Stanley William Turrentine

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T OUR Stanley William Turrentine Historic Allegheny Cemetery “The Sugar Man” To Visit Famous Gravesites Jazz * R & B Saxophonist Stephen C. Foster “Rosey” Rowswell Lillian Russell Harry Kendall Thaw Charles Avery General John Neville General James O’Hara Commodore Joshua Barney and More of Pittsburgh’s History Pittsburgh Musician Section 26—Lot 722 Allegheny Cemetery Historical Association 4734 Butler Street Pittsburgh PA 15201-2999 ALLEGHENY CEMETERY 412/682-1624 FAX 412/622-0655 www.alleghenycemetery.com PITTSBURGH, PENNSYLVANIA Stanley Turrentine Stanley Turrentine began his legendary musical career in Pitts- A Musical Legend From Pittsburgh burgh and came back to his roots for his final journey. He died at a New York City hospital on September 12, 2000 (66 years old) just two days after suffering a stroke. At the interment site on September 19th, the sound of taps was heard on trumpet and tanley Turrentine was an original—a one of a kind! He the famous “Sugar” was played on the instrument which made S was born into a musical family as his father, Thomas Turrentine, played tenor saxophone with the famous Savoy Stanley Turrentine a legend—the saxophone. Sultans, his mother played piano and brother Tommy played bop trumpet while brother Marvin played drums. At the age of 11, young Stanley began training on the cello but then switched to tenor saxophone with hours of practice guided by his father. Playing tenor saxophone, Stanley Turrentine mixed jazz with blues, rock, rhythm and blues and pop. He formed a band with his brother to play their first professional gig at the Perry Bar while still in high school. At 16 he began traveling with a band, went on to rhythm and blues groups and to the big band of Earl Bostic featuring the pianist Ray Charles. In the 1960‟s, Turrentine had success with albums such as “Stan „The Man‟ Turrentine,” “Up at Minton‟s” and “Never Let Me Go.” His biggest hit was in 1970 with his own composition “Sugar” which brought him fame outside the jazz world. All in all, he recorded about 50 albums. When he collapsed he was about to close out an engagement at Section 26 Lot 722 the “Blue Note Club” in New York and perform at the Ann Arbor Jazz & Blues Festival in Ann Arbor, Michigan. Allegheny Cemetery. His last new recording was in 1999 “Do You Have any Sugar.” .

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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
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