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Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
A the Coyote Chronicle
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle Special Collections & Archives 1-26-2001 January 26th 2001 CSUSB Follow this and additional works at: http://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "January 26th 2001" (2001). Coyote Chronicle. Paper 461. http://scholarworks.lib.csusb.edu/coyote-chronicle/461 This Article is brought to you for free and open access by the Special Collections & Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Galactic Fear and Player of the Piays the Loathing Week Paluce James Taylor Page 6 Page 8 Page 10 THE CHRONICLE January 26, 2001 Circulation 5,000 California State University, San Bernardino Issue 9 \oIunie34 Fullerton Exhibit Open to the Public interesting because it was an By Lareve Miranda attempt by Alexander the Chronicle Staff Great to create the first big, multi-cultural and diverse empire. The period dates You don't have to travel all from 330 B.C. to 30 B.C., the way to the J. Paul Getty before the Roman Empire, Museum to see fascinating which means the objects on and rare exhibits. All you display are not only very old have to do is walk to the but also very rare. Accord Robert V. Fullerton Museum ing to Kirsch, art of the Hel on campus. lenistic period is heavily in The FulTertoh Museum fluenced by Greek art. may not be the Getty Mu The items in the exhibit seum, but it's good enough represents the small-scale to house some of the Los world of the Hellenistic pe Angeles-based museum's riod and include marble and ancient artworks. -
Protect Our Rivers Interview with the Rogue Riverkeeper 2
Volume 4, Issue 14 // July 6 - July 19, 2017 FOOD pg 22 Mod Pizza Sizzles OUTDOORS pg 26 Keeping Jetboats Local FILM pg 27 An Eastern Oregon Documentary Protect our rivers Interview With The Rogue Riverkeeper 2 / WWW.ROGUEVALLEYMESSENGER.COM SUMMER EXHIBITIONS Tofer Chin: 8 Amir H. Fallah: Unknown Voyage Ryan Schneider: Mojave Masks Liz Shepherd: East-West: Two Streams Merging Wednesday, June 14 through Saturday, September 9, 2017 The Summer exhibitions are funded in part by a generous donation from Judy Shih and Joel Axelrod. MUSEUM EVENTS Tuesday Tours: IMAGES (LEFT TO RIGHT, TOP TO BOTTOM, DETAILS): Tofer Chin, Overlap No. 3, 2016, Acrylic on canvas, 48 x 34” Free Docent-led Tours of the Exhibitions Amir H. Fallah, Unknown Voyage, 2015, Acrylic, colored pencil and collage on paper mounted on canvas, 48 x 36” Ryan Schneider, Many Headed Owl, 2016, Oil on canvas, 60 x 48” Liz Shepherd, Mount Shasta at Dawn, 2012, Watercolor on riches paper, 19.5 x 27.5” Tuesdays at 12:30 pm MUSEUM HOURS: MONDAY – SATURDAY, 10 AM TO 4 PM • FREE AND OPEN TO THE PUBLIC mailing: 1250 Siskiyou Boulevard • gps: 555 Indiana Street Ashland, Oregon 97520 541-552-6245 • email: [email protected] web: sma.sou.edu • social: @schneidermoa PARKING: From Indiana Street, turn left into the metered lot between Frances Lane and Indiana St. There is also limited parking behind the Museum. JULY 6 – JULY 19, 2017 / THE ROGUE VALLEY MESSENGER / 3 The Rogue Valley Messenger PO Box 8069 | Medford, OR 97501 CONTENTS 541-708-5688 page page roguevalleymessenger.com FEATURE FOOD [email protected] Rivers are the lifeblood Mod Pizza is a THE BUSINESS END OF THINGS that flows throughout Seattle-based chain. -
Jeff Johnson Photo by Daniel Sheehan NOTES
A Mirror and Focus for the Jazz Community June 2012 Vol. 28, No. 6 EARSHOT JAZZSeattle, Washington Jeff Johnson Photo by Daniel Sheehan NOTES Eddie Creed Memorial Concert Submissions should include a recorded Roosevelt High Takes Second Join in a memorial get together for sample of a project that can be per- Place at Ellington Competition pianist Eddie Creed at the New Or- formed in a concert setting. Selected Taking place at New York City’s leans Creole Restaurant, Sunday June artists are scheduled for performances famed Avery Fisher Hall on May 6, the 10, 4pm-8pm. A veteran and lifelong on July 12, 19, 26. Artists are paid a final concert at the 17th Annual Essen- jazz pianist, Creed was born in 1935 competitive fee for the performance. tially Ellington High School Jazz Band and died from complications due to Please send questions and submissions Competition & Festival, presented by throat cancer. electronically to [email protected]; or Jazz at Lincoln Center, featured the by mail to Earshot Jazz, 3429 Fremont Call for Artists, Deadline June 4 three top-placing bands performing Place N., #309, Seattle, WA 98103. Call with a member of the Jazz at Lincoln The submissions deadline for the Jazz: (206) 547-6763 with questions. Center Orchestra as a soloist. At an The Second Century series is June 4. awards ceremony after the performanc- es, Wynton Marsalis presented prizes and cash awards to each of the 15 final- ist bands. Christopher Dorsey, Direc- tor of the Dillard Center for the Arts, accepted the 1st place trophy and an THE SECOND CENTURY award of $5,000. -
Jambands.Com | Features | <B>The 2005 Hot List: Do Not Ignore
Jambands.com | Features | <b>The 2005 Hot List: Do Not Ignore These DVDs!</b> | 2005-12-13 The 2005 Hot List: Do Not Ignore These DVDs! Benjy Eisen 2005-12-13 [Editor's Note: This is the first of our Year in Review pieces, from DVD Review editor Trey Anastasio: Life Benjy Eisen. More will follow next month...] After Phish As 2005 takes its final bow, here are ten recent DVD releases that should not be Exclusive interview: overlooked in the year-end rush. Use this list as a holiday shopping guide or for your own Trey Talks About Jerry wish list. After all, you’ve been a good little music fan this year, haven’t you? Garcia, Shine and The Breakup, Blues In no particular order — by no means preferential and certainly not alphabetical: Traveler: Destination Unknown, Robbie Robertson: Dylan, Drugs “Festival!” and The Band, JamOff: There was a time when folk music was protest music — really and actually. There was a 13 Hot New Bands, time when three chords and the truth could call the revolution; when one guitar, one voice, Stanton Moore on one song could mobilize an entire peace-loving army. “Festival” , a 97-minute montage of Houseman's Departure and Galactic's 20th the Newport Folk Festival (from 1963 to 1966), captures the meaning — and spirituality — Anniversary (in 2015), of an entire movement as much as it captures the music itself. As such, it is a stirring Steve Winwood: The historical document that is simply fascinating to watch. Featuring significant appearances Last Great Traffic Jam, by Joan Baez, Johnny Cash, and Peter, Paul and Mary, among many others. -
Thenatural History of Ashland's Landmark Hotel
30 ASHLAND MAGAZINE I SPRING 2005 TheNatural History of Ashland’s Landmark Hotel By Becky Neuman ust six years ago in November 1997, the old Mark Antony- time when the Portland architectural firm of Tourtellotte and Ashland’s neglected landmark hotel, originally known as the Hummel were building the hotel- possibly emulating the J Lithia Springs Hotel and once the tallest structure between 1906 Grand Dame of the Northwest- the Empress Hotel in San Francisco and Portland- closed its doors and was boarded up. Victoria BC, but coming forward in time to Ashland, Oregon It was a cold winter that followed and the spirit of the vacant 1925. hotel just about disappeared. It sat deserted and ignored for nine months until one fateful July day in 1998 when the magic hand of In the 1920’s Lithia Park was an auto park by the creek good fortune was waved over those old bones and its bright spir- where folks would come from far and wide to hear the pop- it called back to be resurrected. The hotel was 72 years young at ular Chautauqua lectures and entertainment in the large can- that time. vas “beehive” dome where speakers from all over America would come to enlighten, educate and enthrall. Classes were The rebirth however was not an overnight facelift. It would be a also given in such things as nature study, elocution and deep full-on basement to parapet transformation. All the systems physical training, chorus, cooking and painting. Travelers had to be reworked- electrical, plumbing, heating and air. All sur- and locals alike would hitch up their buggies and camp out viving original trim, flooring, and lighting were to be restored and in the park. -
MAGAZINE-N6 GEN 18 Lowres
musicplus.it MAGAZINE N6_GEN_18.indd 1 12/02/18 11:24 2 Il Centro Musica sul web: www.musicplus.it sonda.comune.modena.it www.facebook.com/centromusicamo www.facebook.com/mrmuzikoff www.youtube.com/CentroMusicaModena soundcloud.com/CentroMusicaModena www.instagram.com/centromusicamodena/ MUSICPLUS.IT Sommario numero 43 – dicembre 2017 Realizzato nell’ambito del PROGETTO SONDA 3 Sonda luoghicomuni L. R. 5 luglio 1999, n. 13 4 Il progetto Sonda Redazione Musicplus.it 5-6 I Valutatori Francesca Garagnani Paolo Garelli 7- 19 Le scelte dei Valutatori Alberto Lepri 20-21 Sonda Andrea Tinti Le produzioni di 22 Sonda: L’ultimo anno in numeri Le illustrazioni di Musicplus.it sono di Dipankara. 23 Sgt. Pepper's Lonely Hearts Club Band 50th anniversary Rivisitazioni di: 26 Sonda copertina: Bjork "Utopia" I live club partner di pg. 5: Arca "Arca" 27-30 I live di Sonda visti da voi pg. 7: Vince Staples "Big Fish Theory" pgg. 24, 25: Rozwell Kid "Precious Art" 31-37 Gli ascolti di Sonda pg. 27:. Spoon "Hot Thoughts" 38 Sonda pg. 31: Thundercat "Drunk" luoghicomuni pg.39: Jlin "Black Origami" 39-45 Intervista Doppia: Franz di Cioccio/John De Leo Retro copertina: Jay-Z "4:44" 46 Alternative Station in Standing Ovation Progetto grafico e impaginazione 47 Musica Puntoevirgola – Bologna Il Centro Centro Musica Via Morandi 71 41122 Modena tel 059.2034810, fax 059.314377 [email protected] www.musicplus.it sonda.comune.modena.it MAGAZINE N6_GEN_18.indd 2 12/02/18 11:24 Sonda luoghicomuni 3 QUI UNA VOLTA ERA TUTTA CAMPAGNA Montgomery Burns LE NEVICATE DI ADESSO NON SONO COME QUELLE DI UNA VOLTA Jon Snow LA COLAZIONE È IL PASTO PIÙ IMPORTANTE Hannibal Lecter LA GIUSTIZIA NON È UGUALE PER TUTTI Alfred Dreyfus MAGAZINE N6_GEN_18.indd 3 12/02/18 11:24 Il progetto Sonda 4 Sonda: che cos’è e perché devi iscriverti Sonda è un progetto del Centro Musica di Modena, finanziato dalla Regione Emilia-Romagna, nato per sostenere la creatività in ambito musicale. -
Westfield BOE Approves Goals, Hears Statement on Violence Ciarrocca Says Parking Sales Taxes
Ad Populos, Non Aditus, Pervenimus Published Every Thursday Since September 3, 1890 (908) 232-4407 USPS 680020 Thursday, October 5, 2006 OUR 116th YEAR – ISSUE NO. 40-2006 Periodical – Postage Paid at Westfield, N.J. www.goleader.com [email protected] SIXTY CENTS Ciarrocca Says Parking Sales Taxes are ‘Farcical Shell Game’ By MICHAEL J. POLLACK public records. the town’s six parking categories and Specially Written for The Westfield Leader “Governor (Jon) Corzine is trying the tax’s impact on each. The town WESTFIELD – During Tuesday’s to divert the money to other sections,” delineates between commuter, em- meeting, the Westfield Town Council she said, saying that the money will ployee, meter, pay station lots, resi- reached a consensus to ask for a re- now enter the general fund. dent permits and night-owl parking. peal of sales taxes affecting parking As of October 1, state sales tax According to Mr. Cockren, “me- fees. In addition, the council heard an hikes will impact multiple town fees, tered parking is not subject to the tax; update on the White Paper reports. including commuter and employee commuter-parking permits are sub- Before the council discussed the parking permits, pay station collec- ject to the tax; pay station receipts are new mandates, Town Clerk Claire tion and pool membership, on which, subject to the tax; if an employee’s Gray said the town would object to up until now, the town did not collect parking is provided for by an em- the diversion of Public Archives and sales tax. Under the new mandate, the ployer, it is not subject to the tax, but Records Infrastructure Support state will levy a tax of 7 percent.