Inverting the First Amendment
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Criminalizing "Virtual" Child Pornography Under the Child Pornography Prevention Act: Is It Really What It "Appears to Be?" Wade T
University of Richmond Law Review Volume 35 | Issue 2 Article 6 2001 Criminalizing "Virtual" Child Pornography Under the Child Pornography Prevention Act: Is it Really What it "Appears to Be?" Wade T. Anderson University of Richmond Follow this and additional works at: http://scholarship.richmond.edu/lawreview Part of the Other Law Commons Recommended Citation Wade T. Anderson, Criminalizing "Virtual" Child Pornography Under the Child Pornography Prevention Act: Is it Really What it "Appears to Be?", 35 U. Rich. L. Rev. 393 (2001). Available at: http://scholarship.richmond.edu/lawreview/vol35/iss2/6 This Comment is brought to you for free and open access by the Law School Journals at UR Scholarship Repository. It has been accepted for inclusion in University of Richmond Law Review by an authorized editor of UR Scholarship Repository. For more information, please contact [email protected]. COMMENTS CRIMINALIZING "VIRTUAL" CHILD PORNOGRAPHY UNDER THE CHILD PORNOGRAPHY PREVENTION ACT: IS IT REALLY WHAT IT "APPEARS TO BE?" David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not. -Advertisement for Steven Spielberg's June 2001 film, Artificial Intelligence.' Years after his death, John Wayne sells beer in television commercials. 2 Eons after their extinction, lifelike dinosaurs con- tinue to terrorize actors and thrill moviegoers.3 The highest- grossing film of all time4 employs "virtual" passengers aboard the 1. AL. Artificial Intelligence, at http:/aimovie.warnerbros.com (last visited Apr. 3, 2001). 2. Robert Lemos, Virtual Actors: Cheaper, Better, Faster Than Humans?, ZDNET NEWS, June 15, available at 1998, 1998 WL 28812578 ("John Wayne and Fred Astaire, or at least the computer-enhanced images of the deceased stars, are starring in commer- cials."). -
Turns to Affect in Feminist Film Theory 97 Anu Koivunen Sound and Feminist Modernity in Black Women’S Film Narratives 111 Geetha Ramanathan
European Film Studies Mutations and Appropriations in THE KEY DEBATES FEMINISMS Laura Mulvey and 5 Anna Backman Rogers (eds.) Amsterdam University Press Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) -
Ashcroft V. Free Speech Coalition: How Can Virtual Child Pornography Be Banned Under the First Amendment?
Pepperdine Law Review Volume 31 Issue 3 Article 5 4-20-2004 Ashcroft v. Free Speech Coalition: How Can Virtual Child Pornography Be Banned Under the First Amendment? Virginia F. Milstead Follow this and additional works at: https://digitalcommons.pepperdine.edu/plr Part of the First Amendment Commons Recommended Citation Virginia F. Milstead Ashcroft v. Free Speech Coalition: How Can Virtual Child Pornography Be Banned Under the First Amendment?, 31 Pepp. L. Rev. Iss. 3 (2004) Available at: https://digitalcommons.pepperdine.edu/plr/vol31/iss3/5 This Note is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Law Review by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Ashcroft v. Free Speech Coalition: How Can Virtual Child Pornography Be Banned Under the First Amendment? TABLE OF CONTENTS I. BACKGROUND: OBSCENITY AND CHILD PORNOGRAPHY A. Roth v. United States B. Miller v. California C. New York v. Ferber D. Osborne v. Ohio E. Background to the CPPA II. ASHCROFT V. FREE SPEECH COALITION: THE COURT CONSIDERS A FIRST AMENDMENT CHALLENGE TO THE CPPA. A. Majority Opinion B. Justice Thomas's Concurrence C. Justice O'Connor'sConcurrence and Dissent in Part D. Chief Justice Rehnquist's Dissent E. The Reasoning of the Justices: Considerationsand Critique I. The Seduction of Children 2. Whets the Appetites of Pedophiles 3. Need to Eliminate the Market for Real Pornography 4. Hinders Prosecution 5. -
In the Supreme Court of Missouri ______
Electronically Filed OF Filed - SUPREME COURT MISSOURI - March 19, 2018 - 09 Electronically IN THE SUPREME COURT OF MISSOURI __________________________________________________________________ IN THE MATTER OF THE ) CARE AND TREATMENT OF ) No. SC96830 N.G., ) Respondent/Appellant. ) __________________________________________________________________ APPEAL TO THE SUPREME COURT OF MISSOURI FROM THE CIRCUIT COURT OF JACKSON COUNTY, MISSOURI SIXTEENTH JUDICIAL CIRCUIT THE HONORABLE KATHLEEN A. FORSYTH, JUDGE __________________________________________________________________ APPELLANT’S SUBSTITUTE BRIEF :28 AM __________________________________________________________________ Chelseá R. Mitchell, MOBar #63104 Attorney for Appellant Woodrail Centre, 1000 West Nifong Building 7, Suite 100 Columbia, Missouri 65203 Telephone (573) 777-9977 FAX (573) 777-9974 E-mail: [email protected] Electronically Filed OF Filed - SUPREME COURT MISSOURI - March 19, 2018 - 09 Electronically INDEX Page TABLE OF AUTHORITIES ............................................................................................... 3 JURISDICTIONAL STATEMENT .................................................................................... 8 STATEMENT OF FACTS .................................................................................................. 9 POINTS RELIED ON ....................................................................................................... 12 ARGUMENT .................................................................................................................... -
© 2016 Mary Kate Scott ALL RIGHTS RESERVED
© 2016 Mary Kate Scott ALL RIGHTS RESERVED THE PHOTOGRAPHY OF ABSENCE: DEATH IN POSTMODERN AMERICA By MARY KATE SCOTT A dissertation submitted to the Graduate School-New Brunswick Rutgers, the State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Art History Written under the direction of Andrés Zervigón And approved by ________________________________________ ________________________________________ ________________________________________ ________________________________________ New Brunswick, New Jersey January 2016 ABSTRACT OF THE DISSERTATION The Photography of Absence: Death in Postmodern America By MARY KATE SCOTT Dissertation Director: Dr. Andrés Zervigón It is a paradox that postmodern photographic theory—so thoroughly obsessed with death—rarely addresses intimate scenes of explicit death or mortality. Rather, it applies these themes to photographs of living subjects or empty spaces, laying upon each image a blanket of pain, loss, or critical dissatisfaction. Postmodern theorists such as Rosalind Krauss and Geoffrey Batchen root their work in the writings of Roland Barthes, which privilege a photograph’s viewer over its subject or maker. To Barthes’ followers in the 1980s and 1990s, the experiences depicted within the photograph were not as important as our own relationships with it, in the present. The photographers of the Pictures Generation produced groundbreaking imagery that encouraged the viewer to question authority, and even originality itself. Little was said, though, about intimacy, beauty, the actual fact of death, or the author’s individual experience. However, a significant group of American art photographers at the end of the twentieth century began making works directly featuring their own personal experiences with mortality. -
Postcolonial Ecocriticism and Sally Mann's
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects Summer 2018 “Terrible in its Beauty, Terrible in its Indifference”: Postcolonial Ecocriticism and Sally Mann’s Southern Landscapes Laura Keller College of William and Mary - Arts & Sciences, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Keller, Laura, "“Terrible in its Beauty, Terrible in its Indifference”: Postcolonial Ecocriticism and Sally Mann’s Southern Landscapes" (2018). Dissertations, Theses, and Masters Projects. Paper 1530192830. http://dx.doi.org/10.21220/s2-hpc3-4r92 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Terrible in its Beauty, Terrible in its Indifference”: Postcolonial Ecocriticism and Sally Mann’s Southern Landscapes Laura Keller Richmond, VA B.A., James Madison University, 2010 Thesis presented to the Graduate Faculty of The College of William & Mary in Candidacy for the Degree of Master of Arts American Studies Program College of William & Mary May 2018 © Copyright by Laura Keller 2018 ABSTRACT Sally Mann (1951- ) has spent forty years photographing scenes in the American South, including domestic scenes, landscapes, and portraits. Although scholars generally interpret her work as a reflection of the region’s history of violence and oppression, my research will consider her work through the lens of postcolonial ecocriticism. In her art and writing, Mann portrays the land as an indifferent witness to history, a force intertwined with humanity, lending matter for human lives and reclaiming it after death. -
Sally Mann Remembered Light: Cy Twombly in Lexington
G A G O S I A N December 7, 2017 SALLY MANN REMEMBERED LIGHT: CY TWOMBLY IN LEXINGTON Opening reception: Thursday, June 22, 6–8PM June 22–September 8, 2017 Via Francesco Crispi 16 00187 Rome There is a sense of immutable, eternal life. And in these new works there is a sense about Cy’s own continuum—the ongoing quality of his great legacy and his art—it’s not a memorialization, it’s a living thing. —Sally Mann Gagosian is pleased to present “Remembered Light: Cy Twombly in Lexington,” an exhibition by photographer Sally Mann. This is her first exhibition in Rome. Mann is known and regarded for her images of intimate and familiar subjects rendered both sublime and disquieting: children, landscape, family, and the nature of mortality. In previous Page 1 of 3 projects, she explored relationships between parent and child, husband and wife, brother and sister, nature and history. In her latest exhibition of color and black-and-white photographs, taken between 1999 and 2012, she records in fleeting impressions the Lexington, Virginia studio of the late Cy Twombly, her close friend and mentor. Following presentations at Gagosian New York and Paris, this exhibition has special resonance in Italy, Twombly's adopted and imaginative home for several decades. Twombly and Mann were both born and raised in Virginia. The landscape to which he returned each year is also the memoryscape of Mann’s connection to him. In her recent and celebrated memoir Hold Still, she recalls his elemental nature, his Southern courtesy, his wry and gentle humor. -
The Dynamics of Adolescence and Mothers
Future Clan: A Visual Investigation into the Dynamics of Adolescence and Mothers by Gabrielle Falconer A thesis submitted to the Department of Fine Arts In conformity with the requirements for the degree of PhD University of Tasmania April, 2012 Abstract This project is a visual interpretation of my journey of motherhood at the time of my son‟s adolescence. Adolescence encompasses a reshaping of roles and relationships for both mother and son and these shifts are often accompanied by confusion and conflict. The relationship between parent and child is central, and is presented in this submission from the perspective of the mother. The balance between dependency and independence for the adolescent, and a mother‟s response to these oscillations, has been central to the overall project. There are a number of questions that arise from this personal investigation that have a theoretical underpinning, including; How can portraiture explore the complex realm of selfhood and the subject? and What place does such an intimate exploration of a lived experience have in contemporary art? and Why has this aspect of women‟s lives been so little explored by artists? The exegesis reviews feminist writing on motherhood and art, such as theorists Marianne Hirsch, Carol Armstrong Rozsika Parker and Andrea Liss. It is significant that as recently as the 2009 publication Feminist Art and the Maternal, Andrea Liss questions why the perspective of the mother has been under- represented within contemporary art practice. Following this there is a discussion of portraiture and expressionism and how these operate within this research project. Finally there is a discussion of printmaking processes that allow for an expression of the embodied experience of motherhood and how the use of a camera to record poses, expresses the fragmented experience of parenting. -
A:\No. 06-694 Williams Petition.Wpd
No. 06-694 In the Supreme Court of the United States UNITED STATES OF AMERICA, PETITIONER v. MICHAEL WILLIAMS ON PETITION FOR A WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE ELEVENTH CIRCUIT PETITION FOR A WRIT OF CERTIORARI PAUL D. CLEMENT Solicitor General Counsel of Record ALICE S. FISHER Assistant Attorney General MICHAEL R. DREEBEN Deputy Solicitor General DEANNE E. MAYNARD Assistant to the Solicitor General DEBORAH WATSON Attorney Department of Justice Washington, D.C. 20530-0001 (202) 514-2217 QUESTION PRESENTED Section 2252A(a)(3)(B) of Title 18 (Supp. IV 2004) prohibits “knowingly * * * advertis[ing], promot[ing], present[ing], distribut[ing], or solicit[ing] * * * any material or purported material in a manner that reflects the belief, or that is intended to cause another to believe, that the material or purported material” is illegal child pornography. The question presented is whether Section 2252A(a)(3)(B) is overly broad and impermissibly vague, and thus facially unconstitutional. (I) TABLE OF CONTENTS Page Opinions below........................................ 1 Jurisdiction........................................... 1 Constitutional and statutory provisions involved........... 2 Statement............................................ 3 Reasons for granting the petition....................... 12 A. The court of appeals’ invalidation of an Act of Congress warrants this Court’s review ............ 13 B. The court of appeals erred in striking down Section 2252A(a)(3)(b) as unconstitutionally overbroad and impermissibly vague............... 14 1. The court of appeals misinterpreted the scope of Section 2252A(a)(3)(b) ...................... 14 2. Section 2252A(a)(3)(b) is not overbroad ......... 16 3. Section 2252A(a)(3)(b) is not impermissibly vague ...................................... 19 C. -
ASHCROFT, ATTORNEY GENERAL, Et Al. V. FREE SPEECH COALITION Et Al
535US1 Unit: $U38 [09-18-03 16:25:19] PAGES PGT: OPIN 234 OCTOBER TERM, 2001 Syllabus ASHCROFT, ATTORNEY GENERAL, et al. v. FREE SPEECH COALITION et al. certiorari to the united states court of appeals for the ninth circuit No. 00–795. Argued October 30, 2001—Decided April 16, 2002 The Child Pornography Prevention Act of 1996 (CPPA) expands the fed- eral prohibition on child pornography to include not only pornographic images made using actual children, 18 U. S. C. § 2256(8)(A), but also “any visual depiction, including any photograph, film, video, picture, or computer or computer-generated image or picture,” that “is, or appears to be, of a minor engaging in sexually explicit conduct,” § 2256(8)(B), and any sexually explicit image that is “advertised, promoted, pre- sented, described, or distributed in such a manner that conveys the impression” it depicts “a minor engaging in sexually explicit conduct,” § 2256(8)(D). Thus, § 2256(8)(B) bans a range of sexually explicit im- ages, sometimes called “virtual child pornography,” that appear to de- pict minors but were produced by means other than using real children, such as through the use of youthful-looking adults or computer-imaging technology. Section 2256(8)(D) is aimed at preventing the production or distribution of pornographic material pandered as child pornography. Fearing that the CPPA threatened their activities, respondents, an adult-entertainment trade association and others, filed this suit alleging that the “appears to be” and “conveys the impression” provisions are overbroad and vague, chilling production of works protected by the First Amendment. -
Picturing the South” Series with Commemorative 2021 Exhibition and New Photography Commissions
FOR IMMEDIATE RELEASE HIGH MUSEUM OF ART CELEBRATES 25th ANNIVERSARY OF “PICTURING THE SOUTH” SERIES WITH COMMEMORATIVE 2021 EXHIBITION AND NEW PHOTOGRAPHY COMMISSIONS Sheila Pree Bright, Jim Goldberg and An-My Lê to create new works for the High’s collection Photographs to premiere in 2021 exhibition featuring groundbreaking “Picturing the South” commissions from the past 25 years ATLANTA, Oct. 14, 2020 — The High Museum of Art has commissioned Sheila Pree Bright, Jim Goldberg and An-My Lê for the Museum’s ongoing “Picturing the South” photography series, which will celebrate its 25th anniversary in 2021. To commemorate the occasion, the High will present a special exhibition debuting these new works alongside past commissions from the series by artists including Richard Misrach, Sally Mann, Dawoud Bey, Emmet Gowin and Alec Soth. Launched in 1996, “Picturing the South” supports established and emerging photographers in creating new bodies of work inspired by the American South for the Museum’s collection, which is the largest and most significant public repository of the region’s contributions to photography. Bright, Goldberg and Lê’s commissioned works will shed light on prevailing themes and movements in the American South, including racial and national identity. “For 25 years, the High has commissioned noted photographers to focus their lenses on the American South, calling attention to universal issues, such as the impacts of environmental pollution, struggles of impoverished communities, and young people’s grappling with public perception verses private self, that make up the fabric of our shared experiences,” said Rand Suffolk, the High’s Nancy and Holcombe T. -
Legacy of Lords: the New Federal Crackdown on the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements
UCLA UCLA Entertainment Law Review Title The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age-Verification and Record-Keeping Requirements Permalink https://escholarship.org/uc/item/0xj116dt Journal UCLA Entertainment Law Review, 14(2) ISSN 1073-2896 Authors Richards, Robert D. Calvert, Clay Publication Date 2007 DOI 10.5070/LR8142027097 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Legacy of Lords: The New Federal Crackdown On the Adult Entertainment Industry's Age- Verification and Record-Keeping Requirements By Robert D. Richards* & Clay Calvert** I. INTRODUCTION ........................................... 156 II. METHODOLOGY AND PROCEDURES ...................... 168 III. THE INTERVIEWS ........................................ 169 A. Underage Performers in the Adult Industry .......... 169 B. Why Now? Motivating Forces Behind the §2257 Inspections ........................................... 174 C. The Effectiveness and Usefulness of Section §2257 ... 179 D. What Took Place at the Washington, D.C., Meeting w ith the FBI ......................................... 183 E. The Burdens and Steps of Complying With Section §2257 ................................................ 187 F. Privacy Concerns Raised by Section §2257 ........... 193 * Professor of Journalism & Law and Founding Co-Director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1983, M.A. 1984, Communication, The Pennsylvania State University; J.D., 1987, The American University. Member, State Bar of Pennsylvania. The authors gratefully thank the eight individuals inter- viewed for this article who took time out of their own busy schedules to meet with the authors; the authors also thank them for their trust of two members of the professoriate, a group not generally known to listen rationally to the views of people associated with the adult entertainment industry.