PARAMOUNT RECORDS PARK DESIGN the Village of Grafton, in Part
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PARAMOUNT GROUP, INC. (Exact Name of Registrant As Specified in Its Charter)
, UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Fiscal Year Ended: December 31, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from To Commission File Number: 001-36746 PARAMOUNT GROUP, INC. (Exact name of registrant as specified in its charter) Maryland 32-0439307 (State or other jurisdiction of (IRS Employer incorporation or organization) Identification No.) 1633 Broadway, Suite 1801, New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 237-3100 Securities registered pursuant to section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Common Stock of Paramount Group, Inc., PGRE New York Stock Exchange $0.01 par value per share Securities registered pursuant to section 12(g) of the Act: Title of each class None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☒ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Commercial Mortgage Alert
JANUARY 15, 2016 Buyers Resigned to Holding B-Pieces 10 Years B-piece buyers have concluded that risk-retention regulations will be even more 6 REIT BOOKRUNNER RANKING onerous than initially believed. The rules, which will take effect Dec. 24, impose the requirement that buyers 9 GLOBAL CMBS ISSUANCE hold B-pieces for at least five years. But investors now say that the way the guide- 11 CMBS SPREAD PREDICTIONS lines are written, buyers will typically end up having to retain the bonds for the entire life of a conduit deal — at least 10 years. The realization is making it harder 2 Three Banks Backing SF Office Project for investment managers to attract capital for such purchases, which are vital for the operation of the commercial MBS market. 2 Paramount Eyes Refi at 2nd NY Tower That’s the latest in a series of worries resulting from ongoing analysis by CMBS 2 Mesa West Lends on Chicago Tower issuers and investors about how the long-planned regulations will affect the sector. “As we get closer to the compliance deadline and more people are thinking harder 4 Margin Plan for Agency Loans Dead about how they’re going to deal with risk retention, problems like this are going to See BUYERS on Page 10 4 Conduit Issuers Test Investor Demand 5 Loan on Midtown Tower Split 11 Ways Blackstone Taps 3 Lenders for BioMed Deal 5 Law Firm Not Finished Growing Blackstone has lined up $2 billion of floating-rate financing from three banks for BioMed Realty. 5 Morgan Stanley Seeks DC Office Loan its pending takeover of Citibank and MUFG Union Bank won the mandate for a $1.25 billion loan on 16 6 BofA Takes REIT Crown; Volume Up office and laboratory properties. -
Hudson Yards FGEIS
TABLE OF CONTENTS Chapter 8: Shadows ...............................................................................................8-1 A. INTRODUCTION..................................................................................................................8-1 1. ISSUES.................................................................................................................................8-1 2. PRINCIPAL CONCLUSIONS...................................................................................................8-1 3. METHODOLOGY ..................................................................................................................8-2 4. MAXIMUM SHADOW STUDY AREA.....................................................................................8-3 5. CRITERIA AND REGULATIONS ............................................................................................8-3 6. DATA SOURCES ..................................................................................................................8-4 7. SCREENING AND DETAILED ANALYSIS METHODOLOGIES .................................................8-4 B. EXISTING CONDITIONS ....................................................................................................8-5 1. STUDY AREA ......................................................................................................................8-5 2. OTHER STUDY AREAS (CORONA YARD) ............................................................................8-5 3. OPEN SPACES – EXISTING CONDITIONS -
Paramount Plaza Project Profile
Project Profile Paramount Plaza New York, NY One system beyond compromise: Barrett RamTough Elastomeric BUR in a protected Job Size: 2,359,148 sq ft membrane configuration. Barrett’s engineered Building Owner: PGREF materials have dramatically increased BUR’s Roofing Contractor: C & W Roofing performance with Elastomeric Polymer- Modified Bitumens and Spunbond Polyester Reinforcements. These components provide a seamless roof unsurpassed in performance by any other roofing system as acknowledged by In 1992, a major renovation program was an increasing number of roofing consultants conceived by Der Scutt Architect, which included nationwide. the need for a new roof. The building in question— Paramount Plaza, the 670 ft, 48-story skyscraper BUR’s dependability and redundancy combined on Broadway in Midtown Manhattan. with Barrett’s engineered components provide a roofing system that is simply the highest Syneraction, Inc. was retained as the roofing performing, toughest roof available— consultant. Syneraction developed a system The ultimate high-performance option by design. selection procedure as well as specifications, details, and bid documents for the system chosen. The reroofing project presented a challenging array of performance considerations and job conditions: these included unusually high winds, frequent thermal shock loading, asbestos containment of the existing roofing materials, heavy maintenance foot traffic, high levels of environmental pollution among all of the other extremes that high-rise roofs are generally subjected to. RamTough Elastomeric BUR The review of reroofing options included a variety From the roof of 1633 Broadway, twelve other of single-ply sheets, preformed modified bitumen recently completed Barrett projects are visible. sheets, and conventional BUR. -
The Rise & Fall of Paramount Records Volume II
ICLA icla.com The Rise & Fall of Paramount Records Volume II The Rise and Fall of Paramount Records Volume II GRAMMY WINNER 2016 - Best Boxed or Special Limited Edition Package The Rise and Fall of Paramount Records Volume II, a joint release by Third Man Records and Revenant Records and co-produced by leading Paramount scholar Alex van der Tuuk, stretches from 1928 until the label’s unceremonious end in the wake of the Great Depression in 1932, when the money ran out for music. Talent did not stop coming during that time of financial woe. Paramount continued to add creative geniuses to their roster, adding Charley Patton, Son House, Lottie Kimbrough, Clarence Williams, Blue Jay Singers, Dock Boggs, Lillie May “Geeshie” Wiley, Elvie Thomas, Skip James, Willie Brown, Thomas Dorsey and Emry Arthur, just to name a few. The Rise and Fall of Paramount Records Volume II document the roots of gospel and swing and the growth of blues and jazz through the efforts of some of American music’s most creative minds. There is even a hint of bluegrass and traces of rock n roll yet to come. Yet, despite all of Paramount’s great talents, record sales finally plummeted and the company died. Hailed by Wired as “the ultimate box set of iconic American music”, the Rise and Fall of Paramount Records Volume II is housed in a polished aluminum case, evoking the era’s high art deco styling and America’s own Machine Age take on modernist design. The Rise and Fall of Paramount Records Volume II is comprised of a multi-colored foil stamped 250-page large format case bound book with gilded edges that provides the continued history of Paramount Records and anecdotal stories about some of their many music artists. -
Jelly Roll Morton Interviews Conducted by Alan Lomax (1938) Added to the National Registry: 2003 Essay by Ronald D
Jelly Roll Morton interviews conducted by Alan Lomax (1938) Added to the National Registry: 2003 Essay by Ronald D. Cohen (guest post)* Jelly Roll Morton Jelly Roll Morton (1885-1941), born Ferdinand Joseph Lamothe in New Orleans, had Creole parents. He began playing the piano at an early age in the New Orleans Storyville neighborhood during the birth pangs of jazz. For a decade, starting in 1907, he traveled the country as a vaudeville musician and singer; in 1915 his composition “The Jelly Roll Blues” became the first published jazz tune. From 1917 to 1923, he continued performing from his base in Los Angeles, then moved to Chicago where he met Walter and Lester Melrose, who had a music publishing company. Along with his sheet music, Morton began recording for Paramount Records in 1923 as well as for Gennett Records in Richmond, Indiana, and for the Autograph label. Backed by various session musicians, particularly the Red Hot Peppers, his most influential recordings came in 1926-30, first for Vocalion, then for RCA-Victor. With the onslaught of the Depression, Morton’s career languished, so he moved to New York, then Washington, D.C., in 1936. He now hosted show “The History of Jazz” on WOL and performed in a local club. Known in 1937 as the Music Box/Jungle Inn, there he met the young, creative, and energetic Alan Lomax. Born in Austin, Texas, the son of the folklorist John Lomax, Alan Lomax (1915-2002) had become assistant-in-charge of the Archive of American Folk Song at the Library of Congress (LC) in 1937. -
“Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr
GREENE, KEVIN D., Ph.D. “Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr. Benjamin Filene. 332 pgs This dissertation investigates the development of African American identity and blues culture in the United States and Europe from the 1920s to the 1950s through an examination of the life of one of the blues’ greatest artists. Across his career, Big Bill Broonzy negotiated identities and formed communities through exchanges with and among his African American, white American, and European audiences. Each respective group held its own ideas about what the blues, its performers, and the communities they built meant to American and European culture. This study argues that Broonzy negotiated a successful and lengthy career by navigating each groups’ cultural expectations through a process that continually transformed his musical and professional identity. Chapter 1 traces Broonzy’s negotiation of black Chicago. It explores how he created his new identity and contributed to the flowering of Chicago’s blues community by navigating the emerging racial, social, and economic terrain of the city. Chapter 2 considers Broonzy’s music career from the early twentieth century to the early 1950s and argues that his evolution as a musician—his lifelong transition from country fiddler to solo male blues artist to black pop artist to American folk revivalist and European jazz hero—provides a fascinating lens through which to view how twentieth century African American artists faced opportunities—and pressures—to reshape their identities. Chapter 3 extends this examination of Broonzy’s career from 1951 until his death in 1957, a period in which he achieved newfound fame among folklorists in the United States and jazz and blues aficionados in Europe. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
An Improvised World: Jazz and Community in Milwaukee, 1950-1970 Benjamin Barbera University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 An Improvised World: Jazz and Community in Milwaukee, 1950-1970 Benjamin Barbera University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, History Commons, and the Music Commons Recommended Citation Barbera, Benjamin, "An Improvised World: Jazz and Community in Milwaukee, 1950-1970" (2012). Theses and Dissertations. 5. https://dc.uwm.edu/etd/5 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. AN IMPROVISED WORLD: JAZZ AND COMMUNITY IN MILWAUKEE, 1950 – 1970 by Benjamin A. Barbera A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History at The University of Wisconsin-Milwaukee August 2012 ABSTRACT AN IMPROVISED WORLD: JAZZ AND COMMUNITY IN MILWAUKEE, 1950 – 1970 by Benjamin A. Barbera The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Professor Robert Smith This study looks at the history of jazz in Milwaukee between 1950 and 1970. During this period Milwaukee experienced a series of shifts that included a large migration of African Americans, urban renewal and expressway projects, and the early stages of deindustrialization. These changes had an impact on the jazz musicians, audience, and venues in Milwaukee such that the history of jazz during this period reflects the social, economic, and physical landscape of the city in transition. -
O Brother, Where Art Thou?" As a Modern Odyssey
"O Brother, Where Art Thou?" as a Modern Odyssey Pepić, Antonio Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:171492 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-29 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti – prevoditeljski smjer i nakladništvo Antonio Pepić “Tko je ovdje lud?” kao suvremena odiseja Diplomski rad Mentor: doc. dr. sc. Ljubica Matek Osijek, 2019. Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti – prevoditeljski smjer i nakladništva Antonio Pepić “Tko je ovdje lud?” kao suvremena odiseja Diplomski rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Ljubica Matek Osijek, 2019. J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major MA Study Programme in English Language and Literature – English Translation and Interpreting Studies and -
Raymond C. Andrew President's Message
RFUF RETIRED FACULTY OF THE UNIVERSITY OF FLORIDA, INC. January 2008 Volume 32, Number 2 Board of Directors 2007-2008 President’s Message Raymond C. Andrew t is hard to believe that our fall RFUF programs have ended. Time sure PRESIDENT I flies! Program Chair and President-Elect Robert Mansell has maintained the RFUF tradition of selecting outstanding speakers for programs. The Robert Mansell attendance has been good, with a high of 95. PRESIDENT ELECT Treasurer William Van Dyke informs me that we now have 250 members for John L. Foltz the 2007-08 year. Even though we have had an increase in membership and SECRETARY members attending our Wednesday programs, there is still space for more members and new members to attend. The facilities of the Harn Museum William Van Dyke, Jr. Chandler Auditorium are excellent for RFUF programs. I would like for TREASURER each member to consider inviting persons eligible for membership in RFUF to be your guest at a meeting. Bring them to coffee and donuts before the Charles E. Taylor meeting. This will give them an opportunity to look at RFUF and perhaps PAST PRESIDENT become active members. Nothing beats the personal touch. Roy J. Bolduc Some of our members may not be aware of the time and energy that Madelyn Robert F. Lanzillotti Lockhart uses in getting out our RFUF Newsletter twice a year. I have Robert A. Levitt received many compliments on the contents of the last Newsletter. Let Jacqueline Orlando Madelyn know if you like the newsletter. Arnold C. Penland Ann P. Smith Besides the Newsletter, Madelyn has made many contributions to RFUF. -
Tallest Buildings Constructed in 1970-1980
This PDF was downloaded from The Skyscraper Center on 2018/01/11 UTC For the most up to date version, please visit http://skyscrapercenter.com Building List All Regions, All Companies, 200m+, 1970-1980 Completed Architecturally Topped Structurally Topped Under On Never Proposed Vision Demolished Out Out Construction Hold Completed # Building Name City Height (m) Height (ft) Floors Completed Material Use 1 Willis Tower Chicago 442.1 1,451 108 1974 steel office 2 Aon Center Chicago 346.3 1,136 83 1973 steel office 3 First Canadian Place Toronto 298.1 978 72 1975 steel office 4 601 Lexington New York City 278.9 915 63 1977 steel office 5 Water Tower Place Chicago 261.9 859 74 1976 concrete residential / hotel / retail 6 Aon Center Los Angeles 261.5 858 62 1974 steel office 7 Transamerica Pyramid Center San Francisco 260 853 48 1972 composite office 8 U.S. Steel Tower Pittsburgh 256.3 841 64 1970 steel office 9 IDS Center Minneapolis 241.4 792 55 1973 composite office 10 200 Clarendon Boston 240.8 790 62 1976 steel office 11 Sunshine 60 Tower Tokyo 240 787 60 1978 composite office 12 Commerce Court West Toronto 239 784 57 1973 composite office 13 Enterprise Plaza Houston 230.4 756 55 1980 composite office 14 One Penn Plaza New York City 228.6 750 57 1972 steel office 15 1251 Avenue of the Americas New York City 228.6 750 54 1972 steel office 16 MLC Centre Sydney 228 748 60 1977 concrete office 17 One Astor Plaza New York City 227.1 745 54 1972 composite office 18 One Liberty Plaza New York City 226.5 743 54 1972 steel office 19 Parque Central