GARRETH STOVER Production Designer

Total Page：16

File Type：pdf, Size：1020Kb

GARRETH STOVER Production Designer Selected Features: HALLOWEEN II - The Weinstein Company - Rob Zombie, director 17 AGAIN - New Line Cinema - Burr Steers, director CHRISTMAS WITH THE KRANKS - Revolution Studios - Joe Roth, director 13 GOING ON 30 - Revolution Studios - Gary Winick, director DADDY DAY CARE - Revolution Studios - Steve Carr, director BIG TROUBLE - Touchstone Pictures – Barry Sonnenfeld, director AMERICA’S SWEETHEARTS - Revolution Studios - Joe Roth, director THE KID - Chester Films, Inc. - Jon Turteltaub, director INSTINCT - Spyglass Entertainment - Jon Turteltaub, director PHENOMENON - Touchstone Pictures - Jon Turteltaub, director UNSTRUNG HEROES - Hollywood Pictures - Diane Keaton, director WHILE YOU WERE SLEEPING - Hollywood Pictures - Jon Turteltaub, director DECEMBER - IRS Media - Gabe Torres, director Selected Television: DYNASTY (Series) - CBS / The CW - various directors THE VAMPIRE DIARIES (Seasons 1-8) - The CW - various directors DRUMLINE: A NEW BEAT (TV movie) - Fox Television Studios - Bille Woodruff, director THE ORIGINALS (Season 1) - The CW - various directors SUITS (Season 1) - USA Network - various directors RING OF FIRE (TV movie) - Lifetime Television - Allison Anders, director PRAYERS FOR BOBBY (TV movie) - Lifetime Network - Russell Mulcahy, director CALIFORNICATION (Season 1) - Showtime - various directors SMOG (TV movie) - Columbia TriStar - Jon Favreau, director THE LATE SHIFT (TV movie) - HBO - Betty Thomas, director DEEP RED (TV movie) - Sci-Fi Channel - Craig R. Baxley, director BABY BROKERS (TV movie) - NBC - Mimi Leder, director A FAMILY TORN APART (TV movie) - NBC - Craig R. Baxley, director CURACAO (TV movie) - Columbia TriStar - Carl Schultz, director THERE WAS A LITTLE BOY (TV movie) - CBS - Mimi Leder, director WILDFLOWER (TV movie) - Lifetime Television - Diane Keaton, director PARENTHOOD (series) - Imagine Television / NBC - various directors CHINA BEACH (Season 4) - ABC - various directors .

Copy Link

Recommended publications

DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
[Show full text]
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
[Show full text]
RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008
RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo.
[Show full text]
In Its Complaint, Plaintiff Names Defendants As Revolution Studios
UNITED STATES DISTRICT COURT DISTRICT OF CONNECTICUT A Slice of Pie Productions, LLC, : Plaintiff, : : v. : Case No. 3:04cv1034 (JBA) : Wayans Brothers Entertainment, : et al., : Defendants. : RULING ON MOTIONS FOR SUMMARY JUDGMENT [DOCS. ## 96, 107] The Fifth Amended Complaint of plaintiff A Slice of Pie Productions, LLC (“Slice of Pie”) asserts a claim of copyright infringement under the federal Copyright Act against defendants Revolution Studios, LLC (“Revolution”) and Sony Pictures Entertainment, Inc. (“Sony”) and a claim of breach of implied contract against defendants Wayans Brothers Productions (“WBP”) and Gold/Miller Company (“Gold”). See Fifth Am. Compl. [Doc. # 76].1 Familiarity with the Court’s previous rulings on motions to dismiss, see [Docs. ## 61, 87], is presumed. Defendants now move for summary judgment, contending, inter alia, that with respect to the Copyright Act claim, there is no evidence supporting an inference that defendants copied plaintiff’s screenplay or of unlawful appropriation (shown by substantial 1 In its complaint, plaintiff names defendants as Revolution Studios, Inc., Sony Pictures Entertainment, Wayans Brothers Entertainment, and the Gold/Miller Agency, respectively. Defendants have identified themselves as the parties named above. 1 similarity between plaintiff’s screenplay and defendants’ film) and, with respect to the implied contract claim, that it is preempted by the Copyright Act, that there is no evidence of a shared understanding of payment for use, and that there is no evidence of actual use. See Revolution/Sony/WBP Mot. [Doc. # 96]; Gold Mot. [Doc. # 107]. For the reasons that follow, defendants’ Motions will be granted. I. Factual Background The facts relevant to this ruling are as follows, and are undisputed unless otherwise noted.
[Show full text]
Submission on Behalf of Joint Creators and Copyright Owners Class 2: Audiovisual Works – Texting
Submission on behalf of Joint Creators and Copyright Owners Class 2: Audiovisual Works – Texting [ ] Check here if multimedia evidence is being provided in connection with this comment ITEM A. COMMENTER INFORMATION The Motion Picture Association, Inc. (“MPA”) is a trade association representing some of the world’s largest producers and distributors of motion pictures and other audiovisual entertainment for viewing in theaters, on prerecorded media, over broadcast TV, cable and satellite services, and on the internet. The MPA’s members are: Netflix Studios, LLC, Paramount Pictures Corporation, Sony Pictures Entertainment Inc., Universal City Studios LLC, Walt Disney Studios Motion Pictures, and Warner Bros. Entertainment Inc. The Alliance for Recorded Music (“ARM”) is a nonprofit coalition comprising the many artists and record labels who together perform, create, and/or distribute nearly all of the sound recordings commercially released in the United States. Members include the American Association of Independent Music (“A2IM”), the Music Artists Coalition (“MAC”), the Recording Industry Association of America, Inc. (“RIAA”), hundreds of recording artists, the major record companies, and more than 600 independently owned U.S. music labels. The Entertainment Software Association (“ESA”) is the United States trade association serving companies that publish computer and video games for video game consoles, handheld video game devices, personal computers, and the internet. It represents nearly all of the major video game publishers and major video game platform providers in the United States. Represented By: J. Matthew Williams ([email protected]) Sofia Castillo ([email protected]) MITCHELL SILBERBERG & KNUPP LLP 1818 N Street, NW, 7th Floor Washington, D.C. 20036 202-355-7904 ITEM B.
[Show full text]
The Walt Disney Company and Pixar Inc.: to Acquire Or Not to Acquire?
9-709-462 REV: JANUARY 15, 201 0 J U A N A L C Á CER DAVID COLLIS M A R Y F U R E Y The Walt Disney Company and Pixar Inc.: To Acquire or Not to Acquire? In November 2005, Robert Iger, the newly appointed CEO of the Walt Disney Company, eagerly awaited the box office results of Chicken Little, the company’s second computer-generated (CG) feature film. He knew that, for Disney as a whole to be successful, he had to get the animation business right, particularly the new CG technology that was rapidly supplanting hand-drawn animation.1 Yet the company had been reliant on a contract with animation studio Pixar, which had produced hits such as Toy Story and Finding Nemo, for most of its recent animated film revenue. And the co-production agreement, brokered during the tenure of his predecessor, Michael Eisner, was set to expire in 2006 after the release of Cars, the fifth movie in the five-picture deal. Unfortunately, contract renewal negotiations between Steve Jobs, CEO of Pixar, and Eisner had broken down in 2004 amid reports of personal conflict. When he assumed his new role, Iger reopened the lines of communication between the companies. In fact, he had just struck a deal with Jobs to sell Disney- owned, ABC-produced television shows—such as “Desperate Housewives”—through Apple’s iTunes Music Store.2 Iger knew that a deal with Pixar was possible; it was just a question of what that deal would look like. Did it make the most sense for Disney to simply buy Pixar? Walt Disney Feature Animation Walt Disney Feature Animation began with the production of Snow White and the Seven Dwarfs in 1934.
[Show full text]
Mccusker, Michael
MICHAEL MCCUSKER, ACE EDITOR FEATURES: FORD VS. FERRARI 20th Century Fox Prod: Peter Chernin, Lucas Foster, Dir: James Mangold *Win, Academy Awards 2020, Best Film Editing Jenno Topping, Alex Young *Nomination, Academy Awards 2020, Best Picture *Nomination, ACE Awards 2020, Best Edited Feature Film (Drama) *Win, BAFTA Awards 2020, Best Film Editing DEADPOOL 2 (Additional Editor) 20th Century Fox Prod: Kevin Feige, Stan Lee Dir: David Leitch *Nomination, ACE Awards 2019, Best Edited Feature Film (Comedy) THE GREATEST 20th Century Fox Prod: Peter Chernin, Larry Mark Dir: Michael Gracey SHOWMAN *Nomination, Golden Globes 2018, Best Motion Picture – Musical or Comedy THE DARK TOWER Sony Pictures Ent. Prod: Ron Howard, Brian Grazer Dir: Nikolaj Arcel LOGAN 20th Century Fox Prod: Simon Kinberg, Lauren Shuler Donner Dir: James Mangold THE GIRL ON THE TRAIN Amblin/Universal Prod: Marc Platt Dir: Tate Taylor 13 HOURS Paramount Pictures Prod: Michael Bay, Erwin Stoff Dir: Michael Bay THE FINEST HOURS (Additional Editor) Walt Disney Pictures Prod: James Whitaker, Douglas Merrifield Dir: Craig Gillespie GET ON UP Universal Pictures Prod: Peter Afterman, Brian Grazer Dir: Tate Taylor THE WOLVERINE 20th Century Fox Prod: Joseph Caracciolo Jr., Hutch Parker Dir: James Mangold THE AMAZING SPIDER MAN Columbia Pictures Prod: Avi Arad, Michael Grillo Dir: Marc Webb CAPTAIN AMERICA: THE FIRST AVENGER Marvel Studios Prod: Victoria Alonso, Kevin Feige Dir: Joe Johnston (Additional Editor) KNIGHT AND DAY 20th Century Fox Prod: Steve Pink, Joe Roth Dir: James
[Show full text]
Mplc Studio Liste 2020
MPLC STUDIO LISTE 2020 STUDIOS – PRODUZENTEN – FERNSEHSTATIONEN MPLC STUDIO LISTE 2020 STUDIOS – PRODUCTEURS – STATIONS DE TÉLÉVISION MPLC LISTA STUDIO 2020 CASE CINEMATOGRAFICHE – PRODUTTORI – STAZIONI TELEVISIVE MOTION PICTURE LICENSING COMPANY: DER WELTWEIT GRÖSSTE LIZENZGEBER IN DER FILM- & TV-BRANCHE. MPLC Switzerland GmbH Münchhaldenstrasse 10, Postfach CH-8034 Zürich MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX Label Apollo Media Apollo Media Distribution Gmbh # Apollo Media Nova Gmbh 101 Films Apollo ProMedia 12 Yard Productions Apollo ProMovie 360Production
[Show full text]
DOWN PERISCOPE Robert Lawrence / Stanley Wilson, Prods
RANDY EDELMAN AWARDS & NOMINATIONS LONG ISLAND FILM FESTIVAL LIFETIME ACHIEVEMENT AWARD (2015) GOLDSPIRIT AWARD (2014) LEAP YEAR Best Comedy Score BMI SPOTLIGHT AWARD (2014) NBC OLYMPICS THEME BMI FILM MUSIC AWARD (2009) THE MUMMY: TOMB OF THE DRAGON EMPORER INTERNAT’L FILM MUSIC CRITICS AWARD THE TEN COMMANDMENTS NOMINATION (2006) Best Original Score for Television BMI FILM MUSIC AWARD (2003) xXx RICHARD KIRK CAREER ACHIEVMENT AWARD (1999) BMI FILM MUSIC AWARD (1998) SIX DAYS AND SEVEN NIGHTS FMCJ AWARD NOMINATION (1998) SIX DAYS AND SEVEN NIGHTS SATURN AWARD NOMINATION (1997) DRAGON HERAT BMI FILM MUSIC AWARD (1996) ANACONDA BMI FILM MUSIC AWARD (1995) WHILE YOU WERE SLEEPING BMI FILM MUSIC AWARD (1994) THE MASK BAFTA AWARD NOMINATION (1993) LAST OF THE MOHICANS *Best Original Film Score (Shared) GOLDEN GLOBE AWARD NOMINATION (1993) LAST OF THE MOHICANS Best Original Score – Motion Picture (Shared) BMI FILM MUSIC AWARD (1992) LAST OF THE MOHICANS BMI FILM MUSIC AWARD (1991) KINDERGARTEN COP BMI TV MUSIC AWARD (1990) MACGYVER 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 RANDY EDELMAN BMI FILM MUSIC AWARD (1989) GHOSTBUSTERS II MOTION PICTURES BACKDRAFT 2 Raffaella De Laurentiis, prod. Universal 1440 Entertainment Gonzalo Lopez-Gallego, dir. MAX 2: WHITE HOUSE HERO Karen Rosenfelt / Matt Bierman / Ken Blancato, MGM prods. Brian Levant, dir. LEAVES OF THE TREE Ante Novakovic / Kresh Novakovic / Joanna Lu, Gogi Productions Donna McKenna / Perla Montemayor, prods. Ante Novakovic, dir. BACK IN THE DAY William DeMeo, prod. The Movie Group Paul Borghese, dir. THE BOY NEXT DOOR Jennifer Lopez / Jason Blum / Elaine Goldmsith- Universal Pictures Thomas / John Jacobs / Benny Medina, prods.
[Show full text]
News Release for Immediate Release
NEWS RELEASE FOR IMMEDIATE RELEASE DISNEY SHOWCASES LIVE ACTION SLATE WITH EXCITING NEWS EXCLUSIVELY FOR FANS AT D23 EXPO 2015 STARS AND FILMMAKERS OF UPCOMING DISNEY, MARVEL STUDIOS AND LUCASFILM MOVIES FEATURED AT TODAY’S LIVE ACTION EVENT Film stills, title treatments and event images will be available at: http://www.image.net/d23_2015. ANAHEIM, Calif. (Aug. 15, 2015) — Disney, Marvel Studios and Lucasfilm presented their live action film slates this morning at the D23 EXPO 2015 at the Anaheim Convention Center in Anaheim, Calif. The presentations, which revealed exclusive news and details about the upcoming live action films, were aided by live and video appearances from talent and filmmakers. Walt Disney Studios Chairman Alan Horn hosted the highly anticipated biennial event. “It’s quite something to be able to have Disney, Marvel and Lucasfilm all on the same stage, and it’s tremendously gratifying to unveil our upcoming projects to our most dedicated fans first,” said Alan Horn, Chairman, The Walt Disney Studios. “We always have an incredible time at the D23 EXPO.” After welcoming the crowd to D23 EXPO 2015, Horn introduced Kevin Feige, President of Marvel Studios, and Sean Bailey, President of Walt Disney Studios Motion Picture Production, to present overviews of the Marvel Studios and Disney live action slates. Later Horn returned to the stage to present the Lucasfilm film slate to the enthusiastic audience. A recap of the presentation follows: · Kevin Feige led off with a glimpse into the world of Marvel’s “Doctor Strange,” featuring a video greeting by Benedict Cumberbatch, who stars as the title character, followed by a pre- production piece that offered fans a taste of the look and feel of the upcoming film, opening in U.S.
[Show full text]
MPLC Studioliste Juli21-2.Pdf
MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX DCM FILM DISTRIBUTION (SCHWEIZ) CLAUSSEN+PUTZ FILMPRODUKTION Label Anglia Television Animal Planet Productions # Animalia Productions 101 Films Annapurna Productions 12 Yard Productions APC Kids SAS 123 Go Films Apnea Film Srl 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) Apollo Media Distribution Gmbh 2929 Entertainment Arbitrage 365 Flix International Archery Pictures Limited 41 Entertaiment LLC Arclight Films International 495 Productions ArenaFilm Pty. 4Licensing Corporation (fka 4Kids Entertainment) Arenico Productions GmbH Ascot Elite A Asmik Ace, Inc. A Really Happy Film (HK) Ltd. (fka Distribution Workshop) Astromech Records A&E Networks Productions Athena Abacus Media Rights Ltd. Atlantic 2000 Abbey Home Media Atlas Abot Hameiri August Entertainment About Premium Content SAS Avalon (KL Acquisitions) Abso Lutely Productions Avalon Distribution Ltd.
[Show full text]
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade.
[Show full text]