DOCSLIB.ORG

Chart-Chronology Singles and Albums

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chart-Chronology Singles and Albums www.chart-history.net vdw56 PDF-files with all chart-entries plus covers on https://chart-history.net/chart-chronologie/ RUSH Chart-Chronology Singles and Albums 1976 Germany United Kingdom From the 1950ies U S A to the current charts compiled by Volker Dörken Chart - Chronology The Top-100 Singles and Albums from Germany, the United Kingdom and the USA Rush Rush was a Canadian rock band formed in Toronto in 1968, consisting of Geddy Lee (bass, vocals, keyboards, composer), Alex Lifeson (guitars, composer), and Neil Peart (drums, percussion, lyricist). After its formation in 1968, the band went through several configurations before arriving at its classic power trio lineup with the addition of Peart in 1974, who replaced original drummer John Rutsey right after the release of their self-titled debut album, which contained their first radio hit, "Working Man". This lineup had remained intact for the duration of the band's career. Singles 15 5 --- --- Longplay 31 25 13 --- B P Top 100 Top 40 Top 10 # 1 B P Top 100 Top 40 Top 10 # 1 xxx --- --- --- --- 11 17 6 --- --- 13 12 4 --- --- 3 24 17 8 --- 21 8 1 --- --- 2 30 24 12 --- Singles D G B U S A 1 Fly By Night/In The Mood 01/1977 88 2 Closer To The Heart 02/1978 36 11/1977 76 3 The Spirit Of Radio 03/1980 13 02/1980 51 4 Limelight 03/1981 55 5 Vital Signs / A Passage To Bangkok 03/1981 41 6 Tom Sawyer 10/1981 25 06/1981 44 7 Closer To The Heart [live] 12/1981 69 8 New World Man 09/1982 42 09/1982 21 ► # 1 - Hit in Canada 9 Subdivsions 10/1982 53 10 Countdown / New World Man 05/1983 36 11 The Body Electric 05/1984 56 12 The Big Money 10/1985 46 11/1985 45 13 Time Stand Still 10/1987 42 14 Prime Mover 04/1988 43 15 Roll The Bones 03/1992 49 Longplay D G B U S A 1 2112 05/1976 61 2 All The World's A Stage 10/1976 40 3 A Farewell To Kings 10/1977 22 09/1977 33 4 Hemispheres 11/1978 14 12/1978 47 5 Permanent Waves 06/2020 47 01/1980 3 02/1980 4 ►The album entered the German charts not before June 2020 6 Moving Pictures 02/1981 3 03/1981 3 ►# 1 - Album in Canada 7 Exit Stage Left ... 11/1981 6 11/1981 10 8 Signals 09/1982 3 10/1982 10 9 Grace Under Pressure 05/1984 43 04/1984 5 05/1984 10 10 Power Windows 11/1985 9 11/1985 10 Rush created: 06.08.2021 vdw56 page 1 www.chart-history.net Rush 11 Hold Your Fire 10/1987 34 11/1987 10 09/1987 13 12 A Show Of Hands 01/1989 35 01/1989 12 01/1989 21 13 Presto 12/1989 60 12/1989 27 12/1989 16 14 Chronicles 10/1990 42 09/1990 51 15 Roll The Bones 09/1991 35 09/1991 10 09/1991 3 16 Counterparts 11/1993 88 10/1993 14 11/1993 2 17 Test For Echo 09/1996 45 09/1996 25 09/1996 5 18 Different Stages - Live 11/1998 35 19 Vapor Trails 06/2002 20 05/2002 38 06/2002 6 20 The Spirit Of Radio - Greatest Hits 1974 - 1987 03/2003 45 21 Rush In Rio 11/2003 33 22 Feedback (EP) 07/2004 59 07/2004 68 07/2004 19 23 Snakes & Arrows 05/2007 29 05/2007 13 05/2007 3 24 Snakes And Arrows - Live 05/2008 63 04/2008 70 05/2008 18 25 Retrospective 3 - 1989 - 2008 03/2009 47 26 Time Machine 2011 - Live In Cleveland 11/2011 58 11/2011 70 11/2011 54 27 Clockwork Angels 06/2012 11 06/2012 21 06/2012 2 ►# 1 - Album in Canada 28 Vapor Trails - Remixed 10/2013 54 10/2013 35 29 Clockwork Angels Tour [DVD] 11/2013 45 30 Clockwork Angels Tour - Live 11/2013 82 11/2013 65 12/2013 33 31 R40 Live 12/2015 49 12/2015 47 12/2015 24 Rush created: 06.08.2021 vdw56 page 2 www.chart-history.net Month of 1st Entry Peak+wks # 1: DE GB USSingles‐Chart‐History Regarding Singles Top 100 ‐ Entries Rush 1 2 3 4 01/1977 88 11/1977 36 76 02/1980 13 51 03/1981 55 Fly By Night/In The Mood Closer To The Heart The Spirit Of Radio Limelight 5 6 7 8 03/1981 41 06/1981 25 44 12/1981 69 09/1982 42 21 Vital Signs / A Passage To Tom Sawyer Closer To The Heart [live] New World Man Bangkok 9 10 11 12 10/1982 53 05/1983 36 05/1984 56 10/1985 46 45 Subdivsions Countdown / New World Man The Body Electric The Big Money 13 14 15 10/1987 42 04/1988 43 03/1992 49 Time Stand Still Prime Mover Roll The Bones Month of 1st Entry Peak+wks # 1: DE GB USAlbum‐Chart‐History Regarding Albums Top 100 ‐ Entries Rush 1 2 3 4 05/1976 61 10/1976 40 09/1977 22 33 11/1978 14 47 2112 All The World's A Stage A Farewell To Kings Hemispheres 5 6 7 8 01/1980 47 3 4 02/1981 3 3 11/1981 6 10 09/1982 3 10 Permanent Waves Moving Pictures Exit Stage Left ... Signals 9 10 11 12 04/1984 43 5 10 11/1985 9 10 09/1987 34 10 13 01/1989 35 12 21 Grace Under Pressure Power Windows Hold Your Fire A Show Of Hands 13 14 15 16 12/1989 60 27 16 09/1990 42 51 09/1991 35 10 3 10/1993 88 14 2 Presto Chronicles Roll The Bones Counterparts Month of 1st Entry Peak+wks # 1: DE GB USAlbum‐Chart‐History Regarding Albums Top 100 ‐ Entries Rush 17 18 19 20 09/1996 45 25 5 11/1998 35 05/2002 20 38 6 03/2003 45 Test For Echo Different Stages ‐ Live Vapor Trails The Spirit Of Radio ‐ Greatest Hits 1974 ‐ 1987 21 22 23 24 11/2003 33 07/2004 59 68 19 05/2007 29 13 3 04/2008 63 70 18 Rush In Rio Feedback (EP) Snakes & Arrows Snakes And Arrows ‐ Live 25 26 27 28 03/2009 47 11/2011 58 70 54 06/2012 11 21 2 10/2013 54 35 Retrospective 3 ‐ 1989 ‐ 2008 Time Machine 2011 ‐ Live In Clockwork Angels Vapor Trails ‐ Remixed Cleveland 29 30 31 11/2013 45 11/2013 82 65 33 12/2015 49 47 24 Clockwork Angels Tour [DVD] Clockwork Angels Tour ‐ Live R40 Live .
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Apr-May 1980
    MODERN DRUMMER VOL. 4 NO. 2 FEATURES: NEIL PEART As one of rock's most popular drummers, Neil Peart of Rush seriously reflects on his art in this exclusive interview. With a refreshing, no-nonsense attitude. Peart speaks of the experi- ences that led him to Rush and how a respect formed between the band members that is rarely achieved. Peart also affirms his belief that music must not be compromised for financial gain, and has followed that path throughout his career. 12 PAUL MOTIAN Jazz modernist Paul Motian has had a varied career, from his days with the Bill Evans Trio to Arlo Guthrie. Motian asserts that to fully appreciate the art of drumming, one must study the great masters of the past and learn from them. 16 FRED BEGUN Another facet of drumming is explored in this interview with Fred Begun, timpanist with the National Symphony Orchestra of Washington, D.C. Begun discusses his approach to classical music and the influences of his mentor, Saul Goodman. 20 INSIDE REMO 24 RESULTS OF SLINGERLAND/LOUIE BELLSON CONTEST 28 COLUMNS: EDITOR'S OVERVIEW 3 TEACHERS FORUM READERS PLATFORM 4 Teaching Jazz Drumming by Charley Perry 42 ASK A PRO 6 IT'S QUESTIONABLE 8 THE CLUB SCENE The Art of Entertainment ROCK PERSPECTIVES by Rick Van Horn 48 Odd Rock by David Garibaldi 32 STRICTLY TECHNIQUE The Technically Proficient Player JAZZ DRUMMERS WORKSHOP Double Time Coordination by Paul Meyer 50 by Ed Soph 34 CONCEPTS ELECTRONIC INSIGHTS Drums and Drummers: An Impression Simple Percussion Modifications by Rich Baccaro 52 by David Ernst 38 DRUM MARKET 54 SHOW AND STUDIO INDUSTRY HAPPENINGS 70 A New Approach Towards Improving Your Reading by Danny Pucillo 40 JUST DRUMS 71 STAFF: EDITOR-IN-CHIEF: Ronald Spagnardi FEATURES EDITOR: Karen Larcombe ASSOCIATE EDITORS: Mark Hurley Paul Uldrich MANAGING EDITOR: Michael Cramer ART DIRECTOR: Tom Mandrake The feature section of this issue represents a wide spectrum of modern percussion with our three lead interview subjects: Rush's Neil Peart; PRODUCTION MANAGER: Roger Elliston jazz drummer Paul Motian and timpanist Fred Begun.
    [Show full text]
  • Rush Three of Them Decided to - Geddy Recieved a Phone Reform Rush but Without Call from Alex
    history portraits J , • • • discography •M!.. ..45 I geddylee J bliss,s nth.slzers. vDcals neil pearl: percussion • alex liFesDn guitars. synt.hesizers plcs: Relay Photos Ltd (8); Mark Weiss (2); Tom Farrington (1): Georg Chin (1) called Gary Lee, generally the rhythm 'n' blues known as 'Geddy' be­ combo Ogilvie, who cause of his Polish/Jewish shortly afterwards also roots, and a bassist rarely changed their me to seen playing anything JUdd, splitting up in Sep­ other than a Yardbirds bass tember of the sa'l1le year. line. John and Alex, w. 0 were In September of the same in Hadrian, contacted year The Projection had Geddy again, and the renamed themselves Rush three of them decided to - Geddy recieved a phone reform Rush but without call from Alex. who was in Lindy Young, who had deep trouble. Jeff Jones started his niversity was nowhere to be found, course by then. In Autumn although a gig was 1969 the first Led Zeppelin planned for that evening. LP was released, and it hit Because the band badly Alex, Geddy an(i John like needed the money, Geddy a hammer. Rush shut them­ helped them out, not just selves away in their rehe­ providing his amp, but also arsal rooms, tUfned up the jumping in at short notice amp and discovered the to play bass and sing. He fascination of heavy was familiar with the Rush metaL. set alreadY, as they only The following months played well-known cover were going toJprove tough versions, and with his high for the three fYoung musi­ voice reminiscent of Ro­ cians who were either still bert Plant, he comple­ at school or at work.
    [Show full text]
  • Geddy Lee DI-2112 Signature
    POWER REQUIREMENTS •Utilizes two (2) standard 9V alkaline batteries (not included). NOTE: Input jack activates batteries. To conserve energy, unplug when not in use. Power Consumption: approx. 55mA. Geddy Lee Signature •USE DC POWER SUPPLY ONLY! Failure to do so may damage the unit and void warranty. DC Power Supply Specifications: SansAmp DI-2112 -18V DC regulated or unregulated, 100mA minimum; -2.1mm female plug, center negative (-). •Refer to “Power Considerations” in Noteworthy Notes on page 8. WARNINGS: • Attempting to repair unit is not recommended and may void warranty. • Missing or altered serial numbers automatically void warranty. For your own protection: be sure serial number labels on the unit’s back plate and exterior box are intact, and return your warranty registration card. ONE YEAR LIMITED WARRANTY. PROOF OF PURCHASE REQUIRED. Manufacturer warrants unit to be free from defects in materials and workmanship for one (1) year from date of purchase to the original pur - chaser and is not transferable. This warranty does not include damage resulting from accident, misuse, abuse, alteration, or incorrect current or voltage. If unit becomes defective within warranty period, Tech 21 will repair or replace it free of charge. After expiration, Tech 21 will repair defective unit for a fee. ALL REPAIRS for residents of U.S. and Canada: Call Tech 21 for Return Authorization Number . Manufacturer will not accept packages without prior authorization, pre-paid freight (UPS preferred) and proper insurance. FOR PERSONAL ASSISTANCE & SERVICE: Contact Tech 21 weekdays from 9:00 AM to 5:00 PM, EST. Hand-built in the U.S.A.
    [Show full text]
  • Orpe=Civ= V=Kfdeq Italic Flybynightitalic.Ttf
    Examples Rush Font Name Rush File Name Album Element Notes Working Man WorkingMan.ttf Rush Logo, Album/Song RUSH Working Man Titles Fly By Night, regular and FlyByNightregular.ttf. orpe=civ=_v=kfdeq italic FlyByNightitalic.ttf Caress Of Steel CaressOfSteel.ttf Rush Logo, Album Title Need to Photoshop to get the correct style RUSH CARESS OF STEEL Syrinx Syrinx.ttf Rush Logo, Album/Song RUSH 2112 Titles ALL THE WORLD'S A STAGE (core font: Arial/Helvetica) Cover text Arial or Helvetica are core fonts for both Windows and Mac Farewell To Kings FarewellToKings.ttf Rush Logo, Album/Song Rush A Farewell To Kings Titles Strangiato Strangiato.ttf Rush Logo Similar to illustrated "Rush" Rush Hemispheres Hemispheres.ttf Album Title Custom font by Dave Ward. Includes special character for "Rush". Hemispheres | RUSH THROUGH TIME RushThroughTime RushThroughTime.ttf Album Title RUSH Jacob's Ladder JacobsLadder.ttf Rush Logo Hybrid font PermanentWaves PermanentWaves.ttf Album Title permanent waves Moving Pictures MovingPictures.ttf Rush Logo, Album Title Same font used for Archives, Permanent Waves general text, RUSH MOVING PICTURES Moving Pictures and Different Stages Exit...Stage Left Bold ExitStageLeftBold.ttf Rush Logo RUSH Exit...Stage Left ExitStageLeft.ttf Album Title Exit...Stage Left SIGNALS (core font: Garamond) Album Title Garamond, a core font in Windows and Mac Grace Under Pressure GraceUnderPressure.ttf Rush Logo, Album Title, Upper Case character set only RUSH GRACE UNDER PRESSURE Song Titles RUSH Grand Designs GrandDesigns.ttf Rush Logo RUSH Grand Designs Lined GrandDesignsLined.ttf Alternate version Best used at 24pt or larger Power Windows PowerWindows.ttf Album Title, Song Titles POWER WINDOWS Hold Your Fire Black HoldYourFireBlack.ttf Rush Logo Need to Photoshop to get the correct style RUSH Hold Your Fire HoldYourFire.ttf Album Title, Song Titles HOLD YOUR FIRE A Show Of Hands AShowofHands.ttf Song Titles Same font as Power Windows.
    [Show full text]
  • Focus Group 7/26/10 1 FOCUS GROUP for the CITY of NEW BERLIN CITY CENTER JULY 26, 2010 Ted Wysocki, Alderman District 2 Welcome
    Focus Group 7/26/10 FOCUS GROUP FOR THE CITY OF NEW BERLIN CITY CENTER JULY 26, 2010 Ted Wysocki, Alderman District 2 welcomed everyone to the Focus Group gathering. Carolyn Esswein and Mark Smith, GRAEF gave a power point presentation which can be found on the City’s website www.newberlin.org . Ms. Esswein asked for questions or comments: Ms. Esswein - How many use the library once a month? A show of hands indicated a few people did. Ms. Esswein - Do you use any of the other businesses in the area? A show of hands indicated a few people did. Ms. Esswein - Are you using services located throughout the entire City Center like where the new Sendik’s is going in, where the Walmart is? Focus Group Comment - Pick ‘n Save, Super Cuts, Subway, Dry Cleaner, Chinese Restaurant, Chumley’s Pub, Print Shop, Bank, Walmart, Hirschloffs, Great Wraps, Vision Cener, Dentist were places mentioned as places or services used in City Center. Sit down, white tablecloth restaurants where someone could entertain a client was indicated as something desired in City Center. Parking and Traffic Ms. Esswein - What is it you like about the area around the library? Is it easy to park when you go to Walmart or Pick ‘n Save? Focus Group Comment – Yes, it is very easy to park. Ms. Esswein – Is it easy to park in the area by Sendik’s? Focus Group Comment – Yes, it is easy to park. Ms. Esswein – Is it easy to park in the area by Great Wraps? Focus Group Comment – No.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Book > Deluxe Guitar TAB Collection Authentic
    PK8C8FRUTC \ Deluxe Guitar TAB Collection Authentic Guitar TAB Authentic Guitar-Tab Editions / Book Deluxe Guitar TA B Collection A uth entic Guitar TA B A uth entic Guitar-Tab Editions By Staff Alfred Music. Paperback. Condition: New. 220 pages. Dimensions: 11.8in. x 8.9in. x 0.6in.This collection, covering 30 years in the career of the most successful and influential progressive rock band in history is a tribute to Rushs brilliant guitarist Alex Lifeson, one of the fathers of the progressive rock guitar genre. The book contains 22 prog-rock classics commencing in the mid-70s and concluding with chart success Snakes and Arrows, all in complete TAB. Titles: The Big Money Closer to the Heart Distant Early Warning Dreamline Far Cry Fly by Night Freewill Ghost of a Chance The Larger Bowl Limelight New World Man One Little Victory Red Barchetta Show Dont Tell The Spirit of Radio Subdivisions Test for Echo The Trees Tom Sawyer Vital Signs Working Man YYZ. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Perfect Paperback. READ ONLINE [ 1.16 MB ] Reviews Completely essential read through publication. It normally does not expense excessive. It is extremely diicult to leave it before concluding, once you begin to read the book. -- Morris Cruickshank Here is the best pdf i actually have go through till now. We have study and i also am certain that i am going to planning to go through once again once more in the future. You will not sense monotony at at any time of the time (that's what catalogs are for regarding in the event you question me).
    [Show full text]
  • Getting to the Heart of Cultural Safety in Unama'ki
    Getting to the Heart of Cultural Safety in Unama’ki: Considering kesultulinej (Love) De-Ann Sheppard Cape Breton University Cite as: Sheppard, D. M. (2020). Getting to the Heart of Cultural Safety in Unama’ki: Considering kesultulinej (Love). Witness: The Canadian Journal of Critical Nursing Discourse, Vol 2 (1), 51-65 https://doi.org/ 10.25071/2291-5796.57 Abstract Reflecting upon my early knowledge landscapes, situated within the unceded Mi’kmaq territory of Unama’ki (Cape Breton, Nova Scotia), living the Peace & Friendship Treaty and the teachings of Mi’kmaw Elders, I contemplate the essential relationship with land and language, specifically, kesultulinej (love as action) and etuaptmumk (two-eyed seeing) to Cultural Safety. I recognize my position, privilege, and Responsibility in teaching and learning about the contextual meanings of Cultural Safety, situated in specific Indigenous terrains and in relation with the land, across time, and relationships. Critical reflection on my story and experiences challenge me to consider why and how Maori nursing theorizations of Cultural Safety have been indoctrinated into the language of national nursing education by the Canadian Association of Schools of Nursing (CASN), Canadian Nurses Association (CNA) and most provincial nursing regulatory bodies; this is increasingly relevant as nursing education is progressively shaped by neoliberal and Indigenizing agendas. As I contemplate wrapping Cultural Safety with kesultulinej, I see the potential to decolonize nursing. Mi’kmaw teachings of etuaptmumk and kesultulinej call forth Responsibilities to act, and in doing so move us into a space of potential to resist the colonizing forces within nursing. In this moment I realize the interconnected meaning of being amidst these relationships that matter to me as a person and as a nurse; relationships that are marked by love, care and compassion.
    [Show full text]
  • With the End in Sight, We Detail the Pros and Cons of Our Cascade Audio Install by JAMES MILES • PHOTOGRAPHY by PATRICK HILL and the AUTHOR
    PART SALE 3 With the end in sight, we detail the pros and cons of our Cascade Audio install BY JAMES MILES • PHOTOGRAPHY BY PATRICK HILL AND THE AUTHOR 2 1 L In our last L This month we got rolling report on this sub- with a spray-in sound deaden- ject, we had just er called VB-1X. Using the finished spraying SG-1 gun (available from Cascade Audio’s Cascade Audio, see photo ThermaGuard into above) the installation was the interior of our as easy—and as simple to C4 project car, The clean up—as last month’s Son of Zombie. For ThermaGuard application. more on this job, see the July issue. We sprayed the rear hatch area first, followed by the floor, transmission tunnel, and firewall. L 3 60 VETTE MAGAZINE • AUGUST 2006 www.vetteweb.com the July issue, we lined the inside of our project ’87 with Cascade Audio’s ThermaGuard to help keep the heat out of Inthe cockpit. This month, we took the install to the next level, with Cascade’s VB-1X, a spray-on sound deadener that’s similar to a truck-bed coat- ing. The volume differences were instantly notice- able, and thanks to a Radio Shack-issue decibel meter and the Neil Peart drum solo “Der Trommler,” we know the extent of the changes. Following the final coat of VB-1X, we went a step further and added some of Cascade’s V-Max material to the trouble areas inside the C4— namely, the transmission tunnel, rear hatch, and B-pillar.
    [Show full text]
  • No Permanent Waves Bbbbbbbbbbbbbbbbbbbbbbb
    No Permanent Waves bbbbbbbbbbbbbbbbbbbbbbb No Permanent Waves Recasting Histories of U.S. Feminism EDITED BY NANCY A. HEWITT bbbbbbbbbbbbbbbbbbbbbbb RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY, AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA No permanent waves : recasting histories of U.S. feminism / edited by Nancy A. Hewitt. p. cm. Includes bibliographical references and index. ISBN 978‒0‒8135‒4724‒4 (hbk. : alk. paper)— ISBN 978‒0‒8135‒4725‒1 (pbk. : alk. paper) 1. Feminism—United States—History. 2. First-wave feminism—United States. 3. Second-wave feminism—United States. 4. Third-wave feminism—United States. I. Hewitt, Nancy A., 1951‒ HQ1410.N57 2010 305.420973—dc22 2009020401 A British Cataloging-in-Publication record for this book is available from the British Library. This collection copyright © 2010 by Rutgers, The State University For copyrights to previously published pieces please see first note of each essay. Pieces first published in this book copyright © 2010 in the names of their authors. All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. Please contact Rutgers University Press, 100 Joyce Kilmer Avenue, Piscataway, NJ 08854‒8099. The only exception to this prohibition is “fair use” as defined by U.S. copyright law. Visit our Web site: http://rutgerspress.rutgers.edu Manufactured in the United States of America To my feminist friends CONTENTS Acknowledgments xi Introduction 1 NANCY A. HEWITT PART ONE Reframing Narratives/Reclaiming Histories 1 From Seneca Falls to Suffrage? Reimagining a “Master” Narrative in U.S.
    [Show full text]
  • GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
    - 802135 MAY 1986 $2.50 Inside This Issue: A SPECIAL Billy Idol's STEVE STEVENS (not -so-secret) CASSETTE Secret See Page 54 Weapon For Details THE CARS' RUSH'S ELLIOT GEDDY EASTON 'LEE Master Of The ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON The Wat m Tone Of A TEXAS TWISTER PLUS: Lonnie Mack Albert Collins Roy Buchanan , 'Tony MacAlpine o Curtis Mayfield MORE BASS, MORE SPACE IN THE MODERN WORLD Power Windows is the best Rush albutn in years because the band ----and the bass---- has returned to the roots of its sound ... tneticulously. BY JOHN SWENSON It has been a long, vertiginous and damn exciting roller coaster ride for Rush over the past decade-and-a-half. The group has gone from being unabashed Led Zeppelinites to kings of the concept album to the thinking man's heavy metal band to an uneasy combination of eighties record­ ing styles and seventies relentlessness. One thing Rush has never done is rest on its collective laurels-bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart have always been the first to point out the band's shortcomings when they feel legitimate deficiencies have surfaced. Accordingly, Lee was quick to admit his dissatisfaction with the band's last album, Grace Under Pressure , even though the record , which went platinum, has con­ solidated the band's position as one of Mercury/Polygram's most important acts. "We realized with Grace Under Pres­ sure ," said Lee on completion of the new album , Power Windows, "that we were not a techno-pop band.
    [Show full text]