Law, the Digital and Time: The Legal Emblems of Doctor Who Author Tranter, Kieran Published 2017 Journal Title International Journal for the Semiotics of Law Version Accepted Manuscript (AM) DOI https://doi.org/10.1007/s11196-017-9522-0 Copyright Statement © 2017 Springer Netherlands. This is an electronic version of an article published in International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique, 30(3), 515-532, 2017. International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique is available online at: http://link.springer.com// with the open URL of your article. Downloaded from http://hdl.handle.net/10072/352711 Griffith Research Online https://research-repository.griffith.edu.au This is a preprint version of this manuscript. The final manuscript is: Kieran Tranter ‘Law, the Digital and Time: The Legal Emblems of Doctor Who’ (2017) 30(3) International Journal for the Semiotics of Law 515-532 DOI: 10.1007/s11196-017-9522-0 Law, the Digital and Time: The Legal Emblems of Doctor Who Dr Kieran Tranter Associate Professor Griffith Law School/Law Futures Centre Griffith University, Gold Coast Australia Address for Correspondence
[email protected] Abstract This article is about time. It is about time, or more precisely, about the absence of time in law’s digital future. It is also about time-travelling and the seemingly ever-popular BBC science fiction television series Doctor Who. Further, it is about law’s timefullness; about law’s pictorial past and the ‘visual baroque’ of its chronological fused future. Ultimately, it is about a time paradox of seeing time run to a time when time runs ‘No More!’ This ‘timey-wimey’ article is in three parts.