Alvin Ailey American Dance Theater
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2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
PRESS CONTACT National Press
HONORARY CHAIRPERSONS Mrs. Laura Bush Mrs. Hillary Rodham Clinton Mrs. George Bush (1925-2018) Mrs. Nancy Reagan (1921-2016) Mrs. Rosalynn Carter Mrs. Be y Ford (1918–2011) BOARD OF DIRECTORS Curt C. Myers, Chairman Jodee Nimerichter, President PRESS CONTACT Russell Savre, Treasurer Nancy Carver McKaig, Secretary National Press Representative: Lisa Labrado Charles L. Reinhart, Director Emeritus [email protected] Bernard E. Bell Susan M. Carson Direct: 646-214-5812/Mobile: 917-399-5120 Nancy P. Carstens Natalie W. Dunn Rebecca B. Elvin North Carolina Press Representative: Sarah Tondu Richard E. Feldman, Esq. [email protected] James Frazier, Ed.D. omas R. Galloway Office: 919-684-6402/Mobile: 919-270-9100 Susan T. Hall, Ph.D. Carlton Midye e Adam Reinhart, Ph.D. FOR IMMEDIATE RELEASE Arthur H. Rogers III Judith Sagan THE AMERICAN DANCE FESTIVAL’S 85TH SEASON CONTINUES INTO WEEK #2 Week #2 Features the Return of Paul Taylor Dance Company and Ronald K. Brown/EVIDENCE, the Debut of Anne Plamondon, the Presentation of the 2018 Samuel H. Scripps/ADF Award to Ronald K. Brown, and a Special Children’s Matinee Performance Durham, NC, June 12, 2018—The American Dance Festival (ADF) kicks off week #2 with stunning, ADVISORY COMMITTEE classic works by Paul Taylor Dance Company on June 26 and June 27 at Durham Performing Arts Robby Barne Center. Ronald K. Brown/EVIDENCE returns with an evening of soul stirring dances June 28-30 at Brenda Brodie Ronald K. Brown Reynolds Industries Theater. Ronald K. Brown will receive the Samuel H. Scripps/ADF Award prior Martha Clarke to the performance on June 28. -
Welcome Letter 2013 Samuel H. Scripps American Dance Festival
Welcome Letter 2013 Samuel H. Scripps American Dance Festival Award Lin Hwai-min The ADF wishes to thank the late Samuel H. Scripps, whose generosity made possible the annual $50,000 Samuel H. Scripps American Dance Festival Award. The Award was established in 1981 as the first of its kind and honors chorographers who have dedicated their lives and talent to the creation of modern dance. The continuation of the award is made possible through the SHS Foundation and its President, Richard E. Feldman. Celebrated choreographer, director, and educator Lin Hwai-min will be presented with the 2013 Award by Joseph V. Melillo in a special ceremony on Saturday, July 27th at 8:00 pm, prior to the Forces of Dance performance at the Durham Performing Arts Center. The program will also include a performance of the solo from Lin Hwai-min’s 1998 work Moon Water, performed by Cloud Gate Dance Theatre dancer Chou Chang-ning. Mr. Lin’s fearless zeal for the art form has established him as one of the most dynamic and innovative choreographers today. His illustrious career as a choreographer has spanned over four decades and has earned him international praise for his impact on Chinese modern dance. He is the founder, choreographer, and artistic director of both Cloud Gate Dance Theatre of Taiwan (founded in 1973) and Cloud Gate 2 (founded in 1992), and his choreography continues to be presented throughout the United States, Europe, and Asia. While his works often draw inspiration from traditional elements of Asian culture and aesthetics, his choreographic brilliance continues to push boundaries and redefine the art form. -
To Download Press
BIO - GRAPHY Tapestry Tapestry made its debut in Jordan Hall with a performance of Steve Reich’s Cristi Catt, soprano, has performed with Tehillim, deemed “a knockout” by The Boston Globe. The trademark of the leading early music groups including En- Boston-based vocal ensemble is combining medieval repertory and contem- semble PAN, Revels, Boston Camerata porary compositions in bold, conceptual programming. Critics hail their rich and La Donna Musicale. Her interest in the distinctive voices, their “technically spot-on singing” and their emotionally meeting points between medieval and folk charged performances. The LA Times writes “They sing beautifully separately traditions has led to research grants to Por- and together with a glistening tone and precise intonation” and The Cleve- tugal and France, and performances with land Plain Dealer describes Tapestry as “an ensemble that plants haunting HourGlass, Le Bon Vent, Blue Thread, and vibrations, old and new, in our ears.” Most recently, Tapestry has expanded their repertoire to include works of impression- ists including Debussy, Lili Boulanger and Vaughan Williams for a US tour in celebra- tion of the 100-year anniversary of World War One Armistice, culminating with a per- formance at the National Gallery in Wash- ington DC. Their newest program, Beyond Borders, builds on their impressionistic discoveries and expands to works of Duke Ellington, Samuel Barber, and Leonard Ber- nstein programmed with early music and folk songs. Concert appearances include the Utrecht Early Music and -
'What Ever Happened to Breakdancing?'
'What ever happened to breakdancing?' Transnational h-hoy/b-girl networks, underground video magazines and imagined affinities. Mary Fogarty Submitted in partial fulfillment Of the requirements for the degree of Interdisciplinary MA in Popular Culture Brock University St. Catharines, Ontario © November 2006 For my sister, Pauline 111 Acknowledgements The Canada Graduate Scholarship (SSHRC) enabled me to focus full-time on my studies. I would also like to express my deepest gratitude to my committee members: Andy Bennett, Hans A. Skott-Myhre, Nick Baxter-Moore and Will Straw. These scholars have shaped my ideas about this project in crucial ways. I am indebted to Michael Zryd and Francois Lukawecki for their unwavering kindness, encouragement and wisdom over many years. Steve Russell patiently began to teach me basic rules ofgrammar. Barry Grant and Eric Liu provided comments about earlier chapter drafts. Simon Frith, Raquel Rivera, Anthony Kwame Harrison, Kwande Kefentse and John Hunting offered influential suggestions and encouragement in correspondence. Mike Ripmeester, Sarah Matheson, Jeannette Sloniowski, Scott Henderson, Jim Leach, Christie Milliken, David Butz and Dale Bradley also contributed helpful insights in either lectures or conversations. AJ Fashbaugh supplied the soul food and music that kept my body and mind nourished last year. If AJ brought the knowledge then Matt Masters brought the truth. (What a powerful triangle, indeed!) I was exceptionally fortunate to have such noteworthy fellow graduate students. Cole Lewis (my summer writing partner who kept me accountable), Zorianna Zurba, Jana Tomcko, Nylda Gallardo-Lopez, Seth Mulvey and Pauline Fogarty each lent an ear on numerous much needed occasions as I worked through my ideas out loud. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Star Dance Workshop Series
Jo’s Footwork and The Dance Workshop present “ Star Dance Workshop Series” 2018/2019 S The classes will be held at S T ►Jo’s Footwork Studio (708) 246-6878 – 1500 Walker Street, Western Springs – Studio I OR T ► A The Dance Workshop, (708) 226-5658 - 9015 West 151st Street, Orland Park – Studio I. A R S T A R D A N C E W O R S K H O P S E R I E S R ►Sunday, November 11, 2018 ~ T A P -with Star Dixon Location: The Dance Workshop (DWS) Continuing thru Intermediate 1:00pm – 2:30pm Intermediate/Advanced 2:30pm – 4:00pm D Star Dixon ~ is an assistant director, choreographer, and original principal dancer of world renowned tap company, MADD Rhythms . She has taught and D performed at the most distinguished tap festivals in the country including The L.A. Tap Fest, DC Tap Fest, Motorcity Tap Fest, Chicago Human Rhythm A A Project's Rhythm World, Jazz City in New Orleans, and MADD Rhythms own Chicago Tap Summit . Internationally, she's taught and performed in Poland, N Japan, and Brazil several times. She's been featured in Dance Spirit Magazine twice (Artist on the rise & Speed Demon), The Chicago Reader, & independent N film "The Rise & Fall of Miss Thang" starring Dormeshia Sumbry Edwards. Outside of MADD Rhythms, she's performed as a guest with such companies as C Michelle Dorrance's Dorrance Dance, Chloe Arnold's Syncopated Ladies, Lane Alexander's Bam, and Jason Samuel Smith's ACGI. Star is currently on staff at C E numerous dance studios, schools, and After School Matters. -
Paul Taylor Dance Company’S Engagement at Jacob’S Pillow Is Supported, in Part, by a Leadership Contribution from Carole and Dan Burack
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Suzanne Carbonneau TO OUR VISIONARY LEADERS The PillowNotes comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through It is said that the body doesn’t lie, but this is wishful thinking. All earthly creatures do it, only some more artfully than others. annual gifts of $10,000 and above. —Paul Taylor, Private Domain Their deep affiliation ensures the success and longevity of the It was Martha Graham, materfamilias of American modern dance, who coined that aphorism about the inevitability of truth Pillow’s annual offerings, including educational initiatives, free public emerging from movement. Considered oracular since its first utterance, over time the idea has only gained in currency as one of programs, The School, the Archives, and more. those things that must be accurate because it sounds so true. But in gently, decisively pronouncing Graham’s idea hokum, choreographer Paul Taylor drew on first-hand experience— $25,000+ observations about the world he had been making since early childhood. To wit: Everyone lies. And, characteristically, in his 1987 autobiography Private Domain, Taylor took delight in the whole business: “I eventually appreciated the artistry of a movement Carole* & Dan Burack Christopher Jones* & Deb McAlister PRESENTS lie,” he wrote, “the guilty tail wagging, the overly steady gaze, the phony humility of drooping shoulders and caved-in chest, the PAUL TAYLOR The Barrington Foundation Wendy McCain decorative-looking little shuffles of pretended pain, the heavy, monumental dances of mock happiness.” Frank & Monique Cordasco Fred Moses* DANCE COMPANY Hon. -
Curricula Guide Firstworks Arts Learning Presents Urban Bush
FirstWorks Arts Learning Presents Urban Bush Women Create Dance. Create Community For a special student performance/demonstration celebrating the history of UBW, movement for everyone & “Walking w/’Trane”. February 26, 2016 11:00 am @ The Vets 1 Avenue of the Arts Providence, RI 02903 Curricula Guide About FirstWorks Arts Learning FirstWorks has built deep, ongoing relationships with over 30 public and charter schools across Rhode Island to provide access to artists and help fill the gap left from severe public spending cuts. The program features workshops taught by leading artists who provide rich experiential learning in a classroom setting, allows students and their families to attend world-class performances, and provides professional development and lesson plans for teachers. “FirstWorks is clearly becoming a cultural beacon in its community and state. It’s very exciting to see how they’ve mobilized a community.” - National Endowment for the Arts Please visit us online at www.first-works.org for further information about Arts Learn- ing programming and season offerings. © FirstWorks 2016 WWW.FIRST-WORKS.ORG Table of Contents Theatre Etiquette. 1 Snapshot . .2 What is Modern Dance? . .5 African American Modern Dance . 7 Meet Jawole! . 8 Modern Dance Coloring Page! . 10 “Walking with ‘Trane” . 11 John Coltrane . 12 How People Feel About “A Love Supreme”. 14 Glossary. 16 K-4 Lesson: Jazz, Dance, & Poetry . 17 K-4 Lesson: Telling a Story Through Dance . 19 6-12 Lesson: Teaching Science Through Dance . 21 Additional Resources . 22 National Core Arts Standards . 23 Teacher Survey . 24 Student Survey . 25 WWW.FIRST-WORKS.ORG WWW.FIRST-WORKS.ORG | 1 1 Theatre Etiquette Be prepared and arrive early. -
Dance, American Dance
DA CONSTAANTLYN EVOLVINGCE TRADITION AD CONSTAANTLY NEVOLVINGCE TRADITION BY OCTAVIO ROCA here is no time like the Michael Smuin’s jazzy abandon, in present to look at the future of Broadway’s newfound love of dance, American dance. So much in every daring bit of performance art keeps coming, so much is left that tries to redefine what dance is behind, and the uncertainty and what it is not. American dancers Tand immense promise of all that lies today represent the finest, most ahead tell us that the young century exciting, and most diverse aspects of is witnessing a watershed in our country’s cultural riches. American dance history. Candid The phenomenal aspect of dance is shots of American artists on the that it takes two to give meaning to move reveal a wide-open landscape the phenomenon. The meaning of a of dance, from classical to modern dance arises not in a vacuum but in to postmodern and beyond. public, in real life, in the magical Each of our dance traditions moment when an audience witnesses carries a distinctive flavor, and each a performance. What makes demands attention: the living American dance unique is not just its legacies of George Balanchine and A poster advertises the appearance of New distinctive, multicultural mix of Antony Tudor, the ever-surprising York City Ballet as part of Festival Verdi influences, but also the distinctively 2001 in Parma, Italy. genius of Merce Cunningham, the American mix of its audiences. That all-American exuberance of Paul Taylor, the social mix is even more of a melting pot as the new commitment of Bill T. -
Religious Folk-Songs of the Southern Negroes Howard W
Valdosta State University Archives and Special Collections Digital Commons @Vtext Slavery Papers and Speeches Collection M S/146-034 1909 Religious Folk-Songs of the Southern Negroes Howard W. Odum For this and additional works see: https://vtext.valdosta.edu/xmlui/handle/10428/718 UUID: 425DF310-A5E8-9792-490F-B4BE30977EA3 Recommended Citation: Odum, Howard W. "Religious Folk-Songs of the Southern Negroes." PhD. diss., Clark University. American Journal of Religious Psychology and Education, vol.3, pp 265-365. July, 1909. http://hdl.handle.net/10428/2992. This item is free and open source. It is part of the Civil Rights Papers Collection at Odum Library Valdosta State University Archives and Special Collections. If you have any questions or concerns contact [email protected] Religious Folk-Songs OF THE Southern Negroes By HOWARD W. ODUM Fellow in Psychology, Clark University a. dissertation subm itted to t h e faculty of CLARK UNIVERSITY, WORCESTER, MASS., IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, AND ACCEPTED ON THE RECOMMENDATION OF G. STANLEY HALL Reprinted from the A m. J our, of R eligious P sy. and E d. July, 1909. Vol. 3, pp. 265-365. * ML 'iV'sqa /WACReligious ^ # Folk-Songs OF THE Southern Negroes By HOWARD W. ODUM Fellow in Psychology, Clark University a dissertation su bm itted to t h e faculty of CLARK UNIVERSITY, WORCESTER, MASS., IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, AND ACCEPTED ON THE RECOMMENDATION OF G. STANLEY HALL Reprinted from the Am. Jour, of Religious Psy. -
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 This finding aid was produced using ArchivesSpace on June 11, 2018. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 4 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ......................................................................................................................................