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Donizetti: Lucia Di Lammermoor

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Donizetti: Lucia Di Lammermoor UCIA L D D DESSAY O IE , PI N I AL OT I L T ILY R Z A Y GER A E A N ER GIE B B T L V A E VA M C T N Z I M A N R A I I L I K N , A M S V K L Y A E O D R I S C R L H A E V S M T S R U A L & O I M C H O S U R S K Y O R 2 Lucia di Lammermoor Mariinsky Гаэтано Доницетти Gaetano DONIZETTI ATTO SECONDO ACT II (1797–1848) (1797–1848) Scena 1 Scene 1 12 No 5 Scena “Lucia fra poco a te verra…” p13 2:55 12 No 5 Scene “Lucy will come to you soon…” p13 2:55 13 No 6 Duetto “Appressati, Lucia…” p13 5:25 13 No 6 Duet “Come here, Lucy…” p13 5:25 ЛЮЧиЯ Ди ЛАММеРМУР LUCIA DI LAMMERMOOR 14 Larghetto “Soffriva nel pianto…” p14 4:42 14 Larghetto “I suffered in tears…” p14 4:42 Опера в 3-х действиях An opera in three acts 15 Vivace “Se tradirmi tu potrai…” p14 2:56 15 Vivace “If you can betray me…” p14 2:56 16 No 7 Scena ed Aria “Ebben?” p15 4:02 16 No 7 Scene and Aria “Well?” p15 4:02 Лорд Генри Эштон (владелец замка)............................................... Enrico / Lord Henry Ashton (Lord of Lammermoor)....................... 17 Moderato “Al ben de’ tuoi…” p15 3:32 17 Moderato “You are offering yourself…” p15 3:32 .....................................................................Владислав СулимСкий ................................................................................Vladislav SULIMSKY Лючия (его сестра)................................................. Натали ДеССей Lucia / Lucy Ashton (his sister).................................Natalie DESSAY Сэр Эдгар Равенсвуд..................................................Петр Бечала Edgardo / Sir Edgar, Master of Ravenswood..........Piotr BECZALA ATTO SECONDO ACT II Лорд Артур Беклоу.......................................Дмитрий ВороПаеВ Arturo / Lord Arthur Bucklaw..........................Dmitry VOROPAEV Scena 2 Scene 2 Раймонд Бидебенд (наставник Лючии)........................................... Raimondo Bidebent / Raymond Bide-the-Bent (Lucia’s chaplain ........................................................................................илья Банник and tutor)...........................................................................Ilya BANNIK 18 No 8 Finale II – Coro e Cavatina p16 1:20 18 No 8 Finale II – Chorus and Cavatina p16 1:20 Алиса (камеристка Лючии)...................Жанна ДомБровская Alisa / Alice (Lucia’s handmaid)...........Zhanna DOMBROVSKAYA “Per te d’immenso…” “Through you there is great rejoicing…” норман (начальник стражи в замке Равенсвуд)........................... Normanno / Norman (Captain of the Guard at Ravenswood)......... 19 Meno mosso “Per poco fra le tenebre…” p16 2:05 19 Meno mosso “Your star almost vanished…” p16 2:05 ..........................................................................Сергей СкорохоДоВ .........................................................................Sergei SKOROKHODOV 20 No 9 Scena e Quartetto nel Finale II “Dov’è Lucia?” p16 3:48 20 No 9 Scene and Quartet of Finale II “Where is Lucy?” p16 3:48 Дамы и кавалеры, жители Ламмермура...................................хор Ladies and Gentlemen, Inhabitants of Lammermoor..........Chorus Солдаты.............................................................................................хор Soldiers.........................................................................................Chorus 21 Larghetto “Chi mi frena in tal momento…” p17 3:31 21 Larghetto “Who restrains me…” p17 3:31 Слуги..................................................................................................хор Servants.........................................................................................Chorus 22 No 10 Seguito e Stretta del Finale II p17 1:11 22 No 10 Seguito e Stretta del Finale II p17 1:11 Гости на свадьбе.............................................................................хор Wedding guests............................................................................Chorus “T’allontana, sciagurato…” “Be gone, villain…” 23 Moderato “Sconsigliato!” p17 4:24 23 Moderato “Rash fellow!” p17 4:24 Стеклянная Гармоника.............................................Саша рекерт Glass Harmonica......................................................Sascha Reckert Арфа......................................................................Софья киПрСкая Harp...........................................................................Sofia Kiprskaya ATTO TERZO ACT III Scena 1 Scene 1 Симфонический оркестр и хор мариинского театра Orchestra and Chorus of the Mariinsky Theatre 24 No 11 Uragano, Scena e Duetto “Orrida e p18 2:06 24 No 11 Storm, Scene and Duet “The night is p18 2:06 Музыкальный руководитель и дирижер – Валерий ГерГиеВ Musical Director and Conductor – Valery GERGIEV questa notte…” as horrid…” Главный хормейстер – андрей ПетреНко Principal Chorus Master – Andrei PETRENKO 25 Andante “Ashton!” p19 7:45 25 Andante “Ashton!” p19 7:45 ответственный концертмейстер – ирина СоБолеВа Principal Vocal Coach – Irina Soboleva концертмейстер – илона Янсонс Vocal Coach – Ilona Jansons Scena 2 Scene 2 26 No 12 Coro “D’immenso giubilo…” p20 1:32 26 No 12 Chorus “Raise a shout…” p20 1:32 Натали Дессей принимала участие в записи с согласия Natalie Dessay appears by kind permission of Virgin Classics. Virgin Classics. 27 No 13 Gran Scena con Cori “Cessi, ah cessi p20 4:40 27 No 13 Grand Scene with Chorus “Stop, ah, stop p20 4:40 quel contento!” your merrymaking!” 28 No 14 Scena ed Aria “Oh giusto cielo!” p20 2:48 28 No 14 Scene and Aria “Oh, good heavens!” p20 2:48 Запись была осуществлена 12 – 16 сентября 2010 в Концертном зале Recorded 12 – 16 September 2010 in the Concert Hall of the 29 Allegretto “Ohime!” p20 11:23 29 Allegretto “Alas!” p20 11:23 мариинского театра, Санкт-Петербург, Россия Mariinsky Theatre, St Petersburg, Russia 30 Moderato “Spargi d’amaro pianto…” p21 4:14 30 Moderato “Sprinkle my earthly…” p21 4:14 Продюсер – Джеймс Маллинсон James Mallinson – producer 31 31 Запись, монтаж и мастеринг – Classic Sound Ltd Classic Sound Ltd – recording, editing & mastering facilities Scena “Si tragga altrove…” p21 1:39 Scene “Carry her to another place…” p21 1:39 инженер звукозаписи – Джонатан Стокс (Classic Sound Ltd) Jonathan Stokes for Classic Sound Ltd – recording engineer Помощник инженера – Владимир Рябeнко Vladimir Ryabenko – assistant engineer аудио монтаж – Джонатан Стокс и Нил Хатчинсон (Classic Sound Ltd) Jonathan Stokes & Neil Hutchinson for Classic Sound Ltd – audio editors Scena 3 Scene 3 32 No 15 Aria Finale “Tombe degliavi miei…” p22 10:19 32 No 15 Aria Finale “Tombs of my forebears…” p22 10:19 33 Moderato “Tu che a Dio…” p22 4:25 33 Moderato “You that have spread…” p22 4:25 ATTO PRIMO ACT I Scena 1 Scene 1 1 No 1 Preludio e coro d’Introduzione p9 4:26 1 No 1 Prelude and Introductory Chorus “Search p9 4:26 “Percorrete le spiagge vicine…” through the neighbouring shores…” 2 No 2 Scena e Cavatina “Tu sei turbato…” p9 2:50 2 No 2 Scene and Cavatina “You are disturbed…” p9 2:50 3 Larghetto “Cruda, funesta smania…” p10 2:05 3 Larghetto “You have aroused…” p10 2:05 4 Coro di Cacciatori “Il tuo dubbio…” p10 2:05 4 Coro di Cacciatori “Once and for all…” p10 2:05 5 Allegro moderato “La pietade in suo favore…” p10 3:32 5 Allegro moderato “Pity for her vainly…” p10 3:32 Scena 2 Scene 2 6 No 3 Scena e Cavatina “Ancor non giunse!” p11 4:06 6 No 3 Scene and Cavatina “He still has not come!” p11 4:06 7 Larghetto “Regnava nel silenzio” p11 4:05 7 Larghetto “The deep, dark night brooded…” p11 4:05 8 Moderato “Quando rapito in estasi…” p11 4:58 8 Moderato “When carried away…” p11 4:58 9 No 4 Scena e Duetto – Finale I “Egli s’avanza!” p12 2:30 9 No 4 Scene and Duet – Finale I “He is coming!” p12 2:30 10 Larghetto “Sulla tomba…” p12 5:16 10 Larghetto “On the tomb…” p12 5:16 11 Moderato assai “Verranno a te…” p13 4:30 11 Moderato assai “My ardent sighs…” p13 4:30 3 Lucia di Lammermoor Mariinsky ЛЮЧиЯ Ди ЛАММеРМУР «лючия ди ламмермур» поставлена, и позвольте, хоть в музыке Доницетти становится ясно из его оценки оперы каммарано много ругали за бесцеремонное обращение с сюжетом Джереми Коммонс мне и совестно, сказать Вам, как другу, всю правду. «Паризина», сочиненной специально для него в 1833 году: Вальтер Скотта, особенно за то, что он отказался от столь важных она понравилась и понравилась очень, если верить персонажей как мать лючии, властная леди Эштон, и старый когда Доницетти в 1835 году сочинял в Неаполе «лючию ди овациям и полученным мною комплиментам. меня «она соединяет в себе изящество и грациозность дворецкий калеб Болдерстоун, а кроме того, изменил ламмермур», он уже был автором более чем сорока опер. Сегодня много раз вызывали на поклоны и певцов тоже... На легкого жанра, которому я обучался в начале моей обстоятельства гибели Эдгара. Впрочем, следует признать, что мы считаем его превосходным мелодистом, одним из лучших втором спектакле произошло нечто почти неслыханное деятельности, с приподнятостью драматической оперы, это сделано было явно вынуждено, поскольку смерть в зыбучих оперных композиторов, виртуозом сценического искусства, но в Неаполе: в [первой] заключительной сцене, после принесшей мне такие чудесные результаты в последние песках пустыни вряд ли могла быть показана на сцене. Но отдадим в его собственных глазах он был просто-напросто работящим бурного успеха адажио [секстета], Дюпре [Гилберт луи полтора года. «Паризина» кажется мне «дефисом», ему должное – он сосредоточился на двух главных героях – Люси музыкантом, которому постоянно приходилось преодолевать Дюпре, французский тенор, который пел партию Эдгара] связывающим оба эти стиля.» и Эдгаре, и здесь драматический
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