Journal of the Music & Entertainment Industry Educators Association
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Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
Congo's Enough Moment
Congo’s Enough Moment The Case for Conflict Minerals Certification and Army Reform John Prendergast October 20101 At rare moments during the course of a war, a confluence of factors come together to provide a window of opportunity for real conflict transformation. Now Congo has a unique opportunity to bring an end to more than 125 years of having its people and resources pillaged by colonial powers, international traders, neighbors, and foreign and domestic armed groups. Growing international attention to atrocities in Congo, both recent and historical, and widespread interest in conflict minerals has shined a spotlight on eastern Congo as it has never done before—from the U.S. Congress, from regional heads of state, and from multinational companies. This has opened a significant new window for policy reform and it is time for the U.S. government and Secretary of State Hillary Clinton to help leverage the end of the war in eastern Congo through leadership on two of the issues that will catalyze a broader solution to the cycles of violence there: minerals certification and comprehensive army reform. Consumers and human rights activists in America and around the world are saying “Enough is Enough” of the killing, raping, and smuggling that has helped to satisfy our demand for cheaper cell phones, laptops, and other products powered in part by conflict minerals from the Congo. The result is congressional legislation—signed by President Obama—that requires real transparency from those companies profiting from this exploitation.2 That message has echoed from the board rooms of multinational compa- nies to the presidential palaces of Central African leaders, right down to the rank and file of the rebel groups and army units that feed off of the war. -
Isabella Clarke Selected to Represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November
RELEASED: SUNDAY 10 SEPTEMBER 2017 Isabella Clarke selected to represent Australia at the Junior Eurovision Song Contest 2017 on Monday 27 November ABC is excited to announce that talented young singer Isabella Clarke will represent Australia at the Junior Eurovision Song Contest 2017 (JESC) held on Sunday 26 November at the Tbilisi Sports Palace, Georgia. From Victoria, Isabella is a 13-year-old singing sensation who made her debut on the Melbourne singing scene four years ago. Since then she’s received many accolades performing at various singing competitions and, at present, holds a coveted principal vocalist role in the Victorian State Schools Spectacular. Isabella is self-confessed foodie who enjoys spending time with her family and friends and credits megastars Beyoncé and Mary J. Blige as her inspiration for singing. She loves Australian comedy television shows, knows how to laugh at herself, and is focused and determined both at school and in performing. Tipped for a bright future, Isabella hopes to join her idols and become an international recording artist. ABC and production partner Blink TV selected Isabella in consultation with leading Australian record companies. Isabella Clarke said: “I’m so honoured to be given the opportunity to represent Australia at such an amazing event. I can’t wait to start rehearsals and film the music video! I’m also looking forward to visiting Georgia for the first time and meeting all the other performers. It’s a dream come true and I hope I do my family and Australia proud.” “Isabella displayed all the qualities we were looking for in this year’s Australian representative,” says Michael Carrington, Head of ABC Children’s Television. -
NMS15 Marketing Opportunities
SPONSOR AND PARTNER OPPORTUNITIES Transforming the Music Business JUNE 21-23, 2015 | NEW YORK CITY THE NEW ERA OF MUSIC BUSINESS "The New Music Seminar is the single best gathering of cung edge music industry visionaries on the scene today. It's a must-do for anyone aspiring to be part of this business of music." - Steve Greenberg – Founder/CEO, S-Curve > NMS is the legendary NYC industry event focused on new opportunities and growth of the overall music business > Unparalleled speakers and discussions - The next generation of music business executives and stars > Elevated networking platform to take your business and career to the next level NMS connects the creave professional with the people wHo determine the future of the music business 2 THE 1,500 • Limited to 1,500 attendees to ensure the highest quality personal experience > More decision-makers devoted to the cause of building the next generation of the music business - Less time bandits. • Influential audience filled with creatives, decision-makers, and engaged trendsetters > Artists, producers, and songwriters > Tastemakers that break new music > Explorers searching for the “next big thing” > Experienced industry leaders discussing the real issues behind the music business, the backroom deals, the untold stories > Investors of the music business > Industry Insiders revealing the secrets behind success in the industry Cross-pollinaon : Every part of the music business...together! Adversing/ Brands; 2% ArJst Services; 2% Students; 6% A&R; 5% Radio; 5% ArJsts/ PublisHers; 8% Performers; -
Music Industry
THE U.S. MUSIC INDUSTRIES: THE 2020 REPORT JOBS & BENEFITS EXECUTIVE SUMMARY Music is many things–a thread that connects and unites, a touchstone that strengthens and supports, and a current that carries and uplifts. It’s one of the strongest emotional, social, and cultural forces in our world. It’s also a major economic engine, boosting local communities, providing jobs and BY THE NUMBERS opportunity, and underpinning a wide range of related business and creative activities, from film scores to Twitch livestreams to advertising and background sound. But what is $170B the scope of all that economic activity–how many jobs and how much revenue does music TOTAL ECONOMIC CONTRIBUTION TO GDP produce? This report seeks to answer these questions with regard to the U.S. music industry. The United States is home to the world’s biggest music market. According to the IFPI, 2,466,026 the global trade body for recorded music, the U.S. accounts for a third of the total world TOTAL JOBS SUPPORTED recorded music market1 and 45% of its total annual growth.2 But recorded music is just one part of a much larger industry. This report examines the 236,269 broader economic footprint of the United States music industry as a whole, including TOTAL MUSIC RELATED ESTABLISHMENTS businesses like music publishing, internet and radio listening platforms, instrument manufacturing, musicians and music teachers, agents, concert promoters, and many others. Moreover, this report computes the spillover effects the music industry has in $9.08B generating value and supporting employment in different industries. TOTAL U.S. -
More Banks in Arkansas Form Captive Insurance Companies and Look to Arkansas As the Preferred Domicile
More Banks in Arkansas Form Captive Insurance Companies and look to Arkansas as the Preferred Domicile by Josh Miller, CEO, KeyState Captive Management & Zach Stedman, Member, Mitchell, Williams, Selig, Gates Woodyard PLLC The Growth of Bank Captives companies” said CEO of Indiana Bankers Identifying and Addressing Your Association, Amber VanTil. “We have been There is no avoiding it. Cyber security and Bank’s Unfunded Risks discussing bank captives with other state reputation protection are among today’s It is important to recognize that the captive banking associations throughout the significant, emerging risks, thus creating structure does not typically replace a bank’s country and there’s been tremendous exposures for banks of all sizes. At the same primary commercial insurance program. interest.” time, commercial insurance carriers are However, it does allow a bank to more pushing banks to higher deductibles, so “Arkansas banks are increasingly looking to formally self-insure risks that are currently there remain significant gaps in coverage captive insurance companies as a tool for unfunded or that the bank has considered and exclusions in commercial insurance identifying and funding for risks that are retaining (i.e., increased deductible layers). policies. This creates unfunded risks, which not covered by their commercial insurance Typically, the captive augments commercial must be evaluated as a part of any bank’s program,” notes Lorrie Trogden, CEO of policies in the following ways: enterprise risk management process. the Arkansas Bankers Association. “We are Covers the bank’s commercial deduct- also very pleased that Arkansas Insurance To address the concerns, banks throughout ible layers, including specific deduct- Department Commissioner Allen Kerr has the country are forming captive insurance ibles for more catastrophic losses like developed a robust and business friendly companies to cover these unfunded risks. -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Canal Convergence Events
Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1. -
Hotel Worker Safety Ordinance
Information Item Date: August 8, 2019 To: Mayor and City Council From: Anuj Gupta, Deputy City Manager / Director of Policy Subject: Analysis of hotel housekeeper safety protections, overtime compensation and required training for human trafficking, sexual and domestic violence, and public health and safety Introduction Santa Monica has long been at the forefront of both supporting the visitor industry that is a key part of our local economy as well as promoting the wellbeing and rights of the workers in our hotels and restaurants. In October 2017, the advocacy efforts of the #MeToo movement rose to prominence, spurring national conversations around protecting workers from sexual harassment and assault in the workplace. The #MeToo movement has touched almost every industry, bringing increased pressure to policy- making bodies to adopt legislation to protect employees in various sectors from workplace harassment and assault. With over eight million visitors annually, 41 hotels and motels anchor Santa Monica’s robust tourism industry, employing about 2,100 hotel housekeepers. As the national discussion around protecting individuals from sexual assault and harassment in the workplace continues, the City of Santa Monica’s Commission on the Status of Women (COSW) spearheaded efforts to bring a hotel housekeepers’ safety policy on the local level that is in line with policies adopted in other cities such as Long Beach, Oakland, Seattle and Chicago. Last October, the Santa Monica City Council (Council) unanimously directed City staff to prepare a draft ordinance on hotel worker safety for consideration and adoption. Staff 1 anticipates introducing an ordinance for first reading at the August 27, 2019 meeting. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.