DOCSLIB.ORG

PDF Converter-Ywqbwrye5037

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Converter-Ywqbwrye5037 It's Bollywood's equivalent of the Oscars, so why, why is the Filmfare Awards ceremony broadcast two whole days after the event? Can you imagine the Academy Awards not being telecast live? What can the reason be? Too many costume changes? Too many bloopers? Not enough cameras? Too much unsightly footage of veteran actors asleep in their chairs? Whatever the excuse, Bollywood fans have to wait 48 hours before they can watch what we suspect is a highly sanitised version on Sony TV. SEE OUR PICTURE OF THE STARS ARRIVING Yes, we already know who the winners are, including 's for Trendsetter of the Year (bet you didn't see that coming). But we don't watch the show for the winners! It's everything else about it ? the spectacular performances, the close-ups of Rekha,?the eloquent speeches, Farhan Akhtar (Best Actor, and rightly so)?looking incredibly suave, and the red-carpet triumphs and disasters (cough-Vidya Balan-cough). It's four hours of non-stop entertainment, and we can't wait. Curtain raiser: The irrepressible Chunkey Pandey is messing around with the stars, inviting them to sit beside him, making jokes at their expense and getting away with murder. Chunkey's wearing what looks like a cropped smoking jacket in an eye watering shade of red, and red sunglasses. Because he's on the red carpet. VJ Andy is on the red carpet, too; he's accosting female celebrities and asking them if they are on a diet. And if they love potatoes. He even has a potato song: Saira Banu sings with him, and can she hold a tune. What a star! Dilip Kumar, who's been ill lately, is not to be seen. Adverts, adverts. Juhi Chawla endorsing Danube Buildmart, Katrina Kaif selling Lux soap. It's going to be a long night. And we're back. Chunkey has a Wall of Shame, hung with framed film posters of him photo- bombing all the nominated actors in scenes from their films. My fav is the one in which he has outrun Milkha Singh () on the track. Farhan spots the pic, turns to Chunkey and remarks: "Haha! You look anxious because I'm about to overtake you." Raj Kumar Yadav of Kai Po Che fame arrives sporting a big bushy moustache. Ugh! Salman's dashing in a blue tux. He's going to perform later. He tells off Chunkey a couple of times but is the comedian chastened? Not Chunkey, no. And the curtains go up! Drum roll ... But where are the hosts, Ranbir Kapoor and Priyanka Chopra? Some teleportation nonsense involving Ranbir Kapoor arriving at the awards ceremony. Yup, here he is on stage, in a silly space suit and glasses. Ah! The theme of this awards show is 'the future'. Right, then. Now he's dancing to a song about Filmfare. Now neatly seguing into his Badtameez Dil song from Yeh Jawaani Hai Deewani. Not so bad after all. Is it just me or does he sound exactly like his dad? Shut your eyes and it could be Rishi Kapoor talking. No sign of Rishi or Neetu, surprisingly. Where are your parents, Ranbir? Ha! Ranbir tells us he has arrived via teleportation from the future and claims the secret to his youthful looks is the Rekha Elixir - he has a bottle with a label showing Rekha's mug. She's in the audience and looks just like she did when she was 25. Except that she's 50 years old. Cue several close-ups while everyone squints hard, searching for signs of Botox. And the first awards of the night (just the important ones, folks. There are hundreds). Dolly Ahluwalia - Best Costume for Bhaag Milkha Bhaag. Aarif Sheikh - Best Editing for D-Day. And first performance of the night: Shahid Kapur in a red tux, hat and beard (what's with all the facial hair, guys? Not cool!). Brave man, taking the stage to songs from his latest film, Phata Poster Nikla Hero, which bombed at the box office. Still no sign of Priyanka. Tamil star Dhanush is in the audience, dapper in a well-cut suit but looking a little bemused and nodding absently - everyone's talking in rapid-fire Hindi. He's going to win Best Male Debut for Raanjhanaa. Yay! Priyanka's on, finally: she's a 'giantess' - suspended from the roof in a neon-lit skirt that goes all the way to the ground - and dancing with creepy androids. Gaga-ish? No, this is Bollywood! Salman is grooving in the audience. He seems to like Priyanka's frankly odd sequence. He's sporting what looks like a two-day stubble that's mostly grey but still manages to look extremely handsome. Ranbir is flirting with Rekha. He's down on one knee; he's holding her hand now. He says he's nervous. What's he going to do? Oh dear, no, he's quoting one of those extremely romantic poems from Silsila - Main aur meri tanhayee. Remember Rekha-Amitabh-Jaya in that love triangle that was said to mirror their lives? Rekha has the grace to blush, and tells Ranbir she'll always love him. Amitabh is conspicuously absent. Bhaag Milkha Bhaag's Siddharth Mahadevan gets the RD Burman award for up and coming music talent. He belts out Zinda for the audience. Wow! Chip off the old block - Shankar Mahadevan (of the music directors trio Shankar Ehsaan Loy) is his dad. Ranbir keeps taking digs at Priyanka and her new singing career. Choprano, he calls her, right to her face. Bet he didn't think much of that single. Arijit Singh - Best Playback Singer Male for Tum Hi Ho, Aashiqui 2. Ho hum. Our choice was Amit Trivedi for Maanja, Kai Po Che. Ankit Tiwary - Best Music Director for Aashiqui 2. Trivia alert: Did you know Aashiqui, starring Rahul Roy and Anu Agarwal, came out 24 years ago? Google it. Madhuri Dixit Nene in a gold and wine-red anarkali - hers is a mujra-style performance with shimmering lanterns and lasers, to a remix featuring O Re Piya, Ghagra and Kajra Re. And Maar Daala. Mouths agape in the audience. People are wolf whistling. And to think she last ruled the silver screen 20 years ago. KJo remembers the late Farooq Sheikh and Suchitra Sen in a moving tribute. Also, Jiah Khan, Pran, Manna Dey, Rituparno Ghosh, Sophiya Haque, Sudhakhar Bhokade. RIP. Then he announces the Lifetime Achievement Award - it's for Tanuja - and flubs his line - over and over and over. Threatens to slap Kajol (who is Tanuja's daughter) because she laughs at him. Then flubs it again. This is going to take a while. Farhan Akhtar, ever the improv guy, jumps on to the stage, delivers the line, claps for himself and exits to deafening applause. But here's Amitabh to present the award to Tanuja, who was his first leading lady. Touching speech. Standing ovation as she makes her way to the stage. Kajol, in splits two minutes ago, is now in tears. Ooh, I'm clapping, too! Ranveer Singh up next: he goes Rajasthani for his dance sequence. He seems to have borrowed Chunkey's red shades. They definitely looked better on Chunkey. Ranveer's promoting world peace, apparently, and even gets Gabbar Singh to give Thakur his arms back. For those not in the know, watch Sholay. Or Sholay 3-D. Ranveer is excellent. Not my favourite, but that may change. Coming up next: Salman, Katrina, impassioned speeches. And Ranbir being cheeky and irresistible. Stay tuned. And here is Ranbir in an outfit reminiscent of Amitabh in Yaarana's Saara Zamaana. Remember those flashing lights along his sleeves and trousers? Nawazuddin Siddiqui - Best Actor in a Supporting Role for The Lunchbox. Haven't watched the film yet? What are you waiting for? More than anyone else in the audience, Farhan Akhtar is loving Ranbir's spoofs on the nominated films. The best is the one on Bhaag Milkha Bhaag, with Ranbir as the Pakistani General who commends Milkha on his win. Farhan's laughing so much he's rolling about, eyes shut, holding his sides. So am I. Priceless. Shah Rukh Khan is not here to accept the Trendsetter of the Year award - created especially for Chennai Express. Deepika accepts it on behalf of the entire team, but the applause is lacklustre. Everyone wants SRK, but he did get injured in an accident while on set last week. Give the man a break. And the moment everyone's been waiting for: Katrina Kaif - the Dhoom 3 girl in a futuristic-style (what else?) song with line dancers all sporting digital masks - of her face. Now they're all in green masks and outlandish eye make-up. What on Earth? Where's Aamir Khan when you need him? Oh, wait, he doesn't attend awards ceremonies 'cos they're rigged'. Yeah, that'll teach us all. Take that, Shah Rukh, you big getter of awards. Karisma Kapoor arrives on stage to present an award and she's looking suspiciously Botoxed. Shilpa Shukla - Best Actor Female, Critics Award, for BA Pass. (She was the feisty, troublemaking hockey player in the film Chak De India, remember?). Raj Kumar Yadav (he of the new moustache) - Best Actor Male, Critics Award, Kai Po Che. Best Film, Critics Award - The Lunchbox. No sign of Irrfan Khan anywhere. He's probably at some international film festival. He was in the capital for the last Abu Dhabi Film Festival and the women were swooning, so I have heard. Yes, yes, we know who all the winners are already but it's nice to watch good actors being rewarded and getting all teary-eyed in the process.
Load more

Recommended publications
  • Zubeidaa Movie Torrent
    Zubeidaa Movie Torrent 1 / 4 2 / 4 Zubeidaa Movie Torrent 3 / 4 Watch[720p] Zubeidaa (2001) HD QualityWith HD Quality.. Check out this video on Streamable using your phone, tablet or desktop.. Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous ... Watch Zubeidaa (2001) YiFy HD Torrent · Romance .... Indian movie zubeidaa, indian movies, indian movies 2018, indian ... on netflix, indian movies with english subtitles, indian movies torrent, .... Born into a rather filmy family, I've grown up on a steady diet of Hindi movies. From mainstream masala ones to the serious, arthouse movies, .... Zubeidaa, an aspiring Muslim actress, marries a Sikh prince to become his second ... Trending Hindi Movies and Shows ... Karisma Kapoor in Zubeidaa (2001).. DOWNLOAD: http://urllie.com/nkm3c Zubeidaa 5 torrent download locations monova.org Zubeidaa Movies 1 day . Hawaii.Five-0.2010.. ... zubeidaa join movie-mahekimahekihai cacheddownload zubeidaa she reaps ... hindi Tomatoes community nov , urdu is a indian Dvdrip torrent from zubeidaa .... By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes .... 1080p 720p 480p BluRay Movies Latest Bollywood Hollwood Movies . Download Hindi Dubbed Movies Torrent.. Zubeidaa (Full Movie) 1-17.. The film begins with Riyaz (Rajat Kapoor), Zubeida's son setting out to research her life, and to meet the people who knew her. The story is thus told in the form .... Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons ...
    [Show full text]
  • Program PDF Saturday, March 28, 2020 Updated: 02-14-20
    Program PDF Saturday, March 28, 2020 Updated: 02-14-20 Special ‐ Events and Meetings Congenital Heart Disease ‐ Scientific Session #5002 Session #602 Fellowship Administrators in Cardiovascular Education and ACHD Cases That Stumped Me Training Meeting, Day 2 Saturday, March 28, 2020, 8:00 a.m. ‐ 9:30 a.m. Saturday, March 28, 2020, 7:30 a.m. ‐ 5:30 p.m. Room S105b Marriott Marquis Chicago, Great Lakes Ballroom A CME Hours: 1.5 / CNE Hours: CME Hours: / CNE Hours: Co‐Chair: C. Huie Lin 7:30 a.m. Co‐Chair: Karen K. Stout Fellowship Administrators in Cardiovascular Education and Training Meeting, Day 2 8:00 a.m. LTGA, Severe AV Valve Regurgitation, Moderately Reduced EF, And Atrial Acute and Stable Ischemic Heart Disease ‐ Scientific Arrhythmia Session #601 Elizabeth Grier Treating Patients With STEMI: What They Didn't Teach You in Dallas, TX Fellowship! Saturday, March 28, 2020, 8:00 a.m. ‐ 9:30 a.m. 8:05 a.m. Room S505a ARS Questions (Pre‐Panel Discussion) CME Hours: 1.5 / CNE Hours: Elizabeth Grier Dallas, TX Co‐Chair: Frederick G. Kushner Co‐Chair: Alexandra J. Lansky 8:07 a.m. Panelist: Alvaro Avezum Panel Discussion: LTGA With AVVR And Reduced EF Panelist: William W. O'Neill Panelist: Jennifer Tremmel Panelist: Jonathan Nathan Menachem Panelist: Joseph A. Dearani 8:00 a.m. Panelist: Michelle Gurvitz Case of a Young Women With STEMI Panelist: David Bradley Jasjit Bhinder Valhalla, NY 8:27 a.m. ARS Questions (Post‐Panel Discussion) 8:05 a.m. Elizabeth Grier Young Women With STEMI: Something Doesn't Make Sense...
    [Show full text]
  • Farooq Sheikh: 'A Natural Actor' Farooq Sheikh Was an Actor, Philanthropist and a Popular Television Presenter
    SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 21,MARCH, 2019 (06) Farooq Sheikh: 'A natural actor' Farooq Sheikh was an actor, philanthropist and a popular television presenter. the late 90s, Farooq Sheikh acted in a number of television serials. Chamatkar He was best known for his work in Hindi films from 1977 to 1989 and for his on Sony and Ji Mantriji on Star plus are among the few. He also worked in a TV work in television between 1988 and 2002. He returned to acting in films in 2008 serial Shrikant which aired from 1985 to 1986. and He compered in the Binny Double or Quits Quiz contest which was telecast over Remembering on his contin - Vividh Bharathi. He also performed on stage in famous plays such as Tumhari ued to Amrita directed by Feroz Abbas Khan, featuring Shabana Azmi.The play was Birth Anniversary (25th Mar.) do so appreciated by audiences the world over for 12 years till 2004. A sequel to this until his play was staged in India in 2004 titled "Aapki Soniya" with Farooq Sheikh and death on 28 December 2013. His major contribution was in Parallel Cinema or Sonali Bendre as main leads. "Tumhari Amrita" completed its 20-year run on 26 February 2012.He direct - ed Azhar Ka Khwab, an adaptation of Bernard Shaw’s Pygmalion in 2004.He had been the host of the popular TV show Jeena Issi Ka Naam Hai in which he inter - viewed many Bollywood celebrities. His sense of humor and direct humble approach was the USP of the show.Farooq Sheikh died of a heart attack in Dubai on 28 December 2013.
    [Show full text]
  • Indian Movies, Brand Australia and the Marketing of Australian Cosmopolitanism
    University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2013 Indian movies, brand Australia and the marketing of Australian cosmopolitanism Andrew Hassam University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Hassam, Andrew, "Indian movies, brand Australia and the marketing of Australian cosmopolitanism" (2013). Faculty of Law, Humanities and the Arts - Papers. 919. https://ro.uow.edu.au/lhapapers/919 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Indian movies, brand Australia and the marketing of Australian cosmopolitanism Abstract Indian movies shot overseas have attracted the attention of not only advertising agencies keen to see their clients' brands appearing on-screen, but also government tourism commissions eyeing India's growing middle classes as potential visitors. Australian federal and state governments offer Indian film producers financial incentives to film in Australia, and Australian cities now regularly supply Indian movies with backdrops of upmarket shopping malls, stylish apartments and exclusive restaurants. Yet in helping to project the lifestyle fantasies of India's new middle classes, Australian government agencies are supporting an Indian view of Australia. While this image may attract Indian tourists to Australia, it presumes Australia is culturally White and British, and as a result Australian agencies market an Australian cosmopolitanism defined not in terms of cultural diversity but in terms of the availability of global brands.
    [Show full text]
  • Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
    Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟.
    [Show full text]
  • Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
    Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies.
    [Show full text]
  • Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
    Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham..
    [Show full text]
  • Androcentrism in Indian Sports
    Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Androcentrism in Indian sports Bijit Das [email protected] Ph.D. Research Scholar, Department of Sociology Dibrugarh University Dibrugarh, Assam, India 786004 Abstract The personality of every individual concerning caste, creed, religion, gender in India depends on the structures of society. The society acts as a ladder in diffusing stereotypes from generation to generation which becomes a fundamental constructed ideal type for generalizing ideas on what is masculine or feminine. The gynocentric and androcentric division of labor in terms of work gives more potential for females in household works but not as the position of males. This paper is more concentrated on the biases of women in terms of sports and games which are male- dominated throughout the globe. The researcher looks at the growing stereotypes upon Indian sports as portrayed in various Indian cinemas. Content analysis is carried out on the movies Dangal and Chak de India to portray the prejudices shown by the Indian media. A total of five non-fictional sports movies are made in India in the name of Bhaag Milkha Bhaag (2013), Paan Singh Tomar(2012), MS Dhoni: An untold story(2016), Azhar(2016), Sachin: A billion dreams(26 May 2017) are on male sportsperson whereas only two movies are on women, namely Mary Kom (2014), Dangal(2017). This indicates that male preference is more than female in Indian media concerning any sports. The acquaintance of males in every sphere of life is being carried out from ancient to modern societies. This paper will widen the perspectives of not viewing society per media but to the independence and equity of both the sex in every sphere of life.
    [Show full text]
  • Spectacle Spaces: Production of Caste in Recent Tamil Films
    South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012.
    [Show full text]
  • DEEPIKA PADUKONE Is One of India's Highest- Paid Actresses
    DEEPIKA PADUKONE is one of India’s highest- paid actresses—and you’re about to find out why photographed by JOHN AKEHURST styled by JESSICA DE RUITER Altuzarra viscose sweater and 146 InSTYLE FEBRUARY 2017 nylon skirt. Prada jersey dress. BEAUTY BEAT Love Padukone’s soft red lipstick? Get the look Loewe with L’Oréal polyamide dress. Paris Colour Charlotte Riche Le Matte Olympia suede Lip Pen in Mad sandals. for Matte ($10; lorealparisusa .com). FEBRUARY 2017 InSTYLE 149 hen 31-year-old actress Deepika I was there, but over time that number increased,” she PadukonewascastinXXX: The says. She doesn’t mind being recognized, as long as it Return of Xander Cage, it wasn’t doesn’t put anyone else out. “Sometimes fan encoun- just the prospect of being in a Hol- ters can be an inconvenience for the people around lywoodactionmoviethatintrigued me, unless, of course, the people around me are more her. It was also the idea of relocating famous,” she says, referencing outings with her Xan- to Toronto, 7,755 miles away from her der Cage co-stars Vin Diesel and Nina Dobrev. mod duplex in a Mumbai skyscraper. “I With her move to Toronto, Padukone left behind wasanxiousbeforeIlefttostartfilm- perks like an entourage and a security team and now ing,” she recalls. “But I wanted to move out of my com- focuses onthebasicsherself:makingher ownscram- fort zone and start over.” bledeggsandorderingIndiantakeout.“Ireceivedan It’s not as though she needed to reinvent herself— allowance and had to find my own accommodations back in India, Padukone is as big as they come.
    [Show full text]
  • A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R.
    [Show full text]
  • Anil Chainani
    Real Name – Anil Chainani Professional Name – Deejay Lemon About me Many DJs today know their own musical style inside out and back to front. They can weave absolutely seamlessly between tracks, and technically have skills to blow you away. But what about the huge mass of music that gets left out? This made Dj lemon what he is today. Dj lemon always believed that you learn a lot about people when you listen to the songs that mean something to them. Think again, as this is something we have to admit! Having shared console with big names in Indian Dj industry like Dj Vaggy, Dj Kawal, Dj Stash, and many others gave Dj Lemon the credit he deserved. Known for his authentic compositions of synths and beats, Dj Lemon introduced to the industry what potential electronic music has, and can have in the coming times. Although his first love being electronic music, Dj Lemon also realised that if you like different styles of music, chances are your audience do, too. Therefore, he mastered himself in music ranging from commercial club bollywood , to deep and progressive house. Dj Lemon is one of the few in India who boasts himself of creating his own compositions in remixing, thus, giving an all new dimension to remixing/production. At present, Dj Lemon not only remixes and produces electronic music thousands of people are fans of, but he also teaches other aspiring Djs the right tools to be among the best. Please visit his creations because Dj Lemon's Music expresses which cannot be said and what is impossible to keep silent.
    [Show full text]