DOCSLIB.ORG

Campus Press December 2017 Online Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Campus Press December 2017 Online Edition C_ P7 C773: “Striving to Report the News Accurately, Fairly and Fully” TheTheThe Campus Press Student Newspaper of Camden County College www.camdencc.edu Volume 31, Issue 7 December 2017 BYY7J`...BYY7J` A C HRISTMAS MEMORY : Big Holiday in the Big Apple • Hear ye, hear ye! By S7` M-GJ``J about it was serviceable. The Madison Literary MAD LIT Society of Campus Press Writer and Columnist Christmas Day was typical, but charming. We Camden County College will be hosng the got our presents, took pictures, and smiles were club’s semesterly recitaon contest hristmas: by shared. The night far one of the before, our “Poec Idol” on Thursday, December 7th in C most friends, brother the CIM Auditorium. Signups for anticipated days of and I spent the contestants are at 6:30 p.m. Showme is at the year; when night watching 7 p.m. Refreshments will be served. For families and friends Christmas get together, either specials. Keep in further informaon, contact the club’s for religious mind, we’re Sonic faculty advisor Keith O’Shaughnessy at celebration or just to the Hedgehog [email protected]. show their fans, so we made appreciation and the YouTube love for each other. animatic series Such a holiday can Christmas with create the most Sonic our yearly Photo: Rockefeller Center Christmas Tree: media.meout.com cherished and tradition; catching wonderful of memories, and I’m pretty sure that up with the older ones and watching the latest anyone can tell at least one Christmas story that one. It’s a bit goofy, but we still loved it. And I means a lot to them. have no shame in acknowledging it. Myself, on the other hand… I tend to be quite Reminder: Camden County College is forgetful. But I do have a story to tell. Night on the Town commied to promong the good health of My favorite Christmas memory is the one time The next few days could be summed up as a our students, employees and the enre my family and I went to New York with our friends. series of misadventures. One night, we went to an Sounds superficial at first; I mean, New York is Alvin Ailey dance show at the theatre named college community by providing a healthy basically the land of commercialism and business, after him; kind of reluctantly since I didn’t know environment in which to learn and work hidden in flashing neon lights. Yet a little charm, about it until the night of. At this point, I wasn’t while furthering the mission of the college. fun memories and friendship cleaned out the that interested in theater, so I didn’t get that According to Camden County College’s cynicism in me. much out of it initially. But when I reflect on it now, it’s the kind of situation when I appreciate Board of Trustee Policy #221, smoking is Small Accommodations the show overtime. Dance is an art form, like prohibited on all college properes. Throughout our holiday vacation, we stayed at a many others I admire, and I would be more open small apartment, owned by our friend’s mother’s to seeing such a show again. Continued on Page 3 friend. And when I say small, I do mean small; there Another night, we planned on going to a was only one bed, so we had our mothers sleep on popular restaurant to eat, but our reservations MUSIC COLUMN : M Y PICK OF 5 that, while the rest of us slept in our sleeping bags. were all disorganized and carried a long wait NOMINEES FOR THE 2018 It was kind of cramped, I think I was crunched time. We eventually got tired of waiting and between the walls some nights. But we got used to decided to go somewhere else to eat. Several ROCK & R OLL HALL OF FAME it, because a cramped up apartment isn’t enough to hours of driving and walking led us to a little B1 CGJJ` A. B+`7 bring down our vacation. That, and everything else Continued on Page 2 Campus Press Music Columnist s I wrote in a COLUMN : Coping with Cumulative Stressors Triggering Meltdowns A previous B1 GJ` A`37+ order to redirect all of that blood. All of this and column, getting Campus Press Columnist more happens inside of an autistic person in a into the Rock meltdown, showing that meltdowns have a and Roll Hall of eltdowns are not usually physical Fame is very triggered by one thing, though. Part 2 of 2 component and hard. This year’s M It may seem to the layman are not just nominees are that what triggered the meltdown was psychological or, maybe biting something mild, like a single bright as some people their nails until light or forgetting medication, but would see it, the final 2018 Rock and Roll Hall of they’re actually the cumulative effects naughty behavior. selections Fame Nominee Kate Bush. of stressors that attack the mind of the revealed. This Photo: Rateyourmusic.com person throughout the day. That’s why Punishment is year there are a you often see more meltdowns in the Not the Answer number of surprised nominees and a number late afternoon and evening. The fact of the of others who should already be in the hall. matter is that a The voters are going to have a hard time Meltdowns in Persons with Autism meltdown should picking from worthy artists this year. But Have a Physical Component not be punished or here are the 2018 nominee artists who I What you don’t see is what’s treated like a believe should get into the Rock and Roll Hall happening inside of an autistic person. simple case of of Fame. The fight-or-flight system is prepared acting out. No Depeche Mode: If you read my column on to run from or fight a “predator.” The amount of yelling, Four Artists Deserving to be in The Rock and lungs work overtime to bring extra time-outs, naughty Roll Hall of Fame in the October 2017 edition oxygen into the body (hence, you get steps, groundings, of The Campus Press, then you already know the hyperventilation.) The muscles or smackings and why I believe they should get in the Hall of tense, ready for action that isn’t spankings will stop the meltdown, and, if Fame this year. This electric band from Essex, needed. Blood is directed away from the digestive anything, they will stress the child out further, England has influenced countless artists like system and toward the muscles, leading to the thus making things worse. Instead, figure out Lady Gaga and Linkin Park and many more. feeling of nausea that often accompanies extreme stress. The heart pounds harder and faster in Continued on Page 7 Continued on Page 7 Read The Campus Press Online: hp://www.camdencc.edu/studentlife/campuspress.cfm 2 The Campus Press ▪ December 2017 Public Service Announcement A Christmas Memory Continued from Page 1 shack where we got a Mexican restaurant’s attempt at burgers. We did go back to our intended choice for their desserts, at least that was worth the wait. The Main Event And I can’t mention New York without bringing up Times Square. Sure, there are other places in the city, but the residing businesses and entertainment vendors don’t want you to know that. The first one was just us walking around at night, catching a view of the Rockefeller Center Christmas Tree . A great place to shoot festive pictures, the tree’s lights were bright and the structure was as large as expected. It was nice to end the day there, after a period of walking around the city and looking around. Last Day in the Big Apple The last day of our Christmas vacation gave us a trip to Time Square’s rendition of Toys R’ Us . You’d think it wouldn’t a big deal, it’s one toy store among many in a (now crumbling) franchise. But this store was HUGE: multiple floors with toys and games galore. There’s even a Ferris wheel, that’s how large this store was. My younger self would’ve called it Heaven if he had gone as an 8-year-old or so. I didn’t do a whole lot there, but I did look around quite a bit and got Donkey Kong Country Returns for my 3DS. I still have it because I got it in New York, on top of the game being fun. To “Wrap” Things Up My Christmas trip to New York may not be the most casual approach, and for all I know, I could be missing specific details; as I said before, my memory isn’t great. But it’s still one of my favorite Christmas tales, especially since I spent Christmas with both my friends and my family. I’ll still cherish what I can remember, especially memories like these. Tune into Camden County College Radio Station WDBK 91.5 FM Follow @915WDBK on For The Record Twitter and Instagram. In a column on professional wrestling by writer Chrisan A. Browne in the November 2017 Edion of The Campus Press, a former champion wrestler Listen online with the was listed as Bubby Rogers. His correct name was Buddy Rogers who also TuneIn mobile app went by the nickname of Nature Boy. Rogers, bon in Camden, N.J., died in or on 91.5 FM. 1992. He was a huge influence on the career of professional wrestler Ric Flair.
Load more

Recommended publications
  • “Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
    “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights.
    [Show full text]
  • INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
    INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161).
    [Show full text]
  • A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
    PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score.
    [Show full text]
  • 2010 Burley Fest Results
    2013 Rack-N-Roll Horse Show - August 17 Judge: Keith Ailshie, White Pine, Tn. Class Horse's Name Rider Owner Address (1) Leadline (13 entries) 1st Al-Mar Apollo Elijah Penniman Elijah Penniman Coeburn, Va. 1st Sons Little Sadie Girl Estella Beavers Estella Beavers 1st Rowdy's Little Rascal Kamden Beavers Triple J Stables Honaker, Va. 1st Johnny Cash Rhyder Sibley Triple D Stables Dungannon, Va. 1st Johnny Cash Lacey Collins Triple D Stables Dungannon, Va. 1st Talon Sykes Hope Sykes Hope Sykes Coeburn, Va. 1st Nature Boy Becca Ward Drema Musick Lebanon, Va. 1st Firecracker Kimmie Floyd Kimmie & Karesa Charles 1st Supreme Rapture Jenna Ball Kim Osborne Castlewood, Va. 1st Nico Arabella Gillenwater Arabella Gillenwater Dungannon, Va. 1st Julie Ethan Royal Kaitlin Boyd Lebanon, Va. 1st I'm All Man Easton Pruitt Chelsi Akers Honaker, Va. 1st Jasper Jackson Sykes Lebanon, Va. (2) Model Class (7 entries) 1st Cash Blaster Mary Kathryn Deaton Mary Kathryn Deaton 2nd Zippity Do Dah Josie Smith Josie Smith Fall Branch, Tn. 3rd Another Little Princess Ginger Bartlett Joyce Gilmer Nickelsville, Va. 4th Wise Man Supreme Daysie Rich Virginia Snodgrass 5th Busteds Playboy Kassandra Boyd Kassandra Boyd Lebanon, Va. (3) Country Saddle (4 entries) 1st Gold's Rowdy Moon Karen Smith Rebel Pride Farm Church Hill, Tn. 2nd Jungle Man Tracy Jessee Scott Long Castlewood, Va. 3rd Rowdy's Rebel Hope Ashley Jarnigan Ashley Jarnigan Rogersville, Tn. 4th Magic Man Bryan Fugate Bryan Fugate Rogersville, Tn. (4) Spotted Country Pleasure (7 entries) 1st Gen-N-Ice Josie Smith Josie Smith Fall Branch, Tn. 2nd Nature Boy Drema Musick Clayton Musick Lebanon, Va.
    [Show full text]
  • Cinema Italiano Brochure
    SOPRANO Diana DiMarzio “Diana DiMarzio ha una voce melodiosa” Oggi/Broadway & Dintorni by Mario Fratti Cinema Italiano salutes the many contributions Italian film composers have made to the film industry. This vocal concert treats music lovers to an evening of nostalgia, fun and romance as they listen to some of the screen sagas’ best remembered songs from composers such as Nino Rota, Ennio Morricone, Henry Mancini and more. These composers drew upon Italian musical traditions to add a sense of familial and cultural depth to these great Italian films. They tugged at our heartstrings and celebrated Italy’s unique sounds and spirit. This celebratory concert provides listeners, regardless of their background, with a deeper appreciation for the positive significant contributions made by Italians to our civilization, especially in the arts. Cinema Italiano / Program ACT I Cinema Italiano Maury Yeston, Nine Be Italian Maury Yeston, Nine Life is Beautiful/Buon Giorno Principessa Nicola Piovani, Life is Beautiful You’re Still You Ennio Morricone, Malena Don’t Take Your Love from Me Henry Nemo, (heard in) Big Night La Strada Nino Rota, La Strada Godfather Waltz/Parla Piu Piano Nino Rota, Godfather I Love Said Goodbye Nino Rota, Godfather II Donde Lieta (from La Boheme) Puccini, (heard in) Moonstruck Mambo Italiano/ Tic Ti, Tic Ta (heard in) Big Night ACT II Cinema Paradiso (Piano/instrumental solo) Ennio Morricone, Cinema Paradiso Spaghetti Western Medley Ennio Morricone, Good, Bad, and the Ugly/Fistful of Dynamite/Once Upon a Time in the West More Riz Ortolani, Le Mondo Cane Nella Fantasia Ennio Morricone, The Mission Cinema Paradiso Ennio Morricone, Cinema Paradiso It Had Better Be Tonight/Pink Panther Henry Mancini, Pink Panther (Dubbed in Italian) Mai Nino Oliviero, La Donna Nel Mondo Il Postino Luis Bacalov, Il Postino Con Te Partiro (Not yet heard in a movie) Diana DiMarzio dianadimarzio.com.
    [Show full text]
  • Tuesday 12 April 2016, London. This June, Audiences at BFI Southbank Will Be Enchanted by the Big-Screen Thrills of Steven Spie
    WITH ONSTAGE APPEARANCES FROM: DIRECTORS CRISTI PUIU, RADU JUDE, ANCA DAMIAN, TUDOR GIURGIU, RADU MUNTEAN AND MICHAEL ARIAS; BROADCASTERS MARK KERMODE AND JONATHAN MEADES Tuesday 12 April 2016, London. This June, audiences at BFI Southbank will be enchanted by the big-screen thrills of Steven Spielberg as we kick off a two month season, beginning on Friday 27 May with a re-release of the sci-fi classic Close Encounters of the Third Kind (Director’s Cut) (1977) in a brand new 35mm print, exclusively at BFI Southbank. We also welcome the most exciting talent behind the ‘New Wave’ of Romanian cinema to BFI Southbank, including directors Cristi Puiu and Radu Jude, as we celebrate this remarkable movement in world cinema with a dedicated season Revolution In Realism: The New Romanian Cinema. The BFI’s ever popular Anime Weekend returns to BFI Southbank from 3-5 June with the best new films from the genre, while this month’s television season is dedicated to Architecture on TV, with onscreen appearance from JG Ballard, Iain Nairn and Raymond Williams. The events programme for June boasts film previews of Notes on Blindness (Pete Middleton, James Spinney, 2016) and Race (Stephen Hopkins, 2016), and a TV preview of the new BBC drama The Living and the Dead starring Colin Morgan and Charlotte Spencer. New releases will include the Oscar-nominated Embrace of the Serpent (Ciro Guerra, 2015) and Apichatpong Weerasethakul’s latest film Cemetery of Splendour (2015). The BFI’s new Big Screen Classics series offers films that demand the big-screen treatment, and this month include The Night of the Hunter (Charles Laughton, 1955), Once Upon a Time in the West (Sergio Leone, 1968) and Days of Heaven (Terrence Malick, 1978).
    [Show full text]
  • For the Love of Gulf Branch: Arlington's Hidden Symbol of Smart Growth by CHARLES S
    For the Love of Gulf Branch: Arlington's Hidden Symbol of Smart Growth BY CHARLES s. CLARK What The Devil Is AN ature Center? That was the prevailing view in Arlington of the early 1960s, according to proto-environmentalist and county board alumnae Dorothy Grotos, recalling her leading role in creation of the Gulf Branch Nature Center. Half a century later, the question is answered by the center's 16,600 annual visitors to the leafy Military Road site, its popular dugout canoe, its live "Ms. Owl" and its busy observational beehive. Not to mention the center's meditative tree arbors, hiking trails and active blacksmith shed. Toss in its status as an away-from-the-neon monument to smart growth and the past presence of a Hollywood legend, and Arlingtonians have a retreat and education site that commands a ferocious army of protectors. Current park naturalist Jennifer Soles, who has frequented Gulf Branch since 1980, has watched the center grow to offer 290 programs for school chil­ dren and the public in 2015, its quarterly events calendar ballooning from 1 page to 14, including those at the cross-town Long Branch Nature Center, she says. To commemorate the 50th anniversary of Gulf Branch's opening on June 12, 1966, an array of exhibits, a symposium and an outdoor party was staged by center staff, the Arlington Central Library and the nonprofit Friends of the Gulf Branch Nature Center. Among the impresarios was Duke Banks, the Friends' vice president and parks activist who has been taking his family to Gulf Branch since they "fell in love" with the idyll at a Christmas event in 1985.
    [Show full text]
  • At the Mission San Juan Capistrano
    AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers.
    [Show full text]
  • Download Song List
    Modern Dance 90’s, 00’s, 10’s Love Shack Juice Pour Some Sugar On Me Chain Of Fools Sucker You Shook Me All Night Long Soul Man The Middle Still The One In The Midnight Hour Feel It Still Kiss Gimme Some Lovin' 24K Magic Shake Your Body Down You Really Got Me Finesse I've Had The Time Of My Life Domino Shut Up And Dance Start Me Up Wild Night I Can’t Feel My Face The Power Of Love Brown Eyed Girl That’s What I Like Glory Days Moondance Shape Of You Jump! Proud Mary Uptown Funk All Night Long Born On A Bayou We Found Love Celebration Treasure Ladies Night 50’s Happy Don’t Stop Til You Get Enough Rock Around The Clock Downtown What I Like About You School Days Blurred Lines Crazy Little Thing Called Love All Shook Up This is How We Do It Sweet Caroline Hound Dog Can't Hold Us Play That Funky Music Jail House Rock Get Lucky Brick House Blue Suede Shoes Suit & Tie That’s The Way I Like It Johnny B. Goode Buzzin’ Get Down Tonight Rockin' Robin Call Me Maybe Night Fever Whole Lotta Shakin Forget You September Valerie We Are Family SLOW All I Do Is Win How Sweet It Is To Be Loved Perfect Moves Like Jagger Feelin' Alright Thinking Out Loud Party Rock Anthem Listen To The Music Like I’m Gonna Lose You DJ Got Us Falling In Love Crocodile Rock Speechless Raise Your Glass Dance The Night Away I Want It That Way California Gurls All Of Me Tik Tok 60’s Better Together Dynamite Pretty Woman At Last Empire State Of Mind Louie Louie Faithfully I Gotta Feelin La Bamba Wonderful Tonight Just Dance Ain’t No Mountain High Enough When A Man Loves A Woman Crazy
    [Show full text]
  • A Gallery of Archetypes
    Meta Religion / Psychiatry / Analytical Psychology / (from http://www.meta-religion.com/Psychiatry/Analytical_psychology/a_gallery_of_archetypes.htm) A Gallery of Archetypes From: http://www.myss.com/ThreeArchs.asp The archetypes listed here in boldface type are just a few of the many ancient patterns that exist in human consciousness. Many additional archetypes that are closely related are mentioned in parentheses, such as Hermit (found under Mystic), Therapist (under Healer), or Pirate (under Rebel). Please read through the entire list, looking at all the archetypes in parentheses, before assuming that the one you're looking for isn't here. Naturally, it's impossible to list all the hundreds of archetypes that exist, but these are some of the most common, and include just about all that are mentioned in my book, CD, or tape of Sacred Contracts. If you feel that you have an archetype that isn't found here, please do not hesitate to give it careful consideration, and feel free to include it in your support team. Remember that all archetypes are essentially neutral and manifest in both light and shadow attributes. Accordingly, I have tried to include both sets of attributes for each listing, along with cues to help you determine whether a given archetype may be part of your lifelong support team of twelve. To help you further, I've listed some examples of each archetype as embodied in popular film, fiction, drama, and the world's religions and mythologies. In evaluating whether an archetype is part of your intimate group, pay special attention to whether you can perceive a pattern of influence throughout your history, rather than only isolated or recent incidents.
    [Show full text]
  • David Roussève/REALITY
    David Roussève/REALITY Photo: Valerie Oliveiro David Roussève/REALITY Stardust World Premiere, January 2014 “Contradictory, perverse, uplifting - (Roussève’s) theater distills the essence of truth, and it is potent.” The Star Ledger (Newark) Photo: Valerie Oliveiro Commissioned by: Choreographed, written, and directed by David Rousseve, Stardust explores the evolving nature of intimacy in our technology-driven, furiously-paced world. Redefining the The Clarice Smith Performing coming of age story for the electronic age, the evening-length piece follows a gay African Arts Center at the University American teen as he negotiates a difficult adolescence. Stardust follows this urban, of Maryland distraught, yet relentlessly hopeful protagonist as he searches for the meaning of love and compassion in a life that seems bereft of both. The teenager never appears on stage as a Peak Performances at Montclair State University "character" and no performer "plays" him live. We know him by the (projected) text mes- sages he sends (but that no one answers), by the fantastical imagery created in his mind, by The Krannert Center for the the sounds that both comfort and challenge him, and by the abstract dance movements Performing Arts at the that are the analog of his states of mind and heart. University of Illinois at Urbana-Champaign His unanswered texts ultimately chronicle a startling journey from despair into the most unexpected of transformations. Written by Rousseve, they are projected onto multiple surfaces in video by long time collaborator Cari Ann Shim Sham. The Stardust video also contains a series of Skype calls from a sympathetic yet unruly Grandfather character; and For more information contact: abstract imagery referencing majestic night skies and swirling nebula that reinforce Stardust's underlying spiritual themes.
    [Show full text]
  • Download Booklet
    MAK GRGIĆ | guitar 1 Isaac Albeniz, arr. A.Valdes Blain Asturias 6:23 2 Pietro Mascagni, arr. A. Čagalj Intermezzo Sinfonico from Cavalleria Rusticana 2:43 3 Ennio Morricone, arr. C. Marchione Gabriel’s Oboe 3:23 4 Vangelis, arr. A. Čagalj Chariots of Fire 2:00 5 Johann Sebastian Bach, arr. A. Čagalj/M. Grgić Sheep May Safely Graze, BWV 208 5:47 6 Nino Rota, arr. M. Grgić Godfather’s Waltz 4:42 7 Alberto Iglesias, arr. D. Wehr Volverino 4:42 8 Leonard Bernstein, arr. A. Sedlar Bogoev Somewhere/Tonight 5:18 9 Enrique Granados, arr. M. Llobet Danza Española No. 5 4:08 10 Tomaso Albinoni/Remo Giazotto, arr. J. de Azpiazu Adagio in G minor 7:01 11 Johann Sebastian Bach, arr. C. Parkening/M. Grgić Prelude from Cello Suite in G Major, BWV 1007 2:48 12 Stanley Myers, arr. J. Williams Cavatina 3:57 13 Johann Sebastian Bach, arr. D. Russell Air on the G String, BWV 1068 5:41 14 Ennio Morricone, arr. C. Marchione The Good, The Bad and The Ugly 2:29 Sandpoint Festival with Gary Sheldon and the RTV Slovenia Symphony Orchestra with Maestro Ivo MAK GRGIĆ Lipanović. Invited to venues worldwide, Mak has Guitarist Mak Grgić is developing an ever widening performed at major performing arts centers, audience as he plays recitals, chamber music and festivals, and well-known guitar societies. concertos throughout the United States and Europe. After a recital at the National Gallery of Art, Mak took first prize at the Guitar Competition “Luigi the Washington Post proclaimed Mak to be “a lyrical Mozzani” in Italy and has been honored with highest insightful
    [Show full text]