DOCSLIB.ORG

Department of Accounting

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Department of Accounting 1 SCHOOL OF BUSINESS DEPARTMENT OF ACCOUNTING Bachelor of Science Accounting (August 2019) Deberry, Ebony Faustin, Abraham ** Morgan, Icon * Sutton, Jeremy * Bachelor of Science Accounting (January 2020) Akhter, Parvin * Amusa, Afeez * Bernard, Andrea * Carter, Adanna * Erazo, Eddy * Murray, Kevin Muyibi, Diana *** Regis, Ariel Singleton, Aliyah * Sultana, Nasrin * Bachelor of Science Accounting (June 2020) Andrews, Irica Benjamin, Ricky Clark, Christopher Damis, Ritchy Dickenson, Paulette * Dos Santos, Carla-Ann * Dublin, Dois *** Erazo, Eddy * Georgeon, Malcolm Grant, Camelia * Hayes, Koreen Jordon, Towanna ** Kingston, Aerial * McKenzie Tatiana Palmer, Alyssa ** Pemberton, Alexanne Pemberton, Alexanne Pope, Lashica ** Singh, Bhawani * Simon-George, Shermaine * Sultana, Nasrin * Upama, Afsana DEPARTMENT OF BUSINESS ADMINISTRATION Bachelor of Science Business (August 2019) Bent, Juline Clarke-Herbert, Kadesha Clarke-Herbert, Kadesha Mckoy, Keniese Payne, James C. Payne, James C. White, Malachi Williams, Yona Williams, Yona Bachelor of Science Business (January 2020) Akula Ukoh, Sandra * Alexander, Nicholson * Aris, Immanuel Baffo, Elsie Batista, Abigail * Blair, Roger Bryan, Tiana Creighton, Rohan * Crooks Bowley, Tre’vonn Dennis, Jenelle Feligene, Woodlye Footman, Tatianna ** Hart, Alexis Jackson, Silia Jordan, Terry * Lawson, Elaine ** Louis, Claudia *** Lubrun, Isaac * Newsome, Joshua ** Pierre, Ann Ramnarayan, Jitendra Richards, Nyame * Seaton, Nikita Slaton, Athena Verna, Christina Williams, Karen * 2 3 Bachelor of Science Business (June 2020) Abegunde Ojo, Olugbenga Adonia, Jamila Amuda, Kehinde Aris, Immanuel Baker-Creel, Phyllis Barranco, Cristian Bascom, Nakita Bazard, Kaina Beranger, David Bonhomme, Ronald Boston, Tanzyah Bunting, Kassidy ** Chambers, Clover Charlemagne, Cindy * Clarke, Simone Crawford, Shanhoya Cuevas, Kimberly Douglas, Naiyely Duperval, Shakim Deboviel, Solange Earle, Pauline Francois, Fabrice ** Geffrard, Stephanie * Giordano, Richard *** Glum, Daniel *** Germain, Chantel Horton, Markis * Hughes, Georgia Hazel, Thema Igiehon, Iyayi Jackson, Jasmine Johnson, Erwin Jordan, Shavonne * Kulugh, Benjamin ** Lee, Cadoucheka Lynch, Chanel *** McLeod, Andrew McPhatter, Dulcie * McClain, Katrina * Mills, Adrian Munoz, Cristal *** Neckles, Veronica Pierre-Louis, Lorenzo Pierre, Asia Primus, Candi ** Ramkissoon, Taahiyrah *** Ravello, Sonia Rooplal, Sabrina Rosegreen, Ashlee Rosegreen, Ashlee Smith, Melissa * Stewart, Infinity Walters, David Webb, Sean Bachelor of Professional Studies Applied Management (August 2019) Nesbitt, Merlyn Tobierre, Lisa Bachelor of Professional Studies Applied Management (January 2020) Chouloute, Tania Moore, Terry Stewart, Pearl Walker, Jillian Bachelor of Professional Studies Applied Management (June 2020) Arthur, Vanessa * Baptiste, Natasha D’Oliveira, Jasmine Fergus, Ericka ** Gomez, Alondra * Gordon, Keyanne * Hyppolite, Sherly * Johnson-Isaac, Kadia Merius, Lilia * Pryce, Sophia Stewart, Pearl Shaw, Ashley Williams, Daneisha 3 Associate of Science Business Administration (August 2019) Boston, Tanzyah Cadet, Natacha Deroses-White, Lorn *** Diallo, Maimouna Doctor El, Shomari Guerrero, Angel * Henry, Jenrick Hughes, Georgia Igiehon, Iyayi Primus, Candi * Quamina, Aneasha Seaton, Nikita Taylor, Tynique Associate of Science Business Administration (January 2020) Afolabi, Victoria * Alexander, Shantell * Andrews, Irica Baker-Creel, Phyllis Beranger, David Bernard, Andrea * Borden, Khallid Brehon, Kayla Bunting, Kassidy ** Chambers, Clover Coke, Jordan Coward, Vanking Deboviel, Solange Dimanche, Ginette ** Dixon, Stacy Ann *** Earle, Pauline Ferdinand, Kia Fleming, Justin Freeman, Shikeria * Gayle, Nichalas Grant, Shandell Hamilton, Khadijah Hunt, Alana Hunt ** Jackman, Charlene * Jecrois, Dane Barbara John, Karen * Lantigua, Melly Lawrence, Anna ** Marte De Los Santos, Kleyribel Mcgregor, Tatyana Morales, Abigail Moses, Akela ** Pierre-Louis, Lorenzo Pope, Lashica ** Rivera, Alexander Rowell, Genesis Sanchez Liriano, Ericka Singh, Kishanna *** Style, Shardae * Thomas, Shane Upama, Afsana Webb, Sean Williams, Mokeisha ** Winn, Adrian * Young, Shanae Associate of Science Business Administration (June 2020) Amardy, Stern Bailey, Jenique Bakhayokho, El Hadji Calderon, Nancy Campbell, Felicia * Cheikhou * Charles, Yumeka * Cooke, Shakia Canty, Gregory Davis, Daniel Da Costa, Jasmine Guillaume, Ariel Hughes, Kertis Henry-Thomas, Quayia Ibikunle, Olalekan Jean, Dutch-Gael Jones, Risa Jackson, Sashanay * Jules, Naje Jordan, Shanice Lafargue, Jean-Pierre Larose, Sabrina Lewis, Kiasa * Larkins, Gniyah * Mitchell, Shantall Musa-Agboneni, Adolo Micke, Mahamoudou Noel, Beverly * Okunlola, Jubril Phillips, Melissa Prince, Shiniece * Poulis, Geneira * Ross, Derrick ** Scott, Elias * Stoute, Jeremiah Salami, Mariam * Sylvain, Lourdes * Sydney, Rene Thomas, Marsha Toussaint, Christopher Torres, Timothy Weeks, Dimitri Woods, Lenora White, Takiyah 4 5 DEPARTMENT OF COMPUTER INFORMATION SYSTEMS Bachelor of Science Computer Information Systems (January 2020) Asafu-Adjaye, Nana Barry, Mamadou ** Wilson, Quwon Bachelor of Science Computer Information Systems (June 2020) Aguirre, Joel Ahuatl, Guadalupe Andrews, Sheldon Anne, Amadou ** Barrett, Lester Bien-Aime, Austin Clarke, Justin Clarke, Jennefer * Coward, Vanking Egeruoh, Okechukwu * Fatema, Bebe Fleming, Justin McIntyre, Aleigh ** Okeke, Chukwuka ** Primo, Wrayon ** Prosper, Evens Prudhomme, Christopher Ragland, Marsha * Sabuj, Mushiur Thompson, Marques Vaquero, German Associate of Applied Science Computer Applications (August 2019) Ganesharajah, Agashan * Okeke, Chukwuka * Associate of Applied Science Computer Applications (January 2020) Akter, Fatema ** Godfrey, Keith ** Obadi, Sami O’Connor, Sherland Penalo, Adrian Ragland, Marsha * Wright, Oronde Associate of Applied Science Computer Applications (June 2020) Aimuengheuwa, Osasere Bennett, Shamari Jennings, Okeem Mompremier, Romels Ogbormeh, Uche Roberts, Daniel Sancho, Joel Stanislaus, Malike DEPARTMENT OF ECONOMICS AND FINANCE Bachelor of Science Financial Economics (January 2020) Franklin, Dreanne Hussain, Ahmad Hylton, Nneka *** Legendre, Amari Bachelor of Science Financial Economics (June 2020) Adegoke, Kolapo Baker, Myrna Coard, Akil Deroses-White, Lorn *** Marshall, Kevaughn Maxwell, Marc Anthony Walker, Melania 5 DEPARTMENT OF PUBLIC ADMINISTRATION Bachelor of Science Public Administration (August 2019) Caesar, Fitzbevan Hill, Romel Isaac, Tajmah Bachelor of Science Public Administration (June 2020) Adams, Yousef * Bloomfield, Crystal Bryan, Cameron Brown, Kyasia Brown, Tashany Cardoza, Deasrean Carpenter, Nadene *** Charlemagne, Alliyah *** Cruz, Yamilex Daly, Keith Decoteau, Michele Dove, Crystal Fletcher, Sakia Garrick-Bryan, Angelita Garrison, Cyanasiia Griffith, Edith Hall, Tykila Herrera, Faviola ** Hinkson, Monique Hoyer, Anya *** Joseph-Leconte, Concessa ** Kenol, Wardlie Lamb, Tisha * Lawal, Oluwafunmi *** Mir, Razia ** Percinthe, Cassandra * Plaisival, Doodley *** Pottinger, Tiffany Pritchard, Symone * Sealy, Malika Westbrooks, Angela Associate of Science Public Administration (August 2019) Keita, Fateem Hinkson, Monique Louis, Hadiya * Associate of Science Public Administration (January 2020) Bloomfield, Crystal Brown, Tashany Casiano, Aaron Dewalt, Hope ** Dove, Crystal Edwards, Ajoi Hoyer, Anya *** Jeter, Janai Lawal, Oluwafunmi *** Wegman, Emanie Associate of Science Public Administration (June 2020) Asike, Chisom Austin, Jerome Bah, Thierno Barnett, Jasmine * Barry, Aminata Burrowes, Amaya Carter, Chantel Davis, Shaquana Dume, Renee * DEPARTMENT OF MULTICULTURAL EARLY Earle, Anaka * Espinal, Francely ** Grant, Raymond CHILDHOOD AND ELEMENTARY EDUCATION Oziegbe, Caroline Smith, Sharon * Wright, Elizabeth Bachelor of Arts Childhood Education (June 2020) 6 7 SCHOOL OF EDUCATION DEPARTMENT OF DEVELOPMENTAL AND SPECIAL EDUCATION Bachelor of Arts Special Education/Early Childhood Education (August 2019) Lubrun, Talisha Bachelor of Arts Special Education/Early Childhood Education (January 2020) Farrell, Nyida * Bachelor of Arts Special Education/Early Childhood Education (June 2020) Bailey, Careen * Black, Talitha Bobb, Arnelle Briggs, Ann-Marie ** Burrowes, Daciann Chai Hill, Kimlan Cheeks, Jaztyn Glover, India Jones, Brittani * Joseph, Jenifer ** Jacqueline, Marshall * Luma, Tracy Medina, Marie Allison Nero, Monifa * Palmer, Phylicia Ramirez, Julia Rhoden, Carlene Sanchez, Cristina *** Waterberg, Charlene * Bachelor of Arts Special Education/Childhood Education (January 2020) Rowley, Marie Bachelor of Arts Special Education/Childhood Education (June 2020) Adman, Antoinette *** Bonadie, Roa-Shell * Brooks, Keturah ** Brown-Chambers, Diana * Bryan, Christopher * Cervantes, Karina * Gabbidon, Andrell Giordano, Dominique * John, Toyan * Joseph, Arnel ** McDonald, Aiesha Mendoza, Shernai * Millett, Alisa Sammuel, Guyvens Tesheira, Kamilah Warrington, Jade Williams, Simone * DEPARTMENT OF MULTICULTURAL EARLY CHILDHOOD AND ELEMENTARY EDUCATION Bachelor of Arts Childhood Education (June 2020) Hawkins, Monica Associate of Arts Teacher Education (August 2019) Ord, Shonetta * Sabah, Shabnam 7 DEPARTMENT OF PSYCHOLOGY Associate of Arts Teacher Education (January 2020) Bachelor of Arts Psychology (August 2019) Alcindor, Elshanone Anthony, Christal Brown, Martina Carrington, Rushel Duncan, Amanda Dunn, Marlene ** Edwards Charles, Coleen *** Forrest, Alexis Hector, Kadeem * Pena, Giselle Rivera, Antoine Roberts, Camella Sewell, Jada Seymour, Shericka * Simon, Jahleema Associate of Arts
Load more

Recommended publications
  • Quest Magazine Volume 17 Issue 19
    'RQ·W /RVH 6OHHS 2YHU ,W *HW 7HVWHG ,W·V )UHH $W QR FRVW WR \RX ZH SURYLGH U -/ ÌiÃÌ} >` ÌÀi>ÌiÌ vÀ i° U i«>ÌÌÃ E 6>VV>ÌÃ vÀ }>Þ À LÃiÝÕ> i° U i«>ÌÌÃ 6>VV>ÌÃ vÀ ÃÌÀ>} Ì i >` Üi° U ÞÕÃ À >i >ÃÃV>Ìi` 6 ÌiÃÌ} >` VÕÃi}° +RXUV 0RQGD\V 7XHVGD\V SP SP :DQQD SOD\ 'RFWRU" 1XUVH" 0D\EH 3KOHERWRPLVW" :H DUH ORRNLQJ IRU OLFHQVHG PHGLFDO VWDII YROXQWHHUV WR DGPLQLVWHU YDFFLQDWLRQV EORRG GUDZV DQG ZRUN LQ RXU 67' FOLQLF (DVW %UDG\ 6W 0LOZ FRQWDFWXV#EHVWGRUJ GREEN BAY COUNCIL POSTPONES RESOLUTION TO JOIN DP SUIT by Bruce McKay At a council meeting in October, Sortwell in - Green Bay - Just 24 hours after the polls had sisted that City Hall needed to contribute attorneys closed on Election Day, the first fruit of Wisconsin's to battle what he sees as an ongoing moral war. steer to the political right blossomed at Green Bay "The people of Green Bay want marriage to only City Hall. The City Council voted to indefinitely consist of one man and one woman. This is a di - postpone a proposed resolution to join a lawsuit rection violation of what the people want." He told against Wisconsin's Domestic Partners laws. the Council that he'd spoken with the plaintiffs and The alderman who wanted the council to en - that they'd welcome the free legal aid. dorse a lawsuit to overturn the state's DP benefits The staff attorney for the council told Sortwell said the election results had changed his mind.
    [Show full text]
  • Run Date: 08/30/21 12Th District Court Page
    RUN DATE: 09/27/21 12TH DISTRICT COURT PAGE: 1 312 S. JACKSON STREET JACKSON MI 49201 OUTSTANDING WARRANTS DATE STATUS -WRNT WARRANT DT NAME CUR CHARGE C/M/F DOB 5/15/2018 ABBAS MIAN/ZAHEE OVER CMV V C 1/01/1961 9/03/2021 ABBEY STEVEN/JOH TEL/HARASS M 7/09/1990 9/11/2020 ABBOTT JESSICA/MA CS USE NAR M 3/03/1983 11/06/2020 ABDULLAH ASANI/HASA DIST. PEAC M 11/04/1998 12/04/2020 ABDULLAH ASANI/HASA HOME INV 2 F 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA DRUG PARAP M 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA TRESPASSIN M 11/04/1998 10/20/2017 ABERNATHY DAMIAN/DEN CITYDOMEST M 1/23/1990 8/23/2021 ABREGO JAIME/SANT SPD 1-5 OV C 8/23/1993 8/23/2021 ABREGO JAIME/SANT IMPR PLATE M 8/23/1993 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 8/04/2021 ABSTON CHERICE/KI OPERATING M 9/06/1968 2/16/2021 ABSTON CHERICE/KI REGISTRATI C 9/06/1968 8/09/2021 ABSTON TYLER/RENA DRUGPARAPH M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA USE MARIJ M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OWPD M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA IMPR PLATE M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SEAT BELT C 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON
    [Show full text]
  • DRAGS THURSDAY, MAY 16, 2019 the ALI FORNEY CENTER (AFC) Is the Nation’S Largest Provider of Housing, Safety and Essential Services to Homeless LGBTQ Youth
    AN ANNUAL BENEFIT FOR THE ALI FORNEY CENTER An unforgettable night of performances by New York City’s top drag talent THIRD ANNUAL DRAGS THURSDAY, MAY 16, 2019 THE ALI FORNEY CENTER (AFC) is the nation’s largest provider of housing, safety and essential services to homeless LGBTQ youth. There are an estimated 3,800 homeless youths on the streets of NYC, with 40% self-identifying as LGBTQ. As we enter our 16th year of service, we continue to expand our mission to protect LGBTQ youth from the harms of homelessness. DRAGS launched in 2017, born from a book of portraits by photographer Gregory Kramer. All proceeds from the book, including drag legends Sasha Velour, Lady Bunny, Peppermint, Murray Hill, and Charles Busch, benefit the Ali Forney Center. The first two DRAGS events have collectively drawn over 1,000 supporters, and raised $80,000.00 nearly $80,000, providing over 40,000 meals for AFC’s RAISED homeless young people. Back for a third year, DRAGS 2019 will feature new (and slightly used) talent from New York City’s remarkable drag 40,000 MEALS scene, all of whom donate their time and efforts to this PROVIDED incredible night of fundraising and theatrics. Date: Thursday, May 16, 2019 Anticipated attendance: 500+ Previous performers include: Sasha Velour • Monét X Change Scarlett Envy • Murray Hill • Gould Cummings • Linda Simpson • Ragamuffin • Sherry Vine • Mrs. Smith • Shequida Daphne Always • Emi Grate • Vigor Mortis • Wang Newton Miz Jade • Ruby Roo • Princess Bytch • Flotilla DeBarge Destiny • Horrorchata • Crimson Kitty • Mr. Lee VaLone Duelling Bankheads • Merry Cherry • Lal Batti Ginger • Sugga Pie Koko • Goldie Peacock Kim Ono • Fllyod • Sultana • Pixie Aventura Zeta Jones • Glace Chase Thee Suburbia • Pearl Harbor Audience Reach DRAGS performers commit to ongoing social media support when they sign on to the event, guaranteeing you impressions with a large, diverse, and influential audience.
    [Show full text]
  • “It's Not Personal, It's Drag”: the Sassy Politics of Rupaul's Drag Race
    Felipe González Silva 2078621G MLitt Film and Television Studies Dissertation – September 2015 “It’s Not Personal, It’s Drag”: The Sassy Politics of RuPaul’s Drag Race Supervised by Professor Karen Lury University of Glasgow Word count: 14,840 Beneficiario COLFUTURO 2014 Abstract After the success of reality competition shows such as Project Runway and America’s Next Top Model in the United States, RuPaul’s Drag Race reached the small screen to be the first TV programme of its kind to feature drag queens. Through textual analysis and theories of queer and feminist studies, this thesis joins the fundamental debates about drag and its role in society. With these debates as a starting point, this thesis is dedicated to determining the position of Drag Race within the tension between gay politics and queer politics that lies in the programme’s construction of what drag is supposed to be. By focusing on the relation of masculinity and femininity in drag, and on the role of sleaziness in drag, this thesis argues that RuPaul’s Drag Race refuses to be located unequivocally as a project of either gay or queer politics. This reading does not only propose an innovative take on the programme but it also manages to further problematise the distinction between the two “kinds” of politics. Key words: RuPaul’s Drag Race, drag, gay politics, queer politics, femininity, masculinity, sleaziness, gender, race ii Acknowledgements I would like to show gratitude to my supervisor, Professor Karen Lury. Her impressive knowledge and sensibility about television and academia in general, along with her commitment to my project, helped me develop this dissertation successfully.
    [Show full text]
  • “Drag Queens Talk Like Women, You Know”
    “Drag Queens Talk Like Women, You Know” - A study in the Use of the Hedge “You Know” in Feminine-Gendered Speech Danny Bennet t 2016 C-essay 15 hp Engelska 61-90 Handledare: Pia Visén Examinator: Marko Modiano Abstract The aim of this study was to analyze and compare the use of the verbal hedge “you know” in the spontaneous speech of women and drag queens to compare for instances of certainty and uncertainty as described by Holmes (1986). For the data, episodes of the reality shows RuPaul’s Drag Race Untucked which airs on Logo TV and The Real Housewives of Orange County which airs on Bravo TV were manually transcribed by the conventions of written speech. The use of “you know” was then analyzed by function and context. In the results of this study, the women used “you know” to express uncertainty more often than the drag queens, except not in the way Lakoff (2004) described as being an aspect of “women’s language.” The drag queens used “you know” more often to express certainty. However, when used to express uncertainty its use by the drag queens was more relevant to “women’s language” as described by Lakoff (2004) or an exaggerated performance of femininity. Key words: Drag queens, women’s language, language and gender, hedges 2 Table of contents Abstract…………………………………………………………………..2 1. Introduction…………………………………………………………....4 2. Literature Review……………………………………………………...4 2.1 Women’s Language and hedges……………………………………...4 2.2 Form and Function of “you know” …………………………………..6 2.2.1 “You know” expressing certainty…………………………………..7 2.2.2 “You know” expressing uncertainty………………………………..8 2.3 Face Work…………………………………………………………....10 2.4 Gender Performance…………………………………………………11 2.5 Brief History of Cross-Dressing…………………………………….12 2.6 Defining Drag……………………………………………………….13 2.7 RuPaul’s Drag Race…………………………………………………13 3.
    [Show full text]
  • “I'm a Mountain Biking Vampire Witch from the Future!” Queer Decolonial
    “I’m a Mountain Biking Vampire Witch From the Future!” Queer Decolonial Killjoys in Queer Studies and Politics by Charlotte Theresa Hoelke A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctorate in Philosophy in Canadian Studies Carleton University Ottawa, Ontario © 2018, Charlotte Theresa Hoelke Hoelke, 1 Abstract This thesis asks how queer scholarship and politics will maintain a radically queer critical edge, specifically an unsettling, decolonial approach that does not take for granted the continuance of queer liberal and settler colonial structures. A longstanding debate in queer studies and politics is the tension between queer assimilation vs queer radicalism. However, even the radical unsettling approaches that discuss radical queer futurity (Muñoz, and Edelman) often do not centre the important context of settler colonialism, even while critiquing normativity and imagining better futures. So how do we locate examples of imaginings of queer decolonial futures: ones that account for settler colonialism? To find out, I chose to examine selected performances in specific popular “silly archives of unhappy feelings,” and found complex examples of uncanny, at times monstrous, performances by artists (Trixie Mattel, Katya Zamoldchikova and Miss Chief Eagle Testickle). These artists, I argue, exemplify and embody the characteristics of what I call “Queer Decolonial Killjoys” (QDKs). Building on Ahmed’s concepts of “Feminist Killjoys,” and “Unhappy Queers,” I demonstrate that the artists I discuss not only unsettle gendered, sexualized, and racialized norms (à la Ahmed), but that they also act as Decolonial Killjoys because they use complex performative strategies to also critique settler colonialism and queer liberalism.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
    UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities.
    [Show full text]
  • Realness Over Reality: Analyzing Gender Binary Deconstruction in Rupaul's Drag Race
    Bowling Green State University ScholarWorks@BGSU Ray Browne Conference on Cultural and Critical Studies 2018: Borders and Borderlands Apr 7th, 3:00 PM - 3:50 PM Realness Over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race Jonah Wilson Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/rbc Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Wilson, Jonah, "Realness Over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race" (2018). Ray Browne Conference on Cultural and Critical Studies. 6. https://scholarworks.bgsu.edu/rbc/2018conference/011/6 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Ray Browne Conference on Cultural and Critical Studies by an authorized administrator of ScholarWorks@BGSU. Wilson 1 Jo Wilson Ray Browne Popular Culture Conference, Spring 2018 Realness over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race Following the 2008 elections: twenty-nine out of fifty U.S. states legalized same-sex marriage (Liu), Stu Rasmussen, the first openly transgender mayor was elected in the country (Wong), and then-President Barack Obama appointed the first openly transgender woman to a cabinet position (Riley). After talking to producers beginning in 1998, RuPaul Charles premiered his namesake reality show, RuPaul’s Drag Race (RPDR) in 2009 (Daems 14). The show, with the potential to break down barriers of gender expression and sexuality, has had a fair share of controversies—particularly surrounding transphobia and misogyny.
    [Show full text]
  • Interview with Cee-Cee Larouge Chicago-Based Drag Performer and Fashion Designer
    Interview with Cee-Cee LaRouge Chicago-based drag performer and fashion designer Interview conducted and written by A.J. Smuskiewicz for publication in the CAAN Intersections newsletter - http://caanmidwest.org/index.html Cee-Cee LaRouge describes herself on her Facebook page as a “self-made drag queen.” The Chicago-native, of Puerto Rican ancestry, began performing in drag at Maneuvers bar in Joliet in 1999. She was crowned Miss Gay Joliet 2009. Since that first pageant victory, she has competed in numerous additional pageants and has won many titles, including the following: Miss Illinois USofA at Large 2011 Miss Tri-States North America International at Large 2011 Miss Wisconsin North America International at Large 2012 Miss North America International at Large 2013 Miss Five Nightclub Plus 2013 Miss Elite of Elegance 2013 Miss Chicago Continental 2013 Miss Midwest United States 2016 Cee-Cee performs regularly in drag shows at venues throughout the Midwest, primarily in “Dining with the Divas” at Hamburger Mary’s in Oak Park and Milwaukee, as well as at Berlin, Hydrate, Progress, and Atmosphere in Chicago; Club Krave in Blue Island; Club Diesel in Peoria; The Office in Rockford; Traz in Carbondale; several nightclubs in Wisconsin; and many other regional night spots. She has also performed in shows in Las Vegas. In addition to pursuing her drag career, Cee-Cee has founded her own fashion business in Blue Island called LaRouge Designs, featuring her unique, customized showgirl-style designs of dresses, gowns, body suits, and other clothing. She also has merchandise for sale at teespring.com, such as t-shirts, tote bags, and coffee mugs baring her likeness, and she is very active on social media, including Facebook and Twitter: https://www.facebook.com/CeeCeeLaRouge/ https://www.facebook.com/DesignsByLaRouge/ https://twitter.com/cc_larouge AJS: I met you and Twila [one of Cee Cee’s “drag children”] at Maneuvers a couple times several years ago, including at the 2010 New Year’s Eve party.
    [Show full text]
  • Performing Arts Guide 2019
    Performing Arts Guide 2019 PRIDESOURCE.COM SEPT. 5, 2019 | VOL. 2736 | FREE VOL. 2736 • SEPT. 5 2019 ISSUE 1122 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 14 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] 36 42 News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, Michelle E. Brown, Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith, Dana Rudolph Cartoonists Paul Berg Contributing Photographers Andrew Potter, Andrew Cohen, Roxanne Frith, Tih Penfil ADVERTISING & SALES Director of Sales 24 12 Jan Stevenson, 734.293.7200 x 101 [email protected] NEWS APPLAUSE Sales Representatives Ann Cox, 734.293.7200 x 103 8 Michael Rowady Opens Up About His Passt and 24 Michael Fabiano ‘Out of This World’ [email protected] Equality Michigan’s Future 29 - 32 Applause Shorts National Advertising Representative 9 A Look at Equality Michigan’s Fall Reception Rivendell Media, 212.242.6863 34 Accidentally Perfect: Artist Pronoun Talks MEMBER OF 10 Faith-Based Adoption Agency Sues After AG Inspiration for Latest Album Michigan Press Assoication Nessel’s Pro-LGBTQ Settlement National LGBT Media Association 36 Firsts,
    [Show full text]
  • 2020 Impact Report Looking Back at an Unprecedented Year
    2020 IMPACT REPORT LOOKING BACK AT AN UNPRECEDENTED YEAR In September 2019, when I formally launched Drag Out The VoteTM, my goal was to mobilize drag artists across the country to register, educate and turn out voters for the 2020 election. I was driven by learning that 100 million people didn’t vote in the 2016 election and that one out of five LGBTQ+ people were not registered to vote. This had to change. I had big goals of registering voters on stops Jackie Huba for the biggest drag tours. We ended 2019 registering voters in thirty-nine cities on Founder & Executive Director the Official RuPaul’s Drag Race Werq the World Tour and Bianca Del Rio’s (winner of RuPaul’s Drag Race Season 6) national “The last year’s events have tour. We started strong in 2020, registering voters in twenty-five cities on Trixie Mattel’s demonstrated what can be (winner of RuPaul’s Drag Race All Stars 3) accomplished when passionate tour in January, February, and the beginning people come together and werk hard of March. Then everything changed with the start of lockdown for an unpredicted to make a difference.” pandemic. Today, we are an official 501(c)3 nonprofit Our small team -- Liam Kahn, political and organization and have even bigger plans development strategist, and Dylan M. Austin, in 2021. We are excited to build upon our branding and communications strategist from successes from the previous year. And we our agency partner Five Senses Reeling -- know that it will take all of us pulling together had to throw our 2020 plan out the window in our first non-presidential election year to and start over.
    [Show full text]
  • FOR IMMEDIATE RELEASE Media Contact: Brent Anbe, Festival Director Honolulu Rainbow Film Festival Ph: 808.728.3026 [email protected]
    FOR IMMEDIATE RELEASE Media contact: Brent Anbe, Festival Director Honolulu Rainbow Film Festival ph: 808.728.3026 [email protected] www.hglcf.org th President Bank of Hawaii Foundation presents 30 Annual Honolulu Rainbow Film Festival Walter Kinoshita August 8-18 at Doris Duke Theatre Photos & Video linked here: Treasurer www.dropbox.com/sh/wcbzu9jk15tb9na/AABJOZ-o1k-IcwdOldpQQWCga?dl=0 Sonja Monteiro Courtesy: HRFF Secretary Who: Honolulu Gay & Lesbian Cultural Foundation (HGLCF) Lisa Yamamoto What: 30th Annual Honolulu Rainbow Film Festival (HRFF30) Where: Doris Duke Theatre Directors When: August 8 – 18 (full schedule below) Why: Highlighting LGBTQ representation in film to educate and raise awareness of the culture, Diane Ako Dean Hamer arts, and life of these marginalized communities Media: Event passes, screeners, and more photography available. Parking provided for press. Mark Ludwig Coordinate interviews with Brent Anbe. Thank you! Shouma Moniz Honolulu – June 25, 2019 – The Honolulu Gay & Lesbian Cultural Foundation (HGLCF) is honored Advisory Board to produce the 30th Annual Honolulu Rainbow Film Festival (HRFF30). It will be at the Doris Chuck Boller Duke Theatre from August 8 – 18. There will be 22 screenings and panel discussions, culminating Connie Florez with a signature Red Carpet Gala on August 17. Freddie Jordan Annie Moriyasu HRFF30 is presented by the Bank of Hawaii Foundation; legacy sponsor Hula’s Bar & Lei Stand; platinum sponsors Hawai`i Tourism Authority, Hawaiian Airlines, Honolulu Magazine, and Puakea Nogelmeier
    [Show full text]