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DIJ Gender and Sexuality Lecture Series: Rachael Hutchinsons on Female Bodies in Japanese Videogames on June 23 (Wed)
H-Japan DIJ Gender and Sexuality Lecture Series: Rachael Hutchinsons on Female Bodies in Japanese Videogames on June 23 (Wed) Discussion published by DIJ Hist&Hum Study Group (B. Geilhorn) on Thursday, June 17, 2021 You are cordially invited to the next DIJ Gender and Sexuality Lecture Series' online talk on June 23 (Wed), 2021, 7:30p.m. JST (ONE HOUR LATER THAN USUAL) Croft, Quiet, and Kantai Collection: Female Bodies in Japanese Videogames (dij.tokyo/croft) Rachael Hutchinson, University of Delaware This presentation examines the representation of women in Japanese videogames, situating the depiction of female bodies in terms of political discourse. I first briefly overview different kinds of depiction in a range of genres, from fighting and fantasy genres to shooters and war games, with examples drawn from Tomb Raider, Soul Calibur and Metal Gear Solid. I then focus on a case study, the online card-based wargame Kantai Collection (DMM.com, 2013), in which the player serves as Admiral of the Japanese imperial fleet. Sending historical battleships off to a nameless war in the Pacific, the player occupies a masculine subject-positioning where each battleship is anthropomorphized as a beautiful ‘ship girl’ (kanmusume). Attributes of the Japanese warships are directly reflected in the physical characteristics of the women: a large warship with high tonnage is represented by a mature, full-bodied woman, while a smaller ship is represented by a younger, girlish figure. The body of the woman is thus analogous to the body of the ship, with sexuality and fertility made synonymous with a ship’s destructive force. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Kantai Collection Origin: Admiral Abilities: Captain's Orders Free
Kantai Collection Origin: Admiral Abilities: Captain’s Orders Free Yamato Damashii -100 Beacon of Hope -300 Memories Reborn -600 Gear: Admiral’s Uniform Free Marriage Ring and Documents Free Upgraded Gear (Armor, Armor, & Armor) Free Remodeling Equipment x3 -300 Shipgirls: Flagship: Queen Elizabeth Class Battleship Warspite -150 Type IXC U-boat (Submarine) U-511 ` -50 J Class Destroyer 'Lucky' Jervis Free Maestrale Class Destroyer Libeccio Free John C. Butler-class Destroyer Escort Samuel B. Roberts Free Tashkent Class Destroyer Tashkent Free Drawbacks: Iron & Blood +300 Shellshock +300 “So,” the darkened hall was filled with silence, “he’s been found. Admiral Ootori has been discovered.” “That rapscallion from the forward base actually made it out?” A voice asked. “How many shipgirls are with him.” “None.” The original speaker replied. “He wasn’t completely,” an hand moved through the air, “there when the scouts found him. He kept reporting his name and number, like he was being tortured.” Again the hand traced through the air. “One of the shipgirls reported that he manifested a broken wreck of a Yamato Class for a moment before it all fell apart and he’s been catatonic since..” “What?” Several shocked voices took to the air. “Indeed.” The original speaker said slowly. “An Admiral who lost every last ship he had under him, but he somehow survived. That could scar a man for life, especially one so young.” “Don’t be coy!” The table shook as a meaty fist hit it. “You said that he could manifest a ship, like the shipgirls?” “That is indeed what was implied by the reporting shipgirl’s brief, yes.” The first voice sighed. -
Mavis Vermillion Aesthetic
1500x931 Mavis Vermilion HD Wallpaper and Backgr"> Continue Mavis vermillion aesthetic 1200x673 Fairy Tail Mavis Wallpaper"> 1500x931 Mavis Vermilion HD Wallpaper and Background Image"> 1920x1076 Mavis Vermilion HD Wallpaper and Background Image"> 954x1696 Mavis Vermilion Wallpaper"> 1300x945 Mavis Vermillion - FAIRY TAIL ZERØ - Zerochan Anime Image Board"> 1024x768 Mavis Vermilion Wallpaper"> 1366x768 Mavis Vermilion Wallpaper"> 1920x1080 Mavis Vermilion wallpaper 1920x1080 Full HD (1080p) desktop"> 4568x6434 Mavis Vermillion - Wallpaper and Scan Gallery"> 900x1500 Mavis Vermilion Wallpaper"> 1198x1789 Mavis Vermillion - FAIRY TAIL ZERØ - Mobile Wallpaper"> 800x1184 View Fullsize Mavis Vermillion Image - HD Wallpaper"> 1920x1078 Mavis Vermilion Wallpaper"> 1332x850 Wallpaper art, FAIRY TAIL, Pixiv Id 4423373, Mavis Vermillion"> 1200x1686 Mavis Vermillion - FAIRY TAIL ZERØ - Mobile Wallpaper"> 1188x672 Free download Mavis Vermillion image Mavis Vermillion HD"> 3200x2400 Fairy Tail - Mavis Vermillion & Zera HD wallpaper download"> 3840x2160 Mavis Vermillion 4K 8K HD Fairy Tail Wallpaper"> 1920x1080 Mavis Vermilion Wallpaper"> 928x947 Free download Mavis Vermillion FT305 by ScarletSky7 [928x947]"> 741x1079 Mavis Vermillion Wallpaper, Picture"> 789x1012 Free download Mavis Vermillion image mavis kawaii HD wallpaper"> 1920x1080 Mavis And Zeref - Fairy Tail Zeref Y Mavis, HD Wallpaper"> 1920x1379 Mavis Vermilion HD Wallpaper and Background Image"> 1080x1080 Fairy Tail Mavis Vermillion - Fairy Tail Mavis, Download"> 1920x1200 Mavis Vermilion -
Distinctive Difference Game Titles Between Japanese Context And
What is “Japanese video game” • Kohler, Chris. "Power-up: how Japanese video games gave the world an extra life." (2004). • Picard, Martin. "The foundation of geemu: A brief history of early Japanese video games." Game Studies 13.2 (2013). • Pelletier-Gagnon, Jérémie. Video Games and Japaneseness: An analysis of localization and circulation of Japanese video games in North America. Diss. McGill University, 2011. What is “Japanese video game” • Some famous “Made in Japan” games is not famous in Japan. Ex : “Zaxxon”(1982), “Jet Grind Radio” (2000), “Cooking Mama”(2006) (C)SEGA 1982 (C)SEGA 2000 (C)TAITO 2006 Some famous Japanese game is not famous in English context. Ex : “moon”(1997) (C) ASCII 1997 (C) ASCII 1997 Japanese gamer don’t know famous game titles. • For example, most of Japanese video game players don’t know “Tempest”(1981), “Canabalt”(2009) (C)ATARI 1981 (C)Semi-Secret Software 2009 Do you know the game ? https://goo.gl/forms/ZJr4iQqam95p9kcC2 1.Purpose of the study A) Today Japanese video game context and English video game context, each context have much local bias. We want to know local game history. B) Developing method to know characteristic history in each area. 2.Significance of the study A) Making basic resource for local game history research, and area studies. B) Extended use case trial of Media Art DB. # Now, This DB don’t include work – version relation.(at 2016/8) Media ART DB / Game Domain(Published by Agency for Cultural Affairs Japan) 3.Method 1. Picking up video game titles from a. video game books, awards, exhibitions about video games, and sales data. -
20-22 August 2018 the National Videogame Arcade REPLAYING JAPAN 2018
Replaying Japan 2018 20-22 August 2018 The National Videogame Arcade www.thenva.com REPLAYING JAPAN 2018 LOCAL ORGANISERS Alice Roberts, Iain Simons, James Newman and the team at The National Videogame Arcade CONFERENCE CO-ORGANISERS Ritsumeikan Center for Game Studies, Ritsumeikan University Philosophy and Humanities Computing, University of Alberta Institute of East Asian Studies / Japanese Studies, Leipzig University Digital Games Research Association (DiGRA) Japan CONFERENCE CHAIRS Geoffrey ROCKWELL, Philosophy and Humanities Computing, University of Alberta Akinori NAKAMURA, College of Image Arts and Sciences, Ritsumeikan University Jérémie PELLETIER-GAGNON, Comparative Literature and Humanities Computing, University of Alberta Martin PICARD, Institute of East Asian Studies / Japanese Studies, Leipzig University Martin ROTH, Institute of East Asian Studies / Japanese Studies, Leipzig University PROGRAMME COMMITTEE Koichi HOSOI, College of Image Arts and Sciences, Ritsumeikan University Kazufumi FUKUDA, Ritsumeikan Global Innovation Research Organization, Ritsumeikan University Akito INOUE, Graduate School of Core Ethics and Frontier Sciences, Ritsumeikan University Shuji WATANABE, College of Image Arts and Sciences, Ritsumeikan University Tsugumi OKABE, Comparative Literature, University of Alberta Mitsuyuki INABA, College of Policy Science, Ritsumeikan University Hiroshi YOSHIDA, Graduate School of Core Ethics and Frontier Science, Ritsumeikan University !2 of !56 THE NATIONAL VIDEOGAME ARCADE The National Videogame Arcade is a not-for-profit organisation that exists to develop the role of videogames in culture, education and society. It is funded by revenue generated by visitors, hospitality and events as well as generous patrons. The National Videogame Arcade opened in March 2015 and welcomes tens of thousands of visitors a year. As well as the core visitor attraction, we also deliver education programmes to school visits and informal learners. -
Fairy Tail Heroes Return Once More to Enchant the World of Brave Frontier
FAIRY TAIL HEROES RETURN ONCE MORE TO ENCHANT THE WORLD OF BRAVE FRONTIER SAN FRANCISCO, ANZ, AND SOUTHEAST ASIA – November 1st, 2018 – gumi Inc. is proud to announce the return of Fairy Tail wizards in Brave Frontier. From November 1st to November 28th, summon brand new Fairy Tail wizards alongside fan favorites such as Natsu Dragneel and Lucy Heartfilia. The highlights of this collaboration are as follows: 5 New Featured Units: ● Wendy Marvell is a Sky Dragon Slayer who draws her power from the air around her. She excels at healing magic, and is able to cure even wounds inflicted by a dragon. ● Gajeel Redfox, the Iron Dragon Slayer, eating iron allows Gajeel to power up and even change his skin into scales of iron. He also goes by the alias, "Black Steel." ● Acnologia, the Black Dragon of the Apocalypse, is so destructive that the mere mention of his name is terror itself. In times long past, it was said that he was capable of single-handedly annihilating a nation and he could wipe islands off the map with but a roar. The Black Wizard, Zeref, has dubbed him "the most dangerous dragon". ● Zeref was cursed with Ankhseram Black Magic, causing him to become immortal. Also known as the "Curse of Contradiction", the more the cursed person values life, the more death energy is released, eventually killing that source of life. ● Mavis Vermilion is one of the founders of the wizard guild Fairy Tail, as well as its First Master. In the past, she cast an incomplete spell in order to rescue her comrades; as a result, her body was rendered unable to grow or mature. -
Black Label/Hill House
BLACK LABEL/HILL HOUSE SUMMER/FALL 2020 CATALOG Summer & Fall 2020 From captivating and complex superhero titles to terrifying horror tales, DC Black Label is committed to telling mature and timeless stand-alone stories. These collections for Summer/Fall 2020 are perfect for everyday readers looking for accessible and distinctive jumping-on points. First, the White Knight saga continues! Sean Murphy returns as writer and artist on Batman: Curse of the White Knight, the sequel to his blockbuster Batman: White Knight. As Batman prepares to reveal his identity, the Joker and Azrael team up to wield a shocking piece of lost history that will corrupt Batman’s legacy and shake Gotham to its foundation. In Harley Quinn & The Birds of Prey, Amanda Conner and Jimmy Palmiotti return to have some fun with the character they revolutionized; and Jeff Lemire and Andrea Sorrentino explore the crooked corridors of Joker’s mind in Joker: Killer Smile. DC Black Label is passionate about showcasing the most amazing artists in the industry. Two more books that feature eye-popping art were also year-end hits in the direct market: the outstanding Dark Knight Returns: The Golden Child, written by Frank Miller and illustrated by Rafael Grampa, and the stunning Wonder Woman: Dead Earth, written and illustrated by the monstrously talented Daniel Warren Johnson. Then, New York Times bestselling writer Geoff Johns and Jason Fabok team up for the long-awaited Batman: Three Jokers. 30 years after The Killing Joke changed comics forever, this story re-examines the myth of the Joker and explores the depths of his ongoing battle with Batman. -
Even Bricks Look Cute!
Even Bricks look cute! Building Your Own Anime Style Figurine By Mike Dung The Beginning While I started playing with LEGO® bricks at the end of 2010, I was far from a MOC builder. Until I saw a wonderful anime style MOC in a blog, I never thought that an anime fgurine could be made with bricks. MOKO, a Japanese LEGO builder, built a senior high school girl, it inspired me to build something by using bricks as you can see in picture 1. I was continuing to build small fgurines with bricks and I thought it was time to start building something different! Picture 1. Snow Miku in mini scaling. Vocaloid Bricks My frst fgurine is a 1/7 scaled version of Hatsune Miku, who is a humanoid persona voiced by a singing synthesizer application developed by Crypton Future Media. As a virtual Picture 2. Hatsune Miku singer, she has a great amount of fans from the entire world, There are many characters in the vocaloid family, and each and I am one of them. Deeply addicted to her songs, I tried to one has its own characteristics and voice. Just like Miku, build my own LEGO Miku. After two weeks, I fnally completed they also have many great songs. After making Miku, I also it and posted the photos on my fickr account. Fortunately built Megurine Luka, Kagamine Rin, and Gumi. Since their some LEGO brick lovers saw my MOC and gave me a lot of main feature is music, I also built some proper instruments for positive feedback, thus I decided to build the next one. -
Revistafairytailpaula.Pdf
Fairy Tail es un manga perteneciente al género de aventuras, fantasía y acción escrito e ilustrado por Hiro Mashima y publicado por primera vez el 23 de agosto de 2006, en la revista Shōnen Magazine de la editorial Kōdansha. Desde entonces posee 284 capítulos, de los cuales 274 están recopilados en 32 volúmenes (tankōbon) hasta abril de 201 2. El 1 2 de octubre de 2009 se estrenó la adaptación anime producida por A-1 Pictures y Satelight, cuya tercera temporada se confirmó a mediados de 201 1 .A finales de 201 1 , Kōdansha anunció la producción de una película basada en el manga, Fairy Tail: Hōō no Miko, cuyo estreno está contemplado para agosto de 201 2. Fuera de su país de origen, Fairy Tail comenzó a publicarse en Estados Unidos a partir del 25 de marzo de 2008 por la editorial Del Rey Manga. No obstante, la licencia de Del Rey finalizó con la publicación del volumen 1 2, por lo que desde entonces la editorial Kodansha USA Publishing se habría de ocupar de esta misma función en Estados Unidos. En España, el grupo Norma Editorial posee la licencia respectiva para publicar el manga; el primer tomo fue lanzado de forma simultánea a la realización del evento Salón del Manga de Barcelona 2008. En otros países, Fairy Tail ha sido publicado por las editoriales Pika Édition (Francia), Tong Li (China), JBC (Portugal) y Carlsen Verlag Gmbh (Alemania). En un inicio la publicación era bimestral y tras la conclusión de la obra Rave Master, del mismo autor, su lanzamiento pasó a ser mensual a partir del tomo diez. -
Sejarah Perkembangan Kantai Collection Di Jepang
SEJARAH PERKEMBANGAN KANTAI COLLECTION DI JEPANG Diajukan sebagai salah satu syarat untuk memperoleh gelar Sarjana Sastra SKRIPSI STELLA VANIA FREDERICA 2012110012 PROGRAM STUDI SASTRA JEPANG FAKULTAS SASTRA UNIVERSITAS DARMA PERSADA JAKARTA 2018 HALAMAN PERNYATAAN KEASLIAN SKRIPSI Skripsi ini adalah hasil karya tulis penulis sendiri dan semua sumber baik yang dikutip maupun dirujuk telah penulis nyatakan dengan benar. Nama : Stella Vania Frederica NIM : 2012110012 Program Studi : S1/Sastra Jepang Fakultas : Sastra Jakarta, 11 Februari 2018 Yang Menyatakan, Stella Vania Frederica NIM: 2012110012 KATA PENGANTAR Puji syukur penulis panjatkan kepada Tuhan Yang Maha Esa karena atas rahmat dan anugerah-Nya penulis dapat menyelesaikan skripsi dengan judul “Sejarah Perkembangan Kantai Collection di Jepang”. Penulisan skripsi ini disusun sebagai salah satu syarat untuk memperoleh gelar Sarjana Sastra Universitas Darma Persada. Penulisan skripsi ini tidak terlepas dari dorongan dan bantuan dari berbagai belah pihak. Oleh karena itu, pada kesempatan kali ini penulis dengan senang hati mengucapkan terimakasih sebesar-besarnya kepada: 1. Ibu Dr. Nani Dewi Sunengsih, S.S., M. Pd selaku Dekan Fakultas Sastra merangkap dosen pembimbing yang telah meluangkan waktu, tenaga dan pikiran untuk membimbing penulis dalam penyusunan skripsi ini. 2. Ibu Erni Puspitasari S.S., M. Pd. selaku Dosen Pembimbing Akademik dan pembaca skripsi atas segala bantuan, saran dan waktu yang diberikan kepada penulis. 3. Bapak Dr. Ari Artadi, M, Si, M.A selaku Ketua Jurusan Sastra Jepang, Fakultas Sastra Universitas Darma Persada. 4. Seluruh staff pengajar program studi Sastra Jepang Universitas Darma Persada yang selama ini telah mengajar dan membagikan ilmunya kepada penulis. 5. Seluruh staff dan karyawan Universitas Darma Persada. 6. -
June 24-August 31, 2015
June 24-August 31, 2015 Kimi ni Todoke: From Me to You / M Aikatsu! / G Mama ha Tenparist / M No. Title / M Manga、A Anime、G Game HATSUNE MIKU YELL FOR THE BLUE SKY / M Section 1 Contemporary Heroes and Heroines 34 APPLESEED / A ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ HATSUNE MIKU EXPO in NEW YORK Hana ni Somu / M 1 NARUTO / A 35 Knights of Sidonia / A ("Sharig The World," BIGHEAD) / live performance video ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ Blue Spring Ride / M 2 The Seven Deadly Sins / A HATSUNE MIKU V3 / Figurine / ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ Section 3 The Fruits of a Network Society MY love STORY!! M 3 The Seven Deadly Sins / M Uta no * Prince-Sama: Repeat / G ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 36 Voices of a Distant Star / A Tera Girl / M 4 Detective Conan / M ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ THE IDOLM@STER ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 37 Mekakucity Actors / A OUR FIELD OF DREAMS / M 5 Puella Magi Madoka Magica / A ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ THE IDOLM@STER MILLION LIVE! ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 38 Higurashi When They Cry / G Henshu-oh / M 6 MAGI