Sailors Path Walk
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“Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
“Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions. -
George Crabbe
GEORGE CRABBE George Crabbe, The Complete Poetical Works, ed. N. Dalrymple-Champneys and A. Pollard (3 vols, Oxford, 1988). George Crabbe, Selected Letters and Journals, ed. T.C. Faulkner and R.L. Blair (Oxford, 1985). George Crabbe, Tales, 1812, and Other Selected Poems, ed. H. Mills (Cam- bridge, 1967). George Crabbe, Selected Poems, ed. Gavin Edwards (Penguin Selected English Poets, London, 1991) [brief, well-pointed notes, esp. running refs to Godwin and to Jane Austen]. Jeffrey (Francis), 'On Crabbe's Poems', review of Poems. By the Rev. George Crabbe, LL.B. (1807), Edinburgh Review (April, 1808); and see also Edinburgh Review (April, 1810, July, 1819, January, 1835). George Crabbe, Jr, 'Life of the Rev. George Crabbe, LL.B.', in The Poetical Works of the Rev. George Crabbe: With his Letters and Journals, and his Life, by his Son (8 vols, London, 1834), Vol. I. Curran (Stuart) (ed.), The Cambridge Companion to British Romanticism (Cambridge, 1993). O'Neill (Michael) (ed.), Literature of the Romantic Period; A Bibliographical Guide (Oxford, c.1998 and reprinted). Keymer (Thomas) and Mee (Jon) (eds), The Cambridge Companion to English Literature, 1740-1830 (Cambridge, 2004). Roe (Nicholas) (ed.), Romanticism; An Oxford Guide (Oxford, 2005). Watson (J.R.) (ed.), Pre-Romanticism in English Poetry of the Eighteenth Century; The Poetic Art and Significance of Thomson, Gray, Collins, Goldsmith, Cowper & Crabbe; A Casebook (Basingstoke, 1989). Brown (Marshall), Preromanticism (Stanford, Cal., 1991); see also his 'Romanticism and Enlightenment', in Curran (Stuart) (ed.), The Cam- bridge Companion to British Romanticism (Cambridge, 1993). Edwards (Gavin), George Crabbe's Poetry on Border Land (Studies in British Literature, 7; Lewiston N.Y. -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Benefice Profile
BENEFICE PROFILE Saxmundham with Kelsale-cum-Carlton Our Benefice is full of people who mix and match well together on so many different levels. We are all looking for someone who can show us the way to become a growing church; someone to take us by the hand and say, “I will walk with you and work with you to reach out and help people encounter God in a way that will reshape their lives.” Summer 2020 TABLE OF CONTENTS Introduction ...................................................................................................................... 3 The People ........................................................................................................................ 4 Who are we? ................................................................................................................ 4 Challenges for our new leader ...................................................................................... 5 Support for our new leader .......................................................................................... 6 How we support and nurture each other ..................................................................... 6 Safeguarding ................................................................................................................ 7 Electoral Roll ................................................................................................................ 7 Our worship ...................................................................................................................... 8 Church -
The Tradition of Theriophily in Cowper, Crabbe, and Burns
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 The rT adition of Theriophily in Cowper, Crabbe, and Burns. Rosemary Moody Canfield Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Canfield, Rosemary Moody, "The rT adition of Theriophily in Cowper, Crabbe, and Burns." (1971). LSU Historical Dissertations and Theses. 2034. https://digitalcommons.lsu.edu/gradschool_disstheses/2034 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-3470 CANFIELD, Rosemary Moody, 1927- THE TRADITION OF THERIOPHILY IN COWPER, CRABBE, AND BURNS. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Language and Literature, general University Microfilms, A \ERQX Company , Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED The Tradition of Theriophily in Cowper, Crabbe, and Burns A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Rosemary Moody Canfield B.A., University of Minnesota, 1949 M.A., University of Minnesota, 1952 August, 1971 PLEASE NOTE: Some Pages have indistinct print. Filmed as received. UNIVERSITY MICROFILMS TABLE OF CONTENTS PAGE TITLE P A G E .............................................. i ACKNOWLEDGEMENT........................................ ii ABSTRACT ............................................... iv I. INTRODUCTION....................................... 1 II. THERIOPHILY IN THE WORK OFWILLIAM COWPER . -
'We Are Concerned': a Public Reading of the Wolfenden
‘WE ARE CONCERNED’: A PUBLIC READING OF THE WOLFENDEN REPORT Sunday 11 June 2017, 4pm-late A special reading of the 1957 Wolfenden Report that led to the partial decriminalisation of homosexuality in 1967 The Britten-Pears Foundation will be marking the 50th anniversary of the partial decriminalisation of homosexuality with an event at The Pumphouse in Aldeburgh. It is part of the alternative Aldeburgh Festival in the unique setting of a former pumping station on the marshes. ‘We are Concerned’ will be a public reading of the sections dealing with homosexuality in the Wolfenden Report, a fascinating and historically significant document. Starting at 4pm, it will take approximately 5 hours and 15 minutes to complete. The Report will be divided into 30 sections, marked by logical breaks in the Report itself. Matters covered in the Report include: ‘Is homosexuality a disease?’; ‘Blackmail and courts’ and ‘Oestrogen and Castration treatments’. It concludes with the recommendation that ‘homosexual behaviour between consenting adults in private should no longer be a criminal offence’ – although some members of Wolfenden’s Committee (who prepared the Report) submitted several lengthy ‘reservations’, which will also be included in the reading. The Britten-Pears Foundation is delighted that human rights activist Peter Tatchell will be taking part along with other special guests, to be announced. The public will also be able to take part and can sign up now here: http://www.signupgenius.com/go/5080f45afaf2ca3f94-weare. Lucy Walker, curator of Britten-Pears Foundation exhibition ‘Queer Talk: Homosexuality in Britten’s Britain’ says: ‘The Wolfenden Report in 1957 triggered a decade long campaign that led to the partial decriminalisation of homosexuality. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Media Release
Media Release For immediate release: 14:00 hours GMT, Thursday 3 March 2011 BRITTEN-PEARS FOUNDATION ANNOUNCES GRANTS OF $1,250,000 TOWARDS INTERNATIONAL EVENTS TO CELEBRATE BENJAMIN BRITTEN’S CENTENARY IN 2013. Today the Britten-Pears Foundation announced awards of grants totalling $1,250,000 (£775,000 or €915,000) towards opera productions, new commissions and other events to take place in celebration of the centenary of Benjamin Britten’s birth in 2013. Britten is now the third most performed opera composer of the 20th century (behind Puccini and Richard Strauss) and productions of his works are mounted all over the world. The Britten-Pears Foundation has made available substantial funding to support a limited number of new productions of operas in and around the centenary year. The aim has been to encourage productions of the less well-known operas or in places where Britten’s work was not so familiar. The trustees are pleased to announce that the following Britten 100 Awards have been made: . Billy Budd – Teatro Municipal de Santiago and Teatro Argentino de la Plata, Buenos Aires . Billy Budd – NBR New Zealand Opera . Church Parables – Mahogany Opera: Hermitage Theatre, St Petersburg, Tokyo, City of London Festival, Orford . Curlew River - Festival Productions: Beer Sheva, Haifa, Jerusalem, Tel Aviv . Gloriana – Houston Grand Opera and the Royal Opera House, Covent Garden . Gloriana – New York City Opera, Los Angeles Opera and Norwegian National Opera . A Midsummer Night’s Dream –Orquestra Sinfônica do Estado de São Paulo, Brazil and Teatro Nacional de São Carlos, Lisbon . Paul Bunyan – Chicago Opera Theater . Peter Grimes – Shanghai Opera House and Beijing Music Festival Continues The Britten-Pears Foundation is also pleased to announce the following Special Awards: . -
George Crabbe - Poems
Classic Poetry Series George Crabbe - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive George Crabbe(24 December 1754 - 3 February 1832) George Crabbe was an English poet and clergyman. In his early years he worked as a surgeon. As a young man, his close friend Edmund Burke helped him greatly in advancing his literary career and guiding his career in the church. Burke introduced him to the literary and artistic society of London, including Sir Joshua Reynolds and <a href="http://www.poemhunter.com/samuel-johnson/">Samuel Johnson</a>. Burke also secured Crabbe the important position of Chaplain to the Duke of Rutland. Crabbe served as a clergyman in various capacities for the rest of his life. Later, he developed friendships with many of the great literary men of his day, such as <a href="http://www.poemhunter.com/sir-walter- scott/">Sir Walter Scott</a> and <a href="http://www.poemhunter.com/william-wordsworth/">William Wordsworth</a>. Crabbe also had a lifelong interest in naturalism, entomology and botany, and was particularly known for his study of beetles. The poems that he is best known for are The Village (1783) and The Borough (1810). <b>Biography</b> <b>Early Life</b> Crabbe was born in Aldeburgh, Suffolk. His father had been a teacher at a village school in Orford, Suffolk, and later Norton, near Loddon, Norfolk, before settling down as a taxcollector for salt duties, a position his own father had previously a young man he married an older widow named Craddock, fathering six children with her. -
Věra Oščádalová BRITISH CHORAL TRADITION with an EMPHASIS
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra anglického jazyka Věra Oščádalová III. ročník – prezenční studium Obor: Anglický jazyk se zaměřením na vzdělávání – Hudební kultura se zaměřením na vzdělávání BRITISH CHORAL TRADITION WITH AN EMPHASIS ON BENJAMIN BRITTEN’S WORK Bakalářská práce Vedoucí práce: PhDr. Světlana Obenausová, MLitt, Ph.D. OLOMOUC 2014 Prohlašuji, že jsem závěrečnou práci vypracovala samostatně a výhradně za použití uvedených pramenů a literatury. V Olomouci 23. 4. 2014 ……………………………………………… vlastnoruční podpis I would like to thank PhDr. Světlana Obenausová, MLitt, Ph.D. for her support and valuable comments on the content and style of my final project. CONTENTS LIST OF ABBREVIATIONS ABSTRACT Introduction ......................................................................................................................... 7 British Choral Tradition ...................................................................................................... 9 1 History .......................................................................................................................... 9 1.2 Earliest British vocal and choral music ................................................................... 10 1.3 Renaissance ............................................................................................................. 12 1.4 Golden Age ............................................................................................................. 14 1.5 Baroque ..................................................................................................................