The Life and Work of Alex Klein
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Orpheus Choir a Ministry in Music
Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 2008 Department of Music Programs 2007 - 2008 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 2007 - 2008" (2008). School of Music: Performance Programs. 41. https://digitalcommons.olivet.edu/musi_prog/41 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. S o ’feiS Department of Music 2007 - 2008 Programs Calendar of Events FALL 2007 SEPTEMBER 2007 1 11 Voice Faculty Recital 2 3 4 5 6 7 8 <- Kresge Auditorium 4- 7 p.m. 13 Adjunct Faculty Recital: 9 10 Q 12 0 14 15 Jennifer Reddick 16 17 18 19 20 o ® <- Kresge Auditorium <r 7:30 p.m. 23 24 25 26 27 28 29 21-22 Broadway Revue 30 <- Kresge Auditorium <- 7 & 9 p.m. OCTOBER 2007 1 2 3 o 5 O 4 Orchestra and Chamber Concert <r Kresge Auditorium <- 7 p.m. 7 8 9 10 11 0 0 6 Marching Band Exhibition 15 16 17 18 © Watseka, III. <- 2 p.m. 21 22 23 24 25 26 ® 12-14 Orchestra Tour <r Various Churches © 29 30 31 19-20 Orpheus Variety Show <- Kresge Auditorium <- 7 & 9 p.m. -
ARSC Journal, Spring 1992 69 Sound Recording Reviews
SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr. -
Ricardo Montaner Latest Album Download Ricardo Montaner Latest Album Download
ricardo montaner latest album download Ricardo montaner latest album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c54d0e0962cb0c • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Ricardo Montaner. Ricardo Montaner (born as Hector Eduardo Reglero Montaner on September 8, 1957) is an Argentine-Venezuelan singer and songwriter. Starting his career in the early 80s, he has already released more than 15 albums with numerous successful singles and over 7 million record worldwide. Montaner was born as H?ctor Eduardo Reglero Montaner, in Valent?n Alsina, Buenos Aires, Argentina. However, he moved to Venezuela when he was 6 years old. Montaner was born as H?ctor Eduardo Reglero Montaner, in Valent?n Alsina, Buenos Aires, Argentina. However, he moved to Venezuela when he was 6 years old. During his youth he performed in the church chorus in the city of Maracaibo. In 1983, he released his first album titled Cada Día. -
Un Genio Detrás De La Música
Reporta las noticias al instante desde tu móvil Diario Expreso Estelar 3D (662) 1-26-27-21 nuevo canal de WhatsApp Domingo 11 de Junio de 2017 ESPECIAL/EXPRESO EN CORTO ¿El éxito de una artista o una canción depende de un productor musical? Yo siempre digo que todo es una coproducción con el artista y el compromiso es sacar lo mejor del artista ¿Qué tanto ‘dejan ser’ los artistas al productor al momento de trabajar juntos? Depende del artista, por ejemplo con Crystal Lewis, la cantante cristiana favorita de Yuri, mi papel es muy grande porque tengo que sacar los acordes, pero si trabajara con Juan Luis Guerra mi papel sería el de opinar sobre el trabajo que se quedará. ¿Qué opinas del panorama musical? Me encanta, porque la música siempre está desarrollándose y la fusión por ejemplo de varios estilos como lo nuevo de Thalía, a quien le produjo Armando Ávila? ¿A quiénes fusionarías? Buena pregunta…creo El productor formó parte del tema que Laura Pausini. Me “¿Por qué te tengo que olvidar?”, gustaría poner el sello de José Feliciano. latino a la hermosura de su voz. UN GENIO DETRÁS DE LA MÚSICA EXCLUSIVA perfectamente el inglés y empecé a trabajar con él Master Class con El ingeniero, cuando yo tenía unos 18 Ronny Hoffman y René productor y años”, recordó, sobre el Gutiérrez en Hermosillo. artista puertorriqueño. 16, 17 y 18 de junio de este arreglista “Los géneros musica- año. (En una serie de tres musical Ronny les que no son mis fuer- módulos: Junio, julio y tes son el rap, el rock pe- agosto). -
A Systematic Dismantling: Heinz Holliger's
A Systematic Dismantling: Heinz Holliger’s Streichquartett (1973) Kevin Davis “In particular, the String Quartet is an extreme example of a music of effects rather than of 'ideas' in any conventional sense. The result, beginning with frantic high harmonics and ending, some twenty-six and a half minutes later, with the barely perceptible breathing of the players, is music whose expression is always utterly clear and direct, but which seems mechanical in its apparent rejection of the kind of relationships between significant detail and overall shape and perspective through which most music communicates.” – Arnold Whitall, Gramophone, August 1981 Heinz Holliger’s Streichquartett (1973) is a landmark work. It challenges the listener and performer alike, posing many questions and giving only tentative answers. While still obeying the basic rules and conventions of string quartet discourse and notation, it methodically strips away the artifice of performance, working from the inside out. It comes into being in a furious flurry of activity. Organic processes play themselves out to exhaustion, reaching termination less through the end of a compositional process than through something like a loss of entropy; musical form attempts to assert itself and is subsumed in the welter of activity; technique and the instruments themselves become deformed, barely able to retain their identity, threatening to become only the wood and metal from which they are made. Eventually exhaustion is reached, both on the part of composer and, one must assume, on the part of the players. Then something mysterious happens: first, after this inexorable, almost ritualistic revealing of the instrument, then, finally, the body of the performer, which has been residing underneath the sounds all along, emerges. -
WOODWIND INSTRUMENT 2,151,337 a 3/1939 Selmer 2,501,388 a * 3/1950 Holland
United States Patent This PDF file contains a digital copy of a United States patent that relates to the Native American Flute. It is part of a collection of Native American Flute resources available at the web site http://www.Flutopedia.com/. As part of the Flutopedia effort, extensive metadata information has been encoded into this file (see File/Properties for title, author, citation, right management, etc.). You can use text search on this document, based on the OCR facility in Adobe Acrobat 9 Pro. Also, all fonts have been embedded, so this file should display identically on various systems. Based on our best efforts, we believe that providing this material from Flutopedia.com to users in the United States does not violate any legal rights. However, please do not assume that it is legal to use this material outside the United States or for any use other than for your own personal use for research and self-enrichment. Also, we cannot offer guidance as to whether any specific use of any particular material is allowed. If you have any questions about this document or issues with its distribution, please visit http://www.Flutopedia.com/, which has information on how to contact us. Contributing Source: United States Patent and Trademark Office - http://www.uspto.gov/ Digitizing Sponsor: Patent Fetcher - http://www.PatentFetcher.com/ Digitized by: Stroke of Color, Inc. Document downloaded: December 5, 2009 Updated: May 31, 2010 by Clint Goss [[email protected]] 111111 1111111111111111111111111111111111111111111111111111111111111 US007563970B2 (12) United States Patent (10) Patent No.: US 7,563,970 B2 Laukat et al. -
CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Fall 2018
CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Fall 2018 PROGRAM #: CSO 18-40 RELEASE DATE: September 28, 2018 Riccardo Muti conducts Bruckner's Fourth Symphony Rossini: Overture to William Tell Ogonek: All These Lighted Things Bruckner: Symphony No. 4 in E-flat Major, “Romantic” Prokofiev: Symphony No. 1 in D Major, Op. 25 PROGRAM #: CSO 18-41 RELEASE DATE: October 5, 2018 Riccardo Muti conducts Schubert Mass in E-flat Major Weber: Overture to Oberon Raimi: Three Lisel Mueller Settings (Elizabeth Deshong, mezzo-soprano, world premiere) Schubert: Mass No. 6 in E-flat Major, D. 950 (Chicago Symphony Chorus, Duain Wolfe, director; Amanda Forsythe, soprano; Elizabeth Deshong, mezzo- soprano; Paul Appleby, tenor; Nicholas Phan, tenor; Nahuel di Pierro, bass) Wagner: Siegfried's Rhine Journey from Götterdämmerung (Fritz Reiner, conductor) PROGRAM #: CSO 18-42 RELEASE DATE: October 12, 2018 Edo de Waart conducts Beethoven Mozart: Symphony No. 38 in D Minor, K. 504, “Prague” (Daniel Gingrich, horn) Mozart: Horn Concerto No. 3 in E-flat Major, K. 447 (Daniel Gingrich, horn) Beethoven: Symphony No. 2 in D Major, Op. 36 (Daniel Gingrich, horn) Strauss: Metamorphosen (Daniel Gingrich, horn) PROGRAM #: CSO 18-43 RELEASE DATE: October 19, 2018 Giovanni Antonini conducts Classical and Baroque Treasures Boccherini: Symphony No. 6 in D Minor, G. 506, Op. 12, No. 4, “La casa del diavolo” Vivaldi: Mandolin Concerto in C Major, RV 425 (Avi Avital, mandolin) Bach: Mandolin Concerto in D Minor, BWV 1052 (Avi Avital, mandolin) Traditional Bulgarian, arr. Avital: Bucimis (Avi Avital, mandolin) Vivaldi: Mandolin Concerto in C Major, RV 425 (Giovanni Antonini, flauntino) Haydn: Symphony No. -
Metamorphoses Curated by Claire Chase Soundbox
METAMORPHOSES CURATED BY CLAIRE CHASE SOUNDBOX 1 “Each of the pieces on this program explores, in different ways, the idea of metamorphosis, transformation, transfiguration—the ways that we take on new forms and ultimately transcend what we were before.” —Claire Chase 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen recently concluded his tenure as Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and he is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S. -
Simone La Distancia Mp3, Flac, Wma
Simone La Distancia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin / Pop Album: La Distancia Country: US Released: 1993 Style: MPB, Romantic MP3 version RAR size: 1621 mb FLAC version RAR size: 1582 mb WMA version RAR size: 1474 mb Rating: 4.2 Votes: 115 Other Formats: FLAC MOD AUD AIFF AU MMF MIDI Tracklist Hide Credits Voy A Apagar La Luz 1 4:31 Written-By – Armando Manzanero Quiero Amanecer Con Alguien 2 4:07 Lyrics By – Daniela RomoMusic By – Bebu Silvetti 3 Y / Sabrá Dios / La Hiedra 5:16 La Distancia 4 3:56 Lyrics By – Buddy McCluskey, Mary McCluskeyWritten-By – Erasmo Carlos, Roberto Carlos 5 Brigas 3:43 Mía 6 3:37 Written-By – Armando Manzanero 7 Se Fué 2:57 Adoro / Solamente Una Vez / Sabor A Mí 8 6:20 Written-By – Agustín Lara Aguirre*, Alvaro Carrillo Alarcón*, Armando Manzanero 9 Eu Sei Que Vou Te Amar 2:47 Alguien Cantó 10 4:55 Music By – Udo Jürgens Companies, etc. Recorded At – Rusk Sound Studios Recorded At – Capitol Studios Recorded At – Ocean Way Recording Recorded At – Devonshire Studios Recorded At – Conway Studios Mixed At – Rusk Sound Studios Manufactured By – Sony Discos Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Credits Arranged By [Additional Arrangement] – Marcelo Vitale (tracks: 4) Arranged By [Orchestra], Conductor – Bebu Silvetti (tracks: 1 to 4, 6 to 8, 10) Arranged By, Conductor – Mariano Rocca (tracks: 4, 10) Bass – Jimmy Johnson (tracks: 1 to 4, 6 to 8, 10), John Patitucci (tracks: 1 to 4, 6 to 8, 10) Concertmaster – Arthur Zadinsky (tracks: -
825646078684.Pdf
JOHANNES BRAHMS 1833–1897 Concerto for violin and cello in A minor, Op.102* 1 I Allegro 16.10 2 II Andante 7.39 3 III Vivace non troppo 8.10 FELIX MENDELSSOHN 1809–1847 Violin Concerto in E minor, Op.64 4 I Allegro molto appassionato 12.28 5 II Andante 7.42 6 III Allegretto non troppo — Allegro molto vivace 6.38 58.47 ITZHAK PERLMAN violin YO-YO MA cello* Chicago Symphony Orchestra/Daniel Barenboim IGOR STRAVINSKY 1882–1971 Violin Concerto in D 7 I Toccata 5.40 8 II Aria I 4.04 9 III Aria II 5.00 10 IV Capriccio 5.52 SERGEI PROKOFIEV 1891–1953 Violin Concerto No.2 in G minor, Op.63 11 I Allegro moderato 10.06 12 II Andante assai 9.15 13 III Allegro, ben marcato 6.13 46.10 ITZHAK PERLMAN violin Chicago Symphony Orchestra/Daniel Barenboim 2 Original album cover 3 he erato & Teldec Recordings Mendelssohn · Prokofiev · Brahms · Stravinsky On these two albums — the Mendelssohn and Prokofiev concertos originally released on Erato, the two others on Teldec — Itzhak Perlman was revisiting repertoire he had first recorded earlier on in his career. He had recorded Prokofiev’s Second Violin Concerto for RCA (with the Boston Symphony Orchestra under Erich Leinsdorf) as early as 1966, and Mendelssohn’s Concerto (with the London Symphony Orchestra and André Previn; see volume 5) six years later. He had also gone on to commit a further interpretation of each work to disc: the Prokofiev with the BBC Symphony Orchestra and Gennady Rozhdestvensky in 1980 (see volume 29), the Mendelssohn with the Amsterdam Concertgebouw and Bernard Haitink in 1983 (volume 33). -
University Musical Society
UNIVERSITY MUSICAL SOCIETY Chicago Symphony Winds Grover Schiltz, Oboe Daniel Gingrich, Horn Richard Kanter, Oboe Norman Schweikert, Horn Larry Combs, Clarinet Burl Lane, Bassoon John Bruce Yeh, Clarinet William Buchman, Bassoon Sunday Afternoon, April 4, 1993, at 4 p.m. Rackham Auditorium, Ann Arbor, Michigan PROGRAM Serenade No. 12 in C minor, K. 388 Mozart Allegro Andante Allegro Eine vergniigliche Musik ..... Alfred Uhl Overture, ziemlich lebhaft, frisch Lustiger Marsch, ruhig bewegt Dudelsack Trepak.sehrrasch INTERMISSION Serenade No. 11 in E-flat major, K. 375 Mozart Allegro maestoso Adagio Allegro The Chicago Symphony Winds are represented by Mariedi Anders Artists Management Inc., San Francisco. U-M freshman Brandon Blazo performed the pre-concert carillon recital. FORTIETH CONCERT OF THE 114TH SEASON THIRTIETH ANNUAL CHAMBER ARTS SERIES PROGRAM NOTES Serenade No. 12 in E-flat major, K. 375 Mozart Mozart wrote this Serenade in Vienna, in October 1781, for six instruments - pairs of clarinets, horns, and bassoons. A few months later he added parts for a pair of oboes and tightened up the form considerably. On November 3, 1781, he wrote to his father that the piece had so pleased the players (of the first version) that to celebrate his name day, "at eleven o'clock at night I was treated to a serenade of my own composition. The six men who played it are poor beggars, but they play very well together. They came to the center of my courtyard, and just as I was about to undress they surprised me most pleasantly with the E-flat chord. [Abridged]" These "social" works are not unlike his symphonies, except that they are usually looser in form and lighter in tone, and they may have extra slow movements or minuets or both. -
Los Angeles Philharmonic
LOS ANGELES PHILHARMONIC Critical Acclaim “The most successful American orchestra.” - Los Angeles Times “It should be chiseled above the doors of every symphony hall: What an orchestra plays matters as much as how it plays, if not more so. By that measure a strong case can be made that the Los Angeles Philharmonic…is the most important orchestra in the country.” - The New York Times “If ever an orchestra was riding the crest of a wave, it is the Los Angeles Philharmonic.” - The Times (London) “…the most multi-faceted orchestra in the world and certainly the one putting the greatest emphasis on music of our time.” - Los Angeles Times “Under Salonen, the [Los Angeles] Philharmonic became the most interesting orchestra in America; under Dudamel, it shows no signs of relinquishing the title.” - The New Yorker Best Orchestras of 2012 – #1) Los Angeles Philharmonic Orchestra – “The most talked-about and widely-travelled US orch, carrying Brand Dudamel to all four corners of the earth, split a Mahler cycle between US and Venezuela, advanced tremendous outreach work across its own urban area.” - Norman Lebrecht’s Slipped Disc “The L.A. Phil still boasts the most varied and venturesome offerings of any major orchestra.” - Los Angeles Times “At a time when many orchestras are offering ‘safer,’ crowd-pleasing repertoire picks online, it’s refreshing to see the LA Phil coming out of the gate with programming that speaks to why it is at the forefront of American orchestras today.” - Billboard “‘Blow bright’ is the seventh work commissioned and performed by the L.A.