Cast Announced for Annie Baker's Circle Mirror
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HBO, Sky's 'Chernobyl' Leads 2020 Baftas with 14 Nominations
HBO, Sky's 'Chernobyl' Leads 2020 BAFTAs with 14 Nominations 06.04.2020 HBO and Sky's Emmy-winning limited series Chernobyl tied Killing Eve's record, set last year, of 14 nominations at the 2020 BAFTA TV awards. That haul helped Sky earn a total of 25 nominations. The BBC led with a total of 79, followed by Channel 4 with 31. The series about the nuclear disaster that befell the Russian city was nominated best mini-series, with Jared Harris and Stellan Skarsgård nommed best lead and supporting actor, respectively. Other limited series to score nominations were ITV's Confession, BBC One's The Victim and Channel 4's The Virtues. Netflix's The Crown, produced by Left Bank Pictures, was next with seven total nominations, including best drama and acting nominations for Oscar-winner Olivia Colman, who played Queen Elizabeth, and Helena Bonham Carter, who played Princess Margaret. Also nominated best drama were Channel 4 and Netflix's The End of the F***ig World, HBO and BBC One's Gentleman Jack and BBC Two's Giri/Haji. Besides Colman, dramatic acting nominations went to Glenda Jackson for BBC One's Elizabeth Is Missing, Emmy winner and last year's BAFTA winner Jodie Comer for BBC One's Killing Eve, Samantha Morton for Channel 4's I Am Kirsty and Suranne Jones for Gentleman Jack. Besides Harris, men nominated for lead actor include Callum Turner for BBC One's The Capture, Stephen Graham for The Virtues and Takehiro Hira for Giri/Haji. And besides Carter, other supporting actress nominations went to Helen Behan for The Virtues, Jasmine Jobson for Top Boy and Naomi Ackie for The End of the F***ing World. -
31St ANNUAL WOMEN of ACHIEVEMENT AWARDS GALA to HONOR
Contact: Vivacity Media Group | 212-812-1483 Leslie Papa, [email protected] Whitney Holden Gore, [email protected] Ailsa Hoke, [email protected] WOMEN’S PROJECT THEATER PRESENTS THE 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA TO HONOR Emmy Award-winning Stage, Screen, and TV Actress & Founder of A Is For.. MARTHA PLIMPTON Celebrated Film, Television and Theater Producer, President of Segal NYC and Gatherer Entertainment JENNA SEGAL Award-Winning Actress, Film Producer, and Director & Founder of The Rainforest Fund TRUDIE STYLER HOSTED BY Celebrated comedienne, Two-time Grammy Nominee & Comedy Central Roast Star LISA LAMPANELLI WITH SPECIAL PERFORMANCES & APPEARANCES BY Fun Home’s Tony Award Nominee & Tony Award Winner BETH MALONE & JEANINE TESORI Acclaimed Dance Company MONICA BILL BARNES & CO. Emmy Award Nominated creator of “Call The Midwife” HEIDI THOMAS AND MORE SOON TO BE ANNOUNCED MONDAY, JUNE 13, 2016 AT THE EDISON BALLROOM, NYC TICKETS AVAILABLE VIA WPTHEATER.ORG (New York, NY) Women’s Project Theater (WP Theater), under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA. The gala will honor Emmy Award winning actress Martha Plimpton; celebrated film, television and Broadway producer Jenna Segal; and actress, producer, environmentalist and UNICEF ambassador Trudie Styler. Hosted by Grammy nominated comedienne Lisa Lampanelli, with special performances by Fun Home’s Tony Award Nominee Beth Malone and Tony Award winner Jeanine Tesori; dance company Monica Bill Barnes & Co. and a presentation by Emmy Award nominee Heidi Thomas (creator of “Call the Midwife”), the Gala will take place on Monday, June 13, 2016 at 6:30pm at The Edison Ballroom, 240 W 47th Street. -
Profile Season 19-20 Media Release
2019-20: GENERATIONS Brenden Jacobs-Jenkins/ Lynn Nottage/ Paula Vogel FOR IMMEDIATE MEDIA RELEASE: Profile Theatre Press Contact: Jen Mitas, Marketing Consultant [email protected] 503-804-2402 Profile Theatre’s 2019-20 Season Celebrates the Voices and Visions of Three Playwrights Across Generations Lynn Nottage, Paula Vogel and Brenden Jacobs-Jenkins PORTLAND, OREGON. May 20, 2019- PROFILE THEATRE’S next season will fea- ture three of America’s most widely celebrated contemporary playwrights: Branden Jacobs-Jenkins (b. 1984), Lynn Nottage (b. 1964), and Paula Vogel (b. 1951). Profile Theatre is one of only three theaters in the country to dedicate their season to an in-depth exploration of a playwright’s vision, using that unique vision as a lens to broaden perspectives on our shared world. Now, in an innovation that deploys Pro- file’s mission to unique effect, we present Generations: two seasons of plays from three of America’s most beloved playwrights whose plays dramatize life, labor and death in the United States and beyond from three different generational vantage points. These visionaries are all connected through the prizes and programs that have shaped them. A gifted playwright, Vogel mentored a generation of playwrights, including Lynn Nottage, who studied with Vogel at Brown. Jacobs-Jenkins was the Paula Vogel Playwright-in-Residence at the Vineyard Theatre, and was on the Su- san Smith Blackburn committee that awarded the prize to Nottage for Sweat. All Pulitzer Prize nominated (or winning), all heralded for the beauty of their writing, their innovative theatricality and deep humanity, Vogel, Nottage and Jacobs-Jenkins’ work stands as a testament to the brilliance of American theatre. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
Press Release
FOR IMMEDIATE RELEASE Media Contact: Summer L. Williams Phone #: 617.448.5780 Email: [email protected] www.companyone.org Company One Theatre, in CollaBoration with Suffolk University, Presents THE FLICK High resolution photos availaBle here: http://www.companyone.org/Season15/The_Flick/photos_videos.shtml Boston, MA (FeBruary 2014) — Company One Theatre (C1), recently named "Boston's Best Theatre Company" By The Improper Bostonian, in collaBoration with Suffolk University, present the New England premiere of THE FLICK, By OBIE award winning playwright, Annie Baker. Performances take place FeBruary 20‐March 15, 2014 at the Suffolk University Modern Theatre (525 Washington Street, Boston, MA 02111). Tickets, from $20‐$38 , are onsale now at www.companyone.org. THE FLICK welcomes you to a run‐down movie theatre in Worcester County, MA, where Sam, Avery and Rose are navigating lives as sticky as the soda under the seats. The movies on the Big screen are no match for the tiny Battles and not‐so‐tiny heartBreaks that play out in the empty aisles. Annie Baker (THE ALIENS) and C1 Artistic Director Shawn LaCount reunite with this hilarious and heart‐rending cry for authenticity in a fast‐changing world. With this production, the artists of C1 answer the call from New England fans of one of America’s most celeBrated contemporary playwrights. Boston’s relationship with Annie Baker Began with the C1 award‐winning production of THE ALIENS as part of the Shirley, VT Plays Festival. Annie Baker (who grew up in Amherst, Massachusetts) recently won Both an OBIE for playwriting, and the Susan Smith BlackBurn Prize for THE FLICK. -
Scott & Bailey 2 Wylie Interviews
Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within -
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 Melbourne 'S Home of Theatre
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 MElBOURNE 'S hOME OF ThEATRE MELBOURNE THEATRE COMPANY Media Release 28 AUGUST 2016 MTC Season 2017 Melbourne Theatre Company Artistic Director Brett Sheehy ao today revealed MTC’s 2017 Season – a collection of works from around the world that celebrate the art of great, live storytelling. ‘Season 2017 is one of our most exciting yet,’ Brett Sheehy said. ‘The year ahead draws together an enviable assortment of artists to present stories from France, Britain, Ireland, America, India, and, of course, Australia for a season that will bring laughter, empathy, debate and intrigue to all our lives.’ ‘In a season that celebrates and showcases live storytelling at its best, we are especially thrilled that four outstanding new Australian plays will have world premiere productions on our stages,’ Mr Sheehy said. Melbourne Theatre Company’s 2017 Season features eleven mainstage productions, an extensive Education Program and touring education production, plus a range of industry-leading initiatives including MTC’s Women in Theatre Program, NEON NEXT, MTC CONNECT and Cybec Electric. The season opens in grand period style with Garson Kanin’s 1940s Broadway classic Born Yesterday – a screwball romance directed by MTC Associate Director Dean Byrant, starring Christie Whelan Browne and Joel Jackson. The incomparable Helen Morse and Julia Blake return to the stage alongside Ursula Mills making her MTC debut in John, the latest highly acclaimed work from Pulitzer Prize-winning playwright Annie Baker, directed by MTC Associate Director Sarah Goodes. Judy Davis directs Brian Friel’s enduring work of art, Faith Healer – an extraordinary creation presented in four beautifully sculpted monologues – starring Colin Friels, Pip Miller and Alison Whyte. -
Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions. -
<I>Twenty-First Century American Playwrights</I>
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Twenty-First Century American Playwrights Twenty-First Century American Playwrights. Christopher Bigsby. Cambridge: Cambridge University Press, 2018; Pp. 228. In 1982, Christopher Bigsby penned A Critical Introduction to Twentieth-Century American Drama. What was originally planned as a single volume expanded to three, with volume 2 being released in 1984 and Volume 3 in 1985. Although Bigsby, a literary analyst and novelist with more than 50 books to his credit, hails from Britain, he is drawn to American playwrights because of their “stylistic inventiveness…sexual directness…[and] characters ranged across the social spectrum in a way that for long, and for the most part, had not been true of the English theatre” (1). This admiration brought Bigsby’s research across the millennium line to give us his latest offering Twenty-First Century American Playwrights. What Bigsby provides is an in-depth survey of nine writers who entered the American theatre landscape during the past twenty years, including chapters on Annie Baker, Frances Ya-Chu Cowhig, Katori Hall, Amy Herzog, Tracy Letts, David Lindsay-Abaire, Lynn Nottage, Sarah Ruhl, and Naomi Wallace. While these playwrights vary in the manner they work and styles of creative output, what places them together in this volume “is the sense that theatre has a unique ability to engage with audiences in search of some insight into the way we live…to witness how words become manifest, how artifice can, at its best, be the midwife of truth” (5). This explanation, however vague, does little to provide a concrete rubric for why these dramatists were included over others.