Introducing Euro Notes and Coins to the Public
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Moneylab Reader: an Intervention in Digital Economy
READER A N INTERVENTION IN DIGITAL ECONOMY FOREWORD BY SASKIA SASSEN EDITED BY GEERT LOVINK NATHANIEL TKACZ PATRICIA DE VRIES INC READER #10 MoneyLab Reader: An Intervention in Digital Economy Editors: Geert Lovink, Nathaniel Tkacz and Patricia de Vries Copy editing: Annie Goodner, Jess van Zyl, Matt Beros, Miriam Rasch and Morgan Currie Cover design: Content Context Design: Katja van Stiphout EPUB development: André Castro Printer: Drukkerij Tuijtel, Hardinxveld-Giessendam Publisher: Institute of Network Cultures, Amsterdam, 2015 ISBN: 978-90-822345-5-8 Contact Institute of Network Cultures phone: +31205951865 email: [email protected] web: www.networkcultures.org Order a copy or download this publication freely at: www.networkcultures.org/publications Join the MoneyLab mailing list at: http://listcultures.org/mailman/listinfo/moneylab_listcultures.org Supported by: Amsterdam University of Applied Sciences (Hogeschool van Amster- dam), Amsterdam Creative Industries Publishing and the University of Warwick Thanks to everyone at INC, to all of the authors for their contributions, Annie Goodner and Morgan Currie for their copy editing, and to Amsterdam Creative Industries Publishing for their financial support. This publication is licensed under Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0). To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/4.0/. EDITED BY GEERT LOVINK, NATHANIEL TKACZ AND PATRICIA DE VRIES INC READER #10 Previously published INC Readers The INC Reader series is derived from conference contributions and produced by the Institute of Network Cultures. They are available in print, EPUB, and PDF form. The MoneyLab Reader is the tenth publication in the series. -
C 62 Official Journal
ISSN 1977-091X Official Journal C 62 of the European Union Volume 57 English edition Information and Notices 4 March 2014 Notice No Contents Page II Information INFORMATION FROM EUROPEAN UNION INSTITUTIONS, BODIES, OFFICES AND AGENCIES European Commission 2014/C 62/01 Non-opposition to a notified concentration (Case COMP/M.7138 — ThyssenKrupp/Acciai Speciali Terni/Outokumpu VDM) ( 1) . 1 2014/C 62/02 Non-opposition to a notified concentration (Case COMP/M.7052 — Lloyds Development Capital/ PostNL/TNT Post UK) ( 1) . 2 2014/C 62/03 Non-opposition to a notified concentration (Case COMP/M.7157 — BPCE/GIMV/Veolia Transport Belgium) ( 1) . 2 2014/C 62/04 Non-opposition to a notified concentration (Case COMP/M.7168 — Lukoil/ISAB/ISAB Energy/ISAB Energy Services) ( 1) . 3 Price: 1 EN EUR 3 ( ) Text with EEA relevance (Continued overleaf) Notice No Contents (continued) Page IV Notices NOTICES FROM EUROPEAN UNION INSTITUTIONS, BODIES, OFFICES AND AGENCIES Council 2014/C 62/05 Council conclusions — Efficient and innovative education and training to invest in skills — Supporting the 2014 European Semester . 4 European Commission 2014/C 62/06 Interest rate applied by the European Central Bank to its main refinancing operations: 0,25 % on 1 March 2014 — Euro exchange rates . 7 2014/C 62/07 New national sides of euro circulation coins . 8 2014/C 62/08 New national side of euro coins intended for circulation . 9 EN 4.3.2014 EN Official Journal of the European Union C 62/1 II (Information) INFORMATION FROM EUROPEAN UNION INSTITUTIONS, BODIES, OFFICES AND AGENCIES EUROPEAN COMMISSION Non-opposition to a notified concentration (Case COMP/M.7138 — ThyssenKrupp/Acciai Speciali Terni/Outokumpu VDM) (Text with EEA relevance) (2014/C 62/01) On 12 February 2014, the Commission decided not to oppose the above notified concentration and to declare it compatible with the common market. -
Tracing the Former Iron Curtain, Which Divided Europe Into East and West
European Green Belt Borders Separate - Nature Unites Tracing the former Iron Curtain, which divided Europe into East and West for almost forty years, a Green Belt now winds its way from the Barents Sea to the Adriatic Sea, and on from there to the Black Sea. It serves as a connection between valuable landscapes, habitats, and people. Over 12,500 km, a unique habitat network, a living landscape of memory developed and is still growing today. Borders Separate - Brown bear (Ursus arctos) Nature Unites Arnica (Arnica montana) Treasure Trove of Biodiversity Birds singing, the sound of the waves, the cry of an eagle, and the smell of wilderness places. Large mammals like brown bear, moose and grey seal, small insects such as wild bees and dragonflies, and rare plants such as arnica, all live here in harmony in the blooming meadows, the murmuring streams, the rich forests and the roaring sea. A splendid fan of rare habitats unfolds into an incomparable natural heritage. Where the Iron Curtain once separa- ted people, nature found rest and built her home, then as is now. Wild bee (Anthophora plumipes) Former border tower at the inner-German Green Belt A Landscape of Memory Against Oblivion The Green Belt Europe is an extraordinary symbol of modern European history. This living monument describes the peaceful end of the Cold War and the fall of the Iron Curtain. It transforms the tragic history of the 20th century into a symbol of European cooperation against man-made borders and for the natural world. Threats Buried under the natural beauty of Fennoscandia lie valu- able raw materials such as iron, gold, copper, bauxite and oil, each awakening desires of industrial exploitation. -
New National Sides of Euro Circulation Coins (2014/C 62/07)
C 62/8 EN Official Journal of the European Union 4.3.2014 New national sides of euro circulation coins (2014/C 62/07) Euro circulation coins have legal tender status throughout the euro area. The Commission publishes all new euro coin designs ( 1 ) with a view to informing all parties required to handle coins in the course of their work as well as the public at large. 1 EURO CENT 2 EURO CENT 5 EURO CENT 10 EURO CENT 20 EURO CENT 50 EURO CENT 1 EURO 2 EURO Issuing country: The Principality of Andorra Date of issue: January 2014 Description of the designs: The 1-, 2- and 5-euro cent coins show elements of nature, wildlife and flora. At the bottom, obliquely ofriented from left to right, the country of issuance ‘ANDORRA’ and the year of issuance ‘2014’. The 10-, 20- and 50-euro cent coins depict elements of Roman art. At the right, vertically positioned, the country of issuance ‘ANDORRA’ and the year of issuance ‘2014’. The 1-euro coin features Casa de la Vall — historical house in Andorra la Vella, part of the Cultural Heritage of Andorra. At the bottom, the country of issuance ‘ANDORRA’ and the year of issuance ‘2014’. The 2-euro coins features the coat of arms of Andorra and the motto virtus unita fortior. At the right, vertically positioned, the country of issuance ‘ANDORRA’ and the year of issuance ‘2014’. The coin's outer ring depicts the 12 stars of the European flag. The edge-lettering of the 2-euro coin is: 2 **, repeated six times, alternately from the bottom up and top down. -
The Euro: a Social Accentuation Experiment
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Molz, Günter; Hopf, Andreas Article The euro: A social accentuation experiment Economic Sociology: European Electronic Newsletter Provided in Cooperation with: Max Planck Institute for the Study of Societies (MPIfG), Cologne Suggested Citation: Molz, Günter; Hopf, Andreas (2002) : The euro: A social accentuation experiment, Economic Sociology: European Electronic Newsletter, ISSN 1871-3351, Max Planck Institute for the Study of Societies (MPIfG), Cologne, Vol. 3, Iss. 2, pp. 26-31 This Version is available at: http://hdl.handle.net/10419/155805 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu 1 THE EURO – A SOCIAL ACCENTUATION EXPERIMENT By Günter Molz & Andreas Hopf Justus-Liebig-University Giessen [email protected] The introduction of the euro released both hope and fear. -
E Euro Symbol Was Created by the European Commission
e eu ro c o i n s 1 unity an d d i v e r s i t The euro, our currency y A symbol for the European currency e euro symbol was created by the European Commission. e design had to satisfy three simple criteria: ADF and BCDE • to be a highly recognisable symbol of Europe, intersect at D • to have a visual link with existing well-known currency symbols, and • to be aesthetically pleasing and easy to write by hand. Some thirty drafts were drawn up internally. Of these, ten were put to the test of approval by the BCDE, DH and IJ general public. Two designs emerged from the are parallel scale survey well ahead of the rest. It was from these two BCDE intersects that the President of the Commission at the time, at C Jacques Santer, and the European Commissioner with responsibility for the euro, Yves-ibault de Silguy, Euro symbol: geometric construction made their final choice. Jacques Santer and Yves-ibault de Silguy e final choice, the symbol €, was inspired by the letter epsilon, harking back to classical times and the cradle of European civilisation. e symbol also refers to the first letter of the word “Europe”. e two parallel lines indicate the stability of the euro, as they do in the symbol of the dollar and the yen. e official abbreviation for the euro is EUR. © European Communities, 2008 e eu ro c o i n s 2 unity an d d i v e r s i t The euro, our currency y Two sides of a coin – designing the European side e euro coins are produced by the euro area countries themselves, unlike the banknotes which are printed by the ECB. -
Keynote Yanis Varoufakis What Am I Doing Here? a Political Economist and Politician. It Is Not Immediately Obvious Why I Am Spea
1 of 7 Keynote Yanis Varoufakis What am I doing here? A political economist and politician. It is not immediately obvious why I am speaking at the Moscow Biennale for Contemporary Art 2015. Let me be more specific and self- critical about this: Economics is a very stale, uncultured discipline; students of economics are taught to think as if economic life can be fully described and understood independently from culture, art or music—somewhat like a military academy. As part of their officer training one of the things they learn is savoir-vivre, good manners. They come in handy if you are a general of the Russian, the French or the American army and your president invites you to dinner. You need to be able to know the right spoon, the right fork. But it is completely irrelevant for you doing your job properly at the battlefield. Manners are something good to have. They are additional to what is necessary in order to perform mass murder, which is what you do as a general. Similar to this, in the world of economics, culture is a good thing to have but it is completely inessential to understand how the economy works. Politicians look at culture as a venire, as a source of legitimacy. Culture serves a politician to become a minister of culture at one point in their career. It is not an essential ministry and very low down in the pecking order of the government. So if you have been a minister of finance or foreign affairs and afterwards you become the minister of culture it is considered a demotion. -
Acting Relations, Mapping Positions Part I: the Individual HOW to GATHER Acting Relations, Mapping Positions
Kunsthalle Wien Acting Relations, Mapping Positions Part I: The Individual HOW TO GATHER Acting Relations, Mapping Positions 3 21 Bart De Baere, Defne Ayas, Keren Cytter — Nicolaus Schafhausen — Note From Bed Background 23 9 Hanne Lippard — Marie Egger — Here’s it Editorial 25 Sergey Bratkov — Predictions on the Moon 33 Liam Gillick — Letters from Moscow 43 Li Mu — The Labourer 63 Ho Tzu-Nyen and Lee Weng-Choy — Curation is Also a Form of Transportation 77 Lee Weng-Choy — Three Degrees of Intimacy 81 Meggy Rustamova — Waiting for the Secret (Script) 85 Johanna van Overmeir — Janus 88 Janus Faced Freedom Marina Simakova Part II: In Relation Part III: Political Gestures HOW TO GATHER Acting Relations, Mapping Positions 89 119 176 225 Peter Wächtler — Mián Mián and Konstantin Zvezdochotov — Anna Jermolaewa and Leather Man / Woman of Nicolaus Schafhausen — About Ezgin Altinses Vanessa Joan Müller — the Bistro Talkshow Political Extras 180 104 131 Inventing Ritual 237 Jimmie Durham — Communicative Failures Leon Kahane — A Stone and Defeats 186 Figures of Authority Andrey Shental Gabriel Lester — 108 MurMure 243 Donna Kukama — 132 Nástio Mosquito — The Cemetery for Bad Honoré δ’O and 195 SOUTH Behaviours Fabrice Hyber — Honoré δ’O — Telepathic Protocol The Ten Commandments 246 114 Saâdane Afif — On Intimacy 137 215 Play Opposite Maria Kotlyachkova, Nadia Qiu Zhijie — Vaast Colson — Gorokhova Map of the Third World Ten Side Notes as Warm Up 250 Rana Hamadeh — 140 219 Performance Script Augustas Serapinas — Andrey Kuzkin — Conversation Behind -
Commission Guidelines on the Implementation of the Regulation 1210/2010
Ref. Ares(2017)3114527 - 21/06/2017 EUROPEAN COMMISSION DIRECTORATE GENERAL ECONOMIC AND FINANCIAL AFFAIRS Fiscal policy and policy mix Euro Protection and euro cash ETSC - Guidelines On the implementation of Regulation (EU) No 1210/2010 of the European Parliament and of the Council of 15 December 2010 concerning authentication of euro coins and handling of euro coins unfit for circulation. (May 2017) Table of contents 1. INTRODUCTION .............................................................................................................. 3 2. AUTHENTICATION OF EURO COINS .......................................................................... 4 2.1. Detection test .............................................................................................................. 4 2.1.1. Purpose ................................................................................................................. 4 2.1.2. Test procedure ...................................................................................................... 4 2.1.3. Period of validity of test results ............................................................................ 4 2.1.4. Detection test report summary ............................................................................. 5 2.1.5. Declaration of conformity .................................................................................... 5 2.1.6. Consolidated list of coin processing machines .................................................... 6 2.2. Training practices for manual authentication -
Number 37 May 2000 Euro Coins from Design to Circulation
EUROPEAN COMMISSION Number 37 May 2000 (XURFRLQV From design to circulation © European Communities, 2000. (XURFRLQV )URPGHVLJQWRFLUFXODWLRQ 'LUHFWRUDWH*HQHUDOIRU(FRQRPLFDQG)LQDQFLDO$IIDLUV EURO COINS 7+(/(*$/%$6(6 7KH7UHDW\ 7KHWZR5HJXODWLRQVRI0D\ &5($7,1*7+((852&2,16 &KRRVLQJWKHQDPH &KRRVLQJWKHGHQRPLQDWLRQVRIWKHFRLQV 'HWHUPLQLQJWKHWHFKQLFDOVSHFLILFDWLRQVRIWKHFRLQV &KRRVLQJWKHFRPPRQVLGHRIWKHFRLQV &KRRVLQJWKHQDWLRQDOVLGHRIWKHFRLQV &UHDWLQJFROOHFWRUFRLQV…………………………………………………………………………..16 352'8&,1*7+((852&2,16 'HWHUPLQLQJWKHTXDQWLWLHVWRSURGXFH &RQWUROOLQJTXDOLW\ 3527(&7,1*7+((852&2,16« )LOLQJDFRS\ULJKWRQWKHFRPPRQVLGHV 3UHYHQWLQJDQGVXSSUHVVLQJFRXQWHUIHLWLQJ ,1752'8&,1*7+((852&2,16 )LQDOLVLQJWKHVFKHGXOHIRUWKHLQWURGXFWLRQRIWKHFRLQV 'HILQLQJWKHOHQJWKRIWKHSHULRGRIGXDOFLUFXODWLRQ ,1)250$7,216+((76 1R7KHFKRLFHRIWKHHXURV\PERO««««««««««««««««««««««««« 1R6LWXDWLRQRI0RQDFR9DWLFDQ&LW\DQG6DQ0DULQR« 1R8VHIXO,QWHUQHWOLQNV« 1R$GGUHVVHVDQGFRQWDFWVRIWKHFRLQWHVWLQJFHQWUHV« $11(;(6 $UWLFOH H[D RIWKH7UHDW\HVWDEOLVKLQJWKH(XURSHDQ&RPPXQLW\« &RXQFLO5HJXODWLRQ (& 1RRI0D\RQWKHLQWURGXFWLRQRIWKHHXUR &RXQFLO 5HJXODWLRQ (& 1R RI 0D\ RQ GHQRPLQDWLRQV DQG WHFKQLFDO VSHFLILFDWLRQV RI HXUR FRLQV LQWHQGHGIRUFLUFXODWLRQ««« 2/45 &RXQFLO5HJXODWLRQ (& 1RRI)HEUXDU\DPHQGLQJ5HJXODWLRQ (& 1RRQGHQRPLQDWLRQV DQGWHFKQLFDOVSHFLILFDWLRQVRIHXURFRLQVLQWHQGHGIRUFLUFXODWLRQ««««««««« &RPPLVVLRQ5HFRPPHQGDWLRQRI-DQXDU\FRQFHUQLQJFROOHFWRUFRLQVPHGDOVDQGWRNHQV«« 5HSRUWIURPWKH&ROOHFWRU&RLQ6XEJURXSRIWKH0':*IRUWKH(XUR&RLQ6XEFRPPLWWHHRIWKH()&«« &RXQFLO 'HFLVLRQ RI $SULO H[WHQGLQJ (XURSRO V PDQGDWH -
Public Feed Back for Better Banknote Design 2 Central Bank and Prudential Supervisor of Financial Institutions
Occasional Studies Vol.5/No.2 (2007) Hans de Heij Public feed back for better banknote design 2 Central bank and prudential supervisor of financial institutions ©2007 De Nederlandsche Bank nv Author: Hans de Heij e-mail: [email protected] The aim of the Occasional Studies is to disseminate thinking on policy and analytical issues in areas relevant to the Bank. Views expressed are those of the individual authors and do not necessarily reflect official positions of De Nederlandsche Bank. Editorial Committee: Jan Marc Berk (chairman), Eelco van den Berg (secretary), Hans Brits, Maria Demertzis, Peter van Els, Jan Willem van den End, Maarten Gelderman, Klaas Knot, Bram Scholten and Job Swank. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording or otherwise, without the prior written permission of De Nederlandsche Bank. Subscription orders for dnb Occasional Studies and requests for specimen copies should be sent to: De Nederlandsche Bank nv Communications p.o. Box 98 1000 ab Amsterdam The Netherlands Internet: www.dnb.nl Public feed back for better banknote design 2 Public feed back for better banknote design 2 Hans A.M. de Heij De Nederlandsche Bank nv, Amsterdam, The Netherlands Abstract Developers of new banknotes can optimise banknote designs by making use of 1) public feedback, 2) strategic communication policy, 3) a design philosophy and 4) the stakeholders’ approach reflected in a Programme of Requirements. The synthesis of these four elements will lead to new design concepts for banknotes, as illustrated in this article. -
Plaintiff's Motion for Summary Judgment
Case 1:02-cv-00864-JR Document 35-1 Filed 08/31/2005 Page 1 of 79 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA AMERICAN COUNCIL OF THE BLIND, et al., ) ) Plaintiffs, ) ) CIVIL ACTION NO. v. ) 1:02CV00864 JR ) JOHN W. SNOW, Secretary of the Treasury, ) ) Defendant. ) ) PLAINTIFF’S MOTION FOR SUMMARY JUDGMENT Pursuant to Rule 56 (a) of the Federal Rules of Civil Procedure, Plaintiffs move for summary judgment on the basis that there is no genuine issue as to any material fact, and Plaintiff is entitled to judgment as a matter of law. The reasons for this motion are fully set forth in the accompanying Memorandum of Points and Authorities. Plaintiff further requests an opportunity to present oral argument in this matter. A proposed Order is attached. Respectfully submitted, ____________________ JEFFREY A. LOVITKY D.C. Bar No. 404834 Law Office of Jeffrey A. Lovitky 1735 New York Ave., NW, Ste. 500 Washington, DC 20006 (202)429-3393 Attorney for Plaintiffs Case 1:02-cv-00864-JR Document 35-1 Filed 08/31/2005 Page 2 of 79 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA AMERICAN COUNCIL OF THE BLIND, et al., ) ) Plaintiffs, ) ) CIVIL ACTION NO. v. ) 1:02CV00864 JR ) JOHN W. SNOW, Secretary of the Treasury, ) ) Defendant. ) ) MEMORANDUM OF POINTS AND AUTHORITIES IN SUPPORT OF PLAINTIFF’S MOTION FOR SUMMARY JUDGMENT Case 1:02-cv-00864-JR Document 35-1 Filed 08/31/2005 Page 3 of 79 TABLE OF CONTENTS I. INTRODUCTION & BACKGROUND…………………. 1 II. THE BURDEN IS UPON DEFENDANT TO DEMONSTRATE THAT ACCOMMODATIONS FOR THE DISABLED ARE UNDULY BURDENSOME…………………………………………..