COLLECTED VOICES IN THE EXPANDED FIELD This book may not be reproduced in whole or in part, except for the inclu- sion of brief quotations in a review, without permission in writing from the author or publisher. No part of this publication may be reproduced, stored in or introduced into retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without prior permission of the publisher. Requests for permission should be directed to
[email protected], or mailed to 11:11 Press LLC, 4757 15th Ave S., Minneapolis, MN 55407. Each author reserves the rights to their own work. COLLECTED VOICES IN THE EXPANDED FIELD is typeset primarily in Palatino Linotype, with brief stints of Albertus, Bahnschrift, Fournier, Arial, Courier New, Century Schoolbook, Consolas, Garamond, Segoe UI, and Fang Song. Edited by Mike Corrao and Andrew J Wilt Covert Art by Mike Corrao Page & Cover Design: Mike Corrao Paperback: 978-1-948687-24-9 Printed in the United States of America FIRST AMERICAN EDITION 9 8 7 6 5 4 3 2 1 COLLECTED VOICES IN THE EXPANDED FIELD FEATURING THE WORK OF 34 INNOVATIVE AUTHORS COLLECTED VOICES VOICES COLLECTED IN THE EXPANDED EXPANDED THE IN FIELD FEATURING THE WORK OF OF WORK THE FEATURING 34 INNOVATIVE AUTHORS INNOVATIVE 34 Before bands could upload their songs to Myspace, the cheap- est way for fans to hear new music that wasn’t allowed radio airtime was to purchase compilation albums put out by smaller record labels. These cost a few dollars at most, just enough to cover production costs, because it was also the cheapest way for independent labels to find new fans.