Uploading. Defaults and the Ends of Junk

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Uploading. Defaults and the Ends of Junk Kultura i Historia nr 39/2021(1) ISSN 1642-9826 DOI: 10.20375/0000-000E-5CC2-0 the context of exteriorization, which is THE FANTASY considered as constitutive of interiority. Keywords: Homo Nexus, Mind- Uploading, Data Behaviorism, OF MIND- Psychoinformatics, Post-Humanism, UPLOADING. Alienability Abstrakt: Z perspektywy behawiorystów, postulat uploadowania DEFAULTS „umysłów” jest już realizowany na masową, hiper-przemysłową skalę AND THE dzięki inteligentnego przetwarzania dużego i różnorodnego zbioru danych. Następuje nawiązania do argumentu, że ENDS OF „umysł” nie jest bytem, który istnieje wewnątrzczaszkowo. Raczej jest on JUNK. pojmowany jako proces indywiduacji, Adrian Mróz który przebiega w różnych trybach i w różnych ilościach. Przeanalizowane Abstract: From a behaviorist są niektóre z występujących w kulturze perspective, the desire to upload popularnej narracji o wczytywaniu “minds” is already being realized on a umysłu do komputerów i o technice: mass, hyper-industrial scale thanks to Transcendencja (2014, reż. Wally the convergence of cognitive computing Pfister) oraz Pianola Kurta Vonneguta. and Big Data. The accusation is that the Poruszane zagadnienia uwzględniają “mind” is not an entity that exists fenomenologiczne pojęcie originary intracranially. Instead, it is conceived as default Bernarda Stieglera oraz junk a process of individuation, which occurs Thierry’ego Bardiniego. Kilka wątków in different modes and numbers. Some związanych zostało z pomyłkami, narratives of mind-uploading and przypadkami, a także z dyskusją technics in popular culture are Nicolasa Agara na temat końca explored: Transcendence (2014, dir. człowieka i teorią Multiple Drafts Wally Pfister) and Player Piano by Kurt Daniela Dennetta w kontekście Vonnegut. The discussed issues eksterioryzacji, która traktowana jest consider Bernard Stiegler’s jako konstytutywna dla wnętrza. Słowa phenomenological notion of originary klucze: Homo Nexus, mind-uploading, default and Thierry Bardini’s analysis of behawioryzm danych, junk. Several questions are raised psychoinformatyka, post-humanizm, regarding miscalculations, accidents, in obcość. addition to Nicolas Agar’s discussion on the end of humanity, and Daniel Dennett’s Multiple Drafts theory within 142 I claim that the question of mind-uploading is posed incorrectly. Suppose we accept the methodological behaviorist paradigm and, in addition, consider the “mind” as Derek Melser proposes, i.e., the covert tokening of the overt tokening of concerted activity (2004, p. 56), together with the context of Big Data. In that case, we could claim that we are already uploading minds to data networks. For most users, this is a process that is underway without a proper understanding of the situation, so without genuine consent. Contemporary industrial mind uploading is being developed today by complex new data behaviorism (Rouvroy, 2013) powered by psychoinformatics (Montag, Duke, and Markowetz, 2016; Gupta et al., 2018). User profiles are models of the patterns of observable gestures and actions measured, recorded, stored, and processed. Such systematic network behaviorism creates digital doppelgangers that are a sort of copy of users’ minds for the sake of predictability and the reduction of risk, the singular, through hyper-synchronization. What is worrisome is the priority of increasing the speed of commercial access to brains within such an industrial context (Stiegler, 2014, 2015). Moreover, an essential part of our identity is nonidentical, such as how information and noise are relevant to each other, where what I cannot understand is constitutive of knowledge itself. For example, I can never know the time of my death, which is the most fundamental Heideggarian nonknowledge for Dasein. Technology, junk, chaos, mistakes, and story-telling profoundly involve and bind the relationships of individuation amongst the singular, dual, and plural collective selves and non-selves and their proper milieux for making sense, including the aesthetic and sensible environment of the noetic and sensorial. Through exosomatic organogenesis (Stiegler, 2017) or exteriorization, the other constitutes the selfsame—inalienability characteristically involves alienability. To phrase it in a catchier way: we human beings are always more our accidents than our choice (Marquard, 1994, p. 132). It is a matter of engaging and playing with frequent and 143 deliberately unforeseeable accidents, or the defaults of making decisions in the form of behavioral choice architecture, or else their alienization qua routine (Ariely, 2009). Such phenomena would ensue an exteriorization and grammatization of will itself, as controlled losses of control – like the famous Jarocin Festival in communist Poland, which supposedly functioned like a safety valve (Karendał, 2014, p. 51). Today, such a safety-valve in the times of data behaviorism demands the exteriorization of what Kant calls the faculties of judgment, their automatization and predictability, which also brings the threat of the proletarianization of will, which the climate crisis of the Anthropocene, i.e., Capitalocene or Entropocene, exemplifies (Stiegler, 2018; Internation Collective, 2020). In this sense, mind-uploading is an intensification of the loss of all kinds of knowledge, hyper- proletarianization, since it presupposes the loss of the unpredictable, given that the automated cognizant mind is subordinated to out-of-body control, a performative project based on misleading assumptions about identity (Mróz, 2019a). However, it is essential to note that automatization is a condition of autonomy, or dis-automatization, not its loss. Before we learn to identify ourselves, we need to adhere to an identifying being, locate it. The only way this is possible is by anticipating it, projecting it. As a perception, this is a kind of hallucination. In other words, the self does not exist, but as Bernard Stiegler would say, it consists; it is a Husserlian eidos, and it is always inadequate, at least up to the moment of death. Stiegler argues that we cannot measure or see what we do not already expect (2011). Keeping this in mind, we can follow Dominic Pettman in Human Error, who asks and replies: “where is the human? […] wherever there is a constitutive technology of self-recognition. Whether that technology is a camera, a gun, a broken-in horse, a wife, or the U.S. Constitution itself matter less than the capacity to register, record, and transmit this recognition” (Pettman, 2011, p. 52). We may add language, DNA or “junk DNA” (Bardini, 2011, p. 7) to this list with which we individuate the self in different numbers (singular, dual, plural), and 144 modes (biologically, post-biologically, and institutionally) which in Pettman’s argumentation would be another part of the Anthropological Machine. For Giorgio Agamben, the primary motor in this autogenetic, narcissistic narrative of humanity is the “anthropological machine”: an abstract apparatus comprising of all those potent symbols, figures, and trope of belonging and exclusion. […] it sorts the humans from the nonhuman, subhuman, inhuman,post-human, and so on. For Agamben, the crucial component of the machine is the way its optics have been rigged (in both senses) to encourage self-reflection and nurture a sense of exceptionalism and superiority by virtue of one’s proper humanness. (Pettman, 2011, p. 8) The Anthropological Machine intensifies diffraction through which the selves pass in their co-constitution, a vanity mirror for the human species where the spectacle to behold would be our dispersed and alien minds. It is a circumstance of alien semantics, i.e., a hyper-virus. (Bardini, 2011, p. 179). At the same time, Nicholas Agar affirms that “[…] there is no consensus on what it means to be human” (2010, p. 19). We cannot distinctly locate ourselves in mode and number, just only reduced to ontological minds embodied in flesh. Furthermore, we may accent that humanity has no exclusive access to technologies or feelings since they are observed in the animal world. In addition, the work Vampyrotheuthis Infernalis is a hybrid mirror, where we see that humans, like squid, live as functions of their objects (Flusser and Bec, 2012, p. 63; Winnicott, 2016). According to Pettman, a cybernetic triangle of human, animal, and machine (2011, p. 5) articulates that we are sites, the traces we leave behind, or what Stiegler describes in terms of tertiary retentions. Mind- uploading, transhumanist story-telling attempts to personify the Anthropological Machine by excluding location, the biological, incorporating only the post-biological, abstract, and incidentally, the bureaucratic, i.e., algorithmic. However: 145 The body is sight and site, we know as representation, even when we fix our gaze on the three-dimensional breathing body of the self or the other, in that we “consider” the data recorded by the retina via language, whether spoken or silent, and language is, perforce, representation (and not reality). (Leppert, 1995, p. xx) Whatever the case may be, the mind most certainly is a case of mistaken identity. Humans attribute a great deal of effort in trying to understand the concept of consciousness, even as a hallucination as Daniel Dennett attempts to address via heterophenomenology, in which the processes and counter-processes of consciousness are misrepresented, perhaps, by cognitivism, i.e., as reduced to something finite, computational (Stiegler, no date). Nonetheless, in terms of the Heideggerian Sein zum Tode, or the fear of death, proponents
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