DOCSLIB.ORG

Tobias Bernstrup C/ Enrique Granados, 49, SP

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tobias Bernstrup C/ Enrique Granados, 49, SP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Tobias Bernstrup c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Obras selección /Worksselection Biografía /Biography Publicac iones /Publications Textos selección /Texts selection Prensa selección /Press selection c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Obras/ Works Performances c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Friktioner Performance at Uppsala Konsert Kongress, June 2. 2012 Organized by SU‐EN Butoh Company & Uppsala konstmuseum c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Performance at Utah Museum of Contemporary Art, Salt Lake City, 2012 c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Body 5 Arrives Performance at Galería Roca, Barcelona, 2010 Organized by ADN Galería c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com No Soul For Sale Performance at Tate Modern, London May 15th 2010 Curated by Maurizio Cattelan c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Midnight Blue Performance at Wierd New York Dec 2008 c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Pop! Goes The Weasel Perform Badischer Kunstverein,Karlsruhe Feb. 2008 Curated by Anja Casser c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com A Night With K48 Performance at The Kitchen, New York May 24. 2007 Organized by Scott Hug/K48 c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Shanghai Cosplay Performance at Shanghai Duolun MoMA, Nov 27. 2006 During Tobias Bernstrup's Solo Exhibition Mantis City, Curated by Biljana Ciric c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Killing Spree Performance at Debaser Stockholm,January 24th 2006 Organized by Andréhn‐Schiptjenko c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Performance at Rothko, New York April 20. 2005 c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Performance at Erlkönig , Art Basel 2003 Organized by Museum Für Gegenwartskunst & Andréhn‐Schiptjenko c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com On Top Of The World Performance at Gio Marconi, Milan, March 15. 2002 curated by Caroline Corbetta c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Performance during Sets ‐ Performative Surfaces, Venice Biennale 2001 organized by IASPIS c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Obras/ Works Videos c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Walking Ego (Body 5) 2010 In 'Walking Ego (Body 5)', we see Bernstrup's digital alter ego, dressed in a robotic costume, with exposed breasts, walking endlessly towards the viewer. The animation is made by modifying the famous video game Half‐Life2 and using its tools for character animation in order to create an avatar textured with the artist's face and performance outfit. Bernstrup's musical performances and animations have since many years addressed issues on gender, sexuality, reality, fiction, the production of desire and the sexual fetishisation of dreams through drag and melancholic synth‐disco. 'Walking Ego (Body 5)' extends the artist's previous work as the body that appears has further transformed away from clear gender categories and become more queer. Bernstrup's art/drag performances have also reached a more abstracted, symbolic stage, and drifted away from addressing trans‐gender and 'real' life to more fictive, hybrid references. CtlCatalogue tttext by Jesper NdhlNordahl from the exhibition New GitGravity at NCCA, Moscow Walking Ego (Body 5), 2010 Format: DVD 16:9 or 4:3, Endless loop. Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com A.S.F.R 2009 Filmed during Tobias Bernstrup's performance at Madre Museum, Naples June 26th 2009. In the performance Bernstrup is dressed in a shiny robotic costume and high heels while posing against a crashed BMW and singing his romantic pop songs about cars, neon and robots. The initials AASFR.S.F.R. means 'Alt Sex Fetish Robot' and derives from the now defunct Newsgroup on the web dedicated to Robot Fetishism. The performance was produced in collaboration with MADRE and Scabec as part of the program 'Corpus. Art in Action' curated by Adriana Rispoli & Eugenio Viola. A.S.F.R. 2009 Format: DV‐Cam/DVD 16:9, Dur. 6:18 min. Music by T. Bernstrup Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Performance at Badischer Kunstverein 2007‐2008 Filmed during Tobias Bernstrup's performance at Badischer Kunstverein, Karlsruhe February 15th 2008. In the video Bernstrup is performing his song 'Enemies Of The Earth' dressed shiny latex and makeup accompagnied by theatrical smoke and animated stage visuals inspired by early computer animation effects as seen in the classical sci‐fi movie TRON. The video was produced in collaboration with Badischer Kunstverein. The performance took place during the opening night of the exhibition 'Pop! Goes The Weasel' curated by Anja Casser. Performance at Badischer Kunstverein, 2007‐2008 Format: DV‐Cam/DVD 16:9, Dur. 4:35 min. Music by T. Bernstrup Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Neon Love 2007‐2008 Neon Love was filmed during Tobias Bernstrup's performance at The Hall in Istanbul November 16th 2007. The Hall is a former Armenian church that has been transformed into a night club. In the video Bernstrup is performing his song 'Neon Love' dressed shiny latex and makeup accompagnied by theatrical smoke and animated stage visuals inspired by Kraftwerks classical video 'Neon Lights'. Bernstrups video projections shows old neon signs filmed in Berlin. Neon Love is also the title of the 12" vinyl singel that was released on the artists own label Tonight Records 2007. The performance and exhibition at The Hall was part of 'Art on Stage' curated by Derya Demir at Platform Garanti Contemporary Art Center. The project was made with generous support from The Consulate General of Sweden. Neon Love 2007‐2008 Format: DV‐Cam/DVD 16:9, Dur. 6:18 min. Music by T. Bernstrup Edition. 5 +1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Shanghai Cosplay 2006‐2007 Filmed during Tobias Bernstrup's performance at Shanghai Duolun MoMA, October 27th 2006. In the video Bernstrup is performing his song 'The Sniper' dressed as a praying mantis and flanked by the local Cosplay group SkyWaterTown. The performance took place during the opening night of Bernstrup' s solo exhibition 'Mantis City' at the museum curated by Biljana Ciric. CosPlay (from Costume Play) started as a Japanese subculture where participants dressed up as manga, anime or video game characters. It is nowadays a world wide spread cultural phenonema. Shanghai Cosplay 2006‐2007 Format: DV‐Cam/DVD 4:3, Dur. 6:15 min. Music by T. Bernstrup Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Mantis City 2006 In the new work 'Mantis City',Tobias Bernstrup adopts the language and low‐tech special FX techniques of early science fiction movies such as; Godzilla, Mothra and King Kong. Set in a 1:1000 scale model over Shanghai's futuristic skyline we see two giant praying mantids fighting each other and climbing the Oriental Pearl and Jin Mao towers. The dramatic lighting of the video recalls an atmosphere from Fritz Lang's Metropolis (1927) and Carol Reed's 'The Third Man' (1949). Like in several of Bernstrup's earlier works, he raises questions about physical representation, how reality mimics fiction and vice versa in a world where the border between fiction and reality is getting more and more blurred. Mantis City 2006 Format: HDV/DVD 16:9, Dur. 12:58 min. Music by T. Bernstrup Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Killing Spree 2006 Killing Spree 2006 Format: DVD 16:9, Dur. 14:36 min. Music by T. Bernstrup Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com La Paloma (1903) 2006 La Paloma (1903) 2006 Format: DVD 4:3, Dur. 4:44 min. Music by T. Bernstrup Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Walking Ego 2003 Walking Ego 2003 Format: DVD Vertical Screen 9:16, Endless loop. Ed. 5+1AP c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Penthouse Idle 2000 Penthouse Idle 2000 Format: DVD 4:3, Dur.
Load more

Recommended publications
  • Guide to the Maria Lind Manifesta Papers MSS.005 Finding Aid Prepared by Ann Butler; Collection Processed by Lydia Aikenhead in Summer 2011
    CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Maria Lind Manifesta Papers MSS.005 Finding aid prepared by Ann Butler; Collection processed by Lydia Aikenhead in Summer 2011. This finding aid was produced using the Archivists' Toolkit July 14, 2015 Guide to the Maria Lind Manifesta Papers MSS.005 Table of Contents Summary Information..................................................................................................................................3 Biographical/Historical note.........................................................................................................................4 Scope and Contents note........................................................................................................................... 4 Arrangement note....................................................................................................................................... 7 Administrative Information...........................................................................................................................7 Controlled Access Headings.......................................................................................................................8 Collection Inventory...................................................................................................................................10 Series I: Manifesta 2...........................................................................................................................10
    [Show full text]
  • Palle Torsson CV Born 1970 Current Living in Stockholm. Education: 1993-98 Master in Visual Art, Royal College University Of
    Palle Torsson CV Born 1970 Current living in Stockholm. Education: 1993-98 Master in Visual Art, Royal College University of Fine Arts, Stockholm As part of the education I also had an internship at gallery White Columns New York (96) and was exchange student at Hochschule der Kunst Berlin (95) 1990-93 History of Ideas and Aesthetics at the University of Uppsala. Current employment since 2006: Teacher at Department for Studies of Social Change and Culture (ISAK) at the program of “Culture, society and media production” (KSM), Linköping university. Roles: Lecturing, Tutoring, Over all responsibility for digital media, Responsibility for single- subject courses. Graduate: 3D/Animation and Master: Visual Culture Science & Technology and Concept and Development. Selected Work and Experience: 2008 Workshop/course: 'Performance, Play, Piracy' at Royal University Collage of Fine Arts, Stockholm , In collaboration with Tobias Bernstrup seminars about the relation between Analog vs Digital. 2008 Workshop/course: 'Research and Practice in Game design 2008' at Linköping University. Research and implementation of games on The Google map API, the Arduino platform, the Wii console and mobile Phones. 2008 Exhibition: 'Try Again' at La Casa Encendida Madrid and Koldo Mitxelena, San Sebastian, Spain, works displayed “Museum Meltdown” and “Evil Interiors”. 2008 Exhibition Project: 's23m' for Manifesta 7, Stockholm, Sweden - Berlin to Bolzano, Italy. Documenting and managing the acquisition and renovation of bus, bus trip from Sweden to Italy via Exhibition in Berlin to install the bus as an installation organize the of Opening Party in Bolzano. 2008 Exhibition Project: 'Who Makes and Owns Your Work ' at IASPIS and Årsta folketshus, Stockholm.
    [Show full text]
  • TOBIAS BERNSTRUP Born 1970 in Gothenburg, Sweden. Lives and Works in Stockholm, Sweden. Web-Site
    TOBIAS BERNSTRUP Born 1970 in Gothenburg, Sweden. Lives and works in Stockholm, Sweden. Web-site: www.bernstrup.com Education: 2002-2003 ISCP, International Studio & Curatorial Program, New York. 1993-1998 The Royal College University of Fine Arts, Stockholm,Sweden. Solo Exhibitions 2017 Meltdown Revisited, with Palle Torsson, Andréhn- Schiptjenko, Stockholm, Sweden. South of Heaven, ADN-Galeria, Barcelona, Spain. 2015 South of Heaven, Ängelholms Flygmuseum, Ängelholm, Sweden. South of Heaven Mk. II, Konsthallen Bohusläns Museum, Uddevalla, Sweden. 2014 South of Heaven, Andréhn-Schiptjenko, Stockholm, Sweden. 2012 Sing My Body Electric, Uppsala Museum of Art, Uppsala, Sweden. 2010 Body 5 Arrives, ADN-Galeria, Barcelona, Spain. Almost Human, Andréhn-Schiptjenko, Stockholm, Sweden. Almost Human, Stenasalen Göteborgs Konstmuseum, Gothenburg, Sweden. 2007 Mantis City, White Project Arte Contemporanea, Pescara, Italy. YAMA, Hotel Marmara Istanbul, curated by Mark Aerial Waller. The Hall, curated by Derya Demir, Istanbul, Turkey. Enemies Of The Earth, ADN-Galeria, Barcelona, Spain. 2006 Mantis City, Duolun Museum of Modern Art, Shanghai, China. Killing Spree, DA2, Salamanca, Spain. 2005 ADN-Galeria, Barcelona, Spain. Killing Spree, Performance & CD-Release, La Paloma / LOOP- Barcelona 2005, ADN-Galeria, Barcelona, Spain. Killing Spree, Performance & CD-Release, Zwinger Bar, organized by Kunsthalle Nürnberg. Performance at Rothko NYC, USA. Performance at Rothko, New York, USA. 2004 Art Basel Miami Beach, Andréhn-Schiptjenko. XSEED 4000, Andréhn-Schiptjenko, Stockholm, Sweden. XSEED 4000, Cosmic Galerie, Paris, France. Performance at Centre d'Art Contemporaine, Geneva, Switzerland. 2003 Animate Me No. 2, Museum für Gegenwartskunst, Basel, Switzerland. Galeria Sogospatty, Rome, curated by Mauro Bianchini. Performance at Area, organized by Museum fur Gegenwartskunst, Basel, Switzerland.
    [Show full text]
  • Download His Report from the Project (PDF)
    Lars Vipsjö Rapport DIGITAL SITE-SPECIFIC NARRATION ALCHEMY OR TOOL? Lars Vipsjö Lars Vipsjö Abstract This report is based on the site-specific art that developed during the latter part of the 20th century, by practitioners who wanted a more engaging dialogue between works and viewers. The strategies led many artists to move from galleries and art galleries to landscape and urban environments. A concept for the works that the movement from the galleries led to is Land Art. The Creative Europe-funded project Off Season Art Gardening (OSAG) is based on this movement. The project carries out activities in the form of workshops and lectures and creates artistic installations in the public space, adjacent to three rural towns, in the Netherlands, Sweden and Lithuania. My contribution to the project has partly been to place OSAG in an art and visual science context, and partly to relate the work carried out within the project Kulturarv och Spelteknologi i Skaraborg (KASTiS) - Cultural Heritage and Game Technology in Skaraborg, to the same context. Within KASTiS is the demonstrator Kiras and Luppe's Bestiarium – KLUB. KLUB is a transmedial children's book project that is used to build a contextualising narrative platform for otherwise disparate cultural heritage sites and objects within a large sub-region via fictional characters. The intangible cultural heritage from the area is also part of the project. The report concludes with a recommendation to actors in digital site-specific storytelling, which is partly based on the artist Robert Smithson's thoughts on a dialectic between his works of art displayed inside galleries (Nonsites) and the works created in the landscape (Sites).
    [Show full text]
  • Art Mods, Art Institutions and the Artists That Destroy Them
    NOT FOR DISTRIBUTION. PENDING PUBLICATION FROM PENN STATE PRESS. Everything I Do is Art, But Nothing I Do Makes Any Difference by Chris Reilly from 2005 Running and Gunning in the Gallery: Art Mods, Art Institutions and the Artists that Destroy Them Jon Cates In the 1990s, many factors combined to enable artists to develop and manipulate video and computer-based games as a new mode of artistic practice. This activity exists at the intersection of new media art and computer games, 1 NOT FOR DISTRIBUTION. PENDING PUBLICATION FROM PENN STATE PRESS. particularly in a genre of computer games known as “first-person shooters.” This specific intersection itself became known as a genre of artistic theory-practice called “art mods,” a subcategory within the more general area of art games.i Art mods are modifications of existing commercial games. These games, first-person shooters, are modified to create artworks that are themselves playable as art games and made possible by the technological and cultural changes that took place during the 1990s. During this decade, a moment of genre formation occurred during which time new media and digital art cultures began recognizing the emergence of the genre of art games and art mods. As Christiane Paul stated, "Games are an important part of digital art's history in that early on they explored many of the paradigms that are now common in interactive art."ii Gaming has been a significant factor and force among media art histories and traditional art histories during the twentieth century. New media and digital art in particular feature this influence strongly as the basic tool sets (of software, programming, rendering, etc.) and the development environments (of the computer hardware, video processors, operating systems, etc.) are the same in commercial gaming as they are in the new media and digital art worlds.
    [Show full text]
  • Tobias Bernstrup C/ Mallorca, 205 08036 Barcelona T
    c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Tobias Bernstrup c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Obras / Works c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Faith 2018 Wood fibreboard 91 x 28 x 29 cm Edition of 3 c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com BELIEF 2015 Wood paint 120 x 40 x 30 cm Unique piece c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Have This One On Me 2015 Wood 289 x 79 x 79 cm “Have This One On Me" is a replica of a 'Cookie' bomb, a high capacity bomb used by the British air force during World War II. The sculpture and hangs from the ceiling next to the video work "South of Heaven". The bomb also appears in the video, where it’s being dropped from a Lancaster Bomber. The video projection measures 9 meters wide which makes the miniature model landscape appear as in natural size. c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com South Of Heaven 2014 HD video with sound Link to video: http://vimeo.com/105573827 The video “South Of Heaven” is based on the painting "Monastery Graveyard in the Snow" by German Romantic painter Caspar David Friedrich (1774-1840). The painting was destroyed in 1945 during the Allied bombing of Berlin during World War II.
    [Show full text]
  • Jansson Mathias Everything I
    LINK Editions Domenico Quaranta, In Your Computer, 2011 Valentina Tanni, Random, 2011 Miltos Manetas, In My Computer – Miltos Manetas, 2011 Gene McHugh, Post Internet, 2011 Domenico Quaranta (ed.), Collect the WWWorld. The Artist as Archivist in the Internet Age, 2011. Exhibition Catalogue. Texts by Josephine Bosma, Gene McHugh, Joanne McNeil, Domenico Quaranta Brad Troemel, Peer Pressure, 2011 Domenico Quaranta (ed.), Gazira Babeli, 2011 Yves Bernard, Domenico Quaranta (eds.), Holy Fire. Art of the Digital Age, 2011 Kevin Bewersdorf, Spirit Surfing, 2012 Mathias Jansson Everything I Shoot Is Art Publisher: LINK Editions, Brescia 2012 www.linkartcenter.eu This work is licensed under the Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Printed and distributed by: Lulu.com www.lulu.com ISBN 978-1-291-02050-2 Mathias Jansson is a Swedish art critic and researcher. He writes about New Media Art and Game Art for blogs and magazines such as Gamescenes, Digimag and Next Level. His main body of work consists of a huge corpus of interviews with the pioneers of Game Art, as well as critics, curators and gallery owners operating in the field of Game Art. www.janssonswebb.se Contents Preface 1 ESSAYS 5 > Confessions of a Game Art Addict 7 > Insert Art to Play 13 > From Plaintext Players to Avatar Actors: A Short Survey of Online Gaming Performance 19 > Pain is not the Game: Virtual and Real in Video Game Art 31 > Video Game Appropriation in Contemporary Art 37 INTERVIEWS 61 > Pippin Barr 63 > Nils Deneken 69 > Constant Dullaart 73 > Jakub Dvorsky 81 > Sachiko Hayashi 85 > Krystian Majewski 97 > Christy Matson and Melissa Baron 101 > Iman Moradi and Max Capacity 109 > Shinji Murakami 117 > Jason Nelson 123 > Martin Pichlmair 131 > Rafel Rozendaal 135 > Jonatan Söderström 143 > Jeroen D.
    [Show full text]
  • Education Previous Positions and Works and Work
    1 p​alle torsson Palle Torsson Born 1970 Currently living in Stockholm Current position since 2014 (50%) ● Senior Lecture at Konstfack University of Art, Craft and Design ● Roles: Lecturing and tutoring at Graduate and Master levels, responsible for developing a experimental hackerspace for digital media, interactive systems and moving image. Education University degree ​1​999 ● Master of Visual Arts, Royal Institute of Art, Stockholm As part of the education, Internship at Gallery White Columns New York (96) and student at Hochschule der Kunst Berlin (95) University courses prior to 1993 ● History of ideas, aesthetics and philosophy at Uppsala University Higher vocational education 2011 ­ 2014 ● KYH ­ Agile Web Developer Previous positions and works and work experience Until January 2015 From 2012: Conducting a three­year artistic research project supported by the Science Council (Vetenskapsrådet) called Performative strategies and participation at the edge of network society. The research is about the changing role of creativity in network society and the knowledge economy. 2014 ● Riot chat.​ The project was realized with the javascript framework Meteor, additionally using a python backend as Markov chain based chatbot. Exhibition: Piratbyrån and Friends, Furtherfield Gallery, London (a​nnex)​ Co­organizing ● 3 x Cryptoparty,​ T​eaching cryptography to the public at K​ onsthall­C,​ Stockholm 2013 Collaborative Project ● Cortex,​ with Sparvnästet, creating a visual feedback loop to the brain with Unity3d, Oculus rift, and Emotiv EEG headset, Internetdagarna, Stockholm ● DeathRay,​ with Sparvnästet. This visualization of leaking SSID from mobile devices was realized with Flask, MongoDB, Arduino, Shell Scripting, Html5, and Javascript, Art Hack Day, Bonnier Art Hall, Stockholm ● Hackerspace meetings at Royal Institute of Art, Stockholm, with Sparvnästet on such themes as mesh networks and 3d printing.
    [Show full text]
  • Palle Torsson CV Born 1970 Currently Living in Stockholm. Education
    Palle Torsson CV Born 1970 Currently living in Stockholm. Education: 1993-1999 Master in Visual Art, Royal College University of Fine Arts, Stockholm. As part of the education; Internship at gallery White Columns New York (96) and exchange student at Hochschule der Kunst Berlin (95) 1990-1993 History of Ideas and Aesthetics at the University of Uppsala. Current employment since 2006: Teacher at Department for Studies of Social Change and Culture (ISAK) at the program of “Cultural, society and media production” (KSM), Linköping university. Roles: Course responsibility, concept and development. Lecturing about digital culture, tutoring, over-all responsibility for digital media, responsibility for single subject courses. at Graduate level: 3D/Animation and at Master level: Visual Culture Science & Technology and Concept and Development. Selected Work and Experience: 2009 Group Exhibition: Logo City at AllReadyMade, Västerås. Theater: Spectrail, organized events around The Pirate Bay trail, Stockholm. Workshop/course: Concept Development and Design: Game design at Linköping University. Roles: Concept and course responsibility, lecturing and tutoring. 2008 Workshop/course: Research and Practice in Game design 2008 at Linköping University. Research and implementation of games on The Google map API, the Arduino platform, the Wii console and mobile Phones. Roles: Concept and course responsibility, lecturing and tutoring. Group Exhibition: Try Again at La Casa Encendida Madrid and Koldo Mitxelena, San Sebastian, Spain, works displayed Museum Meltdown and Evil Interiors. Exhibition Project: S23m at Manifesta 7, Stockholm, Sweden - Berlin to Bolzano, Italy. Documenting and managing the acquisition and renovation of bus, bus trip from Sweden to Italy via Exhibition in Berlin to install the bus as an installation and organize the of Opening Party in Bolzano.
    [Show full text]