Ceramics 101

Total Page:16

File Type:pdf, Size:1020Kb

Ceramics 101 Emily Lees Frontier Elementary Pinellas County [email protected] Ceramics 101 Earliest Ceramics: 24,000- 29,000 BCE -Dolni Vestonice, Moravia (Czech Republic) Earliest Pottery: 18,000 BCE- Jiangxi China Kiln Usage Tips: Ø Don’t load ware onto the firebrick bottom of your kiln. Start each load with short stilts and a kiln shelf. Ø Ware should not touch the sides of the kiln or the kiln shelf stilts. Ø Greenware may be stacked- be careful not to create a seal between pieces. Ø If glazed ware becomes fused to something else break it free with an abrupt bump. Ø Kiln wash your shelves- paint it on and fire alone once before firing ware on it. Kiln wash allows glaze drips and fusions to pop off easily. Ø Do not fire your kiln overnight. Ø Do not open the kiln until it is close to 100° F. Ø On glaze firing avoid loading a shelf close to the kiln lid. Ø Vacuum out you kiln every once in a while. Ø Pin back loose electric coils in the kiln. 5 Ways to Prevent Explosions During Bisque Firing: 1) Air dry pieces as long as possible. 2) Make a hole in hollow forms 3) Don’t build thicker that 1”. 4) Pre-heat/ Candle Fire 5) Fire Slowly Best Heat-Work Practices: 1) Your bisque fire must be slow and accurate 2) The correct temperature for low-fire bisque is cone 04 3) Glaze Firing is best done at cone 05 My Essential Tool List: Ø Toothpicks Ø “Stabby” Cheap Plastic Forks Ø Blending Tools or Color Shapers Ø Fettling Knife and Needle Tool (replace with chopsticks, tongue depressors or toothpicks) Ø Scupting Thumb or Rounded Dowel Ø Canvas or Canvas Pad of Paper Ø Finger Bowls Ø Spray Bottle Ø Rolling Pins or Dowels Ø Slab Roller or Slats/Pencils Ø Stamps, Stamp Rollers, Stamping Mats Ø Ribbon Tools Procedural Tips: Ø Start small. Ø Try your clay projects first. Ø Make visual steps Ø For one-day projects consider demonstrating and planning the week before. Ø Cut clay into portions for the project ahead of time Ø Make supplies easy to pass out. Ø Plan for storage when wet and for organization and storage while drying. A Bunch oF DeFinitions: Ball Clays- Can be mixed with other clays to increase plasticity Bisqueware- Biscuit- Unglazed clay body fired to low temperature- typically cone 04- about 1945° F Bisque Firing- The process of firing clay that has not been fired yet. During this firing clay becomes ceramic Candle (verb)- To fire a clay body very slowly or at very low temperatures to aid in drying Ceramics- The art of making and firing clay bodies Clay- A stiff, sticky fine-grained earth that can form a cohesive mass and retain a shape when molded Coil- Clay rolled into wet rope-like pieces Cone- A ceramic pyramid that melts at a known temperature and is used to shut off the kiln at a certain temperature. Earthenware- A low fire clay body, usually fired between 06 and 04 Englobe (interchangeable with Slip)- A slurry of clay that may be colored with glass or frit Fire- to cook or bake in a kiln Fire Clays- High fire clays with a speckled appearance- most often added to stoneware to increase tooth (roughness) and maturation temperature Foot- the part of a ceramic object that touches the kiln shelf Glaze (Noun)- a ceramic paint typically composed of opaque or transparent colors which becomes vitreous when fired to maturity (Verb)- the act of applying ceramic paint Glaze Firing- Typically the second firing of a ceramic body after glaze has been applied Gloss- A shiny finish Greenware- Any unfired clay body before it is bisque fired- very fragile Grog- bisqueware that has been ground up into little pieces and is added to wet, workable clay to make clay hold its shape better, reduce shrinkage and make ware less likely to crack Hand Building- Sculpting any clay body by hand Heat Work- All the work of heating and cooling the clay Incise- Indenting into the clay Kiln- an oven for burning, baking or drying and in this case for firing pottery Leather Hard- Clay that is partly dried, is not flexible/can’t take impressions, but can still be joined to another piece of clay Maturity/ Maturation- Clay that fired to correct temperature at the right speed is said to be “mature” Matte- Non-shiny finish Peephole- a hole or holes in a kiln that is usually covered with a peephole plug. Can be looked through to see ware or cones Plasticity- a term used to describe a clay’s workability and ability to hold a shape (highly plastic=easy to work with) Porcelain (Kaolin)- A high fire clay body- Cone 5-10 Pottery- Pots, dishes and other functional containers made of clay Score- to rough the surface of wet clay to aid in attaching another piece Shrinkage- All ceramics shrink between 4-15% when drying and in the firing process Stoneware- A high fire clay body that fires to maturity between 2150-2336° F Terra Cotta- A low fire red clay- literally means “baked earth” Underglaze- A colored liquid clay paint that is applied to greenware or bisqueware and often coated with a clear coat Ware- a catch-all term for everything made of clay What Happens to Clay in the Kiln During a Bisque Firing Stage 1: Atmospheric Drying 180-200° F Candle Fire SLOW 212° The Boiling Point of Water/ Atmospheric Water Evaporates Clay Compacts a Little Stage 2: Burn Off Carbon, Sulfur and 572-1470° F If These Cannot Burn Away Carbon Coloring Occurs Organics Stage 3: Chemically Bonded H2O 660-1470° F After Atmospheric Drying Clay Contains 14% Chemically Bonded Burned Off H2O- It Burns Off Here- Clay Gets Lighter SLOW Stage 4: Quartz Inversion Occurs 1060° F Silica Oxide is also known as Quartz- The Crystalline Structure of SLOW Quartz Changes/Inverts Here Expanding 2% While Heating and Contracting 2% When Cooling Stage 5: Sintering 1650° Clay Particles Fuse=Called Sintering- This is When Clay “Becomes” Ceramic Stage 6: Vitrification and Maturity 1850-2135° F Cone 06-3 –Earthenware 2160-2290° F Cone 4-7 –Mid-Range 2315-2535° F Cone8-14 –High-Fire Vitrification=Process Where Some Materials Melt and Fill in Spaces Between Other Particles Creating Hardness and Durability Maturity= When the Vitrification is Just Right Mullite Crystals (Aluminum Silicate) Bind and Strengthen the Ware Cooling 1650° Quartz Inversion SLOW 420° F Cristobalite (Crystaline Silica) Hits a Sudden Phase of Shrinking .
Recommended publications
  • Color in Salt Glaze
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 8-1-1967 Color in salt glaze Daniel Lee Stevens Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Let us know how access to this document benefits ou.y Recommended Citation Stevens, Daniel Lee, "Color in salt glaze" (1967). Dissertations and Theses. Paper 561. https://doi.org/10.15760/etd.561 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Daniel Lee Stevens for the Master of Science in teaching in Cerami~s 'presented 0:0 August 7, 1967. Title: COLOR IN SALT GLAZE. , Abs tract approved: This thesis endeavors to bring a brief history of salt glaze to the reader, following i~s ge~esisin Germany to England and the American colonies and its continuation to the prese~t day. In order to conduct research on color in salt glaze~ a kiln had to be built for this purpose, meeting all the requirements 'that this tech- nique demands. Studies were ~ade on clay bodies to determine their throwing qualities as well as their ability to take a salt glaze. Finally, research was carried out 'in many serfes of tests studying the reactions of'various engobes and other coloring materials when ,fired in the salt glaze kiln. \ .' COLOR IN SALT GLAZE by Daniel Lee Stevens A THESIS submitted to .Portland State College, in partial fulfillment of the requirements for the degree of Master of Science in Teaching August 1967 \ I PORTLAND STATE COL~EGE LIBRARY' .
    [Show full text]
  • Earthenware Clays
    Arbuckle Earthenware Earthenware Clays Earthenware usually means a porous clay body maturing between cone 06 – cone 01 (1873°F ‐ 2152°F). Absorption varies generally between 5% ‐20%. Earthenware clay is usually not fired to vitrification (a hard, dense, glassy, non‐absorbent state ‐ cf. porcelain). This means pieces with crazed glaze may seep liquids. Terra sigillata applied to the foot helps decrease absorption and reduce delayed crazing. Low fire fluxes melt over a shorter range than high fire materials, and firing an earthenware body to near vitrification usually results in a dense, brittle body with poor thermal shock resistance and increased warping and dunting potential. Although it is possible to fire terra cotta in a gas kiln in oxidation, this is often difficult to control. Reduced areas may be less absorbent than the rest of the body and cause problems in glazing. Most lowfire ware is fired in electric kilns. Gail Kendall, Tureen, handbuilt Raku firing and bodies are special cases. A less dense body has better thermal shock resistance and will insulate better. Earthenware generally shrinks less than stoneware and porcelain, and as a result is often used for sculpture. See Etruscan full‐size figure sculpture and sarcophagi in terra cotta. At low temperatures, glaze may look superficial & generally lacks the depth and richness of high fire glazes. The trade‐offs are: • a brighter palette and an extended range of color. Many commercial stains burn out before cone 10 or are fugitive in reduction. • accessible technology. Small electric test kilns may be able to plug into ordinary 115 volt outlets, bigger kilns usually require 208 or 220 volt service (the type required by many air conditioners and electric dryers).
    [Show full text]
  • Cooking with Less Fuel: Breathing Less Smoke
    Cooking with Less Fuel: Breathing Less Smoke Aprovecho Research Center World Food Program, School Feeding Service (PDPF) Environmental Protection Agency Shell Foundation Cooking with Less Fuel: Breathing Less Smoke Introduction This manual was initially designed to help school feeding programmes use cleaner (re- duced smoke emissions) and more efficient (less consumption of fuel wood) cooking stoves. Then, we realized that its contents can also be adapted and used in other set- tings. We encourage anyone interested and willing to improve their cooking stoves to read and use this manual. It can be used by Non Governmental Organizations (NGOs), local stove builders, School Directors and teachers, heads of households among oth- ers, to design and develop better cooking stoves; train new local stove producers; and train cooks (or regular users) on the use and maintenance of their new improved stoves. Teachers can also use this manual to teach their students, not only about the importance of eliminating indoor smoke emissions, reducing negative social and envi- ronmental impacts of fuel wood consumption and using healthier cooking practices; but most importantly, they can teach them how to make these recommendations real in their every day life. We hope you find this publication useful and encouraging. We will be looking forward to hearing your comments and suggestions on how to make this publication even bet- ter next time. Written by: Dean Still Written by: Fiorella Ceruti Aprovecho Research Center World Food Programme Advanced Studies in Appropriate School Feeding Service (PDPF) Technology Laboratory Illustrations: Lance MacCarty, Stephanie Korschun Design and Layout: Jeremy Roth Cooking with Less Fuel: Breathing Less Smoke Cooking with Less Fuel: Breathing Less Smoke Table of Contents Chapter 1 - Improved Cook Stoves ..............................................................
    [Show full text]
  • Ceramic Clay Vocabulary List
    CERAMIC CLAY VOCABULARY LIST 1. Ceramics - Objects made of clay fired sufficiently high in temperature for a chemical change to take place in the clay body, usually over 1550 degrees F. FOUR CERAMIC CONSTRUCTION TECHNIQUES: 2. Coiled Pottery - One of the oldest ways of forming pottery. Long strands of clay which are laid on top of each other and joined through blending coil to coil. Coil pieces can be almost any shape or size. 3. Pinch Pots - Starting with a ball of clay the potter opens a hole into the ball and forms a bowl shape through a combination of stroking and pinching the clay. Many coil-built pieces are constructed on top of a pinched bottom. 4. Slab Built - Clay slabs are cut to shape and joined together using scoring and wet clay called slip. Slabs can be draped over or into forms, rolled around cylinders or built up into geometric forms. Large forms are difficult because of stresses on the seams and because the slab naturally sags. Some potters get around this by working fibers into the clay body. The fibers burn out during the firing, leaving a network of tiny holes. 5. Wheel thrown - The term throw comes from Old English meaning spin. A piece of clay is placed on a potter's wheel head which spins. The clay is shaped by compression while it is in motion. Often the potter will use several thrown shapes together to form one piece (a teapot can be constructed from three or four thrown forms). TYPES OF CLAY: 6. Earthenware - A low-fire clay.
    [Show full text]
  • Kiln Firing Guidelines from Paragon This Information Applies to Ceramic Electric Kilns of All Brands
    Kiln Firing Guidelines from Paragon This information applies to ceramic electric kilns of all brands. Firing Checklist Kiln Loading Guidelines 1 Fire clay and glaze to the correct cone number. General Guidelines 2 Place taller pieces on the top shelf. 2 Make sure the power cord is plugged in all the way. 1 Coat the shelves with kiln wash. Keep kiln wash 3 Keep ware at least 1” away from the heating el- away from heating elements. ement. If the tip of a large piece of ware comes 3 Check the power cord for heat damage. 2 Use stilts only with low-fire glazed ware. Do closer than 1” to the kiln wall, position that sec- 4 Remove flammable materials from around the kiln. NOT use stilts with low-fire greenware, or with tion of ware between rows of element. 5 Vacuum the kiln with a brush nozzle of a vacuum stoneware and porcelain. 4 For stability, stack posts cleaner, especially for glaze firings. 3 You can place glazed ware directly onto a so that they are directly in line with each other verti- Greenware must be bone dry before firing. Place it kiln-washed shelf if you dry-foot the piece. 6 cally. against the inside of wrist. It should feel warm. 4 Low-fire greenware pieces can touch each 5 Minimum spacing be- Load the kiln following the loading guidelines. other. 7 tween shelves is 2 ½”. Vent the lid by using the lid 5 Glazed ware—whether low-fire, stoneware, or 8 6 Stack shelves so there is prop and leaving peep- porcelain—must be kept separate.
    [Show full text]
  • Clays and Clay Bodies
    Arbuckle Clays and Clay Bodies CLAYS AND CLAY BODIES The Nature of Clay Clay is a product of the decomposition of granite rock. 75% of the earth's crust is made of ALUMINA and SILICA, two of the major constituents of clay. Granite decomposes into FELDSPAR, the most common mineral, which is composed of ALUMINA, SILICA, and FLUX (of an alkaline nature e.g. sodium, potassium, lithium, calcium). The flux is somewhat soluble, and over long periods of weathering is carried off by moisture. The remaining alumina and silica are refractory (resistant to heat) and chemically inert. After long exposure to moisture, the alumina and silica become hydrated (water chemically added) to produce clay. This takes long periods of geologic time and cannot be synthesized. Clay is 14% chemical water. Unfired clay also contains physical water, which evaporates during drying. Stages of green (unfired) clay from most to least water: slip, plastic clay, leather‐hard clay, bone‐dry greenware. Especially in humid climates, even bone‐dry greenware contains some physical water. Factors that contribute to the plasticity of clay: theoretical formula for clay: • . plate‐like particle shape of particles Al2O3 2SiO2 2H2O • size of the particles • chemical/electrical attraction between particles • presence of carbonaceous (organic) matter PLASTICITY is the ability of clay to respond to pressure with a continuous and permanent change of shape in any direction without breaking apart, and hold that shape when released. Daniel Rhodes says that clay is unique in its degree of plasticity. Factors that contribute to the plasticity of clay are the PLATE‐LIKE PARTICLE SHAPE of clay (provides large surface area), the SIZE OF THE PARTICLES (small particles are more plastic than large ones), CHEMICAL/ELECTRICAL ATTRACTION between particles (adding an electrolyte, a.k.a.
    [Show full text]
  • Kaolin,Ballclay,Other Clays and Shale, 2013
    KAOLIN, BALL CLAY, OTHER CLAYS AND SHALE Indian Minerals Yearbook 2013 (Part- III : Mineral Reviews) 52nd Edition KAOLIN, BALL CLAY, OTHER CLAYS AND SHALE (ADVANCE RELEASE) GOVERNMENT OF INDIA MINISTRY OF MINES INDIAN BUREAU OF MINES Indira Bhavan, Civil Lines, NAGPUR – 440 001 PHONE/FAX NO. (0712) 2565471 PBX : (0712) 2562649, 2560544, 2560648 E-MAIL : [email protected] Website: www.ibm.gov.in January, 2015 29-1 KAOLIN, BALL CLAY, OTHER CLAYS AND SHALE 29 Kaolin, Ball Clay, Other Clays and Shale 1. Kaolin (China Clay) PRODUCTION, STOCKS & aolin, also known as china clay, is a natural clay PRICES Kformed by chemical weathering of aluminium The production of kaolin at 3,679 thousand tonnes silicate minerals like felspars. It is relatively pure clay in 2012-13 increased by 20% as compared to previous predominantly consisting of kaolinite (Al2Si2O5(OH)4), year. associated with other clay minerals like dickite, There were 131 reporting mines during 2012-13 as halloysite, nacrite and anauxite. Kaolin is commercially against 105 mines in the previous year. Besides, the valued for its whiteness and fine particle size which production of kaolin was also reported as an associ- distinguish it from other clays, such as, ball clay and ated mineral by seven mines in the year 2012-13 and fireclay. Other physical characteristics that influence four mines in the previous year. Ten principal commercial utility include brightness, glossiness, producers accounted for about 70% of the total output abrasiveness and viscosity. It often contains small of kaolin in 2012-13. The private sector mines reported amounts of impurities in the form of rock fragments, 99.64% of the total production and the remaining 0.36% hydrous oxides and colloidal materials.
    [Show full text]
  • The Thermal Expansion of Fireclay Bricks
    I L L I NO I UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. ;, ' ''i UNIVERSITY OF ILLINOIS BULLETIN ,JssuEm WEEKLY Vol, XXVI September 4, 1928 No. 1 [Eniered as second-class matter December 11, 1912, at the post office at Urbana, Illinois, under the Act of August 24, 1912. Acceptance for mailing at the special rate of postage provided for in section 1103, Act of October 3, 1917, authorized July 31, 1018.] THE THERMAL EXPANSION OF FIRECLAY BRICKS BY ALBERT E. R. WESTMAN tBULLETIN NO. 181i ENGINEERING EXPRI1MENT STATION PtRSImB lBBEst UNIVERmRIt oP IIU.NOIS, UARAN- 'I> ~y (\ /~ '/ 4 t V THE Engineering Experiment Station was established by act of the Board of Trustees of the University of Illinois on Decem- ber 8, 1903. It is the purpose of the Stationi to conduct investigations and make studies of importance to the engineering, manufacturing, railway, mining, and other industrial interests of the State. The management of the Engineering Experiment Station is vested in an Executive Staff composed of the Director and his Assistant, the Heads of the several Departments in the College of Engineering, and the Professor of Industrial Chemistry. This Staff is responsible for the establishment of general policies governing the work of the Station, including the approval of material for publication. All members of the teaching staff of the College are encouraged to engage in scientific research, either directly or in cooperation with the Research Corps composed of full-time research assistants, research graduate assistants, and special investigators.
    [Show full text]
  • Design in Jua Kali Pottery in Kenya
    DESIGN IN JUA KALI POTTERY IN KENYA A project submitted in the partial fulfilment of the requirements for the degree of Master of Design, University of Nairobi LORRAINE AMOLLO June 2007 This project is my original work and has not been presented for a degree in any other University This project has been submitted for examination with my approval as University of Nairobi Supervisor Dr J. P. Odoch To my family Table of Contents TABLE OF CONTENTS............................................................................................i LIST OF ILLUSTRATIONS.....................................................................................iii LIST OF FLOW CHARTS......................................................................................... v LIST OF TABLES...................................................................................................... vi LIST OF GRAPHS.................................................................................................... vii DEFINITION OF TERMS.......................................................................................viii ACKNOWLEDGEMENTS................................................................... ix ABSTRACT.................................................................................................................. x 1.0 INTRODUCTION............................................................... 1 1.1 Background to the problem................................................................................ 1 1.2 The Problem.........................................................................................................4
    [Show full text]
  • Clays and Clay Products
    CLAYS AND CLAY PRODUCTS. PROPERTIES AND TESTS OF FULLER'S EARTH." By JOHN T. PORTER. GEOLOGY AND ORIGIN. Practically all workable deposits of fuller's earth are of secondary origin, having been redeposited in sedimentary series. Residual deposits are also known, for example, in Saxony, where the fuller's earth is found in situ derived from gabbro. As is to be expected from its origin, the deposits are most frequently found in the Tertiary formations. Thus the well-known beds at Quincy, Fla., are of the Miocene epoch, and the earths in South Carolina belong to the Eocene and Neocene formations. The extensive deposits of South Dakota are also of Tertiary age, but in which division I am unable to state. On the other hand, certain British deposits are stated b to belong to the lower greensand (Lower Cretaceous), and Dana c mentions the "fuller's earth group" as a subdivision in oolite of the Jurassic period. Gabbro, diorite, diabase, and basalt are mentioned by different writers as rocks from which fuller's earth is derived. It will be noticed that these rocks are all similar in their nature and belong to either the hornblendic or basaltic series. Their characteristic mineral constituents are the augites and hornblendes, with the feld­ spars less prominent; the zeolites magnetite, ilmenite, olivine, and other minerals may also be present. The subjoined table gives a list of minerals which from lithologic considerations would seem likely to be found in fuller's earth. This list embraces not only the above- mentioned minerals, but also the hydrous aluminum silicates or clay minerals which may result from their decomposition.
    [Show full text]
  • District Survey Report for Fireclay and Ballclay Cuddalore District
    DISTRICT SURVEY REPORT FOR FIRECLAY AND BALLCLAY CUDDALORE DISTRICT (Prepared as per the Gazette Notification S.O.3611 (E) dated 25.07.2018 of Ministry of Environment, Forest and Climatic Change) 2019 DISTRICT ENVIRONMENT IMPACT ASSESSMENT AUTHORITY (DEIAA), CUDDALORE DISTRICT INDEX Chapt Content Page er No. 1. Introduction. 1 2. Overview of Mining Activity in the District. 1 3. General Profile of the District. 3 4. Geology of Cuddalore District. 7 5. Drainage of Irrigation pattern. 17 6. Land Utilisation Pattern in the District: Forest, Agricultural, 19 Horticultural, Mining etc. 7. Surface Water and Ground Water scenario of the District. 20 8. Climate and Rainfall of the District. 26 9. Details of Mining Leases in the District. 28 10. Details of Royalty or Revenue received in last three years. 30 11. Details of Production of Minor Mineral in last three years. 30 12. Mineral Map of the District. 30 13. List of Letter of Intent (LOI) Holder in the District along 31 with its validity. 14. Total Mineral Reserves available in the district. 31 15. Quality/Grade of Mineral available in the district. 32 16. Use of Mineral. 32 17. Demand and supply of the Mineral in the last three years. 32 18. Mining Leases marked on the map of the district. 33 19. Details of the area of where there is a cluster of the 34 mining leases, Location (Latitude and Longitude). 20. Details of Eco-sensitive area, if an, in the District. 34 21. Impact on the Environment ( Air, Water, Noise, Soil, Flora 34 & Fauna, land use, agriculture, Forest ect.) due to Mining activity.
    [Show full text]
  • Effect of Additives on the Performance of the Fire-Clay Refractory Bricks
    Marwa A. G. Elngar et al. 171 Effect of Additives on the Performance of the Fire-Clay Refractory Bricks Marwa A. G. Elngar1, Mohamed F.M.2, Asrar G.1, Carmen M. Sharaby1, Shalabi M. E. H. 2*. 1 Chemistry Department, Faculty of Science, Al-Azhar University. [Girls], Nasr City, Cairo, Egypt 2 Central Metallurgical Research and Development Institute, CMRDI, Helwan, Egypt Abstract This work studied the effect of additive materials – ceramic powder, bentonite, and clay-on the performance of fire-clay refractory bricks. The results showed that as the percentage of ceramic powder, clay, or bentonite increased up to 1.5%, shrinkage of the bricks decreased and density of the bricks increased while porosity and water absorption decreased and compressive strength increased. Introduction ramming mixes. These materials are placed directly in a furnace to form refractory lining upon firing Refractory materials make possible most of the (ASM International handbook committee, 1991). scientific and technological inventions and Fire clay refractories represent the most developments we know today. The existence of important refractories from a turnover point of virtually everything we see around us or use in view. They see use in boiler furnaces, blast everyday life in some way depends on refractory furnaces, gas retort settings, and lime kilns. In materials. metallurgical furnaces they serve in the melting, The development of heavy industries involving reheating, and heat treatment of iron, steel, and iron and steel, nonferrous commodities, cement, nonferrous metals. Fire-clay hollow-ware goes into glass, boilers, ceramics, gas making, and myriad crucibles and furnace chambers. While inferior to other enterprises would not exist without the silica and basic refractories in resistance to slag, development of refractories (El-Agamawi, 1974).
    [Show full text]