Brainy Quote “Suggestions That Are Not Motivating” ~ Xavier Dolan
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Heartbeats and the Rise of Xavier Dolan
BIG NEWS: Celebrities | Britney Spears | LeAnn Rimes | Lindsay Lohan | Tribeca Film Festival | More... News Web Like 276K April 24, 2011 | Log In | Sign Up FRONT POLITICS BUSINESSENTERTAINMENTMEDIA TECH COMEDYSPORTS STYLE WORLD FOOD LIVING IMPACT EDU LOCAL PAGE ENTERTAINMENT MEDIA COMEDY MUSIC TV CELEBRITY KIDS MOVIEFONE Get Alerts Michael Giltz BIO Get Email Alerts Freelance writer and raconteur Become a Fan Bloggers' Index PHOTO GALLERIES Posted: February 24, 2011 12:11 PM Heartbeats and the Rise of Xavier Dolan PHOTOS: The Miranda Kerr & Inspiring Funny Hot Scary Outrageous Amazing Weird Crazy Funniest People Orlando Bloom Not On Twitter Step Out To 'The Read More: Cannes Film Festival , Gay , Heartbeats , Heartbeats Movie , I KIlled My Mother , Toronto International Film Festival , Xavier Dolan , Entertainment News Sometimes, a director can become a film festival star SHARE THIS STORY long before they reach the general public. Usually, it means their work is so esoteric or avant-garde that it's The Funniest Weekly Roundup of just not likely to ever appeal to a mainstream audience. Someecards For eBay Vintage 3 42 7 3 (See Apichatpong Weerasethakul, the very definition of Easter 2011 Clothing Finds an art house director.) But in the case of Canadian writer, director and actor Xavier Dolan it's just a curious case of missed opportunities by distributors and Get Entertainment Alerts audiences. Dolan is clearly a major talent who makes FOLLOW US movies that smart audiences will embrace. They just Sign Up need the chance to see his work. That's finally happening with Heartbeats, his sexy, witty second film Submit this story that's opening on Friday at the IFC Center in New York. -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Claude Jutra Filmographie Et Témoignages D EZE RO COPIEIIRC 3| E Z I RC D I= 7 E R O
SEPTEMBRE 1987 • NO 33 Claude Jutra filmographie et témoignages D EZE RO C O PIEIIRC 3| E z i RC d i = 7 E R O Direction:/ / Pierre Jutras, Pierre Véronneau. Remerciements pour leur collaboration spé ciale: Louise Beaudet, Jacques Blanchette, Toute reproduction (textes ou photos) est interdite sans autorisation de l’éditeur. Gisèle Côté, Marc-Antoine Daudelin, Carmelle Les auteurs conservent l’entière responsabilité de leurs textes et ne représentent pas nécessairement les opinions de la revue. Gaudet, Luc Gauvreau, Suzanne Guèvremont, COPIE ZÉRO est publié par la Cinémathèque québécoise avec l’aide du Ministère des Affaires culturelles du Québec Gilles Janson, Lucie Joyal, Mimi Jutras, Jacques et du Conseil des Arts du Canada. * * * * * * COPIE ZÉRO est membre de l’Association des éditeurs de périodiques culturels québécois et est distribué par Diffu Larocque, Nicole Laurin, Bernard Lutz, D. John sion Parallèle. Tumer. Composition et impression: Les Presses Solidaires. Dépôt légal: Bibliothèque nationale du Québec. Troisième trimestre 1987. ISSN 0709-0471. Et un merci particulier à tous les auteurs des Courrier de deuxième classe. Enregistrement no: 1688 textes qui figurent dans ce numéro. COPIE ZÉRO est indexé dans l’International Index to Film Periodicals publié par la Fédération internationale des Archives du Film et dans le Film Literature Index. Choix des photos: Alain Gauthier. Adresse: COPIE ZÉRO Conception graphique: Andrée Brochu. Cnémfhèque québéco^^^^^^HjjH 335, boulevard de Maisonneuve est Montréal, Québec H2X 1 Kl - Tél. (514) 842-9763 m m m m m m m m m j „ i.V - ’jF ' - - . ,,-^ÊÊÊJÊÊSSÈÊËÊki^.. En couverture: Claude Jutra. Photo Guy Schiele, 1979 En couverture dos: Photogramme de PIERROT DES BOIS Intérieur de la couverture dos: Photo Paul Gélinas. -
NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
News Release. Piers Handling Announces 2018 Will Be His
September 2, 2017 .NEWS RELEASE. PIERS HANDLING ANNOUNCES 2018 WILL BE HIS FINAL YEAR AT TIFF Handling leaves behind unparalleled legacy of accomplishments and innovation TORONTO – Piers Handling, Director and CEO of TIFF, announced today 2018 will be his final year leading the Toronto International Film Festival®. After almost 25 years at the helm of one of Canada’s most important cultural organizations Piers will leave behind an unparalleled legacy of accomplishments and innovation. “Because of Piers’ leadership, TIFF is the leading cultural organization it is today, with a global reach and impact,” said Jennifer Tory, Chair of the Board of Directors of TIFF. “We are all indebted to him for his years of vision, innovation and dedication to the art of film.” Handling’s tenure at TIFF has been both ground-breaking and prolific, with career highlights including: Growing TIFF from a 10-day event into a thriving year-round arts organization with global impact; Leading the Festival into the top tier of internationally recognized film events; Leading and mentoring a strong and seasoned team of executives and management and a passionate and dedicated staff; Supporting the careers of many Canadian and international filmmakers, including David Cronenberg, Atom Egoyan, Deepa Mehta, Guy Maddin, Denys Arcand, Denis Villeneuve, Jean-Marc Vallee, François Girard, Xavier Dolan, Michael Haneke, Danny Boyle, Kathryn Bigelow, Nanni Moretti, Agnieszka Holland, Abbas Kiarostami, Alfonso Cuarón, Jonathan Glazer, Antoine Fuqua, Pedro Almodóvar, Aki Kaurismäki, Patricia Rozema, Jennifer Baichwal, Guillermo Del Toro, Steven Soderbergh; and many others. Leading the campaign to design, fund and build TIFF Bell Lightbox, a permanent home for TIFF and film, now a cornerstone of engaging and innovative programming for audiences and professionals, here and around the world. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
I Killed My Mother
presents I KILLED MY MOTHER Canada / 96 min. / Color and Black & White / 1.85:1 / Dolby Digital / French w/English subtitles A Kino Lorber Release Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 Publicity Contacts: Rodrigro Brandão (212) 629-6880 ext. 12 [email protected] Matt Barry (212) 629-6880 ext. 31 [email protected] Synopsis I KILLED MY MOTHER is a semi-autobiographical first feature film by then 20-year-old Xavier Dolan. The film follows Huber Minel (Xavier Dolan), a 16-year-old Quebecois living in suburban Montreal with his mother, Chantale (Anne Dorval). On his way out of the closet, Huber struggles to communicate with Chantale, and their relationship grows increasingly tumultuous. In an effort to fill the void, he begins to increasingly rely on his boyfriend, Antonin, and teacher, Ms. Cloutier. Finding himself increasingly unable to express his feelings to Chantale, Huber channels his frustrations into painting, writing, and short films. When his grades begin to slip, Chantale enlists Huber's absent father to enroll him in boarding school. Feeling betrayed, Huber is unable to come out to his mother, even as he encounters violent homophobic bigotry. Huber plots a final confrontation, having Antonin spring him from boarding school to meet Chantale at their former family home. Director Bio Set to finish his fourth feature film before his 25th birthday, Xavier Dolan wrote, produced, directed, and starred in his first feature, I KILLED MY MOTHER, when he was only 20-years- old. Dolan wrote the semi-autobiographical film when he was 16 about his tumultuous relationship with his real-live mother and the process of coming out of the closet. -
Anne Dorval Comédienne
ANNE DORVAL COMÉDIENNE TÉLÉVISION 2020 STAR ACADÉMIE Professeur Production: Les Productions Déferlantes Diffusion: TVA 2019 MOUCHE Rôle: Marraine Réalisation: Jeanne Herry Production: Banijay Studios France et Mascaret Films Diffusion: Canal+ 2016-2018 BYE BYE Rôle: Rôles multiples Réalisation: Simon Olivier Fecteau, François St-Amant Production: A Média, KOTV, ICI Radio-Canada Télé Diffusion: ICI Radio-Canada Télé 2018 LÉO Rôle: Jessica Réalisation: Jean-François Chagnon Production: Encore Télévision Diffusion: Club Illico 2008-2016 LES PARENT Rôle: Nathalie Réalisation: Louis Choquette, Pierre Théoret, Martin Talbot Production: La Presse Télé Diffusion: Société Radio-Canada 2012-2013 LES BOBOS Rôle: Sandrine Réalisation: Marc Labrèche Production: Zone 3 Diffusion: Télé-Québec 2009 TOUT SUR MOI IV Rôle: Elle-même Réalisation: Stéphane Lapointe Production: Productions Trio Diffusion: Société Radio-Canada 2004-2007 LE COEUR A SES RAISONS Rôle: Ashley et Criquette Réalisation: Alain Chicoine Production: Zone 3 Diffusion: TVA 2004 DÉTECT.INC. Rôle: Cynthia Réalisation: François Gingras Production: Émergence Internationale Diffusion: Société Radio-Canada 2003-2004 RUMEURS Rôle: Valérie Réalisation: Pierre Théorêt Production: Sphère Média Plus Diffusion: Société Radio-Canada 2002-2003 EMMA Rôle: Angèle Fortin Réalisation: Stéphane Joly Production: Point de Mire Diffusion: TVA 2002 GRANDE OURSE Rôle: Catherine Laplante Réalisation: Patrice Sauvé Production: Point de Mire Diffusion: Société Radio-Canada 2001-2003 LE GRAND BLOND AVEC UN SHOW SOURNOIS -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Cinema Canada/25 = • F I L M 5 T U D I E 5 •
• F I L M 5 , u D I E 5 • ral shF -- by Louis Goyette ~ like to reestablish Jutra's motives for moving to Toronto to work for the CBC. After the release of Wow in 1969, (Translated by Tom Waugh) Jutra shared'his thoughts with a Quebec critic: he death of Claude Jutra represe?ts "Tbe simple fact of wanting to make an immense loss for the Canadian films in Quebec is a political act. It's Tfilm world. His name is associated only here that Ifeel myself, I belong here first and foremost with Mon Oncle An and it's here that I can find my identity. toine (1971), considered to this day as T couldn't create elsewhere. And when the best Canadian film ever. This film we demand the right to makefilms here was also acclaimed by the international at home, we demand the control not press, with prizes garnered abroad as only of our cinema, but also of our well as in Canada. Jutra's renown was country.") based primarily on films he shot in These comments might seem surpris Quebec: Tout prendre (1963), Wow A ing considering that Jutra made several (1969), Kamouraslfi (1973) and La films outside of Quebec. All the same, we Dame en couleurs (1985) are works must remember the social and political that have earned a central place in the 5l context Quebec was plunged into dur Canadian film repertory. § ing those years. Nationalist feelings were It is important, however, to remember ~ stronger than ever before in Quebec cul that Jutra had a brief but important ~ ture, Think of Charlebois's songs from career in English Canada, and the princi- :g that period or of the appearance of other pal goal of this article is to assess the <3 deeply nationalist popular music. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
As Promised, Faculty, Admin, and Tech Have All Been Coming up with Works to Watch While Shuttered Inside (In the Physical, and Not Psychological, Sense)
As promised, Faculty, Admin, and Tech have all been coming up with works to watch while shuttered inside (in the physical, and not psychological, sense). We will have more forthcoming from other members of the department, I’d hope next week, to get you through the exam period and beyond. The range below is eclectic, at times challenging, and most of all fun of all sorts. A lot of the material is easily streamable and/or downloadable; I’m sure there are other ways you can find material too. We hope you find stuff here to get you through the days and nights and days and nights and days and nights. We are all in this together, so feel free to come up with lists (on your own, or even better, get together digitally and socialize) of works you think faculty, admin, and techs ought to be watching. Teach us something and make it a two- way street! UPDATE, April 14: See below for new recommendations from Adonay, Tama, and Karine! Films for Students: From Karine Here is my Top Ten list of Road Movies (from around the world) to watch while in Quarantine (Traveling without risk): 1. Traveling to France: Agnes Varda's Faces Places (2017). 2. Traveling to Germany: Wim Wenders' Kings of the Road (1976). 3. Traveling to New Zealand: Taika Waititi's Hunt for the Wilderpeople (2016). 4. Traveling to Mexico: Alfonso Curaon's Y Tu Mama Tambien (2001) 5. Traveling to Argentina: Lucrecia Martel's La Mujer Sin Cabeza (2008) 6. Traveling to Australia: Ivan Sen's Beneath Clouds (2002) 7.