Malaysian & Southeast Asian

Total Page:16

File Type:pdf, Size:1020Kb

Malaysian & Southeast Asian MALAYSIAN & SOUTHEAST ASIAN ART SUNDAY 3 NOVEMBER 2013 MALAYSIAN & SOUTHEAST ASIAN ART SUNDAY 3 NOVEMBER 2013 LOT 95 (detail) IBRAHIM HUSSEIN, DATUK Blue Nude 198 0 LOT 103 HAMIR SoiB @ MoHAMED A Board Game 2007 AUCTION DAY PENANG SINGAPORE KUALA LUMPUR PREVIEW PREVIEW FULL VIEWING SUNDAY 3 NOVEMBER 2013, 1PM Registration & Brunch start at 11am 11 - 13 OCTOBER 2013 18 - 20 OCTOBER 2013 24 OCTOBER - 2 NOVEMBER 2013 Friday - Sunday Friday - Sunday Mondays - Sundays 11am - 7pm 11am - 7pm 11am - 7pm SIME DARBY CONVENTION CENTRE 1A, Jalan Bukit Kiara 1, 60000 Kuala Lumpur, Malaysia. a2 GAllERY HELUTRANS ARTSPACE WHITE BOX, PUBLIKA 27 Bangkok Lane, 39 Keppel Road #01-05, Level G2-01, Block A5, Dutamas, 10250 Penang, Tanjung Pagar Distripark, 1 Jalan Dutamas 1, Malaysia. Singapore 089065. 50480 Kuala Lumpur, Malaysia. 4 5 LOT 94 (detail) CHANG FEE MING Monsoon Has Gone 1990 IMPORTANT NOTICE All lots are sold subject to our Conditions of Business printed at the back of this catalogue which apply to both buyers and sellers. Prospective buyers should also read our Buying at HBArt guide. Catalogue descriptions do not state any imperfections. However, condition reports can be obtained by contacting the personnel listed below. This service is provided for the convenience of prospective buyers and cannot be taken as the sole and absolute representation of the actual condition of the work. Prospective buyers are advised to personally examine the works and not rely solely on HBAA’s description on the catalogue or any references made in the conditions reports. Our team will be present during all viewing times and available for consultation regarding artworks included in this auction. Whenever possible, our team will be pleased to provide additional information that may be required. The buyer’s premium shall be 10% of hammer price plus any applicable taxes. All lots from this sale not collected from HBAA seven days after the auction will incur storage and insurance charges, which will be payable by the buyer. CONTACT INFORMATION Chris Tay Kimberly Leong Sarah Abu Bakar General +6016 298 0852 +6012 683 7808 +6012 234 4072 +603 2691 3089 [email protected] [email protected] [email protected] [email protected] LOT 79 (detail) YUSOF GHANI Siri Tari XII 1988 4 9 LOT 82 CHUAH THEAN TENG, DATO’ Mother and Child c.1980s CONTENT Auction Information | 004 Contact Information & Important Notice | 009 Lot Directory | 014 Lot 1- 113 | 020 Buying at HBArt | 224 Conditions of Business | 226 Bidder Registration Form | 236 Telephone / Absentee Bid Form | 237 Index of Artists | 238 10 11 LOT 104 (detail) BAYU UTOMO RADJIKIN Untitled 2 010 LOT 34 (detail) CHEN WEN HSI Egret With Flowers c.1980s LOT DIRECTORY 21 ERICA HESTU 22 DANG Xuan 23 EKO NUGROHO 24 RONALD 25 ABDUL LATIFF WAHYUNI HOA VENTURA MOHIDIN Untitled (A6) Wedding Prosperity Life of A Family 2006 Untitled Pago-Pago Series 2 011 1996 Undated 19 64 1 CHANG FEE 2 LUI CHENG 3 YONG CHIEN 4 HO Khay BENG 5 YEOH JIN LENG 26 ABDUL LATIFF 27 CHUAH THEAN 28 NORMA Abbas, 29 YUSOF GHANI 30 YONG CHIEN MING THAK CHIN MOHIDIN TENG, DATO’ Puan SRI CHIN Lion Dance Paddy Field Mengkuang Titi Bougainvillea Tree Bali Series Life I 1975 19 95 Pago-Pago Series Masa Hadapan Kita Whispered Words (Siri Hijau) Spring Time 2005 - 2006 2002 2000 19 64 (Our Future) of Wisdom 2000 19 94 c.1960s - 70s 2005 6 Kow LEONG 7 Kow LEONG 8 JUHARI SAID 9 JALAINI ABU 10 NADIAH 31 HuanG Yao 32 HuanG Yao 33 CHEN WEN HSI 34 CHEN WEN HSI 35 LIM CHENG HOE KIANG KIANG Hassan BAMADHAJ Katak Hendak Planting Paddy After Welcoming Friends Two Gibbons Egret with Flowers Kampung Abdullah, Innocence Series Malay Girl Series Jadi Lembu Kebun Getah Quiet on The Landing The Rain With Tea Undated c.1980s Johor 1999 2001 19 97 2008 2008 1979 198 0 c.1960 - 65 11 AHMAD Fuad 12 NIK ZAINAL 13 CHIA YU CHIAN 14 CHIA YU CHIAN 15 SUZLEE 36 AUKE CornelIS 37 LEE JOO FOR, 38 LEE LONG LOOI 39 CHEW TENG 40 LEE CHENG OSMAN ABIDIN IBRAHIM SONNEGA JOHN BENG YONG Under The Dome of Seaside Untitled Imagination Untitled Festival Father and Son At Monolithic Figure 2 Untitled Woman in Forest Light Heaven Mat Jenin Is c.1954 1972 1985 19 81 (Ombak Series) The Temple, 1973 1972 1985 1957 (Always and Always 2009 & Sitting At The Will Be) Dreaming Temple Gate, 1950 To Death, 19 98 16 ISMAIL MAT 17 KHOO SUI HOE 18 KHALIL 19 CHAN KoK HOOI 20 MASTURA 41 RAPHAEL SCOTT 42 JOHAN 43 TajuddIN 44 LUI CHENG 45 STEPHEN HussIN IBRAHIM ABDUL RAHMAN AHBENG MarjonID ISMAIL THAK MENON Around the Moon Remembrance of Your Gasing 1972 Kaleidoscope Smile (Old Photo Series: Gubahan Selerak Kedua Condo Negara Cool and Mysterious I Red Landscape No. 9 Memory of Life II Chow Kit Road 2005 19 98 MSN Messenger) (Second Reconstructed 2009 2 010 2002 1999 2 012 2007 Composition),1999 14 15 46 KoK YEW Puah 47 NOOR AZIZAN 48 KHAIRUL AZMIR 49 Fauzul YUSRI 50 JALAINI ABU 71 TEW NAI TonG 72 TEW NAI TonG 73 TEW NAI TonG 74 TEW NAI TonG 75 TEW NAI TonG RAHMAN @ SHOIB @ MEME Hassan Two Friends By The River PAIMAN Position Golden Time 12 Fishing Village Untitled Flying Figures Three Ladies 19 98 The Fallen 2008 Sesiput 2004 19 62 1984 1996 - 2000 19 91 The Challenger I Page III 2 011 19 92 2007 51 H.H. LIM 52 AHMAD ZAKII 53 LIM KIM HAI 54 CHAN KoK HOOI 55 SUTJIPTO ADI 76 TEW NAI TonG 77 TEW NAI TonG 78 CHOONG Kam 79 YUSOF GHANI 80 ISMADI Anwar TjITrosamPURNO Kow SALLEHUDIN Flying Image In Harmony Young Mammary Mother Ceremony In Bali Lady with Orchid Siri Tari XII Blue Project Still Life 19 93 & Child (Old Photo Series: Teratai I (Lotus) Undated 19 92 Sunset (New York Series) 1988 Biar Putih Tulang 2 011 2003 Sexual Organ) 2003 1966 2003 2007 56 AGUS SuwaGE 57 ARIFIEN NEIF 58 ASTARI RASJID 59 PUTU 60 NANO 81 IBRAHIM 82 CHUAH THEAN 83 NATEE UTARIT 84 NATEE UTARIT 85 ERICA HESTU SUTawIjaya WARSONO HusseIN, DATUK TENG, DATO’ WAHYUNI I Want To Live Another The Belly Dancer Read Study For Classical Study For Classical Thousand Years 19 98 2008 Parade Of Masks Untitled The Searcher Mother and Child Project: Titian Project: Titian The Television 2007 1999 2009 19 63 c.1980s 2000 2000 19 94 61 YUSOF GHANI 62 HuanG FONG 63 DULLAH 64 LUCIEN FRITS 65 SUdjono 86 AGUS SuwaGE 87 ANTHONIE 88 Raduan MAN 89 CHONG SIEW 90 LEE CHENG OHL ABDULLAH CHONG YING YONG Topeng Two Balinese Beauties Portrait Of A Woman Paranoid Android ll Before Battle I-IV c.late 1980s 1968 1976 Portrait Of A Sunset In Tanah Lot, Bali 2005 Seated Dancer 2005 Untitled Colour Scheme Javanese Lady 1978 19 97 19 97 c.1950s Undated 66 ARIE SMIT 67 Paul HUSNER 68 JEAN-PHILIPPE 69 KRIJONO 70 CHANG FEE 91 CHIA YU CHIAN 92 KHOO SUI HOE 93 SULAIMAN Esa 94 CHANG FEE 95 IBRAHIM Haure MING MING HusseIN, DATUK Shrines And Tree Kusamba With Boats Composition Of Tourist Centre - Selangor Man and Moon IV Garden of Bliss III 2007 And Gunung Agung Duality XXI, She’s Not Offerings In The Jewel In The Crown Mansion Quarter 1989 2 011 Monsoon Has Gone Blue Nude 2006 Just A Pretty Face Kuningan, Bali 19 91 1987 1990 198 0 2009 19 93 16 17 96 ABDUL DjalIL 97 Nyoman 98 GERALD PIETER 99 LIM CHENG 100 WONG Hoy PIROUS Gunarsa ADOLFS HOE CHEONG Piramida Emas Balinese Dancer Marktfiguren, Java Desolation Bukit Beruntung 1996 Undated 194 8 1973 Factories 2006 101 ERIC CHAN 102 AHMAD SHUKRI 103 HAMIR SOIB @ 104 Bayu UTOMO 105 AHMAD ZAKII MOHAMED MOHAMED RadjIKIN Anwar It’s There, It’s Still There 2001 Metropolitan A Board Game Untitled Legong Dancer 1998 - 2000 2007 2 010 2003 106 Raja SHAHRIMAN 107 ABDUL LATIFF 108 ABDUL LATIFF 109 ENG Tay 110 Kuo JU PING RAJA AZIDDIN MOHIDIN MOHIDIN End Of The Day Pitt Street, Penang Siri Semangat Besi Siri Gelombang Lanskap 91 2001 c.1950s 2001 19 92 (Siri Gelombang) 19 91 111 CHUAH THEAN 112 IBRAHIM 113 Jolly Koh TENG, DATO’ HusseIN, DATUK Fan Fern Series Mother and Children with Pa ul 19 97 Origami Bird 1968 19 69 LOT 56 (detail) AGUS SUWAGE I Want To Live Another Thousand Years 2007 18 1 2 CHANG FEE MING LUI CHENG THAK b. Terengganu, 1959 b. Negeri Sembilan, 1967 BOUGAINVILLEA TREE, c.2005–2006 BALI SERIES, 2002 Signed ‘F.M.CHANG’ with Chinese seal Signed and dated ‘L Cheng Thak 2002’ (lower right) (lower left) Watercolour on paper Oil on canvas 17cm x 12cm 50.8cm x 40.6cm PROVENANCE PROVENANCE Private Collection, Penang; Private Collection, Kuala Lumpur. acquired directly from the artist. EXHIBITED RM 4,500 – RM 6,000 Myriads of Colours, Metro Fine Art, Kuala Lumpur, 2011. RM 2,000 - RM 3,000 When Chang Fee Ming first made headway in the early Chang Fee Ming is an accomplished watercolourist known for It is a daily ritual and romance of prayers and offerings to Lui Cheng Thak became a fulltime artist after graduating from 1980s, he captured what he fancied with spontaneous strokes his unique renditions and interpretations of peoples, traditional the Hindu gods in Bali, dubbed the mythical island of the the Kuala Lumpur College of Art in 1989. His forte is with on the spot, then both as a diversion and to hone his skills.
Recommended publications
  • Jalaini Abu Hassan
    MALAYSIAN ART SUNDAY 19 JUNE 2011 LOT 95 (DETAIL) | ABDUL LATIFF MOHIDIN, PAGO-PAGO FORMS, 1968 LOT 47 | CHANG FEE MING, REZEKI, 1996 AUCTION DAY 19 June 2011, Sunday 1pm Registration & Brunch starts 11am Artwork Inspection (by appointment) starts 10am White Box, MAP @ Publika Level G2-01, Block A5 Dutamas, Jalan Dutamas 1 50480 Kuala Lumpur, Malaysia KUALA LUMPUR FULL VIEWING 28 May - 18 June 2011 Mondays - Sundays 11am - 7pm White Box, MAP @ Publika Level G2-01, Block A5 Dutamas, Jalan Dutamas 1 50480 Kuala Lumpur, Malaysia SINGAPORE PREVIEW 19 - 22 May 2011 Thursday - Sunday 11am - 8pm The Luxe Art Museum 6 Handy Rd #02-01 Singapore 229234 PENANG PREVIEW 12 - 15 May 2011 Thursday - Sunday 11am - 7pm a2 Gallery 27 Bangkok Lane 10250 Penang, Malaysia 4 5 LOT 104 (DETAIL) | DATUK SYED AHMAD JAMAL, GUNUNG LEDANG SERIES (CHERRYVALE), 1985 CONTACT INFORMATION Auction Enquires Bidder Registration & Payment & & Condition Reports Telephone / Absentee Bid Collection / Delivery Linda Leoni Chris Tay Jessica Ho +6012 227 5325 +6016 298 0852 +6012 977 1022 [email protected] [email protected] [email protected] HBart Infoline +603 2691 3089 [email protected] IMPORTANT NOTICE All lots are sold subject to our Conditions of Business printed at the back of this catalogue which apply to both buyers and sellers. Prospective buyers should also read our Buying at HBArt guide. Catalogue descriptions do not state any imperfections. However, condition reports can be obtained by contacting the personnel listed above. This service is provided for the convenience of prospective buyers and cannot be taken as the sole and absolute representation of the actual condition of the work.
    [Show full text]
  • Brother Joseph Mcnally P
    1 Design Education in Asia 2000- 2010 Exploring the impact of institutional ‘twinning’ on graphic design education in Singapore Simon Richards Z3437992 2 3 Although Singapore recently celebrated 50 years of graphic design, relatively little documentation exists about the history of graphic design in the island state. This research explores Singaporean design education institutes that adopted ‘twinning’ strategies with international design schools over the last 20 years and compares them with institutions that have retained a more individual and local profile. Seeking to explore this little-studied field, the research contributes to an emergent conversation about Singapore’s design history and how it has influenced the current state of the design industry in Singapore. The research documents and describes the growth resulting from a decade of investment in the creative fields in Singapore. It also establishes a pattern articulated via interviews and applied research involving local designers and design educators who were invited to take part in the research. The content of the interviews demonstrates strong views that reflect the growing importance of creativity and design in the local society. In considering the deliberate practice of Singaporean graphic design schools adopting twinning strategies with western universities, the research posits questions about whether Singapore is now able to confirm that such relationships have been beneficial as viable long-term strategies for the future of the local design industry. If so, the ramifications may have a significant impact not only in Singapore but also in major new education markets throughout Asia, such as the well-supported creative sectors within China and India.
    [Show full text]
  • The Artistic Adventure of Two Bali Trips, 1952 and 2001
    Wang Ruobing The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001 Left to right: Liu Kang, Cheong Soo Pieng, Luo Ming, Ni Pollok, Adrien-Jean La Mayeur, Chen Chong Swee, Chen Wen Hsi, 1952. Courtesy of Liu Kang Family. iu Kang (1911–2004), Chen Wen Hsi (1906–1991), Cheong Soo Pieng (1917–83), and Chen Chong Swee (1910–1986) are four Limportant early artists of Singapore. They were born in China and emigrated to what was then called Malaya before the founding of the People’s Republic of China.1 In 1952, these four members of the Chinese diaspora went to Bali for a painting trip. Struck by the vibrant scenery and exoticism of Balinese culture, on their return they produced from their sketches a significant amount of artwork that portrayed the primitive and pastoral Bali in a modernist style, and a group exhibition entitled Pictures from Bali was held a year later at the British Council on Stamford Road in Singapore. This visit has been regarded as a watershed event in Singapore’s art history,2 signifying the birth of the Nanyang style through their processing of Balinese characteristics into a unique “local colour”—an aesthetic referring to a localized culture and identity within the Southeast Asian context. Their Bali experience had great significance, not only for their subsequent artistic development, both as individuals and as a group, but also for the stylistic development of Singaporean artists who succeeded them.3 Vol. 12 No. 5 77 Exhibition of Pictures from Bali, British Council, Singapore, 1953.
    [Show full text]
  • Singapore Biennale 2019: Every Step in The
    Media Release Singapore Biennale 2019: Every Step In The Right Direction Opens Across Multiple Sites in Singapore on 22 November 2019 77 artists and collectives reflect on contemporary life and the human endeavour for change 20 Nov 2019 - Singapore Biennale 2019 (SB2019) returns for its sixth edition, with 77 artists and art collectives from 36 countries and territories. Titled Every Step in the Right Direction, the international contemporary art exhibition invites the public to engage with the act of artistic exploration, drawing on the importance of making choices and taking steps to consider the conditions of contemporary life and the human endeavour for change. Commissioned by the National Arts Council and organised by SAM, the Singapore Biennale will run from 22 November 2019 until 22 March 2020 across 11 venues in the city. With a strong focus on Southeast Asia, the sixth edition welcomes over 150 works across a breadth of diverse mediums including film, installation, sound art and performance, as well as new commissions and works that have never been presented in contemporary art biennales and exhibitions internationally. SB2019’s opening weekend will feature programmes for the public, including artist performances, curator and artist tours and talks. Organised by Singapore Art Museum | Commissioned by National Arts Council, Singapore Supported by the Ministry of Culture, Community and Youth 61 Stamford Road, #02-02, Stamford Court, Singapore 178892 . www.singaporeartmuseum.sg 1 Singapore Biennale 2019: Every Step in the Right Direction refers to the ethical imperative for both artists and audiences to make choices and take steps to reflect on the conditions of contemporary life.
    [Show full text]
  • Authentication, Attribution and the Art Market: Understanding Issues of Art Attribution in Contemporary Indonesia
    Authentication, Attribution and the Art Market: Understanding Issues of Art Attribution in Contemporary Indonesia Eliza O’Donnell, University of Melbourne, Australia Nicole Tse, University of Melbourne, Australia The Asian Conference on Arts & Humanities 2018 Official Conference Proceedings Abstract The widespread circulation of paintings lacking a secure provenance within the Indonesian art market is an increasingly prevalent issue that questions trust, damages reputations and collective cultural narratives. In the long-term, this may impact on the credibility of artists, their work and the international art market. Under the current Indonesian copyright laws, replicating a painting is not considered a crime of art forgery, rather a crime of autograph forgery, a loophole that has allowed the practice of forgery to grow. Despite widespread claims of problematic paintings appearing in cultural collections over recent years, there has been little scholarly research to map the scope of counterfeit painting circulation within the market. Building on this research gap and the themes of the conference, this paper will provide a current understanding of art fraud in Indonesia based on research undertaken on the Authentication, Attribution and the Art Market in Indonesia: Understanding issues of art attribution in contemporary Indonesia. This research is interdisciplinary in its scope and is grounded in the art historical, socio-political and socio-economic context of cultural and artistic production in Indonesia, from the early twentieth century to the contemporary art world of today. By locating the study within a regionally relevant framework, this paper aims to provide a current understanding of issues of authenticity in Indonesia and is a targeted response to the need for a materials- evidence based framework for the research, identification and documentation of questionable paintings, their production and circulation in the region.
    [Show full text]
  • INDONESIA NEW ACQUISITIONS Additions to Our Catalogues
    GERT JAN BESTEBREURTJE Rare Books Langendijk 8, 4132 AK Vianen The Netherlands Telephone +31 - (0)347 - 322548 E-mail: [email protected] Visit our Web-page at http://www.gertjanbestebreurtje.com LIST 70 – INDONESIA NEW ACQUISITIONS Additions to our catalogues 173: INDONESIA - Including books from the library of professor Teuku Iskandar - please click HERE 175: Urban culture in S.E. Asia – Batavia, Singapore, Hong Kong. - please click HERE 1 ATLAS VAN TROPISCH NEDERLAND. Uitgegeven door het Nederlandsch Aardrijkskundig Genootschap in samenwerking met den Topografischen Dienst in Nederlandsch-Indië. (Batavia, Amsterdam), 1938. Large folio. Original green cloth with gilt lettering. With 31 double-page coloured maps, and register (17) pp. € 95,00 First edition. - Still the best and only scientific atlas of the Dutch East Indies and the Dutch territories of the Antilles and Suriname. 'For its time, an unparelleled atlas of a colonial empire, highly praised for its cartographic standard. The maps were drawn by the cartographers of the Topographical Survey at Batavia. In its final stage of preparation, the supervision was with Dr. A.J. Pannekoek' (Koeman VI, p.189). 2 BOROBUDUR. Kunst en religie in het oude Java. Amsterdam, Rijksmuseum, 1977. Folio. Wrappers. With many illustrations (several in colours). 194 pp. € 20,00 3 BUDAYA INDONESIA. Arts and crafts in Indonesia. Kunst en cultuur in Indonesië. Amsterdam, Tropenmuseum, 1987. 4to. Wrappers. With many illustrations (several in colours). 284 pp. € 35,00 € 35,00 Deals with the various cultural influences on Indonesian crafts from prehistoric times to the present, based on the Tropenmuseum`s collection. 4 CORPUS DIPLOMATICUM NEERLANDA-INDICUM.
    [Show full text]
  • Cultivated Tastes Colonial Art, Nature and Landscape in The
    F Cultivated Tastes G Colonial Art, Nature and Landscape in the Netherlands Indies A Doctoral Dissertation by Susie Protschky PhD Candidate School of History University of New South Wales Sydney, Australia Contents Acknowledgments …………………………………………………………….. iii List of Abbreviations ………………………………………………………….. v List of Plates …………………………………………………………………… vi F G Introduction ……………………………………………………………………. 1 Part I — Two Journeys Chapter 1: Landscape in Indonesian Art ……………………………………….. 36 Chapter 2: Dutch Views of Indies Landscapes …………………………………. 77 Part II — Ideals Chapter 3: Order ………………………………………………………………. 119 Chapter 4: Peace ………………………………………………………………. 162 Chapter 5: Sacred Landscapes ………………………………………………… 201 Part III — Anxieties Chapter 6: Seductions …………………………………………………………. 228 Chapter 7: Identity – Being Dutch in the Tropics …………………………….. 252 Conclusion …………………………………………………………………….. 293 F G Glossary ……………………………………………………………………….. 319 Bibliography …………………………………………………………………... 322 ii Acknowledgments First, I would like to express my gratitude to the Faculty of Arts and Social Sciences at the University of New South Wales for granting me an Australian Postgraduate Award between 2001 and 2005. The same Faculty funded two research trips abroad, one to the Netherlands in 2004 and another to Indonesia in 2005. Without these sources of funding this thesis would not have possible. In the Netherlands, I must thank Pim Westerkamp at the Museum Nusantara, Delft, for taking me on a tour through the collection and making archival materials available to me. Thanks also to Marie-Odette Scalliet at the University of Leiden, for directing me toward more of her research and for showing me some of the university library’s Southeast Asia collection. I also appreciate the generosity of Peter Boomgaard, of the KITLV in Leiden, for discussing aspects of my research with me. Thanks to the staff at the KIT Fotobureau in Amsterdam, who responded admirably to my vague request for ‘landscape’ photographs from the Netherlands Indies.
    [Show full text]
  • KLAS Art Auction
    KUALA LUMPUR, Sunday 26 JUNE 2016 KLAS Art Auction Malaysian modern & contemporary art Lot 38, Abdul Latiff Mohidin, Pago-Pago Sculpture, 1970 KLAS Art Auction 2016 Malaysian modern & contemporary art Edition XXI Auction Day Sunday, 26 June 2016 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards Clarke Ballroom Level 6 Le Meridien Kuala Lumpur 2 Jalan Stesen Sentral 50470 Kuala Lumpur Supported by Lot 63, Siew Hock Meng, Far Away, 1989 KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 31, Jalan Utara 46200 Petaling Jaya Selangor t: +603 7932 0668 f: +603 7955 0168 e: [email protected] Contact Information Auction enquiries and condition report Lydia Teoh +6019 2609668 [email protected] Datuk Gary Thanasan [email protected] Payment and collection Shamila +6019 3337668 [email protected] Lot 36, Awang Damit Ahmad, Marista “Pun-Pun dan Biangsung”, 1998 Kuala Lumpur Full Preview Date: 16 June - 25 June 2016 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Auction Day Date: Sunday, 26 June 2016 Venue: Clarke Ballroom Level 6 Le Meridien Kuala Lumpur 2 Jalan Stesen Sentral 50470 Kuala Lumpur Malaysia Time: 1.00 pm Map to KLAS @ Jalan Utara Lot 36, Awang Damit Ahmad, Marista “Pun-Pun dan Biangsung”, 1998 5 Lot 28, Abdul Latiff Mohidin, Gelombang Rimba, 1995 Contents Auction Information 5 Glossary 9 Lot 1 - 83 20 Auction Terms and Conditions 146 Index of Artists 160 Lot 2, Ismail Latiff, Tioman Tioman..Bay Moon Fantasy, 1994 Glossary 6 AWANG DAMIT AHMAD 1 KHALIL IBRAHIM E.O.C “SISA SEmusim”, 1994 EAST COAST SERIES, 1992 Mixed media on canvas 76 x 61 cm Acrylic on canvas 43 x 24 cm RM 45,000 - RM 80,000 RM 6,500 - RM 9,500 2 ISMAIL LATIFF 7 KHALIL IBRAHIM TIOMAN TIOMAN.
    [Show full text]
  • Artists Imagine a Nation
    ARTISTS IMAGINE A NATION Abdullah Ariff Boo Sze Yang Chen Cheng Mei (aka Tan Seah Boey) Chen Shou Soo Chen Wen Hsi Cheong Soo Pieng Chia Yu Chian Chng Seok Tin Choo Keng Kwang Chuah Thean Teng Chua Mia Tee Foo Chee San Ho Khay Beng Khaw Sia Koeh Sia Yong Kuo Ju Ping Lee Boon Wang Lee Cheng Yong Lim Mu Hue Lim Tze Peng Mohammad Din Mohammad Ng Eng Teng Ong Kim Seng Tumadi Patri Phua Cheng Phue Anthony Poon Seah Kim Joo Tang Da Wu Tay Bak Koi Tay Boon Pin Teo Eng Seng Tong Chin Sye Wee Beng Chong Wong Shih Yaw Yeh Chi Wei Yong Mun Sen Contents Foreword Bala Starr 8 Pictures of people and places Teo Hui Min 13 Catalogue of works 115 Brief artists’ biographies 121 Acknowledgements 135 Foreword Works of art are much more than simple collectables or trophies, in the A work of art maintains its status as a speculative object well past the date same way that history is more than a compilation of triumphal stories or nostalgic the artist considered it ‘finished’ or resolved, and in fact meanings might never reflections. Histories build and change through their own telling. The works in actually fix or settle. What we identify ascontemporary is as much about a process this exhibition, Artists imagine a nation, record individual artists’ perceptions, of looking back and re-evaluating the practices and insights of those who have experiences and thinking, and document their aspirations for their communities travelled before us as it is about constantly seeking the new.
    [Show full text]
  • Homage to Tradition (Hong Kong, 13-15 Dec 12)
    Homage to Tradition (Hong Kong, 13-15 Dec 12) Chinese University of Hong Kong, Dec 13–15, 2012 Chia-Ling Yang, University of Edinburgh Homage to Tradition A Symposium on East Asian Art in Honour of Professor Roderick Whitfield Chinese University of Hong Kong, 13th-15th December 2012 This symposium and a related festschrift publication to follow will include papers by Professor Whitfield’s students and colleagues. Both will honour Roderick Whitfield’s excellent scholarship, his unwavering support and teaching to his students, and his significant contribution to the field of Asian art history and archaeology. The main theme of this symposium, ‘Homage to Tradition,’ pays respect to Roderick Whitfield’s tireless exploration of China’s past and his numerous publications in search of beauty and truth. Many of Roderick Whitfield’s students are playing leading roles in Chinese art history, architecture and archaeology, in academia, museums, in publishing and the commercial sector. We hope all of us will present new research relating to the ways of appreciating art and cultural relics, linking art history with a multitude of other disciplines, including religion, anthropology, architecture, literature, political and social history, language, and translation theory. 13 December, 13.00-17.30 Session 1 Paradigm - Meihua Shao (Tree Valley Foundation, CIST Centre, Taiwan), The Manufacture of Neolithic Nephrite and Stone Yue Axes from the Liangzhu Burial Mounds in Southeast China - Jenny Chao-Hui Liu (Cambridge History of China, Princeton University),
    [Show full text]
  • A Story of Singapore Art
    artcommune gallery proudly presents A Story of Singapore Art An art feast that captures a uniquely modern Singapore cross-fertilized by decades of East- West sensibility in fine art. A Brief Overview The story of Singapore art could be said to have first taken roots when the island flourished as a colonial port city under the British Empire. In addition to imported labourers from India and China, unrest and destitution brought on by civil conflicts and the great world wars culminated to a significant exodus of Chinese intellectuals (educators, scholars, writers and painters) and businessmen to Singapore in search of better work-life opportunities. By the early-20th century, Singapore (then still part of the Straits Settlements) was already a melting pot of diverse migrant traditions and cultures; the early Singapore art scene was naturally underpinned by these developments. During this period, most schools under the British Colonial system taught watercolour, charcoal and pastel lessons under its main art scheme while the more distinguished Chinese language-based schools such as Chinese High School often taught a combination of Western oil and Chinese ink paintings (in fact, a number of these Chinese art teachers were previously exposed to the Paris School of Art and classical Chinese painting during their art education in China in the 1920s). Furthermore, art societies including United Artists Malaysia as well as the Society of Chinese Artists were in place in as early as the 1930s, and the Nanyang Academy of Fine Arts (NAFA) was formally established by Chinese artist-educator Lim Hak Tai in 1938. To paint a simplified picture: the local art production in early Singapore may be broadly characterised into three veins – the traditional Chinese painting, the Nanyang style, and British watercolour style.
    [Show full text]
  • Socio-Political Criticism in Contemporary Indonesian Art
    SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Spring 2019 Socio-Political Criticism in Contemporary Indonesian Art Isabel Betsill SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Art and Design Commons, Art Practice Commons, Asian Studies Commons, Contemporary Art Commons, Graphic Communications Commons, Pacific Islands Languages and Societies Commons, Politics and Social Change Commons, Race, Ethnicity and Post-Colonial Studies Commons, Social Influence and Political Communication Commons, and the Sociology of Culture Commons Recommended Citation Betsill, Isabel, "Socio-Political Criticism in Contemporary Indonesian Art" (2019). Independent Study Project (ISP) Collection. 3167. https://digitalcollections.sit.edu/isp_collection/3167 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. SOCIO-POLITICAL CRITICISM IN CONTEMPORARY INDONESIAN ART Isabel Betsill Project Advisor: Dr. Sartini, UGM Sit Study Abroad Indonesia: Arts, Religion and Social Change Spring 2019 1 CONTEMPORARY INDONESIAN ART ABOUT THE COVER ART Agung Kurniawan. Very, Very Happy Victims. Painting, 1996 Image from the collection of National Heritage Board, Singapore Agung Kurniawan is a contemporary artist who has worked with everything from drawing and comics, to sculpture to performance art. Most critics would classify Kurniawan as an artist-activist as his art pieces frequently engages with issues such as political corruption and violence. The piece Very, Very happy victims is about how people in a fascist state are victims, but do not necessarily realize it because they are also happy.
    [Show full text]