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C H R I S T Y &
C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered. -
Part of the Great Australian Landscape
P R O D U C T C AT ALOGUE P a r t o f t h e G r e a t Australian L a n d s c a p e AKUBRA HATS PTY.LTD Incorporated in NSW A.B.N. 62 000 175 333 South Street, South Kempsey, NSW 2440 Australia P.O. Box 287, Kempsey, NSW 2440 Australia Telephone: (02) 6562 6177 Fax: (02) 6562 8726 www.akubra.com.au P a r t o f t h e G r e a t Australian L a n d s c a p e or over a century, Akubra’s fine felt hats have adorned and protected generations of Australians. Akubra started out as a small family operation in Tasmania, and now employs over 90 trades people in Kempsey, NSW, Fmanufacturing thousands of hats each week. Over the years Akubra has maintained its ability to be in vogue. Our hats have become a vital part of Australia’s identity; worn by soldiers, Olympians, politicians, personalities and of course, loyal, everyday countrymen and women. Akubra produces a wide selection of fur felt and straw hat styles to suit all people and all occasions, from Western and Country shapes through to casual and formal fashion hats. AKUBRA HATS AND SUN PROTECTION Akubra Hats regularly independently tests its fur felt hats made from the fabric. Fabrics that test higher than UPF 50 for Ultraviolet Protection. Samples are sent to the are rated as UPF 50+. Australian Radiation Protection and Nuclear Safety Agency (ARPANSA), a Federal Government Agency. Akubra Hats are currently rated at UPF 50+, and as such Akubra then receives an Ultraviolet Protection Factor are classified as EXCELLENT under the UPF Report and an Ultraviolet Protection Factor (UPF) rating. -
Accat2013.Pdf
Allens Crowns Tiaras A103 1 1/2" Tall A107 1 3/8" Tall A113 1 1/2" Tall Little Princess Tiara* Small Loop Tiara Princess Tiara* A122 1 5/8" Tall A123 2" Tall A133 1 1/4" Tall Small Heart Tiara Royal Princess Tiara* Looping Tiara A162 2" Tall A350 2" Tall AA240 2 1/2" Tall Fleur Di Lis Mardi Gras Tiara* Spring Tiara† ** Interlocking Loop Tiara B102 1 1/2" Tall B110 1 3/8" Tall B120 1 1/2" Tall Loop Tiara Curls & Loop Tiara Loop Tiara* ** Made from cast metal. † Jewel insert available in multiple colors. * Made from cast metal, capped with genuine Austrian rhinestone crystal by Swarovski™. 2 Allens Crowns B149 2" Tall C100 1 1/2" Tall C102 1 5/8" Tall Valentine's Day Tiara* Little Aztec Tiara* Loops Tiara C103 1 3/4" Tall C104 1 1/2" Tall C112 1 5/8" Tall Peak & Loop Tiara Loops & Heart Tiara Three Loops Tiara C117 1 3/8" Tall C206 1 5/8" Tall C301 1 7/8" Tall Five Loops Tiara Shooting Star Tiara Small Jewel Tiara† C350 3" Tall D109 2" Tall D117 1 5/8" Tall Spring Tiara†** Loops & Pearl Tiara Three Loops with Pearls Tiara ** Made from cast metal. † Jewel insert available in multiple colors. * Made from cast metal, capped with genuine Austrian rhinestone crystal by Swarovski™. 3 Allens Crowns D121 2 1/4" Tall E110 2" Tall E113 3" Tall Teardrop & Loops Tiara Peak Tiara Queen Tiara* F100 1 7/8" Tall G111 2 1/4" Tall G120 2" Tall Heart & Loops Tiara Peaked Heart Tiara Loop Tiara* G127 2 3/8" Tall J100 2" Tall J124 2 5/8" Tall Basketweave Tiara Heart Tiara Elevated Star Tiara J168 2" Tall K100 2 1/4" Tall K101 1 7/8" Tall Stars Tiara* Hearts & Loops Tiara Tie the Knot Tiara * Made from cast metal, capped with genuine Austrian rhinestone crystal by Swarovski™. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
A Soldier and His Many Hats: the Evolution of American Military Headgear
The Gettysburg Compiler: On the Front Lines of Civil War Institute History 12-5-2016 A Soldier and His Many Hats: The volutE ion of American Military Headgear Jonathan E. Tracey Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/compiler Part of the Military History Commons, Public History Commons, and the United States History Commons Share feedback about the accessibility of this item. Tracey, Jonathan E., "A Soldier and His Many Hats: The vE olution of American Military Headgear" (2016). The Gettysburg Compiler: On the Front Lines of History. 185. https://cupola.gettysburg.edu/compiler/185 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/compiler/185 This open access blog post is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. A Soldier and His Many Hats: The volutE ion of American Military Headgear Abstract Military headgear is a fascinating topic. It exists on a spectrum from the gaudy to the protective, but how did headgear evolve with the military? Interestingly, changes from the decorative to the practical can be examined through this blog’s favorite topic, the 1800s and the American Civil War. By tracing key changes in American military headgear in the 1800s, ideas about the nature of war, as well as how the United States was distancing itself from Europe, become clear. -
What to Buy Lor Mas and Where to My I
V f" - t ' AM&t, ' - iv' 'vTw TT' "" PVj.$ 'fiSf' rrt'fr l;"". , ;' EVENING BULLETIN, DECEMBER 18 1807. What to Buy lor Mas and Where to My I " & E. W, Jordan J. T. Waterhouse, Pacific Cycle & Mfg. Company, N. S, Sachs Hawaiian Cycle & Mfg, Co, A, E. Mnrphy Company, Arlington lllock, Hotel .Street. 10 Fort Street. Orookory Department. Km. kin Iti.iio., KoiitKt. No. 520 Fort Street. For Oentlemen KOlt A LADY: A Hawaii Wcycle "NYtiro A Search Light Lamp FOIt MKN: Kino Leather Shopping and llandkur-ehlo- f "Wedgowood llemlngtou Dlrylc SSiOO FOWOKNTLKMKN: A Punching Hag Iligs A Sweater Congress and Oxford Ijieed Shoes Kmhrohlorcd llandker- Uiists Kangaroo ltenl I.aoo and I'uriun and Statuettes " Dny's " l")00 I'lnoSllkUinbiclhs A Peerless Typewriter. In Kroneh Patont Leather and ehiefs Ilandsouio Silk Scarfs II.t f'uir milt Vnnl Calf Silk Dress and Trimmings Queen Vietoriu. Jubilee Ore-ce- nt " 75 00 ' Homcos Busts Uox of I'ino Handkerchiefs For Ladies lllaek and Colored Work liaskets Uox SlipjHirs, lllaek and Colored. SeKsors, Out-glu- ' Hoy's " 50 (X) of Silk Socks. A Hawaii IJIdyela Cases of Ruinb(w ss A Search Light Lamp FOIt LADI1: " " 4o (K) KOIl AOKNTLKMAN: aiton VOll LADIIX: A Veader Cyelometer Cut-gla- ss A Dlcyelc Hell liuii and llutton Oxfoids Ordinnry pieces .Dloyele I.aiup (extra quality)... 5 00 French Kid, Dongola Kid leather Dressing Cases Ileal IjHcu Handkerchiefs A Tennis Dacket. ' Whlto and Urown Canvas lloinstltehetl Ilandkorchlefs Crockery and China " Saddle " " ... "00 IIiukIhoiiio Ulack Idico Sc.ufs Cloth Top Smoking Cap. Ware of a. -
Letter Carriers' Uniform: Hats, Introduction
Letter Carriers’ Uniform: Hats, Introduction In 1868 the Postmaster General listed a cap as the letter carrier’s uniform headgear. It was to be made of the same material as the coat, bound round with a black cloth band 1 1/2 inches wide, and have small buttons at the sides. In 1873, panama hats were authorized for summer. In 1887, numbered badges were added to the carriers' headwear, and helmets were approved for use. Helmets were short-brimmed with a tall crown, similar to British bobby helmets. In 1893, the more general straw hat replaced the panama hat as allowable summer headgear. By 1901, a western-style hat appeared, with a stiff crown and wide brim. Though never described in the Postal Laws and Regulations, photographs indicate this cowboy-style hat was standard wear at some Post Offices. From 1902 through 1948, postal regulations listed the hat, cap or helmet as acceptable carrier headwear. Uniform manufacturers advertised many variations in headgear style. The bobby-style helmet was last advertised in The Postal Record in 1907; in 1949, the safari-style helmet ws first pictured. Although carriers at each Post Office were to dress uniformly, photographs indicate that this was not always enforced. In 1955, only the helmet and cap were listed as acceptable headgear. The helmet was specified for summer; it was made of molded fiber in a blue-gray cadet shade and had a maroon chinstrap. The cap was a blue-gray eight-point style cap with braid the same color as the cap and a maroon chin strap. -
Authenticity Standards
Washington Civil War Association Living History Committee Guidelines April 21, 2019 WCWA Mission The Washington Civil War Association (WCWA) is a nonprofit organization established to honor America’s past by reenacting the War Between the States. Our objective is to interpret and present the daily life of Confederate and Federal soldiers, and their families and associates, for the public through living history, reenactments, first person characterizations, and education. To this end, our member units portray military and civilian organizations from all theaters of the Civil War during the period of 1861 to 1865. Living History Committee Statement The Living History Committee shall process requests and coordinate presentations for school and living history programs; develop educational materials and lesson plans; develop materials for educating members and the public about authenticity; when necessary, convene a temporary task force to examine authenticity issues and make recommendations to the Board of Directors. Since our member units portray companies with widely divergent backgrounds, the authenticity of the individual units is the responsibility of the individual unit commander or leader. Questions about the authenticity of any unit’s clothing or equipage should be directed to that unit’s commander or leader. If unsatisfactory answers to questions about authenticity are provided by the unit commander or leader within a reasonable period of time, the Chairman may ask the Living History Committee to convene a temporary task force. The purpose of the task force is to examine the issues present and make recommendations (if any) based on the best information available. This task force’s sole purpose is to gather information. -
Fashion Through the Ages
Fashion Through The Ages • In the Victorian era, both boys and girls wore dressed until the age of around 5 years old. • High-heeled shoes were worn from the 17th century, and were initially designed for men. • Women often wore platform shoes in the 15th to 17th centuries, which kept their skirts up above the muddy streets. • Wearing purple clothes has been associated with royalty since the Roman era. The dye to make clothes purple, made from snail shells, was very expensive. • Napoleon was said to have had buttons sewn onto the sleeves of military jackets. He hoped that they would stop soldiers wiping their noses on their sleeves! • Vikings wore tunics and caps, but they never wore helmets with horns. • See the objects in the Museum collections all about looking good: http:// heritage.warwickshire.gov.uk/museum-service/collections/looking-good/ • View the history of fashion from key items in the collection at Bath’s Fashion Museum: https://www.fashionmuseum.co.uk/galleries/history- fashion-100-objects-gallery • Google’s ‘We Wear Culture’ project includes videos on the stories behind clothes: https://artsandculture.google.com/project/fashion • Jewellery has been key to fashion for thousands of years. See some collection highlights at the V&A website: https://www.vam.ac.uk/ collections/jewellery#objects A Candy Stripe Friendship Bracelet Before you begin you need to pick 4 – 6 colours of thread (or wool) and cut lengths of each at least as long as your forearm. The more pieces of thread you use, the wider the bracelet will be, but the longer it will take. -
The Common Civil War Soldier
The Common Civil War Soldier The American Battlefield Trust Traveling Trunk Program Lesson #1 Military Issued Military Issued Mississippi Hardee Hat Rifle & Bayonet Military Issued Frock Coat Military Issued Knapsack & Blanket Roll Military Issued Haversack Military Issued Canteen Military Issued Brogans/Booties Figure 1 Union Jacket-AKA Sack Coat Military issued jacket also commonly known as a sack coat. Worn by enlisted men and non-commissioned officers, the jacket is unlined and made of wool. The jacket is adorned with four brass buttons. Confederate Jacket Confederate jean wool jacket. This garment would be used by enlisted men and non-commissioned officers, the jacket is unlined, and is adorned with four brass buttons. Many times the buttons were Union buttons sewn onto the Confederate uniform. Jacket’s Continued Left- Right- A well worn and lined A Confederate style version of the sack coat. frock coat. This coat The soldier's coats would normally consisted of look this way after a year nine buttons and a split or two at war. tail like a tuxedo in the rear. This version is kid sized and not to scale. Union & Confederate Headgear Left: Union Forge Cap Right: Confederate Kepi The most common types of hats worn by Union and Designed by the French Confederate soldiers was Army, the kepi is a more either a kepi or forage cap. compact version of the The forage cap, also forge cap. While used known as a bummer, more by officers, the hat allowed soldiers to remove was used by enlisted men their hat and place eggs, in the North and South. -
Maryland Historical Magazine Patricia Dockman Anderson, Editor Matthew Hetrick, Associate Editor Christopher T
Friends of the Press of the Maryland Historical Society The Maryland Historical Society (MdHS) is committed to publishing the fnest new work on Maryland history. In late 2005, the Publications Committee, with the advice and support of the development staf, launched the Friends of the Press, an efort dedicated to raising money used solely for bringing new titles into print. Response has been enthusiastic and generous and we thank you. Our most recent Friends of the Press title, the much-anticipated Betsy Bonaparte has just been released. Your support also allowed us to publish Combat Correspondents: Baltimore Sun Correspondents in World War II and Chesapeake Ferries: A Waterborne Tradition, 1632–2000, welcome complements to the Mary- land Historical Society’s already fne list of publications. Additional stories await your support. We invite you to become a supporter, to follow the path frst laid out with the society’s founding in 1844. Help us fll in the unknown pages of Maryland’s past for future generations. Become, quite literally, an important part of Maryland history. If you would like to make a tax-deductible gif to the Friends of the Press, please direct your gif to Development, Maryland Historical Society, 201 W. Monument Street, Baltimore, MD, 21201. For additional information on MdHS publications, contact Patricia Dockman Anderson, Editor, 410-685-3750 x317, or [email protected]. Maryland Historical Society Founded 1844 Ofcers Robert R. Neall, Chairman Louise Lake Hayman, Vice President Alex. G. Fisher, Vice Chairman Frederick M. Hudson, Vice President Burton K. Kummerow, President Jayne H. Plank, Vice President James W. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000