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Volume 46, Number 07 (July 1928) James Francis Cooke

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Volume 46, Number 07 (July 1928) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1928 Volume 46, Number 07 (July 1928) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 46, Number 07 (July 1928)." , (1928). https://digitalcommons.gardner-webb.edu/etude/758 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PRICE 25 CENTS $2.00 A YEAR “3 ssjjshs « ET V D E maVaV.h > jkur&ATd- js§?sar g. Song Composers Whose Compositions Have Been Favored By Thousands of Concert and Church Singers lisSs .~'. This page with Songs brought to attention and the portraits and short biographical sketches of each composer will serve to give a better acquaintance with these celebrated contemporary writers whose beautiful songs are frequently used by voice teacn , concert artists and non-professional singers in our foremost musical centers. The range of each song is indicated with small and capital letters. The first letter is the lowest note in the song and the GEIBEL second letter is the highest note. A small letter tells that the note is below or above the staff and the CAPITAL letter THE WORLD OF FRCUSIC tells that it is on a line or in a space within the staff. k heim in 1855. At the age of st he was brought to the United States and IN CANTERBURY SQUARE received his education at the Penna. Inst, for Blind, he having lost his eyesight in early infancy. He studied piano, voice and organ composition with Dr. Wood in Philadelphia. Since 1885 he has become Adam Geii famous as the blind organist of the Stetson Mission and also conductor of the Stetson chorus. After entering the field of composition he organized his own Music Company of which he is president. Many of his composi¬ tions are universally known and his anthems, sacred can¬ tatas and gospel songs are used extensively throughout the English speaking world, as 'are also numerous piano com¬ positions, organ pieces, secular and sacred songs and choral numbers written by him. HOUR No. 15378 By Adam Geibel Price, 35 cents AN IRISH LOVE SONG BRIGGS in composers whose worW'feive been universally accepted and exten¬ sively used on programs, especially; $>£ a DREAM DAYS OF LONG AGO devotional nature. "Her sacred composi¬ tions have probably gained more fame No. 14912 By Walter Rolfe Price, 45 cents than those of a secular nature, although all of her works hold a popular appeal that has gained for them certain distinc- . One of the best known of her song compositions is sacred number KClose to Thee.” In fact this sacred l is so popular with church soloists as to deserve classification as ie of the best known of all s: Catalog No. 8094 Close to Thee. 7270 Close to Thee. 13099 Heart's Desire. 6983 Irish Love Song, An.. 7218 Love Eternal. 13092 (O) Mary, Goand Call l 1 (Recitation). .. 7000 Rem—.erw Me...- er Song. SMusic ‘Dealers and Publishers 1712-1714 CHESTNUT STREET THEODORE PRESSER CO. PHILADELPHIA, PA. JULY 1928 Page 499 THE ETUDE THE ETUDE EE HI ggggir Ajjrcsi rnmrnm" CitJ.--' " ~ "ISH'S jjgf tiS oT« Siln m dAYBELLINE CO., CJHICAGO CROWN Lavender Smelling Salts At home, at the the eneVeeu7oo8Strtdo: TEE ETUDE JULY 1928 Page 501 Page 500 JULY 192S TEE ETUDE FASCINATING PIECESnT^^ro FORi.-nn THE atttctPMUSICAL AT HOMEWOMF. =l<^f A sprightly “running” -- t”e”‘ BIRDS, BEES AND BUTTERFLIES RUDOLPH (%n You TdcIU « 1. What are the three principal chords of a key? 2. Who was Palestrina? 3. What is a rest? 4. Who wrote the “Magic Flute?” 5. What and when was the first oratorio published in America. 6. What is the meaning of Allegro grazioso? 7. What is an Arpeggio? , , 8. Who wrote a popular Indian song, “By the Waters ot GANZ Minnetonka?” FAMOUS PIANIST, TEACHER, 9. In what year did Schubert die? 10. In what opera by Verdi is a “Miserere” one of the most COMPOSER AND CONDUCTOR popular numbers ? AT THE TURN TO PAGE 560 AND CHECK UP YOUR ANSWERS, lifter “and ywwUltawTne" wL°yo!^ CHICAGO frirod” Tekchers can make a scrap book of them for the benefit of early pup.ls or others who s.t by the Hymn ‘Playing Helpful By Hugo Bornn MUSICAL About the time we begin to leave the points in general musicianship are gained comparatively safe and easy running of —a knowledge of the four voices and an second grade, with its occasional sharp or idea of voice lines, phrasing according b flat, for the devious and at times bewilder¬ the words, the necessity for strict tempo ing path of third grade, with pieces in and experience in a variety of rhythms. COLLEGE three, four and five sharps or flats, we find The familiar and most beloved hymn- the pupil a ready and grateful candidate are first studied. Then others with an eye for a course in hymn playing. to key signatures, new rhythms and othei There being at this stage no technical interesting points. Interest is maintained FALL TERM OPENS SEPTEMBER 10 difficulties in this music for the pupil, the every step of the way and the usually pain mind can be wholly concentrated upon the ful process of getting accustomed to so key. With a minimum of lahorious effort, called hard keys is made easy and pleasant therefore, the pupil becomes acquainted In addition, an important and frequent 1 FREE FELLOWSHIPS with and at home in hitherto strange called-upon branch of the young musician' signatures. Incidentally, many essential education is cultivated. Mr. Ganz has consented to award the following Free Fellow¬ ships for the season beginning September 10, 1928, to students who, after an open competitive examination, are found to possess Atlanta Conservatory of Music the greatest gift for playing. Contest first week of September. Mr. and Mrs. Crosby Adams TWENTY-FIFTH Application blank on request. ANNUAL SUMMER CLASS es Equal to Those Found Anywhere. One Private lesson weekly of 60 minutes each for entire FOR TEACHERS OF PIANO year. August 1st to the 16th, 1928 Peachtree and Broad Streets, Atlanta, Georgia Two Repertoire — Interpretation — Teachers’ Class MONTREAT,NORTH CAROLINA weekly of two hours each for entire year. One Bach Piano Class weekly of one hour each for entire year. LOUISVILLE CONSERVATORY OF MUSIC One Chamber Music and Two-Piano Playing Class INCORPORATED weekly of two hours each for entire year. (MEMBER OF THE NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC) Five partial Fellowships of one private lesson weekly of MUSIC — ART DEcSS^sred DRAMATIC ART 30 minutes each to five students for entire year. F. A. COWLES, Director Addres,, 726 South Brook Street Louiwille, Ky. J. L. GRUBER, President Five Partial Fellowships of two Repertoire—Interpreta¬ tion—Teachers’ Class Weekly to five students, of two hours each, for entire year. Peabody Conservatory STUDENT DORMITORIES BALTIMORE, MD. Artistic and sumptuous dormitory accommodations for OTTO ORTMANN, Director men and women in college building. Piano furnished with each room. Prices reasonable. Recognized as the leading endowed musical conservatory of the country Complete Catalog on Request Summer Session- JAug.“eg2 k 45t‘hh European and American Masters including: Address: CARL D. KINSEY, Manager C. VAIN HULol tYN 60 East Van Buren St. i3iST«!te' CHICAGO, ILL. Tuition $20 to $35, according to study HERBERT WITHERSPOON, Prejidi Pledged to the Higher LEON SAMETINI, Vice-President Practice Pianos and Organs Available Artistic Standards RUDOLPH GANZ, Vice-President Established 1SS7 Circulars Mailed FREDERICK R. HUBER, Manage A”™gements for classes now being made Other Music Sections in this issue on pages 525, 533, 561. n touch with the higher Idea JULY 1928 Page 503 the etude THE ETUDE Page 502 JULY 1928 WATER SPRITE CAPRICE A fascinating study in double “crush notes.” frank h. grey Allegretto giocoso m. m. J=108 CHARLES HUERTER In modern dance styles Grade 8 3 1 Copyright 1927 by Theodore Presser Co. British Copyright secured WITH CLANGING CYMBALS ORIENTAL MARCH A jaunty and characteristic march rhythm. Good practice in thumbs.Grade 3 RICHARD KRENTZLIN, Op. 125, No. 4 tea 1*| fji Fii pleggiero 1 * ^ 'MIS 3 --1 y= Copyright 1928 by Theodore Presser Co. International Copyright secured JULY 1928 Page 505 THE ETUDE THE ETUDE Page 504 JULY 1928 Valuable finger drill, in the guise of an fairy elves PAUL DU VAL attractive drawing-room piece. Grade 3. 'Musical Education, in the Home Conducted by Margaret Wheeler Ross No questions will be and address of the m 'Music in <Babyhood This month .we present two letters of the basis of all musical education. To unusual interest that should be helpful quote Mr. Farnsworth, ‘If babies were stim¬ and thought-stirring to the mothers of ulated as much to make music as they are Kimball Piano, Sheraton Design The Etude family. We hope that other to speak, to notice the difference between do mothers who have worked out and proved and sol as they are between papa and manta, experiments with their tiny tots will get in there is no doubt but that the pleasure of When a Family “Qrows Up with touch with Mrs.
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