Aphrodite in Proclus' Theology
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A Note on the Thrax of Euphorion: Sh 15.Ii.1Ff
ANUARI DE FILOLOGIA. ANTIQVA ET MEDIAEVALIA (Anu.Filol.Antiq.Mediaeualia) 4/2014, pp. 17-26, ISSN: 2014-1386 A NOTE ON THE THRAX OF EUPHORION: SH 15.II.1FF. JOSEP ANTONI CLUA SERENA Universitat de Lleida [email protected] ABSTRACT This paper tries to consider the Archaic or Classical origins of Dike or dike, starting by Hesiod and Aeschylus or some indexes which show its religious meaning, and its evolution from the “religious” treatment to the “exemplum” by Euphorion in his “curse poem” the Thrax. Although the probable ironical nature of the Thrax would suggest that Dike is a literary rather than religious figure, it is difficult to support so, because the poem may well be something of a mock- complaint on either a dog or another pet animal, but this does not imply that Dike, as a figure, is not serious. The relevant lines of the poem (SH 415.ii.1ff.) are quite serious in themselves: Dike and Themis are introduced as powerful divine entities regulating human life. But references to the possible “dog” in the Thrax may involve “l´énigme par fragmentation” and this shows the importance attached to “enigma” in Greek texts, as well as in the Thrax, according to Hurst´s proposal. KEY WORDS: Euphorion; Thrax; Dike; ”enigma”; exemplum. SOBRE EL TRACIO DE EUFORIÓN: SH 415.II.1FF. RESUMEN Este artículo trata de considerar los orígenes arcaicos de Dike o dike, comenzando por Hesíodo y Esquilo, así como por algunos índices que muestran su significado religioso. También se analiza su evolución desde la consideración “religiosa” de dicha diosa hasta el exemplum citado por Euforión en su Tracio. -
Classical Tradition and Judeo-Christian Revelation in Clement of Alexandria
Graeco-Latina Brunensia 25 / 2020 / 1 https://doi.org/10.5817/GLB2020-1-4 Classical tradition and Judeo-Christian revelation in Clement of Alexandria Claudio Calabrese – Nassim Bravo (Panamerican University, México) Abstract Clement of Alexandria is one of the most iconic intellectuals of primitive Christianity. His at- ČLÁNKY / ARTICLES titude towards Classical Greek culture had a decisive role in its acceptance as an appropriate instrument for the interpretation of biblical revelation. In the context of the present article, we follow the Clementine account of the Orphic texts, an interpretation distinguished by its man- ner of tackling the issue. This meant not only that he ignored the context in which the “Orphic tradition” developed, but also that he set aside the immanent quality of Greek culture. Clem- ent’s approach would have a deep impact on the way in which Late Antiquity Christianity would understand divine nature and the limits of the act of faith. Keywords Clement of Alexandria; Hellenistic culture; Orphism; Late Antiquity; primitive Christianity 47 Claudio Calabrese – Nassim Bravo Classical tradition and Judeo-Christian revelation in Clement of Alexandria Introduction In the present article we would like to discuss the formation of Christian philosophy focusing on the integration of Greek culture as a resource to interpret revelation. It is within this context that we approach the manner in which Clement of Alexandria incor- porated texts from Orphic tradition into his Stromata V; we are alluding here to a group of quotations, including a few comments and references to the Old Testament, particu- larly to the Book of Isaiah, used by Clement as an argument to help us understand God. -
The Religious Prehistory of Demeter's Eleusinian Mysteries
BERNARD DIETRICH THE RELIGIOUS PREHISTORY OF DEMETER'S ELEUSINIAN MYSTERIES It has often been said that the Greek Mystery cults were unique and that their innermost secrets were well kept and buried with the long suc cession of initiates over a millennium and more I. This was certainly true of the myth and ritual and of points of detail in ceremony and belief, but in general Greek Mystery cults shared some basic features with other religions and therefore belonged to an exceedingly old tradition which antedated the development of new religious concepts in the archaic Greek world. Behind the sophisticated Mysteries of the classical age there lay ideas which had been fundamental to religious thought from prehistoric times concerning the fertility of vegetation and nature in general under the protective guidance of a Nature or Mother goddess. Within that framework great variety could exist from region to region, because, although the most successful cults like those of Samothrace and the Eleusinian Demeter spread their influence to other centres, in essence Mystery cults tended to be localised. In other words, despite common features between all these cults, each major centre had, as it were, something special to offer to ensure the loyalty of generations of worshippers. Also it is easy to overlook the important point that, shared origins apart, the sense of promise and otherworldliness which came to be incorporated in the fully developed Greek Mysteries could only flourish in an age that was receptive to their particular religious message. This meant the archaic age and especially the sixth century, for it provided the most fertile ground on which the Mystery cults could grow to their full potential and which laid the foundation of their tremendous influence in Hellenistic and Roman times. -
Greek Mythology #23: DIONYSUS by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #23: DIONYSUS by Joy Journeay God of: Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, Fertility and Theatre Home: MOUNT OLYMPUS Symbols: Thyrus, grapevine, leopard skin Parents: Zeus and Semele Consorts: Adriane Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Roman Counterpart: Bacchus, Liber Dionysus’ mother was mortal Semele, daughter of a king of Thebes, and his father was Zeus, king of the gods. Dionysus was the only Olympian god to have a mortal parent. He was the god of fertility, wine and the arts. His nature reflected the duality of wine: he gave joy and divine ecstasy, or brutal and blinding rage. He and his followers could not be contained by bonds. One would imagine that being the god of “good times” could be a pretty easy and happy existence. Unfortunately, this just doesn’t happen in the world of Greek mythology. Dionysus is called “twice born.” His mother, Semele, was seduced by a Greek god, but Semele did not know which god was her lover. Fully aware of her husband’s infidelity, the jealous Hera went to Semele in disguise and convinced her to see her god lover in his true form. -
8Th Grade ELA Greek Mythology Review 1
Greek Mythology Review 1 It has been quite awhile since we’ve done Greek Mythology in class, so before we can continue with some new myths, we need to do some review. Below are some of the Greek Gods and Goddesses we’ve learned about so far. This will be done as matching. You CAN use the internet to help you with this. If you know who they are without the internet, then just fill the answers in. The purpose of this activity is just to refresh your memories on who the different gods and goddesses are before we learn any new ones. Directions:For each god/goddess, put the letter next to the word “answer” that matches the god/goddesses description/definition. Gods/Goddesses/Beings Answer Chaos Hades Tartarus Rhea Uranus Poseidon Hera Kronos Gaea Eros Titans Zeus Ourea Definitions/Descriptions a. The underworld-creation of chaos b. Earth and the universal mother-creation of chaos c. God of the Underworld. Son to Kronos and Rhea d. Children of Uranus and Gaea, sent to the Underworld by Uranus e. One of the titans-Child of Gaea and Uranus-wife to Kronos f. Goddess of love and marriage. Daughter to Kronos and Rhea. Wife to Zeus g. God of thunder. Son to Kronos and Rhea. h. God of the sea. Son to Kronos and Rhea i. The first thing to exist j. Earth and the universal mother-creation of Chaos k. God of the sky-child of Gaea l. The mountains-child of Gaea m. The ruling Titan-child of Gaea and Uranus . -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Proclus and Artemis: on the Relevance of Neoplatonism to the Modern Study of Ancient Religion
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 13 | 2000 Varia Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion Spyridon Rangos Electronic version URL: http://journals.openedition.org/kernos/1293 DOI: 10.4000/kernos.1293 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2000 ISSN: 0776-3824 Electronic reference Spyridon Rangos, « Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion », Kernos [Online], 13 | 2000, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1293 ; DOI : 10.4000/kernos.1293 Kernos Kernos, 13 (2000), p. 47-84. Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Andent Religion* Imagine the situation in which contemporary philosophers would find themselves if Wittgenstein introduced, in his Philosophical Investigations, the religious figure of Jesus as Logos and Son of God in order to illuminate the puzzlement ofthe private-language paradox, or if in the second division of Being and Time Heidegger mentioned the archangel Michael to support the argument of 'being toward death'. Similar is the perplexity that a modern reader is bound to encounter when, after a highly sophisticated analysis of demanding metaphysical questions about the relationship of the one and the many, finitude and infinity, mind and body, Proclus, l in ail seriousness and without the slightest touch of irony, assigns to some traditional gods of Greek polytheism a definitive place in the structure of being. -
Greek Gods & Goddesses
Greek Gods & Goddesses The Greek Gods and GodessesMyths https://greekgodsandgoddesses.net/olympians/ The Twelve Olympians In the ancient Greek world, the Twelve great gods and goddesses of the Greeks were referred to as the Olympian Gods, or the Twelve Olympians. The name of this powerful group of gods comes from Mount Olympus, where the council of 12 met to discuss matters. All 12 Olympians had a home on Mount Olympus and that was where they were most commonly found. HADES, the god of the Underworld, preferred to live there, and POSEIDON often chose to stay in his palace under the sea. Most of the other Olympians would be on Mount Olympus year round unless they were travelling. HESTIA used to be one of the Olympians, but the constant fighting and bickering between the gods annoyed her and she eventually gave up her seat to the god of wine, DIONYSUS. Even though she left the council, Hestia still kept a home on Mount Olympus. APHRODITE was on the council but, in most Greek mythological stories, her husband HEPHAESTUS was not. At the famous Parthenon temple in Greece, there is a statue of each of the 12 Olympian gods. Hades does not have a statue, but Hephaestus does. The question of who the 12 Olympians are really depends on who is telling the story. Nobody is truly sure if Hades of Hephaestus can be classed as the Twelfth Olympian. So, because of the way Greek myths were told and retold in different ways, there are actually 14 gods and goddesses who can be considered as an Olympian god. -
Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae by Mark Frederick Mcclay
Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae By Mark Frederick McClay A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Nikolaos Papazarkadas Professor James I. Porter Fall 2018 Copyright 2018, Mark Frederick McClay Abstract Memory and Performance: Strategies of Identity in the Orphic-Bacchic Lamellae by Mark Frederick McClay Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair This dissertation is a treatment of the Orphic-Bacchic lamellae, a collection of small gold tablets that were deposited in the graves of Dionysiac mystery initiates, mostly during the 4th/3rd c. BCE. So far, thirty-eight of these have been discovered, from various sites in Sicily, Magna Graecia, Northern Greece, Crete, and the Peloponnese. The tablets were deposited in the graves of both men and women, and they are inscribed with short poetic texts, mostly in hexameters, that offer promises of postmortem happiness. Scholarship on these objects has traditionally focused on the sacral and eschatological language of the texts and their underlying doctrinal structure. Past interpretations, and discussions of “Orphism” more generally, have relied on propositional definitions of “religion” that are centered on belief and on the scriptural authority of sacred texts rather than ritual or sensory experience. Following recent critiques of these models in general (and of their application to Orphic phenomena in particular), I consider the gold leaves in their social context as objects produced, handled, and disseminated by ritual performers. -
The Greeks Had Numerous Gods and Many Stories and Myths That Surrounded Them
Year 4, Week 2, Tuesday English grammar - To use paragraphs correctly As we will be writing an information text this week, today we will be revisiting using paragraphs correctly. We need to use paragraphs for cohesion. This means all related facts are together so the text as a whole makes sense. For example, we would not write about Zeus’ life and Athena’s temple in the same paragraph. In your Home Learning book, sort the sentences below into paragraphs and give each paragraph a subheading. The answers and possible subheadings are on the next page. Extension: Can you add any sentences of your own to include in the paragraphs? The Greeks had numerous gods and many stories and myths that surrounded them. The Titans were the first or elder gods. There were twelve of them including the parents of Zeus, Cronus and Rhea. They ruled during what was called the golden age. Athena was worshipped near the Parthenon as she was victorious in war. Greek mythology consists of all the stories and tales about the Greek gods, goddesses, and heroes. Athena was the Greek goddess of wisdom, defense and war. Her symbols are the owl and the olive branch. She is the patron god of Athens. The twelve Olympian gods were the major gods of the Greeks and lived on Mount Olympus. The Titans were overthrown by their children, led by Zeus. Zeus was the leader of the Olympians and god of the sky and lightning. His symbol is the lightning bolt. A temple, named the Parthenon, was built in 438BC on the Acropolis of Athens. -
Close Reading Jigsaw: Greek Myths Note-Catcher
Greek Mythology Grade 6: Module 1: Unit 2: Lesson 3 Close Reading Jigsaw: Greek Myths Note-Catcher (Example for Teacher Reference) Directions: Work with your expert group to closely read your assigned myth and answer each of the questions. Be prepared to share your understanding of your myth and your responses to the questions with your home group. “Cronus” 1. What does the word dethroned mean? What did you do to determine its meaning? The word means removed from a throne or position of power. To determine its meaning, I: __ used context from the sentence or text __ used my affix list __ used a dictionary __ used background knowledge __ other: ________________________ used context clues (“had his supreme power taken away”) 2. What does the word banished mean? What did you do to determine its meaning? The word means forced out or away. To determine its meaning, I: __ used context from the sentence or text __ used my affix list __ used a dictionary __ used background knowledge __ other: ________________________ used a dictionary 1 © 2019 EL Education Inc. Greek Mythology Grade 6: Module 1: Unit 2: Lesson 3 “Cronus” 3. What might this series of events tell you about Rhea’s character? You can use sentences, words, or sketches to show your ideas. Rhea did what she could to protect her son, Zeus, even if that meant sending him away from her and tricking his father. About Cronus’s character? You can use sentences, words, or sketches to show your ideas. Cronus was not a good father and didn’t love or take care of his children the way a father should, because he was afraid of losing his power. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance.