Chapter I Introduction
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Wflmgb 7 & 9 P.M
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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
The Daily Egyptian, June 16, 1988
Southern Illinois University Carbondale OpenSIUC June 1988 Daily Egyptian 1988 6-16-1988 The aiD ly Egyptian, June 16, 1988 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_June1988 Volume 74, Issue 156 Recommended Citation , . "The aiD ly Egyptian, June 16, 1988." (Jun 1988). This Article is brought to you for free and open access by the Daily Egyptian 1988 at OpenSIUC. It has been accepted for inclusion in June 1988 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Daily Egyptian Southern Illinois University at Carbondale Thursday, June 16,1988, Vol. 74, No. 156, Page 12 Reagan again urges aid for Contras WASHINGTON (uPI) - Nicaragua do have a force here and what we're going to rebels - a cornerstone of the Sandinistas are not going to President Reagan, putting there that can be used to bring do," Reagan said. president's foreign policy. democratize ... and it seems to part of the blame on Congress about an equitable set But asked if he thinks it is White House spoiresman me that the efforts that have for the collapsed peace talks in tlement." time for m9re military aid for Marlin Fitzwater said no been made in CongrelS and Nicaragua, said Wednesday But Reagan refused to say if the rebels, Reagan said, "I decision was made on a new succeeded i.'1 reducing and the need for Military aid for or when he would actually think it is so apparent that that funding request though con eliminating our ability to help the Contra rebels is now "so submit an aid package - is what is necessary it woold suHations were continuing. -
00:00:00 Dan Host on This Episode We Discuss—Rambo: Last Blood! 00
00:00:00 Dan Host On this episode we discuss—Rambo: Last Blood! 00:00:05 Elliott Host The series that once again proves that all you need is a sufficiently angry and armed American to solve any foreign country’s problems. 00:00:12 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:39 Dan Host Hey, everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:42 Stuart Host Oh, hey, everyone! It’s me, Stuart Wellington! 00:00:45 Elliott Host And coming to ya live from Los Strangeles, Hollyweird— [Stuart laughs.] —it’s Elliott Kalan! But we’ve got a special guest with us today. Don’t we, Daniel? 00:00:54 Dan Host Yes, we do! You know him as, uh, one of the directors of American Pie—uncredited, as IMDB says— [Laughs.] [Elliott laughs.] As the director of About a Boy! One of the writers of, uh, Rogue One: A Star Wars Story; but most, uh, Flop House listeners will know him as, uh, the man behind the Twilight Saga New Moon! Which led him to us today. [Laughs.] 00:01:17 Stuart Host Led him to our [though laughter] doorstep! [Chris laughs.] 00:01:19 Dan Host Yeah. 00:01:19 Chris Guest You guys left out the colon, uh, but that’s okay. It’s Twilight Saga— colon—New Moon. And guys, uh, I just want to say to all the listeners—welcome to the special three-hour debate episode in which— [Multiple people laugh.] —I defend New Moon point-by-point. -
Coping Strategies: Three Decades of Vietnam War in Hollywood
Coping Strategies: Three Decades of Vietnam War in Hollywood EUSEBIO V. LLÁCER ESTHER ENJUTO The Vietnam War represents a crucial moment in U.S. contemporary history and has given rise to the conflict which has so intensively motivated the American film industry. Although some Vietnam movies were produced during the conflict, this article will concentrate on the ones filmed once the war was over. It has been since the end of the war that the subject has become one of Hollywood's best-sellers. Apocalypse Now, The Return, The Deer Hunter, Rambo or Platoon are some of the titles that have created so much controversy as well as related essays. This renaissance has risen along with both the electoral success of the conservative party, in the late seventies, and a change of attitude in American society toward the recently ended conflict. Is this a mere coincidence? How did society react to the war? Do Hollywood movies affect public opinion or vice versa? These are some of the questions that have inspired this article, which will concentrate on the analysis of popular films, devoting a very brief space to marginal cinema. However, a general overview of the conflict it self and its repercussions, not only in the soldiers but in the civilians back in the United States, must be given in order to comprehend the between and the beyond the lines of the films about Vietnam. Indochina was a French colony in the Far East until its independence in 1954, when the dictator Ngo Dinh Diem took over the government of the country with the support of the United States. -
Point of No Return
1 Wallace Lee's POINT OF NO RETURN Based on characters created by: David Morrell Test reading: Piero Costanzi Orazio Fusco Flavio Brio Gary Rhoac Mat Thomas Marchand Italian language editing by: Flavio Brio Website Design by: Marco Faccio Cover by: Marco Faccio from a drawing by Ambra Rebecchi and a concept by Wallace Lee a very special thanks To all of the veterans that helped me with this, ..words are not enough. Thank you from the bottom of my heart. Double Edged Ghost Writings, 2017 [email protected] Copyright: Copyright disclaimer: The characters of Rambo and Col. Sam Trautman were created by David Morrell in his novel First Blood, copyright 1972, 2017. All rights reserved. They are included here with the permission of David Morrell, provided that none of the story is offered for sale. The use of the characters here does not imply David Morrell's endorsement of the story. The First Blood knife was designed by Arkansas knife-smith Jimmy Lile (1982). Everything you read here that is not mentioned in any official licensed Rambo movie or novel at the time of this publishing (2017), is an original work by the author. Electronic copy for private reading, free sharing and press evaluation only. No commercial use allowed. 2 POINT OF NO RETURN 3 IMAGES 4 Here, we can see a reconnaissance team made up of both indigenous and American personnel sporting long-range equipment only moments after returning home from their last mission. 5 This picture shows an example of emergency stepladder use. Oftentimes, rescuing an SOG team was an extremely precarious feat and needed a quick rescue like the one only a stepladder could offer. -