DOCSLIB.ORG

Euro = US$ X 1.2961 Pound = US$ X 1.9657 US$ = Euro X .7716 US$ = Pound X .5087 for More Info, See Tutorial

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Euro = US$ X 1.2961 Pound = US$ X 1.9657 US$ = Euro X .7716 US$ = Pound X .5087 for More Info, See Tutorial TITLE YEAR NAT SIZE DESCRIPTION COND PRICE $* PRICE €* PRICE £* DLR F FOR FAKE 1976 US 27x41 LB; DIR. WELLES F $450 FA F M 1978 US 27x41 BRANDON, RONSTADT EXC $50 ZW F. COMME FAIRBANKS 1976 BEL 14x22 DEWAERE; MIOU-MIOU A € 30 INT F. COMME FAIRBANKS 1976 FRE 23x31 DEWAERE; MIOU-MIOU A € 40 INT F. COMME FAIRBANKS 1976 FRE 47x63 DEWAERE; MIOU-MIOU A € 60 INT F. EST UN SALAUD 1998 GER 24x33 EXC $20 MAS F.I.S.T 1978 US 11x14 LCS; STALLONE EXC $35 PW F.I.S.T 1978 US 14x36 STALLONE; DILLON VG-E $25 TCT F.I.S.T 1978 US 22x28 STALLONE; DILLON E $25 TCT F.I.S.T 1978 US 22x28 STALLONE; DILLON F/VF € 70 KA F.I.S.T 1978 US 27x41 ADV; STALLONE; E $30 TCT F.I.S.T 1978 US 27x41 ADV; STALLONE; EXC $60 MAS F.I.S.T 1978 US 27x41 STYLE B; STALLONE; G-VG $15 TCT F.I.S.T 1978 US 27x41 STALLONE; EXC $25 BPM F.I.S.T 1978 US 27x41 STALLONE; DILLON EXC $25 PW F.I.S.T 1978 US 27x41 STALLONE; DILLON A € 45 INT F.I.S.T 1978 FRE 47x63 STALLONE; DILLON EXC $72 MAS F.I.S.T 1978 SWE 13x30 STALLONE; DILLON VF € 30 KA F.I.S.T 1978 UK 30x40 STALLONE; DILLON VAR £30 QB F.I.S.T 1978 UK 30x40 STALLONE; DILLON A £75 OP F/X 1986 US 27x40 BRYAN BROWN VG $12 TCT F/X 1986 US 27x40 BRYAN BROWN E $15 TCT F/X 1986 US 27x40 F; BRYAN BROWN EXC $16 MAS F/X 1986 US 27x40 F; BRYAN BROWN EXC $25 BPM F/X 1986 US 27x40 BRYAN BROWN EXC $30 PW F/X 1986 US 27x40 BROWN; DENNEHY A € 45 INT F/X 1986 UK 30x40 BROWN DENNEHY VAR £25 QB F/X 2 - DIE TÖDLICHE ILLUSION 1991 GER 24x33 F; EXC $16 MAS FABBRICA DEI SOLDI 1964 IT 13x28 VASQUEZ; PONTE A € 35 INT FABIAN 1982 US 27x41 HALLWACHS E $20 TCT FABIOLA 1949 BEL 14x22 SIMON; MORGAN A € 40 INT FABIOLA 1949 FRE 47x63 SIMON; MORGAN A € 275 INT FABULEUSE AVENTURE DE MARCO POLO 1964 FRE 23x31 BUCHHOLZ; QUINN A € 50 INT FABULEUSE AVENTURE DE MARCO POLO 1964 IT 13x28 BUCHHOLZ; QUINN A € 50 INT FABULEUX DESTIN D'AMELIE POULAIN 2001 AUZ 27x40 TAUTOU; KASSOVITZ VF € 60 KA FABULEUX DESTIN D'AMELIE POULAIN 2001 FRE 16x23 TAUTOU; KASSOVITZ A € 10 INT FABULEUX DESTIN D'AMELIE POULAIN 2001 JAP 20x29 TAUTOU; KASSOVITZ VF € 450 KA FABULOUS BAKER BOYS 1989 US 27x40 BRIDGES; PFEIFFER E $25 TCT FABULOUS BAKER BOYS 1989 US 27x40 BRIDGES; PFEIFFER A € 40 INT FABULOUS BARON MUNCHAUSEN 1962 GER 23x33 MILOS KOPECKY VF € 75 KA FABULOUS SUZANNE 1946 US 11x14 BRITTON, VALLEE VG $15 MP FABULOUS TEXAN 1948 US 27x41 VG $285 MPS FABULOUS WORLD OF JULES VERNE 1961 US 27x41 TOKOS F-NM $45 MP FABULOUS WORLD OF JULES VERNE 1961 US 27x41 TOKOS EXC $50 PW FABULOUS WORLD OF JULES VERNE 1961 US 30x40 TOKOS EXC $45 PW FABULOUS WORLD OF JULES VERNE 1959 CZ 23x33 KNECHTL ART; TOKOS VF € 400 KA FABULOUS WORLD OF JULES VERNE 1959 GER 23x33 TOKOS F € 150 KA FACE A SON DESTIN 1957 FRE 24x33 EXC $80 MAS FACE A SON DESTIN 1957 FRE 47x63 EXC $120 MAS FACE BEHIND THE MASK R1955 US 22x28 PETER LORRE VF U € 90 KA FACE BEHIND THE MASK R1955 US 30x40 PETER LORRE EXC $45 PW FACE IN THE CROWD 1957 US 27x41 ANDY GRIFFITH FR $20 PW FACE IN THE CROWD 1957 US 27x41 ANDY GRIFFITH F € 120 KA FACE IN THE CROWD 1957 US 27x41 ANDY GRIFFITH M $185 A3P FACE IN THE CROWD 1957 BEL 14x22 ANDY GRIFFITH VF € 75 KA FACE OF FIRE 1959 US 22x28 MITCHELL EXC $50 PW FACE OF FU MANCHU 1965 US 22x28 LEE; CUSHING EXC $40 PW FACE OF FU MANCHU 1965 US 27x41 LEE; CUSHING VG $20 MP FACE OF FU MANCHU 1965 AUZ 13x30 LEE; CUSHING VG € 40 KA FACE OF FU MANCHU 1965 BEL 14x22 LEE; CUSHING VF € 60 KA FACE OF FU MANCHU 1965 FRE 23x31 LEE; CUSHING A € 50 INT FACE OF FU MANCHU 1965 FRE 24x33 LEE; CUSHING M $90 FMP FACE OF FU MANCHU 1965 FRE 47x63 LEE; CUSHING NM $45 WK FACE OF FU MANCHU 1965 FRE 47x63 LEE; CUSHING A € 80 INT FACE OF FU MANCHU 1965 GER 23x31 LEE; CUSHING A € 80 INT FACE OF FU MANCHU 1965 GER 23x33 LITTER ART; LEE VF € 40 KA FACE OF FU MANCHU 1965 GER 33x46 LEE; CUSHING F € 50 KA FACE OF FU MANCHU 1965 GER 33x46 LEE; CUSHING VF € 140 KA FACE OF TERROR 1964 US 11x14 LCS; EXC $40 PW FACE OF TERROR 1964 US 27x41 EXC $40 PW FACE TO FACE 1967 GER 23x33 TOMAS MILIAN VF € 45 KA FACE TO FACE 1976 US 8x11 PB, 19 PG; BERGMAN E-NM $15 TCT FACE TO FACE 1976 US 22x28 INGMAR BERGMAN E $40 TCT FACE TO FACE 1976 US 27x41 INGMAR BERGMAN G $25 TCT FACE TO FACE 1975 GER 23x33 LIV ULLMANN VF € 40 KA FACE TO FACE 1977 POL 23x33 MOSINSKI ART; ULLMANN VF U € 70 KA FACE/OFF 1997 US 27x40 R; TRAVOLTA; CAGE EXC $10 BPM FACE/OFF 1997 US 27x40 TRAVOLTA; CAGE E $25 TCT FACE/OFF 1997 US 27x40 TRAVOLTA; CAGE A € 40 INT FACE/OFF 1997 FRE 16x23 TRAVOLTA; CAGE A € 10 INT * Euro = US$ x 1.2961 Pound = US$ x 1.9657 US$ = Euro x .7716 US$ = Pound x .5087 For more info, see Tutorial. F1 TITLE YEAR NAT SIZE DESCRIPTION COND PRICE $* PRICE €* PRICE £* DLR FACE/OFF 1997 FRE 47x63 TRAVOLTA; CAGE M $30 FMP FACES 1968 US 22x28 LB; F $1,200 FA FACES 1968 US 27x41 LB M $550 LIG FACES IN THE DARK 1960 UK 30x40 GREGSON ZETTERLING VAR £40 QB FACTEUR S'EN VA-T-EN GUERRE 1966 FRE 23x31 AUBERT; AZNAVOUR A € 40 INT FACTEUR S'EN VA-T-EN GUERRE 1966 FRE 47x63 AUBERT; AZNAVOUR A € 55 INT FACTOTUM 2005 SWI 27x41 EXC $20 MAS FACTS OF LIFE 1961 US 14x36 BALL, HOPE EXC $20 PW FACTS OF LIFE 1961 US 27x41 HOPE, BALL EXC $35 PW FACULTY 1998 US 27x40 JOSH HARTNETT E $20 TCT FACULTY 1998 UK 27x41 DS; HARTNETT EXC $32 MAS FADE TO BLACK 1980 US 27x41 CHRISTOPHER F $25 MP FADE TO BLACK 1980 US 27x41 CHRISTOPHER A € 90 INT FADE TO BLACK 1980 FIN 17x25 CHRISTOPHER VG/F € 25 KA FADE TO BLACK 1980 FRE 47x63 CHRISTOPHER A € 45 INT FADE TO BLACK 1980 GER 23x33 STYLE B; YABLANS; VF € 25 KA FADE TO BLACK 1980 GER 23x33 STYLE A; YABLANS; VF € 35 KA FADE TO BLACK 1980 US 27x41 CHRISTOPHER VG-E $25 TCT FAELSCHUNG 1981 GER 24x33 EXC $40 MAS FAH TALAI JONE 2001 FRE 16x23 NGAMSAM A € 8 INT FAHNLEIN DER 7 AUFRECHTEN 2001 SWI 27x41 EXC $20 MAS FAHRENHEIT 451 1966 US 22x28 TRUFFAUT; WERNER VG/F € 80 KA FAHRENHEIT 451 1966 US 22x28 TRUFFAUT; WERNER B € 100 INT FAHRENHEIT 451 1966 US 27x41 LB; TRUFFAUT NM $450 LIG FAHRENHEIT 451 1966 FRE 23x33 TRUFFAUT; WERNER EXC € 200 DB FAHRENHEIT 451 1966 FRE 23x31 LB; TRUFFAUT A € 350 INT FAHRENHEIT 451 1966 FRE 47x63 TRUFFAUT; WERNER EXC $320 MAS FAHRENHEIT 451 1966 FRE 47x63 TRUFFAUT; WERNER EXC € 350 DB FAHRENHEIT 451 1966 GER 23x33 TRUFFAUT; WERNER VG/F € 160 KA FAHRENHEIT 451 1966 GER 23x33 LB; TRUFFAUT VF € 280 KA FAHRENHEIT 451 1966 IT 18x23 TRUFFAUT; WERNER A € 70 INT FAHRENHEIT 451 1966 IT 18x23 TRUFFAUT; WERNER A € 80 INT FAHRENHEIT 451 1966 UK 30x40 TRUFFAUT; WERNER VF € 160 KA FAHRENHEIT 451 1966 UK 30x40 TRUFFAUT; WERNER F $250 FA FAHRENHEIT 9/11 2004 US 27x40 MICHAEL MOORE NM $20 TCT FAHRENHEIT 9/11 2004 US 27x40 MICHAEL MOORE EXC $25 BPM FAHRENHEIT 9/11 2004 FRE 16x24 MICHAEL MOORE EXC $15 FMP FAHRENHEIT 9/11 2004 FRE 47x63 MICHAEL MOORE EXC $25 FMP FAHRENHEIT 9/11 2004 SWI 27x41 MICHAEL MOORE EXC $20 MAS FAIL SAFE 1964 US 14x36 FONDA; LEMMON EXC $20 PW FAIL SAFE 1964 US 22x28 FONDA; LEMMON EXC $20 PW FAIL SAFE 1964 US 27x41 FONDA; LEMMON VG $25 MP FAIL SAFE 1964 US 27x41 FONDA; LEMMON EXC $25 PW FAIL SAFE 1964 US 27x41 FONDA; LEMMON G-VG $35 TCT FAIL SAFE 1964 FRE 23x31 FONDA; LEMMON A € 50 INT FAIL SAFE 1964 FRE 47x63 FONDA; LEMMON NM $40 WK FAIL SAFE 1964 FRE 47x63 FONDA; LEMMON A € 90 INT FAILURE TO LAUNCH 2006 US 27x40 MCCONAUGHEY NM $15 TCT FAILURE TO LAUNCH 2006 US 27x40 MCCONAUGHEY EXC $25 BPM FAIR GAME 1995 US 27x40 WILLIAM BALDWIN VG-E $15 TCT FAIR WIND TO JAVA 1953 US 11x14 LCS; MAC MURRAY EXC $55 PW FAIR WIND TO JAVA 1953 US 27x41 RALSTON EXC $35 PW FAIR WIND TO JAVA 1953 US 27x41 MACMURRAY; RALSTON F $45 BH FAIR WIND TO JAVA 1953 IT 27x41 MACMURRAY; RALSTON A € 140 INT FAIR WIND TO JAVA 1953 IT 27x41 MACMURRAY; RALSTON A € 140 INT FAIRYTALE: A TRUE STORY 1997 US 27x40 R EXC $25 BPM FAIS GAFFE A LA GAFFE 1981 FRE 47x63 PREVOST; MIRMONT A € 30 INT FAIS-MOI REVER 2000 FRE 16x23 BABE; DJAIDANI A € 8 INT FAITES DONC PLAISIR AUX AMIS 1968 FRE 23x31 PIERRE; THIBAULT A € 50 INT FAITHFUL 1996 US 27x40 CHER E $15 TCT FALCO D'ORO 1955 FRE 47x63 SERATO; GRAY A € 50 INT FALCO ROSSO 1950 BEL 14x22 SERNAS; LEES A € 40 INT FALCON 1983 GER 23x33 FRANCO NERO VF € 25 KA FALCON AND THE CO-EDS 1943 US 14x36 VG $275 MPS FALCON AND THE SNOWMAN 1985 US 27x41 TIMOTHY HUTTON E $15 TCT FALCON AND THE SNOWMAN 1985 US 27x41 F; TIMOTHY HUTTON EXC $24 MAS FALCON AND THE SNOWMAN 1985 US 27x41 F; TIMOTHY HUTTON EXC $25 BPM FALCON AND THE SNOWMAN 1985 GER 24x33 F; TIMOTHY HUTTON EXC $20 MAS FALCON IN HOLLYWOOD 1944 US 27x41 NM $450 MPS FALCONS ADVENTURE 1946 US 27x41 NM $325 MPS FALKE 1981 GER 24x33 FOLD EXC $24 MAS FALL GUY 1947 US PB VF $50 CLT FALL GUY 1947 US 27x41 VG $300 MPS FALL IN 1928 US 11x14 NM $25 MP FALL OF THE HOUSE OF USHER 1960 YUG 20x27 PRICE; DAMON A € 60 INT FALL OF THE ROMAN EMPIRE 1964 US 11x14 LC#3; SOPHIA LOREN VF $20 CLT FALL OF THE ROMAN EMPIRE 1964 US 27x41 SOPHIA LOREN EXC $75 PW FALL OF THE ROMAN EMPIRE 1964 BEL 16x22 SOPHIA LOREN VF € 50 KA FALL OF THE ROMAN EMPIRE 1964 FRE 47x63 SOPHIA LOREN NM $35 WK FALL OF THE ROMAN EMPIRE 1964 FRE 47x63 SOPHIA LOREN EXC € 100 DB * Euro = US$ x 1.2961 Pound = US$ x 1.9657 US$ = Euro x .7716 US$ = Pound x .5087 For more info, see Tutorial.
Load more

Recommended publications
  • Spring Semester Catalog • 2020
    Rethink Learning Discovery Vitality Camaraderie Enrichment Creativity SPRING SEMESTER CATALOG • 2020 MONDAY, MARCH 2–FRIDAY, JUNE 5, 2020 CONTENTS 3 From the Director 4 Virtual/Hybrid Study Groups At-A-Glance 5 Virtual/Hybrid Study Group Descriptions 6 Chicago Study Groups At-A-Glance 8 Chicago Study Group Descriptions 35 The 1619 Project 36 Evanston Study Groups At-A-Glance 38 Evanston Study Group Descriptions 52 Membership Options 54 At-A-Glance Availability of Membership Types 55 Registration & Refund Policies 57 Registration Form 59 Campus Maps 61 Resources 62 Calendar KEY TO SYMBOLS IN CATALOG Technology use (including but not limited Field trips — walking to email, Internet research, use of Canvas, opening Word and PDF documents) Field trips — own transportation needed Kindle edition available Will read 20+ pages a week Class member’s participation as a discussion Will read 40+ pages a week leader is strongly encouraged Digital SLR camera required Low level of discussion during class Movie group or films will be shown Medium level of discussion during class High level of discussion during class Contents 2 sps.northwestern.edu/olli FROM THE DIRECTOR, KIRSTY MONTGOMERY I am delighted to present Osher Lifelong Learning REGISTRATION HELP SESSIONS Institute’s (OLLI) spring semester, 2020. This eclectic If you will need help registering plan to attend one selection of studies will run for fourteen weeks, of our registration help sessions. New and existing from Monday, March 2, through Friday, June 5, 2020. members may stop by one of these sessions to Spring registration begins at 9 a.m. on Monday, get personal assistance registering using our January 27, 2020.
    [Show full text]
  • Chapter 1 Chapter 2
    Notes Chapter 1 1. Jeffrey Mirel, “The Traditional High School: Historical Debates over Its Nature and Function,” Education Next 6 (2006): 14–21. 2. US Census Bureau, “Education Summary––High School Gradu- ates, and College Enrollment and Degrees: 1900 to 2001,” His- torical Statistics Table HS-21, http://www.census.gov/statab/ hist/HS-21.pdf. 3. Andrew Monument, dir., Nightmares in Red, White, and Blue: The Evolution of American Horror Film (Lux Digital Pictures, 2009). 4. Monument, Nightmares in Red. Chapter 2 1. David J. Skal, Screams of Reason: Mad Science and Modern Cul- ture (New York: Norton, 1998), 18–19. For a discussion of this more complex image of the mad scientist within the context of postwar film science fiction comedies, see also Sevan Terzian and Andrew Grunzke, “Scrambled Eggheads: Ambivalent Represen- tations of Scientists in Six Hollywood Film Comedies from 1961 to 1965,” Public Understanding of Science 16 (October 2007): 407–419. 2. Esther Schor, “Frankenstein and Film,” in The Cambridge Com- panion to Mary Shelley (Cambridge: Cambridge University Press, 2003), 63; James A. W. Heffernan, “Looking at the Monster: Frankenstein and Film,” Critical Inquiry 24, no. 1 (Autumn 1997): 136. 3. Russell Jacoby, The Last Intellectuals: American Culture in the Age of Academe (New York: Basic Books, 1987). 4. Richard Hofstadter, Anti-Intellectualism and American Life (New York: Knopf, 1963); Craig Howley, Aimee Howley, and Edwine D. Pendarvis, Out of Our Minds: Anti-Intellectualism and Talent 178 Notes Development in American Schooling (New York: Teachers Col- lege Press: 1995); Merle Curti, “Intellectuals and Other People,” American Historical Review 60 (1955): 259–282.
    [Show full text]
  • Bartolomé De Las Casas, Soldiers of Fortune, And
    HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Dissertation Submitted To The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in Theology By Damian Matthew Costello UNIVERSITY OF DAYTON Dayton, Ohio August 2013 HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew APPROVED BY: ____________________________ Dr. William L. Portier, Ph.D. Committee Chair ____________________________ Dr. Sandra Yocum, Ph.D. Committee Member ____________________________ Dr. Kelly S. Johnson, Ph.D. Committee Member ____________________________ Dr. Anthony B. Smith, Ph.D. Committee Member _____________________________ Dr. Roberto S. Goizueta, Ph.D. Committee Member ii ABSTRACT HONOR AND CARITAS: BARTOLOMÉ DE LAS CASAS, SOLDIERS OF FORTUNE, AND THE CONQUEST OF THE AMERICAS Name: Costello, Damian Matthew University of Dayton Advisor: Dr. William L. Portier This dissertation - a postcolonial re-examination of Bartolomé de las Casas, the 16th century Spanish priest often called “The Protector of the Indians” - is a conversation between three primary components: a biography of Las Casas, an interdisciplinary history of the conquest of the Americas and early Latin America, and an analysis of the Spanish debate over the morality of Spanish colonialism. The work adds two new theses to the scholarship of Las Casas: a reassessment of the process of Spanish expansion and the nature of Las Casas’s opposition to it. The first thesis challenges the dominant paradigm of 16th century Spanish colonialism, which tends to explain conquest as the result of perceived religious and racial difference; that is, Spanish conquistadors turned to military force as a means of imposing Spanish civilization and Christianity on heathen Indians.
    [Show full text]
  • Frankenstein Au Cinéma
    La Revue du Ciné-club universitaire, 2016, no 3 It’s alive! Frankenstein au cinéma Ciné-club UniversitaireACTIVITÉS CULTURELLES Illustration Sommaire 1ère de couverture: Frankenstein, James Whale, 1931 Histoire d’une créature fictionnelle Groupe de travail du Ciné-club universitaire Julien Dumoulin, Emilien Gür, Michel Porret et Julien Dumoulin, Emilien Gür, Cerise Dumont, Michel Porret, Olinda Testori ..................................................................... 3 Olinda Testori, Thibault Zanoni, Francisco Marzoa, Jeanne Richard Survie de la créature au cinéma Activités culturelles de l’Université Emilien Gür .........................................................................13 responsable: Ambroise Barras coordination: Christophe Campergue édition et graphisme: Véronique Wild et Julien Jespersen Quelques réflexions sur les films de Whale Julien Dumoulin ...............................................................25 L’acteur derrière le masque du monstre Francisco Marzoa .............................................................35 Le moment Hammer Michel Porret .................................................................... 41 Le laboratoire à la croisée des mondes Cerise Dumont ...................................................................59 Monstre, qui es-tu? Jeanne Richard ..................................................................65 Abnormal brain: «l’âme» déformée de la créature Thibault Zanoni ................................................................ 73 «Frankenstein» et «The Curse»:
    [Show full text]
  • This Week in the Susquehanna River Valley April 17-27, 2019 This Is Just a Sampling of Events This Week
    This Week in the Susquehanna River Valley April 17-27, 2019 This is just a sampling of events this week. For many more events, go to www.VisitCentralPA.org and click on “Events” ARTS & ENTERTAINMENT April 17-27: Events this Week at Your Campus Theatre How to Train Your Dragon: The Hidden World (4/18) As their true destinies are revealed, dragon and rider will fight together-to the very ends of the Earth-to protect everything they've grown to treasure. Apollo 11 (4/19-25) This cinematic space event film was fifty years in the making and features never-before-seen large- format film footage of one of humanity's greatest accomplishments. FREE BU Film Screenings: Dracula & Vampyr (4/17); Music Program (4/19); Ratatouilli (4/22); Ash Is Purest White (4/23); Flesh for Frankenstein (4/24); Mahagonny and The Owl’s Legacy: “Mathematicsor, and The Empire Counts Back (4/26); and Cold Fish (4/27). For information and movie times visit www.CampusTheatre.org. Lewisburg April 18: The Afro-Cuban All Stars Embracing several generations and all musical styles, this unique orchestra has always been devoted to performing the full range of Cuban music. The Afro-Cuban All Stars features a rotating, multi-generational cast and draws on both classic and Cuban styles like son and danzón and contemporary dance rhythms like timba. www.susqu.edu Weber Chapel Auditorium, Susquehanna University, Selinsgrove April 23-27: Community Arts Center Performances Craig Karges (4/23) The art of magic, the science of psychology, and the power of intuition create the impression that nothing is impossible.
    [Show full text]
  • 10000 General Knowledge Questions and Answers 10000 General Knowledge Questions and Answers No Questions Quiz 1 Answers
    10000 quiz questions and answers www.cartiaz.ro 10000 general knowledge questions and answers 10000 general knowledge questions and answers www.cartiaz.ro No Questions Quiz 1 Answers 1 Carl and the Passions changed band name to what Beach Boys 2 How many rings on the Olympic flag Five 3 What colour is vermilion a shade of Red 4 King Zog ruled which country Albania 5 What colour is Spock's blood Green 6 Where in your body is your patella Knee ( it's the kneecap ) 7 Where can you find London bridge today USA ( Arizona ) 8 What spirit is mixed with ginger beer in a Moscow mule Vodka 9 Who was the first man in space Yuri Gagarin 10 What would you do with a Yashmak Wear it - it's an Arab veil 11 Who betrayed Jesus to the Romans Judas Escariot 12 Which animal lays eggs Duck billed platypus 13 On television what was Flipper Dolphin 14 Who's band was The Quarrymen John Lenon 15 Which was the most successful Grand National horse Red Rum 16 Who starred as the Six Million Dollar Man Lee Majors 17 In the song Waltzing Matilda - What is a Jumbuck Sheep 18 Who was Dan Dare's greatest enemy in the Eagle Mekon 19 What is Dick Grayson better known as Robin (Batman and Robin) 20 What was given on the fourth day of Christmas Calling birds 21 What was Skippy ( on TV ) The bush kangaroo 22 What does a funambulist do Tightrope walker 23 What is the name of Dennis the Menace's dog Gnasher 24 What are bactrians and dromedaries Camels (one hump or two) 25 Who played The Fugitive David Jason 26 Who was the King of Swing Benny Goodman 27 Who was the first man to
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • Clint Eastwood
    Kültür ue Sanat SPAGETT› WESTERNLERDEN OSCAR'LI YÖNETMENL›–E CLINT EASTWOOD 31 Mayıs 1930 / San Francisco doumlu olan ve çocukluunun büyük bir kısmını California'da geçiren aktör, liseyi bitirdikten sonra Oragon'da kerestecilikle ura˛tı, hatta bir ara orduda yüz- me öretmenlii bile yaptı. Los Angeles fiehir Kolejinde eitim gören aktör, Universal ile an- la˛arak 1955 yılında "Francis in the Navy" adlı filmde rol aldı. Pek çok B-tipi filmde rol alan aktör, New York'a geçti ve 1959-1966 yılları ara- sında western TV dizisi "Rawhide"da oynadı. Televizyonda edindii tecrübeyle birlikte oyun- culuunda minimalist bir üslup yakalayan East- wood, Avrupa'ya geçti ve spagetti western türü- nün unutulmaz yönetmeni Sergio Leone'nin spagetti üçlüsünde oynadı. 1964 yılında "Bir Avuç Dolar ›çin" (A Fistful of Dollars) ile "her- kes ya zengin olur ya da ölür" temasından yola çıkarak kanlı kovboy filmleri serisine ba˛layan aktör, ba˛ı bo˛ gezen ve acımasız Amerikalı kovboy portresiyle dünyaca üne kavu˛tu. ›ki yıl sonra "Birkaç Dolar ›çin" (For A Few Dollars More) ve efsane "›yi, Kötü ve Çirkin" (The Go- od, The Bad and The Ugly) filmlerinde oynayan Oyunculua televizyondaki western filmleriyle aktör, revizyonist western türünün klasiklerine ba˛layan Clint Eastwood, kısa zamanda dünyaca imza attı. Seyirciler bu filmlerde yaratılan sessiz ünlü bir yıldız haline geldi. Kariyeri boyunca kahramanı sevdiler, ne kadar az konu˛ursa etki- oyunculuun yanı sıra yapımcı ve yönetmen si de o kadar güçlü oluyordu sanki... Clint'in yönleriyle de ön plana çıkan aktör, uzun boylu, sessiz ama anlamlı duru˛ları Leone'nin de gör- sessiz ve kaba kovboy tiplemesiyle 1960'lı yılla- sel üslubuyla birle˛erek Eastwood'un ilk sine- rın sinemasında bir ikon haline geldi.
    [Show full text]
  • The Compleat Works of Nostradamus -=][ Compiled and Entered in PDF Format by Arcanaeum: 2003 ][=
    The Compleat Works of Nostradamus -=][ compiled and entered in PDF format by Arcanaeum: 2003 ][=- Table of Contents: Preface Century I Century II Century III Century IV Century V Century VI Century VII Century VIII Century IX Century X Epistle To King Henry II Pour les ans Courans en ce Siecle (roughly translated: for the years’ events in this century) Almanacs: 1555−1563 Note: Many of these are written in French with the English Translation directly beneath them. Preface by: M. Nostradamus to his Prophecies Greetings and happiness to César Nostradamus my son Your late arrival, César Nostredame, my son, has made me spend much time in constant nightly reflection so that I could communicate with you by letter and leave you this reminder, after my death, for the benefit of all men, of which the divine spirit has vouchsafed me to know by means of astronomy. And since it was the Almighty's will that you were not born here in this region [Provence] and I do not want to talk of years to come but of the months during which you will struggle to grasp and understand the work I shall be compelled to leave you after my death: assuming that it will not be possible for me to leave you such [clearer] writing as may be destroyed through the injustice of the age [1555]. The key to the hidden prediction which you will inherit will be locked inside my heart. Also bear in mind that the events here described have not yet come to pass, and that all is ruled and governed by the power of Almighty God, inspiring us not by bacchic frenzy nor by enchantments but by astronomical assurances: predictions have been made through the inspiration of divine will alone and the spirit of prophecy in particular.
    [Show full text]
  • A Tribute to Michael Curtiz 1973
    Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema.
    [Show full text]
  • Cult Adaptations: a One-Day Symposium
    Cult Adaptations: A one-day symposium Wednesday 25 November 2009 10.00 am – 6.00 pm Centre for Adaptations Campus Centre 2.01, De Montfort University, Leicester Cult Adaptations Symposium Programme Wednesday 25 November 2009 10.00am – 6.00pm Campus Centre 2.01 / 2.02 Registration from 9.30 in CC 2.01 10.00 – 11.30: Panel one (CC 2.01) ‘Rosemary’s Baby: an artistic dynasty’ Alexandre Tylski (University of Toulouse) ‘Fanpires: the utilization of the fan culture in the translation of Twilight from text to screen and beyond’ Maggie Parke (Bangor University) ‘All her inside is out!’: the female monster in film adaptations of Mary Shelley’s Frankenstein’ Devon Sherman (Rutgers University) 11.30 – 12.00: Coffee (CC 2.02) 12.00 – 1.00: Panel two (CC 2.01) ‘Bringing day to Night: the resurrection of The Night of the Hunter’ Thomas A. Schwenn (New York University) ‘Myths of sacrifice: 300, Sparta and the ‘cult’ of democracy’ Stuart Price (De Montfort University) ‘“We’re trying to get back to normal here’: a case-study of David Cronenberg’s A History of Violence’ David Bishop (Edinburgh Napier University) 1.00 – 2.00: lunch (CC 2.02) 2.00 – 3.30: Panel three (CC 2.01) ‘Who will watch The Watchmen: towards a sequential hermeneutic chain analysis’ John Quinn (University of the West of Scotland) ‘Spectacle fantastique: audio-visual technologies and early adaptations of Verne’s De la terre a la lune’ Brooke McCorkle (University of Pennsylviania) ‘The Quatermass Transformation: Monstrous Hybrids and National Identity in the Quatermass Films of the 1950s’
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]