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Sunday Morning Grid 5/3/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 5/3/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program NewsRadio Paid Program Bull Riding 4 NBC News (N) Å Meet the Press (N) Å News Equestrian PGA Tour Golf 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) NBA Basketball Brooklyn Nets at Atlanta Hawks. (N) Å Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Pre-Race NASCAR Racing Sprint Cup Series: GEICO 500. (N) Å 13 MyNet Paid Program Afghan Luke (2011) (R) 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Fresh Simply Ming Lidia 28 KCET Raggs Fast. Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Europe: A Cultural Carnival Father Brown 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly Taxi › (2004) (PG-13) 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Fútbol Mexicano Primera División: Pumas vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program 101 Dalmatians ›› (1996) Glenn Close. -
The Role of Experiential Avoidance and Parental Control in the Association Between Parent and Child Anxiety
This is a repository copy of The role of experiential avoidance and parental control in the association between parent and child anxiety. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/143047/ Version: Published Version Article: Emerson, L.-M., Ogielda, C. and Rowse, G. orcid.org/0000-0003-3292-4008 (2019) The role of experiential avoidance and parental control in the association between parent and child anxiety. Frontiers in Psychology, 10. 262. ISSN 1664-1078 https://doi.org/10.3389/fpsyg.2019.00262 Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ ORIGINAL RESEARCH published: 18 February 2019 doi: 10.3389/fpsyg.2019.00262 The Role of Experiential Avoidance and Parental Control in the Association Between Parent and Child Anxiety Lisa-Marie Emerson1*, Claire Ogielda2 and Georgina Rowse2 1 School of Applied Psychology, Griffith University, Gold Coast, QLD, Australia, 2 Clinical Psychology Unit, Department of Psychology, The University of Sheffield, Sheffield, United Kingdom Parenting behavior and practices contribute to the intergenerational relationship between parent and child anxiety, with parental control being a consistent predictor of child anxiety. -
Steven Stern Matt Naylor
Music by America's Veterans We are proud to announce the release of Unsung Heroes, a collaboration between America’s combat veterans and APM songwriters. Unsung Heroes was born out of the experiences of veteran Richard Casper whose moving story led him to dedicate his life to helping other wounded veterans through the healing power of music through an organization he co-founded, (www.creativets.org). Working together, an American veteran and an APM songwriter write a song inspired by the veteran’s wartime experience and they share songwriting credit and reve- nues from licensing of their music by APM. This first release includes nine powerful songs with both vocal and non-vocal versions. We hope you will be inspired to find a place for these songs in your productions. A percentage of APM’s profits are donated to CreatiVets. Learn more at: www.apmmusic.com/unsungheroes. the writers steven stern The late Steven Stern developed a passion for music at an early age studying music theory and classical guitar at the Peabody Conservatory of Music and earning a degree in Film Music Composition from Berklee College of Music in Boston. Steven began his career with Academy Award-winning composer, Hans Zimmer working on the production of The Lion King, I’ll Do Anything, Renaissance Man, Speed and others. Steven then moved on to score countless film, TV, commercial, and trailer projects and founded his own music library. Steven joined APM in 2011 overseeing our custom music studio in Los Angeles and worked with us until his passing in 2015. -
Wings Without Borders Alas Sin Fronteras IV North American Ornithological Conference IV Congreso Norteamericano De Ornitología
Wings Without Borders Alas Sin Fronteras IV North American Ornithological Conference IV Congreso Norteamericano de Ornitología October 3-7, 2006 · 3-7 Octubre 2006 Veracruz, México CONFERENCE PROGRAM PROGRAMA DEL CONGRESO IV NAOC is organized jointly by the American Ornithologists’ Union, Association of Field Ornithologists, Sección Mexicana de Consejo Internacional para la Preservación de las Aves, A. C., Cooper Ornithological Society, Raptor Research Foundation, Society of Canadian Ornithologists / Société des Ornithologistes du Canada, Waterbird Society, and Wilson Ornithological Society 4to. Congreso Norteamericano de Ornitología - Alas Sin Fronteras Programa del Congreso Table of Contents IV NAOC Conference Committees ......................................................................................................................................................................................2 Local Hosts ...........................................................................................................................................................................................................................2 Conference Sponsors .............................................................................................................................................................................................................3 Other Sponsors ....................................................................................................................................................................................................................3 -
Chad Broskey Sag – Aftra – Emc
CHAD BROSKEY SAG – AFTRA – EMC Height: 6’2 Weight: 185lbs Hair: Brown Eyes: Brown TELEVISION: NASHVILLE Guest Star ABC Series SCRUBS Guest Star NBC Universal MISS GUIDED (Pilot) Recurring ABC WIZARDS OF WAVERLY.. Guest Star Disney Channel HOUSE BROKEN (Pilot) Recurring Disney Channel THE SUITE LIFE… Guest Star Disney Channel FILM: LEGALLY BLONDES Lead MGM Feature Film READ IT AND WEEP Lead Disney Channel Movie THEATRE/TOURS: LEGALLY BLONDE Warner Huntington III Norwegian Cruise Line BURN THE FLOOR Principal Vocalist Norwegian Cruise Line VEGAS: THE SHOW Frank Sinatra/Elvis Norwegian Cruise Line LEGALLY BLONDE Warner Huntington III Beef & Boards Theatre HAIRSPRAY Link Larkin Derby Dinner Playhouse DAMES AT SEA Dick Skylight Opera Theatre A CHORUS LINE Gregory Gardner CenterStage Theatre HAIRSPRAY Link Larkin Music Theatre Louisville EDUCATIONAL THEATRE: MARY POPPINS Bert Folsom Academy SWEET CHARITY Oscar Youth Performing Arts School LES MISERABLES Marius Youth Performing Arts School THE OUTSIDERS Randy Youth Performing Arts School COMMERCIALS/VOICE OVER: McDONALDS (National) FIDELITY INVESTMENTS (National) PURDUE UNIVERSITY (Regional) SMOKEY THE BEAR (V/O Regional West Coast) MORE AVAILABLE UPON REQUEST TRAINING: Youth Performing Arts School – Musical Theatre Major Gail Benedict/William Bradford Private Vocal Training Sharon Kennison/Debbie King Folsom Academy – Voice, Acting, Dance Heather Folsom Audition Technique Richard Futch, CSA Acting Coach LA Brian Chesters/Carey Anderson Vocal Coach NY Katie Pfaffle/Ben Rahaula SPECIAL SKILLS: Singer, Dancer (Tap, Jazz, Hip Hop), Juggler, Water Skiing, Drummer, Accents AGENCY: HEYMAN TALENT AGENCY – KATHY CAMPBELL (502-589-2540) . -
Friday Prime Time, April 17 4 P.M
April 17 - 23, 2009 SPANISH FORK CABLE GUIDE 9 Friday Prime Time, April 17 4 P.M. 4:30 5 P.M. 5:30 6 P.M. 6:30 7 P.M. 7:30 8 P.M. 8:30 9 P.M. 9:30 10 P.M. 10:30 11 P.M. 11:30 BASIC CABLE Oprah Winfrey Å 4 News (N) Å CBS Evening News (N) Å Entertainment Ghost Whisperer “Save Our Flashpoint “First in Line” ’ NUMB3RS “Jack of All Trades” News (N) Å (10:35) Late Show With David Late Late Show KUTV 2 News-Couric Tonight Souls” ’ Å 4 Å 4 ’ Å 4 Letterman (N) ’ 4 KJZZ 3The People’s Court (N) 4 The Insider 4 Frasier ’ 4 Friends ’ 4 Friends 5 Fortune Jeopardy! 3 Dr. Phil ’ Å 4 News (N) Å Scrubs ’ 5 Scrubs ’ 5 Entertain The Insider 4 The Ellen DeGeneres Show (N) News (N) World News- News (N) Two and a Half Wife Swap “Burroughs/Padovan- Supernanny “DeMello Family” 20/20 ’ Å 4 News (N) (10:35) Night- Access Holly- (11:36) Extra KTVX 4’ Å 3 Gibson Men 5 Hickman” (N) ’ 4 (N) ’ Å line (N) 3 wood (N) 4 (N) Å 4 News (N) Å News (N) Å News (N) Å NBC Nightly News (N) Å News (N) Å Howie Do It Howie Do It Dateline NBC A police of cer looks into the disappearance of a News (N) Å (10:35) The Tonight Show With Late Night- KSL 5 News (N) 3 (N) ’ Å (N) ’ Å Michigan woman. (N) ’ Å Jay Leno ’ Å 5 Jimmy Fallon TBS 6Raymond Friends ’ 5 Seinfeld ’ 4 Seinfeld ’ 4 Family Guy 5 Family Guy 5 ‘Happy Gilmore’ (PG-13, ’96) ›› Adam Sandler. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Barefoot (Contessa) in the Kitchen Rachel E
Teaching Media Quarterly Volume 2 | Issue 2 Article 6 2014 Barefoot (Contessa) in the Kitchen Rachel E. Silverman Embry Riddle Aeronautical University, [email protected] David F. Purnell University of South Florida, [email protected] Follow this and additional works at: http://pubs.lib.umn.edu/tmq Recommended Citation Silverman, Rachel E., and David F. Purnell. "Barefoot (Contessa) in the Kitchen." Teaching Media Quarterly 2, no. 2 (2014). http://pubs.lib.umn.edu/tmq/vol2/iss2/6 Teaching Media Quarterly is published by the University of Minnesota Libraries Publishing. Silverman and Purnell: Barefoot (Contessa) in the Kitchen Teaching Media Quarterly Volume 2, Edition 2 (Winter 2014): Teaching about Food and Media Barefoot (Contessa) in the Kitchen Overview and Rationale It is well known that popular culture represents and perpetuates the gender inequities that exist in our culture. Food media are no exception (Swenson, 2013). In fact, food media use gendered cultural norms to sell audiences their products (the shows, the cookbooks, the advertisements during the shows, etc.). In other words, food media commodify gender by selling audiences what they already understand to be true about gender as a way to increase profit (Forbes, 2013). Food media, and food television in particular, offer sites to examine the cultural struggles of gender. Both food and gender are intensely personal, social, and culturally specific phenomena (Barthes, 2013/1961). Further, television shapes the way we understand culture (Fiske, 2010). According to Cramer (2011): As a manifestation of culture, food is one of the most potent media for conveying meanings related to identity, ethnicity, nationhood, gender, class, sexuality and religion – in short, all those aspects of social, political and relational life that convey who and what we are and what matters to us. -
Broadcasting Decision CRTC 2011-160
Broadcasting Decision CRTC 2011-160 PDF version Ottawa, 7 March 2011 Complaint regarding the broadcast of Bully Beatdown on MTV Canada The Commission finds that the licensee of MTV Canada did not breach the Canadian Association of Broadcasters’ Violence Code by broadcasting the episode of Bully Beatdown in question, and that there is no evidence that this episode should be broadcast only after the watershed hour of 9 p.m. Background 1. In a letter dated 29 April 2009, the Commission received a complaint concerning the program Bully Beatdown, which was broadcast by the specialty service MTV Canada. Since the licensee, MTV (Canada), is a member of the Canadian Broadcasting Standards Council (CBSC), the Commission, in accordance with its usual practice, referred the complaint to the CBSC. 2. On 21 July 2010, the CBSC issued Decision 08/09-1667, decided 1 April 2010 (the CBSC Decision), in which it set out its determinations on the complaint in question. 3. On 22 July 2010, the complainant requested that the Commission review the CBSC Decision. The program 4. Bully Beatdown is a reality program. It is premised on allowing victims of bullying to confront their bullies in a controlled environment. From video submissions provided by bullying victims, a bully is selected and offered the chance to go into the ring and fight a trained Mixed Martial Arts (MMA) fighter. The bully consents to take part, receives training, follows MMA rules, wears protective gear and is offered the chance at a $10,000 cash prize. If the bully wins the fight, he or she receives the cash prize. -
Titles PEs 59-62
ON- © Universal Studios BOARDMOVIE CATALOG © Columbia Pictures Industries, Inc. Bros. Entertainment Inc. © Warner © Paramount Pictures © Lions Gate Entertainment, Inc. © 2016 Disney/Pixar JANUARY/ New Yer's Destintion FEBRUARY VALENTINE'S DAY onbordmovies.com Fvorites Titles 1.877.660.7245 2016 Pe 44 Pes 59-62 NEW – n available 2 Jours - 2 Days follows two days in the relationship of a New York based couple - a French photographer Marion and American interior designer Jack - as they attempt to re-infuse their relationship with romance by taking a vacation in Europe. Their trip to Venice didn't really work out, - they both came down with gastroenteritis. They have higher hopes for Paris. But the combination of Marion's overbearing non-English-speaking parents, flirtatious ex-boyfriends, and Jack's obsession with photographing every famous Parisian tombstone and conviction that French condoms are too small, only adds fuel to the fire. Will they be able to salvage their relationship? Will they ever have sex again? Or will they merely manage to perfect the art of arguing? ©Polaris Film Production & Finance, Tempete Sous Un crane productions, 3L Filmproduktion GmbH 2006. All Rights Reserved. Four men will do anything to pass the most difficult test you've NEVER heard of... Somm takes the viewer on a humorous, emotional and illuminating look into a mysterious world - the Court of Master Sommeliers and the massively intimidating Master Sommelier Exam. The Court of Master Sommeliers is one of the world's most prestigious, secretive, and exclusive organizations. Since its inception almost 40 years ago, less than 200 candidates have reached the exalted Master level. -
October 2011
OctOber 2011 7:00 PM ET/4:00 PM PT 3:15 PM ET/12:15 PM PT 1:00 PM ET/10:00 AM PT 6:00 PM CT/5:00 PM MT 2:15 PM CT/1:15 PM MT 12:00 PM CT/11:00 AM MT The Wild Bunch - In Retro/Na- Robin Hood: Prince of Thieves Spaceballs tional Film Registry 5:45 PM ET/2:45 PM PT 2:45 PM ET/11:45 AM PT SATURDAY, OCTOBER 1 9:30 PM ET/6:30 PM PT 4:45 PM CT/3:45 PM MT 1:45 PM CT/12:45 PM MT 12:00 AM ET/9:00 PM PT 8:30 PM CT/7:30 PM MT Unforgiven - National Film Regis- Gremlins - Spotlight Feature 11:00 PM CT/10:00 PM MT Unforgiven - National Film Regis- try/Spotlight Feature 4:35 PM ET/1:35 PM PT The Country Bears - KIDS try/Spotlight Feature 8:00 PM ET/5:00 PM PT 3:35 PM CT/2:35 PM MT FIRST!/kidScene “Friday Nights” 11:45 PM ET/8:45 PM PT 7:00 PM CT/6:00 PM MT Gremlins 2: The New Batch 1:30 AM ET/10:30 PM PT 10:45 PM CT/9:45 PM MT A Face in the Crowd - In Retro/Na- 6:30 PM ET/3:30 PM PT 12:30 AM CT/11:30 PM MT The Wild Bunch - In Retro/Na- tional Film Registry 5:30 PM CT/4:30 PM MT White Squall tional Film Registry 10:15 PM ET/7:15 PM PT The Lost Boys 3:45 AM ET/12:45 AM PT 9:15 PM CT/8:15 PM MT 8:15 PM ET/5:15 PM PT 2:45 AM CT/1:45 AM MT SUNDAY, OCTOBER 2 Papillon - In Retro 7:15 PM CT/6:15 PM MT Everybody’s All American 2:15 AM ET/11:15 PM PT Beetlejuice 6:00 AM ET/3:00 AM PT 1:15 AM CT/12:15 AM MT MONDAY, OCTOBER 3 10:00 PM ET/7:00 PM PT 5:00 AM CT/4:00 AM MT Unforgiven - National Film Regis- 1:00 AM ET/10:00 PM PT 9:00 PM CT/8:00 PM MT Zula Patrol: Animal Adventures in try/Spotlight Feature 12:00 AM CT/11:00 PM MT Big Fish Space 4:30 AM ET/1:30 AM PT -
Record Book 2 7 19 THIS ONE.Indd
ALL TIME FOOTBALL CHAMPIONS Year Champion Head Coach Score Runner-up Site 1913 Chaffey Vince Schutt 19-0 Santa Ana Chaffey HS 1914* Santa Ana Walter Hall League Standings Pasadena 1915 Pasadena Duffy Sea 50-0 Whittier Occidental College 1916 San Diego Clarence Price 9-0 Manual Arts Washington Park, L.A. 1917 Manual Arts Sid Foster 27-0 Pomona Bovard Field 1918** Fullerton R.O. Culp 18-0 Coronado Fullerton HS 1919 Long Beach Poly Ed Keinholz 47-0 Fullerton Washington Park, L.A. 1920 Santa Monica Vince Shutte 49-0 Los Angeles Poly Washington Park, L.A. 1921 Santa Ana Marvin Morrison 34-3 San Diego Bovard Field 1922 San Diego John Perry 31-14 Gardena Bovard Field 1923 Long Beach Poly Art Schuettner 15-8 Glendale Los Angeles Coliseum 1924 Glendale Norman Hayhurst 24-0 Compton Washington Park, L.A. 1925 Covina Wallace Newman 13-6 San Diego Covina HS 1926 Covina Wallace Newman 7-0 Inglewood Los Angeles Coliseum 1927 Fullerton Stewart S. Smith 20-13 Santa Maria Wrigley Field 1928 Alhambra George Hobbs 19-7 Compton Los Angeles Coliseum 1929 Long Beach Poly Orian Landreth 14-6 Santa Barbara Burcham Field, L.A. 1930 Long Beach Poly Orian Landreth 20-3 Redondo Los Angeles Coliseum 1931 Santa Ana Tex Oliver 34-0 Covina Los Angeles Coliseum 1932 Inglewood Dick Arnett 14-0 Santa Ana Manual Arts HS 1933 Inglewood Dick Arnett 7-6 San Diego Los Angeles Coliseum 1934 Long Beach Poly Orian Landreth 14-0 Chaffey Rose Bowl 1935 Santa Barbara Clarence Schutte 14-12 Monrovia Rose Bowl 1936 Long Beach Poly Orian Landreth 21-0 Glendale Rose Bowl 1937 Glendale