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Iranian-Made COVID-19 Test Kits Exported to Germany
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 12 Pages Price 40,000 Rials 1.00 EURO 4.00 AED 42nd year No.13658 Wednesday MAY 6, 2020 Ordibehesht 17, 1399 Ramadan 12, 1441 U.S. cannot invoke Iran’s steel sections Dragan Skocic’s Slavoj Zizek snapback mechanism after production capacity contract details “Pandemic!” translated JCPOA withdrawal 2 reaches 47m tons 4 revealed 11 into Persian 12 ‘Non-oil exports to be main driver Iranian-made COVID-19 test of Iranian economy’ TEHRAN – Iranian Industry, Mining private sector, IRNA reported. and Trade Minister Reza Rahmani says Speaking in a meeting of the special non-oil export is going to be the main committee for the protection of domes- driver of the country’s economy in the tic production, Rahmani noted that the current Iranian calendar year (started country managed to export 135 million on March 19) and the ministry has it tons of non-oil commodities in the past kits exported to Germany on the agenda to activate all the coun- Iranian calendar year, despite the U.S. try’s exports capacities with a focus on sanctions. 4 See page 9 Lebanon summons German amb. over Hezbollah designation Lebanon’s Ministry of Foreign Affairs as a terrorist organization, rather its activities and Emigrants has summoned the Ger- have been banned in the European coun- man ambassador to the country over the try, MNA reported. The Lebanese minister designation of Hezbollah as a terrorist highlighted that Hezbollah is among the organization by the German government. -
Arthur Hiller
---~. R+E+ P+O+R+T YOlUm( G ISSU( ~ fHll 1994 • • • OHmn YHnHffS • • • FILM CAST REUNITES AT ACADEMY Story Page 6 en m 1 Thru October 16 - Fourth Floor Gallery: FROM THE PRESIDENT FILMSCAPES: SPIELBERG, ZEMECKIS AND THE ART OF MAKING AWORLD - a mojor exhib~ i on featuring art created or collected by Production Designer Rick Corter from the fllm worlds of Steven Spielberg and Robert Zemeckis. ey, there's more to the Academy Apre produllion drawing than the Academy Awards. from BACK TOTlt E Our Awards are so prestigious and world-acclaimed that FUTUIE Pm II they sometimes tend to blind the public to the wonderful pro grams we do all year, as we ll as to the glories of our Center Sunday, September 4 - Auditorium Michel d'On.-o, for Motion Picture Study. Deauville, FrlllKe: Atribute to Hollywood and World War \I So I'm deputizing all of you : let's get the word out wher followed by a week of screenings of World War \I Hollywood ever we can - in interviews, in seminars, in teaching, in just features, shorts and dIKumentories ut the Deauville Film talking to friends and in responding to all those people who Festival. Participants will include Maureen O'Hara, Von stop you with "Oh, just one question ." Johnson, Moxene Andrews, Roddy McDowall and Arthur Hiller. Speaking, or should I say writing , about the Center, may I Friday, September 16 - 8 p.m., quote our brochure: "Housed in the old Beverly Hills Waterworks Buil ding, SOIIIUel GaldW'fll Theater - Academy Standard Screening: this world-class research and preservation facil ity contains the Margaret THE PRIMEOF MISS JEAN BRODIE and GOOOBYI MR_CHIPS . -
Over the Past Ten Years, Good Machine, a New York-Based
MoMA | press | Releases | 2001 | Good Marchine: Tenth Anniversary Page 1 of 4 For Immediate Release February 2001 THE MUSEUM OF MODERN ART TO CELEBRATE TENTH ANNIVERSARY OF GOOD MACHINE, NEW YORK-BASED PRODUCTION COMPANY Good Machine: Tenth Anniversary February 13-23, 2001 The Roy and Niuta Titus Theatre 1 Over the past ten years, Good Machine, a New York-based production company helmed by Ted Hope, David Linde and James Schamus, has become one of the major forces in independent film culture worldwide. Dedicated to the work of emerging, innovative filmmakers, Good Machine has produced or co-produced films by, among others, Ang Lee, Todd Solondz, Nicole Holofcener, Ed Burns, Cheryl Dunye and Hal Hartley. Beginning with Tui Shou (Pushing Hands) (1992), the first collaboration between Good Machine and director Ang Lee, The Museum of Modern Art presents eight feature films and five shorts from February 13 through 23, 2001 at the Roy and Niuta Titus Theatre 1. "Good Machine proves that audiences do want to be entertained intelligently and engaged substantively," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the series. "Their achievements are reflected in this Tenth Anniversary series and are, in large part, due to Good Machine's collaborations with filmmakers and its respect for the creative process." In addition to producing and co-producing films, Good Machine has gone on to establish an international sales company involved in distributing diverse and unusual works such as Joan Chen's Xiu Xiu: The Sent-Down Girl (1998) and Lars Von Trier's Dancer in the Dark (2000). -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410 -
Transnational Koreans in Asian Pop Culture in the Pre-Korean Wave Era*
Vol.17 No.3, 55∼83 DOI:10.20879/acr.2020.17.3.55 https://www.comm.or.kr Transnational Koreans in Asian Pop Culture in the Pre-Korean Wave Era* Doobo Shim** Professor, Department of Media and Communication, Sungshin Women’s University, South Korea 12 Abstract he Korean Wave, which refers to the overseas popularity of South Korean T culture, is moving toward a new stage of development. Seen in conjunction with the recent performances of K-pop bands on global music platforms, Korean film Parasite's winning four prizes at the 92nd Academy Awards in 2020 has led commentators to argue that the whole world is now observing the Korean Wave phenomena. However, while the global rise of Korean pop culture has been documented continuously, most of the research has been centered around either Korean production or foreign consumption. Additionally, while the transnationality of popular culture has led academia to adopt the theory of hybridity, its application to the Korean Wave was largely limited to textual studies. Against this backdrop, this research will shed light on diasporic Korean artistes who have been largely forgotten either in Korea or in their resettled and adopted cultures. In particular, this study will zero in on Korean actors and filmmakers in Shanghai in the 1930s and the Korean-Hong Kongese film collaborations in the 1960s and inquire into their cultural meanings in inter-Asian popular culture. For one, Korean director Jeong Chang-hwa handed down his action film know-how to Hong Kong cinema, which would later become a global action film hub. -
Screendollars
Monday, May 24, 2021 | No. 169 When Star Wars opened May 25, 1977 no one but Steven Spielberg thought it would be a hit. George Lucas had been turned down by Universal, United Artists and Disney before pitching 20th Century Fox his sci-fi epic inspired by 1930's serials like Flash Gordon and Buck Rogers, the 1966 TV series Star Trek and Frank Herbert's 1965 novel Dune. Fox creative affairs chief Alan Ladd, Jr. greenlighted SW, but Fox's distribution arm never considered it a likely hit. Fox marketers wanted to change the title because moviegoers might think Star Wars was about the Vietnam War or, perhaps, superstars Elizabeth Taylor and Richard Burton's divorce. When Lucas screened a rough cut for some director pals, they weren't impressed. Brian De Palma reportedly called it the "worst movie" ever made. Spielberg, however, predicted SW would be "the biggest movie of all time." Lucas thought SW was doomed and skipped its premiere to vacation with Spielberg in Hawaii where they heard SW was a boxoffice phenomenon and then came up with a new project to do together -- Raiders of the Lost Ark (1981), the first Indiana Jones blockbuster. Exhibitors were reluctant to book SW, thinking only kids and sci-fi buffs would buy tickets, so it opened at just 32 theatres. Two days later, it was in 43 theatres and a week later in 157. It peaked in mid-August at 1,096, a very wide run then. Produced for $11 million, its original release did $461 million domestically and $196 million abroad – huge numbers at Theatrical Poster for Star Wars, the time. -
Arthur Penn from Wikipedia, the Free Encyclopedia for Other People Named Arthur Penn, See Arthur Penn (Disambiguation)
Arthur Penn From Wikipedia, the free encyclopedia For other people named Arthur Penn, see Arthur Penn (disambiguation). This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (February 2014) This article needs additional citations for verification. Please help improve this article byadding citations to reliable sources. Unsourced material may be challenged and removed.(September 2010) Arthur Penn Born Arthur Hiller Penn September 27, 1922 Philadelphia, Pennsylvania, United States Died September 28, 2010 (aged 88) New York City, United States Occupation Film director, producer Spouse(s) Peggy Maurer (1955–2010; his death) Children Matthew Penn, Molly Penn Arthur Hiller Penn (September 27, 1922 – September 28, 2010)[1] was an American director and producer of film, television and theater. Penn directed critically acclaimed films throughout the 1960s such as the drama The Chase (1966), the biographical crime filmBonnie and Clyde (1967) and the comedy Alice's Restaurant (1969). He also got attention for his revisionist Western Little Big Man (1970). By the mid-1970s his films were received with much less enthusiasm. In the 1990s he returned to stage and television direction and production, including an executive producer role for the crime series Law & Order.[2] Contents [hide] 1 Early years 2 Career 3 Personal life 4 Work o 4.1 Filmography o 4.2 Stage 5 See also 6 References 7 External links Early years[edit] Penn was born in Philadelphia, Pennsylvania, the son of Sonia (Greenberg), a nurse, and Harry Penn, a watchmaker.[3] He was the younger brother of Irving Penn, the successful fashion photographer. -
International Feature Film Award Rules
RULE THIRTEEN SPECIAL RULES FOR THE INTERNATIONAL FEATURE FILM AWARD The unprecedented coronavirus/COVID-19 global pandemic mandated the closure of commercial motion picture theaters worldwide. Until further notice and for the 93rd Awards year only, country selected films that had a previously planned theatrical release but are initially made available through a reputable commercial streaming distribution service or video on demand may qualify for awards consideration in the International Feature category for the 93rd Academy Awards under these provisions: Provide to The Academy documentation (original document(s) and an English translation) of government mandated theater/cinema closure dates, previously planned theatrical release and steaming distribution or video on demand agreements. The film be made available on the secure Academy Screening Room member site within 60 days of the film being officially selected; That it meets all other eligibility requirements. When theaters reopen in accordance with national and local specified guidelines and criteria, and on a date to be determined by the Academy, this rules exemption will no longer apply. All films released thereafter will be expected to comply with the standard International Feature Film category theatrical qualifying requirements. In order for films to more easily meet theatrical exhibition requirements, the Academy will allow films to qualify outside the country of origin, provided the film is theatrically exhibited outside of the United States and its territories for at least seven consecutive days in a commercial motion picture theater for paid admission. The International Feature Executive Committee will evaluate all matters of rules and eligibility. Film festivals have been impacted by the coronavirus/COVID-19 pandemic. -
News Release for Immediate Release
NEWS RELEASE FOR IMMEDIATE RELEASE DISNEY SHOWCASES LIVE ACTION SLATE WITH EXCITING NEWS EXCLUSIVELY FOR FANS AT D23 EXPO 2015 STARS AND FILMMAKERS OF UPCOMING DISNEY, MARVEL STUDIOS AND LUCASFILM MOVIES FEATURED AT TODAY’S LIVE ACTION EVENT Film stills, title treatments and event images will be available at: http://www.image.net/d23_2015. ANAHEIM, Calif. (Aug. 15, 2015) — Disney, Marvel Studios and Lucasfilm presented their live action film slates this morning at the D23 EXPO 2015 at the Anaheim Convention Center in Anaheim, Calif. The presentations, which revealed exclusive news and details about the upcoming live action films, were aided by live and video appearances from talent and filmmakers. Walt Disney Studios Chairman Alan Horn hosted the highly anticipated biennial event. “It’s quite something to be able to have Disney, Marvel and Lucasfilm all on the same stage, and it’s tremendously gratifying to unveil our upcoming projects to our most dedicated fans first,” said Alan Horn, Chairman, The Walt Disney Studios. “We always have an incredible time at the D23 EXPO.” After welcoming the crowd to D23 EXPO 2015, Horn introduced Kevin Feige, President of Marvel Studios, and Sean Bailey, President of Walt Disney Studios Motion Picture Production, to present overviews of the Marvel Studios and Disney live action slates. Later Horn returned to the stage to present the Lucasfilm film slate to the enthusiastic audience. A recap of the presentation follows: · Kevin Feige led off with a glimpse into the world of Marvel’s “Doctor Strange,” featuring a video greeting by Benedict Cumberbatch, who stars as the title character, followed by a pre- production piece that offered fans a taste of the look and feel of the upcoming film, opening in U.S. -
The Academy Launches 2016 Student Academy Awards® Competition
MEDIA CONTACT Daniel Gomez [email protected] March 28, 2016 FOR IMMEDIATE RELEASE THE ACADEMY LAUNCHES 2016 STUDENT ACADEMY AWARDS® COMPETITION New Expanded Foreign Film Category Winners Eligible for Oscars® LOS ANGELES, CA - The Academy is now accepting entries for its 2016 Student Academy Awards® competition. All Student Academy Award® winners become eligible for Oscars® consideration. The entry deadline for submissions is Wednesday, June 1. New this year, the Foreign Film category has been expanded to include separate awards for narrative, animation and documentary entries. Gold, Silver and Bronze Medal awards may be given in the Foreign Film Narrative category; Gold Medal awards may be given in the Foreign Film Animation and the Foreign Film Documentary categories. The U.S. competition categories remain the same: Alternative, Animation, Narrative and Documentary. For the second year, students are asked to submit their films online using FilmFreeway, a Widely used festival and competition platform. Complete rules and a link to the online submission platform are available at www.oscars.org /saa. The 43rd Student Academy Awards presentation will be held on Thursday, September 22, at the Academy's Samuel Goldwyn Theater in Beverly Hills. Past winners have gone on to receive 49 Oscar nominations and have won or shared eight awards. This year two 2015 Student Academy Award winners received Oscar nominations in the Live Action Short Film category: Henry Hughes, a Gold Medal winner in the Narrative category for " Day One," and Patrick Vollrath, a Bronze Medal winner in the Fareign Film category for " Everything Will Be Okay (Alles Wird Gut)." Past Student Academy Award winners include acclaimed filmmakers Pete Docter, Cary Fukunaga, John Lasseter, Spike Lee , Trey Parker and Robert Zemeckis. -
“Oscar ® ” and “Academyawards
“OSCAR®” AND “ACADEMY AWARDS®” ARE REGISTERED TRADEMARKS OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES, AND USED WITH PERMISSION. THIS IS NOT AN ACADEMY RELEASE. A SISTER BELGIUM /16MINS/2018 Native Title: UNE SOEUR Director: DElphiNE GiRaRD Producers: JacqUES-hENRi BRONckaRt (VERSUS pRODUctiON) Synopsis: a night. a car. alie is in trouble. to get by she must make the most important call of her life. Director’s Biography: Born in the heart of the French-canadian winter, Delphine Girard moved to Belgium a few years later. after starting her studies as an actress, she transferred to the directing department at the iNSaS in Brussels. her graduation film, MONSTRE , won several awards in Belgium and around the world. after leaving the school, she worked on several films as an assistant director, children's coach or casting director ("Our children" by Joachim lafosse, "Mothers’ instinct" by Olivier Masset-Depasse) while writing and directing the short film CAVERNE , adapted from a short story by the american author holly Goddard Jones. A SISTER is her second short film. She is currently working on her first feature and a fiction series. Awards: Jury Prize - Saguenay IFF (Canada) Grand Prize Rhode Island IFF (USA) Best International Short Film Sulmona IFF (Italy) Grand Prize Jury SPASM Festival (Canada) Best Short Film, Public Prize, Be tv Prize, University of Namur Prize - Namur Film Festival (Belgium) Public Prize & Special mention by press - BSFF (Belgium) Best Belgian Short Film RamDam FF (Belgium) Prize Creteil Film Festival Festivals/Screenings: