel Semmler, Paris De Beyerd Museum, Breda, Holland n'abolira le hasard , The French Institute, Tel Aviv 1995 Galerie de I'Etoile , Mabel Semmler, Paris Kibbutz Nachson Gallery 1994 Ofer Lellouche , the Genia Schreiber University art Gallery, Tel Aviv University 1993 Calouste Gulbenkian Foundation, Center of Modern Art, Lisbon Three Works , Gordon Gallery, Tel Aviv 1991 Self-Portrait , Gordon Gallery, Tel Aviv 1990 Still-Life , Galleries des Platanes, Geneva 1988 Self-Portrait , Gordon Gallery, Tel-Aviv 1987 Prints 1975-1987 , the French Institute, Tel Aviv 1986 Misshkenot Sha'ananim, Jerusalem Nudes , Gordon Gallery, Tel Aviv 1985 Works '80-'85 , Atara Gallery, Tel Aviv 1984 Landscapes , Gordon Gallery, Tel Aviv 1982 Self-Portrait , Gordon Gallery, Tel Aviv 1980 Self-Portrait , Gordon Gallery, Tel Aviv 1975 Ben Uri Gallery, London 1974 Romi Goldmuntz Gallery, Antwerp Selected Group Exhibitions 2005 Ditesheim Krugier Art Gallery,
    [Show full text]
  • 2020 Juan Carlos Romero
    INTERNATIONAL REVIEW OF CONTEMPORARY PRINTS, BOOK AND PAPER | 24 YEARBOOK | 2020 Juan Carlos Romero Will there be time for me to make a mask in case I emerge from the shadows? 2000, digital print, 74 × 60 cm (Photo courtesy of the Romero heirs) CONTENTS (4) Argentine printmaking Dear readers, (Alicia Candiani) Although the new issue of Grapheion has been created during the coronavirus epidemic, you will not find in it any reflection on the effects of this disease, or rather (19) the consequences of the interventions against its spread on the activities of galleries, Antonio Berni museums or art schools. We leave this sad balancing to someone else, as we do the and Alfredo Benavídez Bedoya speculations that no transmission of the disease would quite likely occur in the vast (Pavel Štěpánek) spaces of modern art institutions. (22) I would like to introduce the new issue with encouraging news that the existing team Confluent Momentum. of Grapheion's workers has been joined by other colleagues. Alicia Candiani, a print Interviews with artists represented artist and the director of the Proyecto´Ace studio in Buenos Aires, Argentina, has at the LIGHT / MATTER exhibition responded to the call for cooperation with an article on the history and present of about their current work Argentine printmaking, its roots and changing role in times of dictatorship and (Tracy Templeton) regained freedom. And about the search for its specific position on the contemporary world art scene. (30) But it tastes good as a whole. Our leading Hispanist Pavel Štěpánek, an expert in Spanish and South American art An Interview with Martin Velíšek and culture, has also accepted the invitation to cooperate with us.
    [Show full text]
  • Important Israeli Art Auction Dan Tel Aviv Hotel 28 December 2011
    בס”ד IMPORTANT ISRAELI ART AUCTION DAN TEL AVIV HOTEL 28 DECEMBER 2011 בס”ד IMPORTANT ISRAELI PAINTINGS & SCULPTURES אמנות ישראלית, ציורים ופסלים חשובים Auction : Dan Tel Aviv Hotel, 28 December 2011, 7:30 pm VIEWING : Matsart Gallery, 15 Frishman St., Tel Aviv, +972-3-6810001 מכירה : פומבית מלון דן תל אביב, 28 דצמבר 2011, 19:30 תצוגה מקדימה : גלריה מצארט, רח' פרישמן 15, תל אביב, 03-6810001 יום ה' 15 דצמבר Thu 15 December 7 pm – 10 pm 19:00-22:00 יום ו' 16 דצמבר Fri 16 December 10 am – 2 pm 10:00-14:00 מוצ"ש 17 דצמבר Sat 17 December 7:30 pm – 11 pm 19:30-23:00 ימי א'-ד' 18-21 דצמבר Sun-Wed 18-21 December 11 am – 7 pm 11:00-19:00 יום ה' 22 דצמבר Thu 22 December 11 am – 10 pm 11:00-22:00 יום ו' 23 דצמבר Fri 23 December 10 am – 2 pm 10:00-14:00 מוצ"ש 24 דצמבר Sat 24 December 7:30 pm – 11 pm 19:30-23:00 ימי א'-ג' 25-27 דצמבר Sun-Tue 25-27 December 11 am – 7 pm 11:00-19:00 יום ד' )יום המכירה( 28 דצמבר Wed (auction day) 28 December 11 am – 1 pm 11:00-13:00 This auction is subject to conditions of sale as appear in this catalog. To the hammer price will be added 20% buyer’s premium + VAT where applicable. Lots with indicate that VAT will be added to the hammer price where applicable. המכירה הפומבית מתנהלת ע"פ תנאי המכירה כפי שהם מופיעים בקטלוג למחיר הפטיש יש להוסיף 20% עמלת קונה בתוספת מע"מ כחוק.
    [Show full text]
  • Journal 2000:Journal 2000 10
    THE CALIFORNIA PRINTMAKER THE JOURNAL OF THE CALIFORNIA SOCIETY OF PRINTMAKERS OCTOBER 2000 William Wolff, My Name is Legion (A Certain Man Which Had Devils), etching, 1975, 12˝ x 7˝ Inside: Reports from Japan, China, Taiwan, Australia, Canada, New York, Iceland, Eastern Europe, Ukraine, and Israel; Roy Ragle; Pacific Prints; William Wolff; and more… EDITOR’S NOTE JAPAN This issue of The California Printmaker has Printsaurus and the Nature and Status of Prints: taken on an international flavor, starting from an early suggestion by Linda Boyd, Artist Cooperatives in Japan our capable designer and general comput- By Koichi Kiyono er wizard (and long-time CSP member). It has been my pleasure to correspond First of all, I would like to share with you the social background in which the Japanese with—and in some cases, to speak direct- artist must struggle to express himself. Japanese society, as you may know, encourages ly to—all of our authors; and the whole conformity and punishes self-expression, and it is in terms of conformity and belonging experience from conception to culmina- to the group that the individual achieves selfhood, respectability, and credibility. I feel tion has been greatly stimulating and that it is very difficult for the Japanese artist to justify his position only through his indi- rewarding. We hope, therefore, that you vidual activity under these circumstances. Unfortunately our artistic expression is still not will find herein represented some fresh appreciated as a social necessity but is seen as economically useless by the general public. and novel viewpoints regarding print- There are two Japanese proverbs which illustrate the negative social attitude toward making and from printmaking societies art works.
    [Show full text]
  • Israeli & International
    ISRAELI & INTERNATIONAL ART 30 JUNE 2009 KING DAVID HOTEL JERUSALEM SUMMER AUCTION ISRAELI & INTERNATIONAL ART KING DAVID HOTEL JERUSALEM TUESDAY 30 JUNE 2009 8:00 PM AUCTION PREVIEW Preview in Tel Aviv Heh B'iyar Street 68, Kikar Hamedina Thursday, June 11-Friday, June 19, 2009 Sun-Thu 11 am – 10 pm Fri 10 am-4 pm Sat nite by appointment only Preview in Jerusalem Matsart Gallery, 21 King David St., Jerusalem Monday, June 22, 2009-Tuesday, June 30, 2009 Sun-Thu 11 am – 10 pm Fri 10 am-4 pm Sat nite 9:30 pm-12 am Tue June 30 (auction day) 11 am-2 pm Private viewing is available by appointment Online auction: www.artfact.com Online catalogue: www.artonline.co.il Auction 112, June 30, 2009 8 pm, King David Hotel, Jerusalem According to the international trend, we have adjusted the buyer’s premium. Please see Conditions of Purchase. בס"ד ימי תצוגה תערוכה מקדימה בתל אביב רח' ה' באייר 68, ככר המדינה 11 - 19 יוני 2009 ימי א'-ה' 11:00-22:00 יום ו' 10:00-16:00 מוצ”ש, לפי תאום מראש תערוכה מקדימה בירושלים גלריה מצארט-לוסיאן קריאף רח' דוד המלך 21, ירושלים 22 - 30 יוני 2009 ימי א'-ה' 11:00-22:00 יום ו' 11:00-16:00 מוצ”ש 21:30-24:00 יום המכירה 11:00-14:00 המכירה באינטרנט www.artfact.com הקטלוג באינטרנט www.artonline.co.il מכירה 112 30 יוני 2009 בשעה 20:00 מלון דוד המלך ירושלים בהתאם למקובל בעולם, עידכנו את עמלת הקונה. נא לעיין ב Conditions of Purchase מנהל ובעלים Director and Owner לוסיאן קריאף Lucien Krief מנכ”ל Executive Director אורי רוזנבך Uri Rosenbach [email protected] [email protected] מומחים Specialists אורן מגדל Oren Migdal מומחה לאמנות
    [Show full text]
  • Orientjerusalem
    ORIENT JERUSALEM Contemporary Art Collection 1 ORIENT JERUSALEM Contemporary Art Collection 4 CONTEMPORARY ART 9 ETCHINGS COLLECTION 67 ORIENT JERUSALEM BEZALEL SCULPTURE COLLECTION 97 Contemporary Art Collection INDEX 113 EXHIBITION Curator: Sharon Toval Hanging: Ilan Schwartz, Eviatar Toker Framing: Rea Ben David, Shevach Ben Yehuda Interior Design: HBA / Hirsch Bedner Associates Lighting: RTLD Lighting Design CATALOGUE Design & Production: BASMAN / TENENBAUM Editing: Esther Shalev - Isrotel Marketing Communications Manager English Translation: Kaleidoscope Copywriting Services Photography: All the artists featured in the art collection and Dima Valershtein, Yigal Pardo, Abraham Chai, Tal Nisim, Yoss Stybel, Elad Sarig, Dalia Kedem Gottlieb, Noa Bechner Published: September 2017 Measurements are given in centimeters ON THE COVER Amir Yatziv, Crusaders #39 (from the series “Crusaders”), 2014, archival pigment print, 95x75cm © 2017, Orient Jerusalem Hotel 2 3 ORIENT JERUSALEM: OPENING WORDS We are delighted to present this contemporary art collection catalogue curated for the Orient Jerusalem Hotel. Diverse and fascinating, the collection provides the ideal showcase for contemporary Israeli art. At Isrotel, we believe that art plays an essential role in creating the pleasant, harmonious hotel environment that enhances every guest's stay. From our perspective, the concept of "environment" is wide-ranging, and filled with a multitude of powerful associations. Beauty is central among these – a fact especially true of a hotel located in Jerusalem. We have dedicated ourselves to this beauty, and to the innate connection that exists between art and the environment. This connection is expressed, among other ways, in the wonderful, eclectic collection of Israeli art we have created for the hotel. With its many unique layers, Jerusalem provided the vital inspiration for the curation of this art collection.
    [Show full text]
  • Israeli & International Art King David Hotel Jerusalem
    ISRAELI & INTERNATIONAL ART KING DAVID HOTEL JERUSALEM 30 JUNE 2010 בס”ד sUMMER AUction isRAEli & intERnAtionAl ARt KING DAVID HOTEL JERUSALEM WEDnEsDAY 30 JUnE 2010 7:30 PM AUction PREViEW Preview in tel Aviv tel Aviv Hilton Gan Ha'atsmaut, Hayarkon st. 99 thursday 17 June-sunday 20 June 2010 opening reception thursday June 17, 2010 7:30-10:30 pm Fri 10 am-5 pm sat night 9:30 pm – 12 am sun 10 am – 8 pm Preview in Jerusalem Matsart Gallery, 21 King David st., Jerusalem Wednesday 23 June- Wednesday 30 June 2010 Wed 6-11 pm thu 11am-10 pm Fri 10 am-4 pm sat night 9:30 pm-12 am sun-tue 11 am-10 pm Wed 30 June (auction day) 11 am-1 pm Auction 115, 30 June 2010, 7 pm King David Hotel, Jerusalem Private viewing is available by appointment online auction: www.artfact.com online catalogue: www.artonline.co.il items marked v are imported and obligated in VAt on the entire sum AUction PREViEW Preview in tel Aviv tel Aviv Hilton Gan Ha'atsmaut, Hayarkon st. 99 thursday 17 June-sunday 20 June 2010 opening reception thursday June 17, 2010 7:30-10:30 pm Fri 10 am-5 pm sat night 9:30 pm – 12 am sun 10 am – 8 pm Preview in Jerusalem Matsart Gallery, 21 King David st., Jerusalem Wednesday 23 June- Wednesday 30 June 2010 Wed 6-11 pm thu 11am-10 pm Fri 10 am-4 pm sat night 9:30 pm-12 am sun-tue 11 am-10 pm Wed 30 June (auction day) 11 am-1 pm Auction 115, 30 June 2010, 7 pm King David Hotel, Jerusalem Private viewing is available by appointment online auction: www.artfact.com online catalogue: www.artonline.co.il items marked v are imported and obligated in VAt on the entire sum בס”ד ימי תצוגה תצוגה מקדימה בתל אביב מלון הילטון תל אביב, גן העצמאות, רח’ הירקון 99 17-20 ביוני 2010 פתיחה רשמית: יום ה’ 22:30 - 19:30 ו’ 17:00 - 10:00 מוצ”ש 24:00 - 21:30 א’ 20:00 - 10:00 תצוגה מקדימה בירושלים גלריה מצארט - לוסיאן קריאף רח' דוד המלך 21, ירושלים 23-30 ביוני 2010 יום ד’ 23:00 - 18:00 ה’ 22:00 - 11:00 ו’ 16:00 - 10:00 מוצ”ש 24:00 - 21:30 א’, ג’ 22:00 - 11:00 יום המכירה 13:00 - 11:00 מצארט - מכירת קיץ מס.
    [Show full text]
  • <I>Excavation Or the Law of Diminishing Returns</I>
    We Deserve Scheme Z and Excavation or the Law of Diminishing Returns Click here for Video (83.5 KB) click to enlarge We Deserve Scheme Z. This is a Reclamation Artists Project in 1990 at the height of public outcry against “the Big Dig” in Charlestown-a five tiered eight-lane expressway interchange, part of the Central Artery/Third Harbor Tunnel Project for Greater Boston. A gas pump contains a video monitor showing Boston rush-hour traffic with the audio track overdubbed several times until it sounds like babble. A dead bird covered in oil lays where the price per gallon is usually displayed. The word “Mobiline” is taken from Duchamp’s “love gasoline” the substance activating the Bride’s motor in his work “The Bridge Stripped Bare by her Bachelors, Even” in the Phildelphia Museum of Art. Excavation or the Law of Diminishing Returns. l994 Reclamation Artists project about the same highway system. North Point, Cambridge. Replicas of Duchamp’s Readymades appear to be strewn along an excavated highway. This installation is on the site of the (now under construction) Central Artery. The installation was intended to “disturb the peace” of Modernism as Duchamp had done and as the highway construction is presently doing. click images to enlarge Into the Vitrine click images to enlarge Marcel Duchamp, Interior view of Etant donnés: 1º la chute d’eau / 2º le gas d’éclairage (Given: 1. The Waterfall /2. The Illuminating Gas), 1946-66 Into the Vitrine The hand melted down in carbon like ash but veined palpably Fingers in a throttle and over all of course wax Into the vitrine it all went Visibility held its charms but oh so old And so closeted in glass no stench arose.
    [Show full text]