038329 Freaky Friday Insert.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

038329 Freaky Friday Insert.Pdf JENNIFER PERRY (Choreographer) has been teaching Ballet and JEFF MOCKUS (Sound Designer) has designed sound for Center OUR SPONSORS Theatre classes for over 25 years. She was lucky to have studied REP’s Women In Jeopardy, A Christmas Carol, Tenderly: The and trained with her grandmother, Lareen Fender at The Ballet Rosemary Clooney Musical, Life Could Be a Dream, Old Wicked Chevron (Season Sponsor) has been the leading corporate sponsor of School Performing Arts. Directing Credits Include: Billy Elliot, Gypsy Songs, Xanadu, Marvelous Party, Cabaret, Ain’t Misbehavin’, Center REP and the Lesher Center for the Arts for the past eleven years. (Shellie Award), Joseph and the Amazing.., A Chorus Line (BATCCA), Musical of Musicals: The Musical!, Hank Williams Lost Highway, In fact, Chevron has been a partner of the LCA since the beginning, CENTER REPERTORY COMPANY OKLAHOMA! (Shellie Award), 42nd Street, and Guys and Dolls all for Around the World In 80 Days, and The Marriage of Figaro. Among providing funding for capital improvements, event sponsorships Michael Butler, Artistic Director Scott Denison, Managing Director Contra Costa Musical Theatre. Red Hot and Cole for Role Players his recent work are TheatreWorks Silicon Valley’s The Bridges and more. Chevron generously supports every Center REP show Ensemble. Choreography Credits include: Billy Elliot, Gypsy, The Of Madison County, The Four Immigrants: An American Musical throughout the season, and is the primary sponsor for events including Music Man (Shellie Award) Les Miserables (CCMT), 25th Annual Manga, Rags, and Crimes of the Heart, as well as The Western the Chevron Family Theatre Festival in July. Chevron has proven itself Stage’s Young Frankenstein, In the Heights, and Bloody Bloody not just as a generous supporter, but also a valued friend of the arts. Putnam County Spelling Bee (Center REP) Sweet Charity (Center Andrew Jackson. Mr. Mockus served as San Jose Repertory REP), Xanadu (Center REP, Shellie Award) Joseph and the Amazing. Theatre’s Resident Sound Designer for over 70 productions, Diablo Regional Arts Association (DRAA) (Season Partner) is both (Shellie Award), Hairspray (BATCCA, Shellie Award), A Chorus Line including The Haunting Of Winchester, Nixon’s Nixon, Mary’s the primary fundraising organization of the Lesher Center for the (BATCCA), Cinderella (Shellie Award Winner), Disney's Beauty and Wedding, and Thunder Knocking On The Door. He has credits with Arts (LCA) and the City of Walnut Creek’s appointed curator for the The Beast, Annie, Sound of Music, Titanic the Musical and many American Conservatory Theater, California Shakespeare Theatre, LCA’s audience outreach. DRAA’s role in the community is all about other original pieces. Favorite roles include: Cassie (A Chorus Line), Berkeley Repertory Theatre, Shakespeare Santa Cruz/Santa building partnerships with the focused goal of enhancing artistic Frenchy (Grease), Bonnie Jean (Brigadoon), Louise (Carousel), Mary Cruz Shakespeare, Utah Shakespearean Festival, and Oregon quality at the LCA and providing opportunities for everyone to enjoy Warren (Crucible), Jennie Mae (Diviners), Ghost of Christmas Past Shakespeare Festival. the arts. Through partnerships with the LCA and its producers, (A Christmas Carol) Shellie Nominee, Suzy Hendrix (Wait Until Dark) individual donors, corporate and foundation sponsors and the City and Bonnie (Anything Goes, Shellie Award). Jennifer is a proud KATHLEEN J. PARSONS* (Stage Manager) is excited to be doing of Walnut Creek, DRAA plays a vital role in advancing the arts for the member of Fantasy Forum Actor's Ensemble www.fantasyforum.org another show with Center REPertory Company. Companies she betterment of the community. Please visit us online at www.draa.org. and is thrilled to be going into her 23rd year of teaching for Center has worked for include Rubicon Theatre Company, Access Theatre, REP's Young REP Acting Training Program, where she serves as co- North Shore Music Theatre, American Conservatory Theatre, The Lesher Foundation (Foundation Sponsor) As the namesake family director of the Musical Theatre Program. Jennifer is the Casting Pasadena Playhouse, Berkeley Repertory Theatre, Teatro Zinzanni, for the Lesher Center for the Arts, the Lesher Foundation has provided Director for Center REPertory Company. Jennifer is the owner and the American Musical Theatre of San Jose, San Jose Rep, and the funding to Center REP and the Lesher Center since the Center National Theatre of the Deaf. Kathleen was also the Production opened in 1990. Their support has had a profound impact on the BOOK BY MUSIC BY LYRICS BY director of Lareen Fender's The Ballet School Performing Arts which Manager for the California International Theatre Festival. is home to the Performing Arts Studio. www.theballetschool.org quality of Center REP’s productions and has greatly enhanced the #LiveJoyCreateHope MICHAEL BUTLER (Artistic Director) This is Michael’s twelfth experience for Center REP’s audiences. Grant-making decisions BRIDGET CARPENTER TOM KITT BRIAN YORKEY season as Artistic Director of Center REP, where his directing are based on the vision of Dean and Margaret Lesher who felt KELLY JAMES TIGHE (Scenic Designer) has a number of Off- credits include Women in Jeopardy, Baskerville, ‘Art,’ Anything quality education, diverse art programs, and healthy children and Based on the novel Freaky Friday by Broadway and national tour credits including Martin Luther on Goes, Clybourne Park, Real Housewives of Walnut Creek, and To families are the building blocks of a strong and vibrant community. Kill a Mockingbird, as well as the Shellie and BATCC Award-winning MARY RODGERS Trial, Shadowlands, The Most Reluctant Convert, The Great Divorce, ABOUT CENTER REPERTORY COMPANY. The Fantasticks, Almost Heaven, Movin’ Out, Shear Madness and productions of Around the World in 80 Days, A Midsummer Night’s and The Disney Films Cats. His regional theatre credits include Paper Mill Playhouse, Dream, Enchanted April, and Witness For The Prosecution. His Center REP is the resident, professional theatre company of the Fingerlakes Musical Theater Festival, San Jose Repertory Theatre, directing work has also been seen at San Jose Rep, Cleveland Lesher Center for the Arts. Our season consists of six productions a Laguna Playhouse, Center REPertory Company, Arts Center Playhouse, Seattle Rep, Laguna Playhouse, ACT in Seattle, Marin year – a variety of musicals, dramas and comedies, both classic and Scenic Designer Costume Designer Lighting Designer of Coastal Carolina, Sacramento Theatre Company, Gateway Theatre Company, Aurora Theatre Company, San Jose Stage, contemporary, that continually strive to reach new levels of artistic Shakespeare Santa Cruz, and The Juilliard School, of which he excellence and professional standards.. Kelly James Tighe Victoria Livingston-Hall Kurt Landisman Playhouse, Broadway By the Bay, Contra Costa Musical Theatre, is a graduate. As an actor, Michael has worked on Broadway Diablo Theatre Company and Ray of Light Theatre. Kelly’s theatrical (Macbeth with Glenda Jackson and Christopher Plummer and Our mission is to celebrate the power of the human imagination work is published in the textbook Scene Design and Stage Lighting Two Shakespearean Actors), Off Broadway (Roundabout, The Sound Designer Stage Manager and his work as an illustrator has been published in "Mooseltoe, by producing emotionally engaging, intellectually involving, and Public Theatre), in regional theatres (The Guthrie, Arena Stage, visually astonishing live theatre, and through Outreach and Education A Moose and a Dream." Awards and recognitions include the San Long Wharf), film and television, as well as in REP’s productions Jeff Mockus Kathleen J. Parsons* Francisco Bay Area Theatre Critics Circle, DramaLogue and the programs, to enrich and advance the cultural life of the communities of Mirandolina!, The Mousetrap, Noises Off and Rumors. He is a we serve.. Shellie Awards. kjtdesign.com published songwriter and the co-writer and composer of numerous music-theatre pieces, which have been produced in NY, LA, and at What does it mean to be a producing theatre? We hire the finest Cast VICTORIA LIVINGSTON-HALL (Costume Designer) Work at Center festivals in India and Morocco. In his career as a performer he has professional directors, actors and designers to create our productions REP includes Altar Boyz, Baskerville: A Sherlock Holmes Mystery, also danced with the Erick Hawkins Dance Company, portrayed at Center REP. These are not touring productions – they’re conceived Dave J. Abrams Tyler Patrick Hennessy Bryan Munar Anything Goes, Mirandolina, Deathtrap, The 25th Annual Putnam the villainous Pierre LeChance on “The Guiding Light," and played and developed here, the sets and costumes are built in our shops, and County Spelling Bee, Xanadu (Shellie Award) The Underpants, Arms guitar and harmonica in many rock, blues, and country western the actors rehearse in our rehearsal hall. Whether the production is a Noel Anthony* Aubri No'Eau Kahalekulu Alison Quin and The Man, Smokey Joe’s Café, Boeing Boeing, She Loves Me bands at all the notable dives in NYC. Bay Area premiere or a Shakespearean classic, each is devised to be a Nick Quintell (BACC Award), Dracula, Noises Off, Witness for the Prosecution Andrea Dennison-Laufer Michael McCarty SCOTT DENISON (Managing Director) has been the General one of a kind, artistic creation that will be a unique theatre experience (Shellie Award), and Cabaret (Shellie Award and BACC Award). Work Manager for the Lesher Center for the Arts since it opened 26 years for our audience. Nathan Richardson in London includes, “The Long Hard Goodbye”- film, “Olympia” at Lynda DiVito* Katrina Lauren McGraw* ago and has worked for the Arts in this area for over 43 years. Scott What does it mean to be a professional theatre? It means that all the Baron’s Court Theatre, “S.N.U.B.”- feature film-Angry Badger has directed over 150 productions, including The Wizard of Oz, the Mark Farrell* Olivia Jane Mell* Justin Sabino Pictures, “Striklem”, The National Film and Television School, British our artists and artisans are career theatre-practitioners.
Recommended publications
  • 033101 Roa Insert.Indd
    2010) and an Arty Award for Intimate Apparel (Solano and performed in NY, LA, and at festivals in India and ABOUT CENTER REPERTORY COMPANY College Theatre, 2008) In addition to her design Morocco. In his career as a performer he has also danced Center REP is the resident, professional theatre company work, Rebecca teaches costume and theatre classes with the Erick Hawkins Dance Company, portrayed the of the Lesher Center for the Arts. Our season consists of CENTER REPERTORY COMPANY at Solano Community College and has worked at The villainous Pierre LeChance on “The Guiding Light”, and six productions a year – a variety of musicals, dramas and Utah Shakespeare Festival, Cincinnati Playhouse in the played guitar and harmonica in many rock, blues, and comedies, both classic and contemporary, that continually Michael Butler, Artistic Director Scott Denison, Managing Director Park and The University of Michigan. Rebecca was the country western bands at all the notable dives in NYC. strive to reach new levels of artistic excellence and costume shop manager for The Solano College Theatre professional standards. presents Association from 2005 to 2014. She holds a BA in SCOTT DENISON (Managing Director) has been a Theatre with an emphasis in technical theatre from The leader in the arts for 40 years for Walnut Creek and Our mission is to celebrate the power of the human University of California, Santa Cruz (1991) and a MFA in the surrounding communities. For the last 24 years he imagination by producing emotionally engaging, costume design from the University of Michigan (1995). has been the General Manager of the Lesher Center intellectually involving, and visually astonishing live and oversees over 850 public events each year.
    [Show full text]
  • Senior Musical Theater Recital Assisted by Ms
    THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Joy Kenyon Senior Musical Theater Recital assisted by Ms. Maggie McLinden, Accompanist Belhaven University Percussion Ensemble Women’s Chorus, Scott Foreman, Daniel Bravo James Kenyon, & Jessica Ziegelbauer Monday, April 13, 2015 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert Please turn off all cell phones and electronics. PROGRAM Just Leave Everything To Me from Hello Dolly Jerry Herman • b. 1931 100 Easy Ways To Lose a Man from Wonderful Town Leonard Bernstein • 1918 - 1990 Betty Comden • 1917 - 2006 Adolph Green • 1914 - 2002 Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist The Man I Love from Lady, Be Good! George Gershwin • 1898 - 1937 Ira Gershwin • 1896 - 1983 Love is Here To Stay from The Goldwyn Follies Embraceable You from Girl Crazy Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist; Scott Foreman, Bass Guitar; Daniel Bravo, Percussion Steam Heat (Music from The Pajama Game) Choreography by Mrs. Kellis McSparrin Oldenburg Dancer: Joy Kenyon He Lives in You (reprise) from The Lion King Mark Mancina • b. 1957 Jay Rifkin & Lebo M. • b. 1964 arr. Dr. Owen Rockwell Joy Kenyon, Soprano; Belhaven University Percussion Ensemble; Maddi Jolley, Brooke Kressin, Grace Anna Randall, Mariah Taylor, Elizabeth Walczak, Rachel Walczak, Evangeline Wilds, Julie Wolfe & Jessica Ziegelbauer INTERMISSION The Glamorous Life from A Little Night Music Stephen Sondheim • b. 1930 Sweet Liberty from Jane Eyre Paul Gordon • b.
    [Show full text]
  • CBS Cuts $ on CD Front -Lines
    iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • Saturday, March 14, 7:30Pm, Sunday, March 15, 3Pm, Friday, March 20, 7:30Pm & Saturday, March 21, 3Pm
    Starring the future, today! Book by Music & Lyrics by JOHN CAIRD STEPHEN SCHWARTZ Based on a concept by CHARLES LISANBY Orchestrations by BRUCE COUGHLIN & MARTIN ERSKINE Saturday, March 14, 7:30pm, Sunday, March 15, 3pm, Friday, March 20, 7:30pm & Saturday, March 21, 3pm Children of Eden TMTO sponsored by Season sponsored by from CRATERIAN PERFORMANCES presents the the EXECUTIVE DIRECTOR ur story begins in the beginning, with God’s creative nature and desire to be in relationship with his children. OPerhaps you don’t believe in the Biblical narrative (with which Stephen Schwartz, as composer and storyteller, takes consider- production of able liberties), but you might have children and find “Father’s” hopes and desires for his children relatable. Or perhaps you have siblings. You certainly have parents. And so, one way or another, you’re included in this story. It’s about you. It’s about all of us. It’s about our frailties and foibles, our struggles and failures, and it’s about our curiosity, ambitions and determination to live life the way we choose. It is also, like the Bible itself, ultimately a story about hope, love and redemption. When we don’t measure up, it takes someone else’s love us to lift us up. The meaning and message in all of this is timeless, and so director Cailey McCandless cast a vision for the show that unmoors it from ancient settings. And you might notice there are very few parallel lines in the show’s design... mostly intersecting angles, because life and our relationships tend to work that way.
    [Show full text]
  • URINETOWN Music & Lyrics by Mark Hollmann Book & Lyrics by Greg Kotis
    So if you’ve got to go, you’ve got to go through me! URINETOWN music & lyrics by Mark Hollmann book & lyrics by Greg Kotis Managing Artistic Director Caleb Marshall Director ofInterim Education Director & Programming of Education Heather Alana Hibbert Burns NKPG Services Ltd. is honoured to be a sponsor of the Canadian College of Performing Arts! We look forward to watching and supporting the CCPA’s upcoming performances and programs. NKPG Specializes in Canadian and US taxes. We provide tax planning and accounting services to individuals and corporations. CONTACT US Derrold Norgaard, FCPA [email protected] Grant Kratofil, CPA [email protected] 202-4400 Chatterton Way T: 250-598-6998 Victoria, BC V8X 5J2 F: 778-265-6155 From the College Directors Since March of 2020, we have all had to forge a way forward. Our work changed overnight, and we could look back at our own naivete in the ‘before time’ with a longing nostalgia. Perhaps once in a generation there is an event that so deeply impacts the very nature of life on this planet that it becomes their defining moment. As a society we have had to forge a way forward. As educators we have had to forge a way forward, as education is essential to our future. As live performers, we are working to forge a way forward in an industry that was the first to close and will be the last to fully return; and yet ‘live performance’ is so crucial and necessary to expressing our very soul and the struggles we confront. Our season theme is not rebuilding or reshaping our world.
    [Show full text]
  • Disney Musicals in Schools Puts Students in the Spotlight Onstage at Overture Center for the Arts
    MEDIA ALERT For immediate release: Friday, April 20, 2018 Contact: Sarah Knab | 608.258.4438 DISNEY MUSICALS IN SCHOOLS PUTS STUDENTS IN THE SPOTLIGHT ONSTAGE AT OVERTURE CENTER FOR THE ARTS Overture Center is among 18 arts organizations in the world collaborating with Disney Musicals in Schools. (Madison, Wis.) - On May 23, more than 180 elementary students from Madison will have the extraordinary opportunity to sing and dance onstage at Overture Center for the Arts as the result of a grant awarded to Overture by Disney. The grant from Disney enables Overture to offer the Disney Musicals in Schools program to three new schools in Madison this year: Frank Allis Elementary School, Leopold Elementary School and Nuestro Mundo Community School. The program is designed to create sustainable theater program in elementary schools. Through the program, participating schools produce a Disney KIDS musical in their school community and join in a culminating performance at Overture. “Disney Musicals in Schools addresses one of our biggest goals – creating equitable access to the arts,” said Ted DeDee, Overture’s president and CEO. “Through the program, we can create meaningful and sustainable musical theater opportunities for students who would not otherwise be able to experience it. By being immersed in creating art with their peers and discovering the joys and confidence that comes from the process of learning to perform, students are making memories and developing skills to last a lifetime. In addition, through the structure of the program teachers learn and develop their skills, setting up for long term musical theater programs at their schools.” The selected schools participated in a 17-week musical theater residency, led by a team of teaching artists trained by Overture and Disney Theatrical Productions, at no cost.
    [Show full text]
  • HAWTHORNE PLAYERS ARTS for LIFE Supports The
    ARTS FOR LIFE supports the THEATRE RECOGNITION GUILD in NOMINATIONS FOR THE YEAR 2019 MUSICALS of Metro-St. Louis Community Theatre: ---------- “Best Performance and Best Achievement” ---------- SMALL ENSEMBLE MUSICAL PRODUCTION A New Brain - HAWTHORNE PLAYERS The 25th Annual Putnam County Spelling Bee - O'FALLON THEATREWORKS LARGE ENSEMBLE MUSICAL PRODUCTION Hello, Dolly! - WENTZVILLE CHRISTIAN CHURCH Nice Work If You Can Get It - KIRKWOOD THEATRE GUILD Oklahoma! - CHRIST MEMORIAL PRODUCTIONS Oklahoma! - MONROE ACTORS STAGE COMPANY The Bridges of Madison County - ALPHA PLAYERS OF FLORISSANT ------------------------- “ Best Achievement in a Large or Small Ensemble Musical Production” ------------------------- DIRECTION CHOREOGRAPHY A New Brain (HP), Stephen Peirick A New Brain (HP), Kate Frisina-White*/Stephen Peirick Hello, Dolly! (WCC), Tammy Rodenbaugh Hello, Dolly! (WCC), Debbie Ladd Nice Work If You Can Get It (KTG), Dani Mann Nice Work If You Can Get It (KTG), Laura Roth* Oklahoma! (CMP), Kevin J Jones Oklahoma! (CMP), Kimberly Klick The Bridges of Madison County (APF), Sharon Cotner Oklahoma! (MASC), Julie Petraborg/Maria Wilken/ Libby Ceradsky* MUSICAL DIRECTION SET DESIGN A New Brain (HP), Colin Healy* A Funny Thing Happened... (ATT), Christopher Resimius Freaky Friday (CUTC), Joel Hackbarth Little Shop of Horrors (MASC), Matt Dossett Hello, Dolly! (WCC), Stacy Lemke*/Cathy Whitworth Mamma Mia (TTP), Bill Beilstein/Josh Smith Nice Work If You Can Get It (KTG), Sean Bippen Nice Work If You Can Get It (KTG), Ken Clark Oklahoma! (CMP), Kathy Eichelberger/Joseph Paule, Sr. Oklahoma! (CMP), Dianne M Mueller Oklahoma! (MASC), Todd Wilken*/Maria Wilken LIGHTING DESIGN COSTUME DESIGN Little Shop of Horrors (MASC), John R Jauss A Funny Thing Happened..
    [Show full text]
  • Freaky Friday: a New Musical Cast of Characters
    Freaky Friday: A New Musical Cast of Characters THE FAMILY ELLIE BLAKE – 16; smart, funny, and messy KATHERINE BLAKE – 40s; Ellie’s mother; decisive, lovely, punctual FLETCHER BLAKE – 10; Ellie’s brother; eccentric and naïve; he is obsessed with his puppets, especially ANGRY BOB, and enraged purple hippo, and CASPIAN, a proper British Starfish MIKE – 40s; Katherine’s fiancée; confident, charming, kind THE TEENS GRETCHEN – 16; Ellie’s best friend; intense, emotional, lacks confidence HANNAH – 16; also Ellie’s best friend; hacker-geek, nerd girl ADAM – 16-ish; the Listmaster (in charge of the Scavenger Hunt), adorably cool SAVANNAH – 16-ish; the villain; brilliant, aggressive, a winner PARKER – 16-ish; Ellie’s friend, completely average, best friends with Wells WELLS – 16-ish; Ellie’s friend; dorky but not meek, best friends with Parker LAUREL – Random Teen, unimpressed THE ADULTS TORREY – Katherine’s assistant; high-strung perfectionist GRANDPA GORDON – Katherine’s father; grumpy, stubborn, old-school GRANDMA HELENE – Katherine’s mother; fiercely opinionated (because she cares) DANIELLE – Weddings Magazine journalist; polished, grimly cheerful LOUIS - Weddings Magazine photographer; seen it all, loves his job MR. BLUMEN – school counselor; test-obsessed PASTOR BRUNO – cheerful, loves weddings MRS. LUCKENBILL – English teacher; empathetic SENOR O’BRIEN – Spanish teacher; pugnacious MS. MEYERS – Gym teacher; extremely intense OFFICER SITZ - SITZ and KOWALSKI never received sensitivity training OFFICER KOWALSKI – SITZ and KOWALSKI never received sensitivity training MRS. TIME – Antique shop proprietor; apathetic, doesn’t much like teenagers THE ENSEMBLE CATERING STAFF (including CATER WAITERS, FISH VENDOR and FLORIST) STUDENTS TEACHERS SAVANNAH’S MINIONS PARENTS (including ADAM’S MOM, GRETCHEN’S MOM, SAVANNAH’S MOM, PARKER’S DAD, and WELLS’ DAD WEDDING GUESTS .
    [Show full text]
  • Tom Kitt Brian Yorkey
    WHITBY COURTHOUSE THEATRE | 2018/19 NEXT TO NORMAL Music by Book & Lyrics by TOM KITT BRIAN YORKEY November 8-24, 2018 PROGRAM whitbytheatre.ca Whitby Centennial Building, 416 Centre St. S. | 905.668.8111 Next to Normal is presented through special arrangement with Music Theatre International (MTI). Small by design. All girls with a purpose. ALL GIRLS DAY & BOARDING GRADES 4-12 Join us Winter Open House Saturday, February 2 10 a.m. to noon 401 Reynolds Street 905.668.3358 Email us at trafalgarcastle.ca [email protected] to arrange your own personal visit. Small by design. All girls with a purpose. WHITBY COURTHOUSE THEATRE PRESENTS NEXT TO NORMAL Music by Book & Lyrics by Tom Kitt Brian Yorkey Producer Director Music Director Heather Doucette Shael Risman Nick Denis ALL GIRLS Stage Manager Assistant Director Back Stage Manager DAY & BOARDING Paul Sowerbutts Melissa Gibson Peggy Sowerbutts GRADES 4-12 Costume Design Lighting Design Set Design Sound Design Join us Rhonda Martin Greg Poulin Erastus Burley Margo Rodgers Original Broadway Production Produced by David Stone, James L. Nederlander, Winter Open House Barbara Whitman, Patrick Catullo and Second Stage Theatre. New York Premiere Produced by Second Stage Theatre, New York. February 2008 Saturday, February 2 Carole Rothman, Artistic Director Ellen Richard, Executive Director 10 a.m. to noon ‘Next To Normal’ was subsequently produced by Arena Stage in November 2008. 401 Reynolds Street Developed at Village Theatre, Issaquah, WA (Robb Hunt, Executive Producer, Steve Tomkins, Artistic Director). 905.668.3358 An earlier version was presented in the 2005 New York Musical Theatre Festival.
    [Show full text]
  • Theater Events: Mooney Does 'Shakespeare on Demand' in 'Breakneck Hamlet'
    dailyherald.com http://www.dailyherald.com/article/20150529/entlife/150528711/ Theater events: Mooney does 'Shakespeare on demand' in 'Breakneck Hamlet' Barbara Vitello Writer/director Tim Mooney stars in "Breakneck Hamlet" at Clockwise Theatre in Waukegan. COURTESY OF DALE JESSEN/CLOCKWISE THEATRE Fast-paced 'Hamlet' Clockwise Theatre presents the world premiere of "Breakneck Hamlet," writer/actor Tim Mooney's accelerated version of William Shakespeare's longest plays. Having introduced the melancholy Dane in Act 1, Mooney takes audience requests for the Bard's most famous speeches in the second act, which he dubs "Shakespeare on demand." Opens at 8 p.m. Friday, May 29, at 221 N. Genesee St., Waukegan. $20. (847) 775-1500 or clockwisetheatre.org. Standup showcase Standup comedians including Jordan Holmes and Peter Daniel perform as part of Comedy Shrine's monthly showcase of its favorite Midwest comedians. 8 p.m. Friday and Saturday, May 29-30, at 4034 Fox Valley Center Drive, Aurora. $20. (630) 585-0300 or comedyshrine.com. Playing his songs Theo Ubique Cabaret Theatre salutes the late composer Marvin Hamlisch as part of its summer showcase. "A Marvin Hamlisch Songbook" features standards like "The Way We Were" along with tunes from the musicals "A Chorus Line," "Sweet Smell of Success" and "They're Playing Our Song." Aaron Benham serves as musical director and arranger. Previews begin at 7:30 p.m. Thursday, June 4, at No Exit Cafe, 6970 N. Glenwood Ave., Chicago. The show opens June 6. $20-$34. (800) 595-4849 or theo-u.org. Other theater events • Lifeline Theatre, 6912 N.
    [Show full text]