The Experiential Analysis of Woven Fabric for Reproduction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Influence of Ottoman Turkish Textiles and Costume in Eastern Europe, with Particular Reference to Hungary
m^mt&'i HISTORY, TECHNOLOGY, AND ART MONOGRAPH 4 P.S. m Ro -co 664 ;c\j no. 4 ; co |o s- I The Influence of ico Ottoman Turkish Textiles and Costume in Eastern Europe Digitized by the Internet Archive in 2012 with funding from Royal Ontario Museum http://archive.org/details/influenceofottomOOgerv The Influence of Ottoman Turkish Textiles and Costume in Eastern Europe with particular reference to Hungary History, Technology, and Art Monograph 4 The Influence of Ottoman Turkish Textiles and Costume in Eastern Europe with particular reference to Hungary Veronika Gervers Royal Ontario Museum Publication date: 5 October 1982 Suggested citation: ROM HTA Monogr. Royal Ontario Museum Publications in History, Technology, and Art The Royal Ontario Museum publishes two series in the fields of history, technology, and art: Monographs, a numbered series of original publications, and Papers, a numbered series of primarily shorter original publications. All manuscripts considered for publication are subject to the scrutiny and editorial policies of the Art and Archaeology Editorial Board, and may be subject to review by persons outside the museum staff who are authorities in the particular field involved. Royal Ontario Museum Art and Archaeology Editorial Board Chairman/Editor: A. J. Mills Associate Editor: E. J. Keall Associate Editor: M. Allodi The late Dr. Veronika Gervers was Associate Curator in the Textile Department of the Royal Ontario Museum. Cover: Detail of an embroidered cover. Turkish. 17th century. See Figures 32 and 33. Canadian Cataloguing in Publication Data Gervers, Veronika, 1939-1979. The influence of Ottoman Turkish textiles and costume in Eastern Europe (History, technology and art. -
Turkish Style: a Short Review from Ottoman Clothing and Textile Design in Sixteen Century Miniatures
Current Trends in Fashion Technology & Textile Engineering ISSN: 2577-2929 Short Communication Curr Trends Fashion Technol Textile Eng Volume 1- Issue 5 - December 2017 DOI: 10.19080/CTFTTE.2017.01.555571 Copyright © All rights are reserved by Şükriye Yüksel Turkish Style: A Short Review from Ottoman Clothing and Textile Design in Sixteen Century Miniatures Şükriye Yüksel* İnönü Cad, İTÜ Gümüşsuyu Kampüsü, Turkey Submission: October 16, 2017; Published: December 04, 2017 *Corresponding author: Şükriye Yüksel, Textile Tech & Design, İnönü Cad, İTÜ Gümüşsuyu Kampüsü, No 65 Taksim, Beyoğlu, Turkey, Tel: ; Email: Abstract th In this presentation, by examination of the Turkish painting art in 16 century Ottoman thminiatures, which is the most important evidence of Turkish clothing style, to display the taste of Ottoman Turks’s clothing and the textile design in the history. Unique beauty of the textile design and printing details of the Ottoman Caftans in the 16 century miniature collection provide information about the style and technique of fabrics in the history. The aim of this presantation may be the inspiration and enlighment to the new gener- ation textile trends through past, especially driven from the samples of Turkish miniature art and expose admired colors and the design of historicKeywords: clothing. Fashion history; Miniature art; Ottoman textiles; Caftans Introduction and admired by the other Countries in the World [1]. Textiles used as diplomatic gifts, produced in the Ottoman Empire with the beauty of its unique design and colors (Figure 1-3). Figure 1: Nakkaş Osman painted, Selim II. in his royal tent, re- ceiving the commander of Ottoman Army in Belgrade. -
Dear Stitchers, Looking for a Little Inspiration? Color, Texture and Pattern Are All Sparking Our Creativity This Month
KATHY'S KREATIONS 141 East Main Street Ligonier, PA 15658 724-238-9320 FEBRUARY 2015 UPDATE Dear Stitchers, Looking for a little inspiration? Color, texture and pattern are all sparking our creativity this month. This is the season when we turn inward, embracing those elements that make our home a welcome sanctuary against the longer nights and the chill of winter. Knit and crochet projects using rich colors of comforting yarn, plush textures and a mix of traditionally-inspired patterns all bring a sense of warmth. Color your world and bring substance to your wardrobe this winter! Laid-back outfits are elevated by mixing color and texture. Cozy classics in deep neutral tones create the perfect canvas to express yourself with "let it snow" accessories. TAHKI YARNS tonal cotton-wool blend "Zona" embodies casual elegance. A few bold tones can rejuvenate a neutral base, while keeping the overall palette simple and adjustable. Lightweight MIRASOL "Pagu Pura" 100% alpaca is fashionable without being trendy. Dream up your own combinations. Change it up with your mood. Make it your own. Discover rustic textures in beautiful tweeds and thick-and-thin yarns. Inspired by the notion that opposites attract, rustic textures create drama, depth, and a casual fashion sense with the added spice of luscious texture. Tweeds and marls can be an elegant canvas for your personal style, especially when paired with softer, more luxurious surfaces, from densely woven knits to delicate embroidery. On our shelves, you'll find new shades of BERROCO "Inca Tweed" and ROWAN "Felted Tweed Aran" for toasty mittens, hats and scarves. -
Effect of Twist on the Physical Properties of a Number 7S Yarn
EFFECT OF TWIST ON THE PHYSICAL PROPERTIES OF A NUMBER 7S YARN By F. R. McGowan, Charles W. Schoflstall, and A. A. Mercier ABSTRACT This investigation was made to determine the most suitable twist for manu- facturing the yarn to be used in the Pima post office bag investigation. Data were obtained on the relation of the twist to the breaking strength, diameter of the yarn, yarn count, contraction, and angle of twist. While these data were not sufficiently extensive to attempt to fix definite formula for these relations, it is thought that the tabular and graphical relation studied in this investigation will be useful for the cotton manufacturer. The most suitable twist for the yarn to be used in the Pima mail bags was found to be about 12 turns per inch. CONTENTS Page I. Introduction 85 II. Purpose 86 III. Method of manufacture 86 IV. Methods of test 87 1. Contraction 87 2. Yarn count 87 3. Diameter of yarn .. 87 4. Angle of twist 88 5. Breaking strength 89 V. Discussion of results 89 VI. Summary 95 I. INTRODUCTION There are many different ideas regarding the amount of twist 1 which should be given to a cotton yarn to serve any specific purpose. These opinions have been founded more or less on observation and fact, but sometimes they have no sound reasonable basis. For in- stance, the terms " hosiery twist," " warp twist," " filling twist," etc., are used with numerous ideas as to just what they comprise, for they vary considerably from mill to mill, and even within the organization of a single mill marked variations in practice occur. -
Modh-Textiles-Scotland-Issue-4.Pdf
A TEXTILES SCOTLAND PUBLICATION JANUARY 2013 AN ENCHANTING ESCAPE IN SCOTLAND FABULOUS FABRIC AND DETAILED DESIGN FASHION FOUNDRY NURTURING SCOTTISH TALENT contents Editor’s Note Setting the Scene 3 Welcome from Stewart Roxburgh 21 Make a statement in any room with inspired wallpaper Ten Must-Haves for this Season An Enchanting Escape 4 Some of the cutest products on offer this season 23 A fashionable stay in Scotland Fabulous Fabric Fashion Foundry 6 Uncovering the wealth of quality fabric in Scotland 32 Inspirational hub for a new generation Fashion with Passion Devil is in the Detail 12 Guest contributor Eric Musgrave shares his 38 Dedicated craftsmanship from start to fi nish thoughts on Scottish textiles Our World of Interiors Find us 18 Guest contributor Ronda Carman on why Scotland 44 Why not get in touch – you know you want to! has the interiors market fi rmly sewn up FRONT COVER Helena wears: Jacquard Woven Plaid with Herringbone 100% Merino Wool Fabric in Hair by Calzeat; Poppy Soft Cupsilk Bra by Iona Crawford and contributors Lucynda Lace in Ivory by MYB Textiles. Thanks to: Our fi rst ever guest contributors – Eric Musgrave and Ronda Carman. Read Eric’s thoughts on the Scottish textiles industry on page 12 and Ronda’s insights on Scottish interiors on page 18. And our main photoshoot team – photographer Anna Isola Crolla and assistant Solen; creative director/stylist Chris Hunt and assistant Emma Jackson; hair-stylist Gary Lees using tecni.art by L’Oreal Professionnel and the ‘O’ and irons by Cloud Nine, and make-up artist Ana Cruzalegui using WE ARE FAUX and Nars products. -
Woven Fabrics
Fabric – Woven Fabrics WOVEN FABRICS Fabrics are made of yarns by weaving them in different combinations. It is mostly done by interlacing two sets of yarn or thread made of fibers called the warp and weft of the loom. It only stretches in the bias directions, between the warp and weft directions, unless the threads are elastic. Lengthwise stronger vertical yarns with more twist are Warp or Picks while widthwise filling yarns are termed as weft or ends. Sidewise edge of fabric is termed as Selvedge. THREE BASIC WEAVES There are three main types of weave: Plain, Twill and Satin Plain weave is a basic weave which is made when the thread is woven on one up and one down principle, some plain weave fabrics are Chambray, Chiffon, Gingham, and Organza etc. Twill weave is made when the thread is placed by varying the order of interlacing the yarns so that diagonal parallel lines are produced across the fabric. Satin Weave is a weave made when each warp yarn floats over four filling yarns and interlaces with fifth filling yarn. Plain weave Twill weave Satin weave Fabric – Weft Knit Fabrics Knitted Fabrics Knitting is the process of construction of a fabric by interlocking loops of yarn by means of hooked needles. Knitted fabric consists of horizontal rows known as courses and vertical columns of loops known as Wales. Knitted fabrics are porous having insulated air pockets giving warmth when worn. Knitted fabrics are very absorbent, wrinkle resistant and lightweight. They shrink more than woven fabrics unless shrink- proofing techniques are used. -
Functional Textile Technologies Spring 2021 Power up Your Textiles with Heiq’S High-Performance Technologies
Functional Textile Technologies Spring 2021 Power up your textiles with HeiQ’s high-performance technologies HeiQ Smart Temp – Intelligent thermoregulation Article No. Product Name Description Properties Application Fiber Type Chemical Basis Charge / Form Provides enhanced thermal Durable dynamic evapo- Exhaust & pad All Special hydro functiona- Nonionic / comfort, keeps moisture from ration and cooling effect (1-4% w.o.f.) lized copolymer Liquid 17907 HeiQ Adaptive AC-06 accumulating between fabric adjusted according to and the skin tem- perature. Overall enhanced performance Provides enhanced thermal Durable dynamic evapo- Exhaust & pad Mainly for synthetics, Hydro-functionalized Nonionic / comfort, keeps moisture from ration and cooling effect (1-3% w.o.f.) PES and PES rich fiber resin polymer Liquid 17902 HeiQ Adaptive AC-03 accumulating between fabric adjusted according to blends and the skin temperature Highly effective in enhancing Breakthrough dual-effect Print application All Thermofunctional Nonionic / thermal comfort for a wide technology, combining (20-40 g/m2) polymer, vegetable oil Liquid range of textiles, especially cooling on contact and derived 19602 HeiQ Cool Touch SWS bedding. More than 50% continuous evaporative bio-based materials, in USDA cooling effect, soft hand- certification in process. feel, good hydrophilicity Application recommendations Polyester (PES) – HeiQ Adaptive AC-06 in combination with: Article No. Product Name Description Properties Application Fiber Type Chemical Basis Charge / Form Soft/cool touch with wicking, Resistant to mild washing, Exhaust & pad PES & blends, also on Ethoxylated carboxylic Nonionic / antistatic and soil release pro- no yellowing if separately (1-6% w.o.f.) polyamide acid Liquid emulsion 16205 HeiQ Hydro SHF perties on synthetics applied, color intensifica- tion in print pastes 8 Polyamide (PA) – HeiQ Adaptive AC-06 in combination with: Article No. -
M.Tech Program in Textile Engineering (First Year) W.E.F
D. K .T. E. Society’s Textile and Engineering Institute, Ichalkaranji (An Autonomous Institute) Department of Textiles DKTE Society’s TEXTILE & ENGINEERING INSTITUTE Rajwada, Ichalkaranji - 416115 (An Autonomous Institute) Curriculum (Structure and Syllabus) for M.Tech Program In Textile Engineering (First Year) w.e.f. August 2019 Ichalkaranji. Page 1 D.K.T.E. Society’s Textile and Engineering Institute, D. K .T. E. Society’s Textile and Engineering Institute, Ichalkaranji (An Autonomous Institute) Department of Textiles M. Tech. (Textile Engineering) Semester – I – Structure Teaching Scheme Sr. Course Name of the Course Group Theory Tutorial Practical Credit No. Code Hrs / Hrs / Hrs / Total week week week 1 TEL 501 High performance Fibres D 3 3 3 Advanced Computer Programming 2 TEL 502 D 3 3 3 and Applications 3 TEL 503 Theory of Textile Structures D 3 3 3 4 TEL EL1 Elective-I D 3 3 3 5 TEL EL2 Elective - II D 3 3 3 6 TED 511 Mini Project -I F 7* 7 7 Total 15 7 22 22 * Mini project involves field trials, experimental work, hence it is considered as full credit List of Electives -I List of Electives -II TEL551 Advanced Yarn Manufacturing TEL554 Advanced Fabric Manufacturing TEL552 Advanced Chemical Processing TEL555 Surface Treatment of Textiles TEL553 Apparel Engineering TEL556 Fibre Reinforced Composite Ichalkaranji. Page 2 D.K.T.E. Society’s Textile and Engineering Institute, D. K .T. E. Society’s Textile and Engineering Institute, Ichalkaranji (An Autonomous Institute) Department of Textiles M. Tech. (Textile Engineering) Semester – II – Structure Teaching Scheme Sr. Course Name of the Course Group Theory Tutorial Practical Credit No. -
The Effect of Air, Ar and O2 Plasmas on the Electrical Resistivity And
fibers Article The Effect of Air, Ar and O2 Plasmas on the Electrical Resistivity and Hand-Feel Properties of Polyester/Cotton Blend Fabric Baye Berhanu Yilma 1,2, Joern Felix Luebben 2,* and Govindan Nalankilli 1 1 Ethiopian Institute of Textile and Fashion Technology [EiTEX], Bahir Dar University, Bahir Dar 644, Ethiopia; [email protected] (B.B.Y.); [email protected] (G.N.) 2 Material and Process Engineering [MPE], Albstadt-Sigmaringen University, 72458 Albstadt, Germany * Correspondence: [email protected]; Tel.: +49-(0)-7571-732-9565 Received: 20 December 2019; Accepted: 13 February 2020; Published: 24 February 2020 Abstract: The conventional chemical-based antistatic agents possess ecological and technological drawbacks, such as altering the bulk characteristics, flammability, and toxicity, but not the cost effective process. Recently, using conductive metal fibers in the woven structure also affects the mechanical properties of the fabric. To overcome these challenges, plasma treatment needs to be quite an effective method. In this study, polyester/cotton (P/C), 65/35%, blend fabric was treated in a vacuum-plasma-chamber using air, argon and oxygen. The electro-physical property of the samples were evaluated by measuring the surface and volume resistivities (ρs, ρv) using textile electrode Tera Ohmmeter (TO-3). Textile Softness Analyzer (TSA) has also been used to investigate hand-feel properties of the fabric. After treatment, the results revealed that the surface resistivity was reduced by 35.5% in the case of O2, 27.3% for air and 18.4% for Ar, and also volume resistivity was decreased by 40.9%, 20.3% and 20% after O2, air and Ar-plasma, respectively, whereas hand-feel properties are slightly affected at a higher power level and treatment time. -
Yarn 101 with Fancy Tiger
Yarn 101 with Fancy Tiger Chapter 1 - Introduction Overview (inspiring music) - Hi, I'm Jaime. - And I'm Amber. We're from Fancy Tiger in Denver, Colorado. We have a craft shop and in our shop we carry a lot of different yarns. We really love different fibers and different types of yarn. We're going to tell you today a little bit about what we look for in a yarn. - It can be intimidating and overwhelming sometimes to go into a yarn shop and see all of the different types of yarns that are available. So, today in Yarn 101, we're gonna teach you everything we know about yarn. We're gonna teach you how it's made, what to look for when picking out yarn for a project, what the different gauges are, what the different fibers are, the difference between plant fibers and protein fibers. - We'll cover a little bit of everything about yarn. (inspiring music) Chapter 2 - Natural Fibers Yarn overview - We're gonna talk about how yarn is made. This is a piece of fiber and yarn is made from lots of different fibers and it's the same whether it's a plant fiber or a protein fiber like wool. As you can see, when it's just in the fiber form, it is very easy to pull apart. So in order to make yarn twist is added to the fiber. And by adding twist it then makes it really strong. This is how yarn is made. - This is called a single. -
Recording, Digital Restoration Andtextile Facsimile
RECORDING, DIGItaL RESTORatION AND TEXTILE FacsIMILE OF A VERDURE taPESTRY at MUSEO CERRALBO, MADRID Location: Stove room at Museo Cerralbo, Madrid Author: Anonymous Dated: 18th century Mesurements: 283 x 437 cm Materials: Wool and silk Description: Tapestry fragment with a central composition consisting in two birds (a ma- caw and a peacock), framed with a traditional verdure decoration of plants, flowers and trees aligned to the vanishing point, with a landscape of mountains and a stream in the distance. CONTENTS 1.The tapestry at the Cerralbo Museum 3 2. Moving the Tapestry 4 3. Photographic documentation before cleaning process 6 4. Condition Report 9 5. Treatment 13 6. Colour Digitalisation 15 7. Composite Image Stitching 18 8. Lucida 3D Scanner 19 9. Digital Restoration 22 10. Printing 25 11. Colour recovery 36 1. THE TAPESTRY AT THE CERRALBO MUSEUM The Cerralbo Museum was originally a palace, built in the 19th century by the Marquis of Cerralbo, established as both a family residence and a gallery in which to exhibit their collection. The Marquis donated his palace, along with its collections, to Patrimonio Nacional. Due to poor conditions, some pieces had to be removed from their original location within the palace. This was the case for this verdure tapestry which could be found hanging as a curtain ‘in order to create a dark and romantic atmosphere’. The Instituto del Patrimonio Cultural de España commissioned Factum Arte to make a facsimile that would hang in the tapestry’s original location. The project was divided into five steps: -Cleaning the original tapestry at the Real Fábrica de Tapices. -
Yarn Support Programme AW 20-21
Yarn Support Programme AW 20-21 The Fibre Co. are seeking applications from independent designers for its 7th Yarn Support Programme for Autumn Winter 2020-21. We welcome submissions from designers of all races, sexualities, gender expressions, abilities, ages and body sizes. For this request we are looking for garment designs for our new brushed yarn Cirro and sock designs for our new sock yarn Amble. Interested and looking for some inspiration? We’ve put together amood board of what inspires us – remember, we are also interested in what inspires you! The Details The designer will be responsible for all aspects of self-publishing the pattern to an agreed timescale (including technical editing, test knitting, layout, photography and marketing). The Fibre Co. will provide designers with full yarn support for selected designs. We will also work with you to promote your designs to our customers and yarn shops where appropriate. All designs published with yarn support from this programme will be self-published by the designer. The designer retains full rights. The Fibre Co. will request use of images to promote the designs and collaboration where appropriate. Everyone we work with is expected to follow our Code of Conduct, so please kindly read it before submitting your design. Key Dates The deadline for submission of design proposals is 17th April 2020. We will be in touch by 30th April 2020 if your design has been selected. The publishing deadline should fall between August 2020 and February 2021. Final time lines will be agreed once your design has been accepted. Submission Requirements Please submit a one-page pdf with the following details: • Photographs of your knitted swatches showing 2 full repeats of any stitch patterns or texture work used.