The Hindered Hand; Or, the Reign of The
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Father-Coughlin-Of-T
eke r:rete FATHER COUGHLIN of the SHRINE OF THE LITTLE FLOWER An Account of the Life, Work and Message of Reverend Charles E. Coughlin By RUTH MUGGLEBEE With a Foreword by HON. ALFRED E. SMITH and an Introduction by ROBERT E. ROGERS Illustrated from original photographs L. C. PAGE Sz. COMPANY Publishers Boston Copyright, 1933 BY L.C .P AGE & COMPANY (INCORPORATED) Made in U. S. A. First Impression, February, 1933 THE COLONIAL PRESS INC. CLINTON, MASS. "I LISTENED HUMBLY TO THE COUNTRY'S MOST DARING APOSTLE OF TRUTH" (See page 319) DEDICATION To My Mother and My Father— To All Mothers and All Fathers— Whose love has- been a guide to Destiny. FOREWORD by Hon. Alfred E. Smith For centuries past men of the cloth have played rôles of incalculable importance in the history of the world. Their interest and expressions of interest have helped to shape not only religious destinies for their adherents, but have served as instruments in the molding and remolding of the political spheres in which they lived. In this modern day and age a religious man has come forward to cope with destiny in shaping the ends of world living. He has youth and spirit. He has righteousness in his heart and brilliance in his mind. He uses both to preach his gospel and he proves conclusively that the man of words is greater than the man of swords. Too often do we feel that men of the cloth have no drama in their lives. Too often do we make the mistake of thinking that men of the cloth belong only to the altar. -
Playing American: Race and Citizenship in American Theatre and Performance During the Great War, 1917-1919
PLAYING AMERICAN: RACE AND CITIZENSHIP IN AMERICAN THEATRE AND PERFORMANCE DURING THE GREAT WAR, 1917-1919 BY MICHELLE SALERNO DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Theatre with a minor in European Union Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Valleri Robinson, Chair Associate Professor Peter A. Davis Assistant Professor Sandra Ruiz Assistant Professor Joshua Chambers-Letson, Northwestern University ABSTRACT This dissertation explores the intersection of race and citizenship in American theatre and performance during US active engagement in the Great War through focusing on performances by and about German immigrants and African American soldiers. Quickly after President Woodrow Wilson requested a declaration of war against Germany, the American homefront became a site of coercive patriotism supported by an extreme nationalistic rhetoric. A vital aspect of military preparedness would be the conformity of opinion, political expression, and outward signs of loyalty. Those who could or would not fit into the newly defined narrow view of proper American citizenship expression found themselves in the dangerous position of being outsiders. Those of German descent and recent German immigrants were suspected of disloyalty. Through a racialized process of enemization, Germans lost their access to the safety and security provided by White privilege. The performances examined in this dissertation derive from this brief period where the construction of race, and in particular the instability of Whiteness, stands out precisely because Germans were now considered White. Wartime German enemy construction was created through the modes and means of American anti-Black racism connecting xenophobic suspicions with deep-rooted racial ideologies of White supremacy. -
The Grand Valley Ledger Wny La
€iNe w TV Magazine Hi1 n00;: In This Issue'* Hi,,, -» ^ n i • k . Complete Listings For 'the - . ai:•' Lowell Cable TV System 4 49204 0 l« Scat ri of The Grand Valley Ledger wny lA Volume 7, Issue 21 Serving Lowell Area jgf Reader* Since 1893March 30. 1983 Teachers and Board come to terms on contract After months of sometimes to them by contract paid in equal payment of from 16 to 30 percent blame already-high taxes and as- would be willing to see the bus- grams they were willing to sup- tense negotiations, the Lowell installments until the last pay of the retiree's regular teaching sessments for the March 14 mil- ing program discontinued for the port with a favorable millage MBS Hducation Association and the date of the 1982-83 school year. salary lage defeat more than anything sake of improved instructional vote. The survey listed busing, a Bill Lowell Board of Education In addition, teachers will re- In a special meeting of the else. Fifty-one percent of the re- programs This figure compares six-hour school day. extra-cur- Wednesday ratified a three-year ceive salary increases of 6 per- board held Wednesday, March spondents said that taxes were with 41 percent for non-parents ncular activities, buildings and contract agreement which gives cent for the 1983-84 school year, 23, High School Assistant Prin- the reason for the millage defeat, These results were significant grounds improvements, and in- teachers the retroactive pay in- and 6-1/2 percent for the year cipal Dick Korb explained the re- compared with 20 percent who to Korb because they seemed to structional improvements. -
Cleveland Theatre in the Twenties
This dissertation has been Mic 61-2823 microfilmed exactly as received BROWN, Irving Marsan. CLEVELAND THEATRE IN THE TWENTIES. The Ohio State University, Ph.D., 1961 Speech - Theater University Microfilms, Inc., Ann Arbor, Michigan CLEVELAND THEATRE IN THE TWENTIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Irving Marsan Brown, A.B., M.A. *.»**** The Ohio State University 1961 Approved by Adviser Department of Speech ACKNOWLEDGMENT To lay wife, Eleanor, without whan this would not have been ii CONTENTS Page LIST OF TABLES........................................ iv Chapter I. INTRO SU C T I O N ............. 1 II. CLEVELAND IN THE TWENTIES....................... U III. THE AMERICAN THEATRE IN THE T W E N T I E S ........... 20 IV. CLEVELAND THEATRE IN THE TWENTIES: INTRODUCTION. U6 V. CLEVELAND THEATRE IN THE TWENTIES: THE COMMERCIAL THEATRE ........................ 71 VI. CLEVELAND THEATRE IN THE TWENTIES: THE AMATEURS ................................. 128 VII. CONCLUSION................................... 20$ BIBLIOGRAPHY............................................ 210 AUTOBIOGRAPHY .......................................... 216 TABLES Table Page 1. Plays That Ran for Over $00 Performances on Broadway Between 1919-20 and 1928-29 . .......... 2$ 2. Road and Stock Company Shows in Cleveland; Statistics: 1919-20 to 1928-29 122 3. Kinds of Shows, 1919-20 and 1928-29 123 U. Play House Productions, 1928-29................ 191 -
1000 and One--The Blue Book of Non-Theatrical Films
LB 1044 .A2 b5 5th ed. 1927 AW ; Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www. I oc . gov/avco n se rvati o n Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record 100(W0NE (FIFTH EDITION) IheBlueBook Tbndheatrical — 3ilms THE EDUCATIONAL SCREEN CHICAGO ' NEW yORfv The Educational Screen, Inc. DIRECTORATE Herbert E. Slaught, President, The Dudley Grant Hats, Chicago Schools. University of Chicago. Frank R. Greene, New York City. Frederick J. Lane, Treasurer, Chicago Schools. William R. Duitey, Marquette University. Joseph J. Weber, University of Ar- Nelson L. Greene, Secretary and Editor, kansas. Chicago, EDITORIAL ADVISORY BOARD A. W. Abrams, N. Y. State Department Dudley Grant Hays, Assistant Sup't. of of Education. Schools, Chicago. Richard Burton, University of Minnesota. F. Dean McClusky, Carlos E. Cummings, Buffalo Society of Natural Sciences. Rowland Rogers, Columbia University. Frank N. Freeman, The University of H. B. Wilson, Superintendent of Schools, Chicago. Berkeley, Calif. STAFF Nelson L. Greene, Editor-in-Chief. Geneva Holmes Huston Marie E. Goodenough, Associate Editor. Marion F. Lanphier Robert E. Clark, Circulation Manager. Carlos E. Cummings Stella Evelyn Myers Josephine F. Hoffman Marguerite ORNDORrr Publications of The Educational Screen The Educational Screen, (including Moving Picture Age and Visual Education), now the only magazine in the field of visual education. Published every month except July and August. Subscription price, $1.50 a year ($2.00 for two years). (With "1001 Films," $1.75 and $2.25 respectively). In Canada, $2.00 ($3.00 for two years). -
$ 5.00 Friendly Enemies: the CIA in Eastern Europe
----·---- 1 NumberЗS $ 5.00 / "" Friendly Enemies: The CIA In Eastern Europe \. " • Operatives and S&Ls: CIA and banks • "Crisis" in the Persian Gulf • lndonesia 1965 [ ч Editorial The Cold War, we are told, is over. The winds of change PhilipAgee have swept over the Soviet Union and Eastern Europe. The U.S. continues to make life difficult for Philip Agee, Through covert and overt encouragement, the West, especial former CIA operations officer and, since 1975, potent critic ly the United States, has been an active obser'Ver qf these of the Agency. In 1979 the U.S. revoked his passport for ex events. In parts of the Soviet Union and in many Eastern posing CIA officers and puЬlishing material without European nations consideraЫe power is now wi~lded Ьу clearance. Agee's challenge to the constitutionality of the friends of the United States. State Department regulations under which his passport was In particular, the convergence of U.S. and West German revoked was denied Ьу the Supreme Cщ1rt in 1981. interests and the headlong rush to unification cal1s fdr some Agee, who has remained а U.S. ciµzen, was given first а sober reflection. With the assistance of а CIA President in Grenadian, then а Nicaraguan honorary passport. This Sep Washington and а CIA Ambassador in Bonn, the new Ger tember, the Violeta Chamorro government-at the urging of many has emerged as the leading force in Europe. the U .S. -revoked the latter passport. As U.S.-instigated propaganda insinuates that the cor In 1987, Agee applied for а new U.S. -
Women, Gender, and War During the War of 1812 in the Great Lakes Region
RHETORIC AND REALITIES: WOMEN, GENDER, AND WAR DURING THE WAR OF 1812 IN THE GREAT LAKES REGION Sherri Quirke Bolcevic A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Rebecca Mancuso, Advisor Michael Brooks © 2015 Sherri Quirke Bolcevic All Rights Reserved iii ABSTRACT Rebecca Mancuso, Advisor The bicentennial of the War of 1812 has reinvigorated interest in the conflict, but there are still elements of this war which remain unplumbed. Within the locality of the Great Lakes region, using diaries, journals, and letters as my main primary sources, I explore how gender dynamics established by whites prior to the War of 1812 influenced a mindset that said women were incapable of fruitful participation in warfare. In contrast to those who argue that women’s participation in the War of 1812 was extraordinary, I argue that women participated by any means that they were permitted. Although this participation occasionally flew in the face of traditional gender boundaries, many women aided in war efforts through everyday means, though they ultimately received little acknowledgment because their actions were reinterpreted through a lens of domesticity. My research shows that women were a significant part of the War of 1812, despite gendered thinking which regulated them to the role of the victim. iv This is for my grandmother, Blennie Quirke. I love you, Grandma. Thank you for giving me this chance. v ACKNOWLEDGMENTS My deepest gratitude goes to Dr. Rebecca Mancuso, who inspired me to pursue this project and then supported and guided me through its completion. -
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) -
Motion Picture Lobby Cards, 1913-1999
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65). -
Current Catalog
ASHFAULT VIDEO CATALOGUE 13 Lead Soldiers (1948) 13 West Street (1962) 13 Women (1932) 13th Hour, The (1947) 13th Man, The (1937) 1984 (1956) 2,000 Women (1944) 20 Mule Team (1940) 20,000 Men a Year (1939) 20,000 Years in Sing Sing (1932) 21 Days (1940) 23 1/2 Hours Leave (1937) 23 Paces to Baker Street (1956) 24 Hours (1931) 25th Hour, The (1967) 27th Day, The (1957) 30 Years of Fun (1963) 39 Steps, The (1978) 4 Just Men, The (1939) 45 Fathers (1937) 49th Man, The (1953) 50 Million Frenchmen (1931) 6,000 Enemies (1939) 7 Women (1966) 70,000 Witnesses (1932) 711 Ocean Drive (1950) 7th Cavalry (1956) 80,000 Suspects (1963) 99 River Street (1953) Aaron Slick from Punkin Crick (1952) Abandoned (1949) About Face (1942) About Mrs. Leslie (1954) Accent on Love (1941) Accent on Youth (1935) Accidents Will Happen (1938) Accomplice (1946) Accused (1936) Accused, The (1948) Accusing Finger, The (1936) Across to Singapore (1928) Act of Violence (1979) Action for Slander (1937) Action in Arabia (1944) Action of the Tiger (1957) Actress, The (1953) Ada (1961) Adding Machine, The (1969) Adorable (1933) Advance to the Rear (1964) Adventure in Baltimore (1949) Adventure in Blackmail (1942) Adventure in Diamonds (1940) Adventure in Manhattan (1936) Adventure in Washington (1941) Adventurers, The (1951) Adventures of Chico (1938) Adventures of Gerard, The (1970) Adventures of Hairbreadth Harry (1920) Adventures of Hajji Baba, The (1954) Adventures of Jane Arden, The (1939) Adventures of Kitty O'Day (1944) Adventures of Martin Eden, The (1942) Adventures -
Current As of 10.23.2019 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
1 Current as of 10.23.2019 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (October 2019) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at [email protected] 20 21 • Some recent “finds” now removed from this list: Devil’s Claim (1920), 22 Foreman of the Bar-Z Ranch (1915), Secrets of the Night (1924), Sinews of 23 Steel (1927), Broadway Billy (1926), Broadway Gold (1923), Dancer and the 24 King (1914), Dark Angel (1925), Double-Fisted (1925), Earth Woman (1926), 25 Man-Made Women/Woman (1928), Eye of Envy (1917), Between Dangers 26 (1927), Pursued (1925), On-the-Square Girl (1917), Two Lovers (1928), 27 Win(k)some Widow (1914), Clear the Decks (1917), Grim Game (1917), The 28 Noose (1928), In Slumberland (1917) 29 30 31 $1,000 Reward (1923), Charles R. -
National Film Preservation Board (January 2018) 4 5 • This Compilation Is a Definite Work-In-Progress
1 Current as of 1.29.2018 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (January 2018) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at <[email protected]> 20 21 22 $1,000 Reward (1923), Charles R. Seeling 23 $30,000 (1920), Ernest C. Warde 24 $5,000 Reward (1918), Douglas Gerrard 25 $5,000,000 Counterfeiting Plot, The (1914), Bertram Harrison 26 1915 World's Championship Series (1915) 27 2 Girls Wanted (1927), Alfred E. Green 28 23 1/2 Hours' Leave (1919), Henry King 29 30 Below Zero (1926), Robert P.