DOCSLIB.ORG

TOBIAS BERNSTRUP Born 1970 in Gothenburg, Sweden. Lives and Works in Stockholm, Sweden. Web-Site

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TOBIAS BERNSTRUP Born 1970 in Gothenburg, Sweden. Lives and Works in Stockholm, Sweden. Web-Site TOBIAS BERNSTRUP Born 1970 in Gothenburg, Sweden. Lives and works in Stockholm, Sweden. Web-site: www.bernstrup.com Education: 2002-2003 ISCP, International Studio & Curatorial Program, New York. 1993-1998 The Royal College University of Fine Arts, Stockholm,Sweden. Solo Exhibitions 2017 Meltdown Revisited, with Palle Torsson, Andréhn- Schiptjenko, Stockholm, Sweden. South of Heaven, ADN-Galeria, Barcelona, Spain. 2015 South of Heaven, Ängelholms Flygmuseum, Ängelholm, Sweden. South of Heaven Mk. II, Konsthallen Bohusläns Museum, Uddevalla, Sweden. 2014 South of Heaven, Andréhn-Schiptjenko, Stockholm, Sweden. 2012 Sing My Body Electric, Uppsala Museum of Art, Uppsala, Sweden. 2010 Body 5 Arrives, ADN-Galeria, Barcelona, Spain. Almost Human, Andréhn-Schiptjenko, Stockholm, Sweden. Almost Human, Stenasalen Göteborgs Konstmuseum, Gothenburg, Sweden. 2007 Mantis City, White Project Arte Contemporanea, Pescara, Italy. YAMA, Hotel Marmara Istanbul, curated by Mark Aerial Waller. The Hall, curated by Derya Demir, Istanbul, Turkey. Enemies Of The Earth, ADN-Galeria, Barcelona, Spain. 2006 Mantis City, Duolun Museum of Modern Art, Shanghai, China. Killing Spree, DA2, Salamanca, Spain. 2005 ADN-Galeria, Barcelona, Spain. Killing Spree, Performance & CD-Release, La Paloma / LOOP- Barcelona 2005, ADN-Galeria, Barcelona, Spain. Killing Spree, Performance & CD-Release, Zwinger Bar, organized by Kunsthalle Nürnberg. Performance at Rothko NYC, USA. Performance at Rothko, New York, USA. 2004 Art Basel Miami Beach, Andréhn-Schiptjenko. XSEED 4000, Andréhn-Schiptjenko, Stockholm, Sweden. XSEED 4000, Cosmic Galerie, Paris, France. Performance at Centre d'Art Contemporaine, Geneva, Switzerland. 2003 Animate Me No. 2, Museum für Gegenwartskunst, Basel, Switzerland. Galeria Sogospatty, Rome, curated by Mauro Bianchini. Performance at Area, organized by Museum fur Gegenwartskunst, Basel, Switzerland. 2002 Artissima, Present Future, Cosmic Galerie, Turin, Italy. Re-Animate Me, Performance/CD-release, Färgfabriken, Stockholm, Sweden. Nekropolis, Palais de Tokyo, Paris, France, curated by Laurence Dreyfus In the dead of night, Moniquemeloche, Chicago, USA. 2001 Performance, Sparwasser HQ, Berlin, Germany. 2000 Performance, Bukowskis, Stockholm, Sweden. 1999 Super Twins, Galleri Axel Mörner, Stockholm, Sweden. Museum Meltdown, Moderna Museet, Stockholm, Sweden, (with Palle Torsson). 1998 Galleri Mejan, Stockholm, Sweden. Dancing Boulevard Café Symphony, Galleri FC, Malmö, Sweden. 1996 Galleri Moment, Ängelholm, Sweden. 1995 Lovely Me, Station Skelderhus Magasinet, Munka Ljungby, Sweden. Electric Boogie, Gallery TRE, Stockholm, Sweden. Group Exhibitions (selected) 2018 If You Don’t Like Art, Goodbye, Fuck Off, Go Home – Art from Nordic Contemporary Art Collection – NoCo, curated by Göran Christenson, Hämeenlinna Art Museum, Finland. 2017 If You Don’t Like Art, Goodbye, Fuck Off, Go Home – Art from Nordic Contemporary Art Collection – NoCo, curated by Göran Christenson, Vestfossen Kunstlaboratorium, Vestfossen, Sweden. 2016 Gränslöst – 1700-ta speglat i nuet, Göteborgs konstmuseum, Gothenburg, Sweden. 2014 Art Wars, 3:e våningen, Gothenburg, Sweden. Chercher le Garçon, Musée d’Art Contemporain du Val-de- Marne, Vitry-sur-Seine, France. Video Forever 17*Détournement – Rerouting*, Studio Frank Perrin, Genève, Suisse. 2012 NOTEMPLE, Breeder Gallery, Athens, Greece. 1st Kochi Muziris Biennale, Mumbai, India. Friction, Performance Festival, Uppsala, Sweden. 2011 Revolver, Casino Metropolitan, curated by Gabriel Mestre Mexico City. Intervalli, Palazzo Mezzopreti, curated by Eugenio Viola and Enrico Valentini, Montepagano, Italy. Stockholm-diaries, Steen og Strøm Magasin, Oslo, Norway. Musique plastique, Galerie du Jour Agnès B, Paris,France. Cairo Biennale, Cairo, Egypt. Interesting Thing/New Gravity, National Centre for Contemporary Art, Moscow, Russia. Fames Family Vaudeville, Darb 1718, Cairo, Egypt. 2010 The Green Valley Disaster, The Forgotten Bar/ Galerie Im Regierungsviertel, Berlin, Germany. 2009 Narcotica, Forgotten Bar Project, New York, USA. Black Hole, curated by Friederike Nymphius, Kunsthalle Andratx, Mallorca, Spain. LAVVOLOOP, Park Art, touring show, Norway. Embassy of Piracy, Internet Pavilion, The Venice Collateral events, Venice, Italy. The Cabinet, Puglia, Italy, curated by Grazia de Palma Art Service, Mejan Labs, Stockholm, Sweden. Forgotten Bar Project, ALP Gallery, Stockholm, Sweden. 2008 Performance at Feinkost, Berlin, Germany. Crossing, Centro de l'Arte Contemporanea, Prato, Italy. Avatar, Australian Center of Photography, Paddington, Australia. The Pratice of Everyday Life, Feinkost, Berlin, Germany. Try Again, Koldo Mitxelena, San Sebastian, Spain, curated by Juan Antonio Álvarez Reyes. Try Again, La Casa Encendida, Madrid, Curated by Juan Antonio Álvarez Reyes. Avatar, Australian Centre for Photograph, Paddington, Sydney, Australia. The Possibility of an Island, MoCA Miami, USA, curated by Ruba Katrib. Pop! goes the weasel, Badischer Kunstverein, Karlsruhe, Germany. Video project at Yama, Marmara Hotel Istanbul. Turkey, curated by Mark Aerial Waller. Eastern Standard, Western Artists in China, MASS MoCA, North Adams, Massachusetts, USA. 2007 Frisbee Poster project, Los Angeles, USA, curated by Ebgi and Jen DeNike. RENCONTRE VIDEO #4, Contemporary Art Museum of Val-de- Marne, Paris, France. Acceleration, CAN / Karting, Neuchatel, Switzerland. Insects, Centre d'art la Panera, Lleida, Spain. Art Feminism, Gothenburg Art Museum, Sweden. Meme: Romanticism, EFA Galery, New York, USA, curated by Michele Thurzs. Switch on the Power!, Centro Cultural Montehermoso, Vitoria, Spain, curated by Xabier Arakistain. 2006 Switch on the power, CAAM, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain. Art Feminism, Hälsinglands Museum, Hudiksvall, Sweden. Art Feminism, Liljevalchs, Stockholm, Sweden. TekniKunst2006, Art & Technology Festival, Melbourne, Australia. ADN Galeria, Barcelona, Spain. Torpedo, Oslo, Norway. Switch on the Power, MARCO Museum, Vigo, Spain. 2005 Art Feminism, Dunkers Kulturhus, Helsingborg, Sweden Trouble with Fantasy, Kunsthalle Nürnberg, Nürnberg, Germany. Future for cities, Avenirs de villes, Le temps de lumieres, Nancy, France. Culture as Play, Microwave International Media Art Festival, Hong Kong, China. Armory Show, Andréhn-Schiptjenko. 2004 Version 2004, Centre pour l'image contemporaine Saint-Gervais, Geneva, Switzerland. I need you, Centre PasquArt, Biel, Switzerland (in collaboration with Palle Torsson showing Museum Meltdown III, Moderna Museet). Live, Palais de Tokyo, Paris, France.* Another zero, Galleria d’Arte e Contemporanea, curated by November Paynter, Bergamo, Italy. 2003 Now What? Dreaming a better world in six parts BAK, basis voor actuele kunst, Utrecht, The Netherlands. Attack!, in collaboration with Palle Torsson, Kunsthalle Wien, Vienna, Austria. Phantom der Lust, visionen der masochismus in der kunst, Neue Galerie am Landesmuseum Joanneum, Graz, Austria. NOWN, Wood street Gallery, Pittsburgh, USA, curated by Michele Thursz. 2002 Busan Biennale, Metropolitan Art Musem, Busan, South Korea, curated by Kim Airyung. Nouvelle Acquisitions, FRAC Champagne/Ardenne, Reims, France. Game Over City, FRAC Champagne/Ardenne, Reims, France, curated by Laurence Dreyfus. On the top of the world, Gió Marconi, Milan, Italy, curated by Caroline Corbetta. 2001 9th Biennale of moving images, Centre pour l'image contemporain, Geneva, Switzerland. KIMAF, Centre for Contemporary Art, Kiev, Ukraine, curated by Katya Stukalova/Natalia Manzhali. Tirana Biennale, Albania, organised by Giancarlo Politi. Connivence, Biennale de Lyon, Musée d'art contemporain, France. Monitor Vol. 1, Gagosian Gallery, New York, USA. Male, Galerija sodobne umetnosti / Likovni salon Celje, Slovenia, curated by Irena Cercnik & Nevenka Sˇivavec. Berlin_London, ICA, London, curated by Rüdger Lange & Antje Weitzel. Disco, Arena Gallery, Chicago, USA, curated by Monique Meloche. The Armory Show, Galleri Axel Mörner, New York, USA. 2000 Shivers, Cesare Manzo Gallery, Pescara, Italy, curated by Mauro Bianchini. Home Wrecker, Monique Meloche, Chicago, USA. And She Will Have Your Eyes... Galerie Analix Forever, Geneva, Switzerland. The Standard Projection, The Standard Hotel, Los Angeles, USA, curated by Yvonne Force Villareal. Organising Freedom, Charlottenborg, Copenhagen, curated by David Elliott. Art 31 Basel Art Fair, Galerie Analix Forever, Geneva, Switzerland. i-ART, Contemporary Art in TIME, ArtNode, Stockholm, Sweden. Teleport Diner, In collaboration with Creative Time, Chelsea Active Worlds and Färgfabriken Stockholm, Sweden. Organising Freedom, Moderna Museet, Stockholm, Sweden, curated by David Elliott. Shoot, Moving Images by Artists, Malmö Konsthall, Sweden. 1999 A & E, Chicago Project Room, USA, curated by Michael Hall. Art Forum Berlin, Galleri Axel Mörner, Stockholm, Sweden. Blick, Moderna Museet, Stockholm, Sweden, curated by Maria Lind/Cecilia Widenheim. I Var Sitt Rum, Vikingsbergs Konstmuseum, Helsingborg, Sweden. Chelsea (Internet, Active Worlds) curated by Ginger Freeman. The Armory Show, Galleri Axel Mörner, New York, USA. Stockholm Art Fair, Galleri Axel Mörner, Stockholm, Sweden. Nuit Blanche Nordic Video Tour. 1998 7th Muestra international de performance Ex-Teresa Arte Actual, Mexico City, Mexico. Swedish Mess Arkipelag, Nordiska Museet, Stockholm, Sweden, curated by Maria Lind/Sara Arrhenius. Pakkhus, Momentum, Moss curated by Daniel Birnbaum, Atle Gerhardsen & Lars Bang Larsen. Gekko, Munchen Bryggeriet, Stockholm,
Load more

Recommended publications
  • Guide to the Maria Lind Manifesta Papers MSS.005 Finding Aid Prepared by Ann Butler; Collection Processed by Lydia Aikenhead in Summer 2011
    CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Maria Lind Manifesta Papers MSS.005 Finding aid prepared by Ann Butler; Collection processed by Lydia Aikenhead in Summer 2011. This finding aid was produced using the Archivists' Toolkit July 14, 2015 Guide to the Maria Lind Manifesta Papers MSS.005 Table of Contents Summary Information..................................................................................................................................3 Biographical/Historical note.........................................................................................................................4 Scope and Contents note........................................................................................................................... 4 Arrangement note....................................................................................................................................... 7 Administrative Information...........................................................................................................................7 Controlled Access Headings.......................................................................................................................8 Collection Inventory...................................................................................................................................10 Series I: Manifesta 2...........................................................................................................................10
    [Show full text]
  • Palle Torsson CV Born 1970 Current Living in Stockholm. Education: 1993-98 Master in Visual Art, Royal College University Of
    Palle Torsson CV Born 1970 Current living in Stockholm. Education: 1993-98 Master in Visual Art, Royal College University of Fine Arts, Stockholm As part of the education I also had an internship at gallery White Columns New York (96) and was exchange student at Hochschule der Kunst Berlin (95) 1990-93 History of Ideas and Aesthetics at the University of Uppsala. Current employment since 2006: Teacher at Department for Studies of Social Change and Culture (ISAK) at the program of “Culture, society and media production” (KSM), Linköping university. Roles: Lecturing, Tutoring, Over all responsibility for digital media, Responsibility for single- subject courses. Graduate: 3D/Animation and Master: Visual Culture Science & Technology and Concept and Development. Selected Work and Experience: 2008 Workshop/course: 'Performance, Play, Piracy' at Royal University Collage of Fine Arts, Stockholm , In collaboration with Tobias Bernstrup seminars about the relation between Analog vs Digital. 2008 Workshop/course: 'Research and Practice in Game design 2008' at Linköping University. Research and implementation of games on The Google map API, the Arduino platform, the Wii console and mobile Phones. 2008 Exhibition: 'Try Again' at La Casa Encendida Madrid and Koldo Mitxelena, San Sebastian, Spain, works displayed “Museum Meltdown” and “Evil Interiors”. 2008 Exhibition Project: 's23m' for Manifesta 7, Stockholm, Sweden - Berlin to Bolzano, Italy. Documenting and managing the acquisition and renovation of bus, bus trip from Sweden to Italy via Exhibition in Berlin to install the bus as an installation organize the of Opening Party in Bolzano. 2008 Exhibition Project: 'Who Makes and Owns Your Work ' at IASPIS and Årsta folketshus, Stockholm.
    [Show full text]
  • Download His Report from the Project (PDF)
    Lars Vipsjö Rapport DIGITAL SITE-SPECIFIC NARRATION ALCHEMY OR TOOL? Lars Vipsjö Lars Vipsjö Abstract This report is based on the site-specific art that developed during the latter part of the 20th century, by practitioners who wanted a more engaging dialogue between works and viewers. The strategies led many artists to move from galleries and art galleries to landscape and urban environments. A concept for the works that the movement from the galleries led to is Land Art. The Creative Europe-funded project Off Season Art Gardening (OSAG) is based on this movement. The project carries out activities in the form of workshops and lectures and creates artistic installations in the public space, adjacent to three rural towns, in the Netherlands, Sweden and Lithuania. My contribution to the project has partly been to place OSAG in an art and visual science context, and partly to relate the work carried out within the project Kulturarv och Spelteknologi i Skaraborg (KASTiS) - Cultural Heritage and Game Technology in Skaraborg, to the same context. Within KASTiS is the demonstrator Kiras and Luppe's Bestiarium – KLUB. KLUB is a transmedial children's book project that is used to build a contextualising narrative platform for otherwise disparate cultural heritage sites and objects within a large sub-region via fictional characters. The intangible cultural heritage from the area is also part of the project. The report concludes with a recommendation to actors in digital site-specific storytelling, which is partly based on the artist Robert Smithson's thoughts on a dialectic between his works of art displayed inside galleries (Nonsites) and the works created in the landscape (Sites).
    [Show full text]
  • Art Mods, Art Institutions and the Artists That Destroy Them
    NOT FOR DISTRIBUTION. PENDING PUBLICATION FROM PENN STATE PRESS. Everything I Do is Art, But Nothing I Do Makes Any Difference by Chris Reilly from 2005 Running and Gunning in the Gallery: Art Mods, Art Institutions and the Artists that Destroy Them Jon Cates In the 1990s, many factors combined to enable artists to develop and manipulate video and computer-based games as a new mode of artistic practice. This activity exists at the intersection of new media art and computer games, 1 NOT FOR DISTRIBUTION. PENDING PUBLICATION FROM PENN STATE PRESS. particularly in a genre of computer games known as “first-person shooters.” This specific intersection itself became known as a genre of artistic theory-practice called “art mods,” a subcategory within the more general area of art games.i Art mods are modifications of existing commercial games. These games, first-person shooters, are modified to create artworks that are themselves playable as art games and made possible by the technological and cultural changes that took place during the 1990s. During this decade, a moment of genre formation occurred during which time new media and digital art cultures began recognizing the emergence of the genre of art games and art mods. As Christiane Paul stated, "Games are an important part of digital art's history in that early on they explored many of the paradigms that are now common in interactive art."ii Gaming has been a significant factor and force among media art histories and traditional art histories during the twentieth century. New media and digital art in particular feature this influence strongly as the basic tool sets (of software, programming, rendering, etc.) and the development environments (of the computer hardware, video processors, operating systems, etc.) are the same in commercial gaming as they are in the new media and digital art worlds.
    [Show full text]
  • Tobias Bernstrup C/ Mallorca, 205 08036 Barcelona T
    c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Tobias Bernstrup c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Obras / Works c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Faith 2018 Wood fibreboard 91 x 28 x 29 cm Edition of 3 c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com BELIEF 2015 Wood paint 120 x 40 x 30 cm Unique piece c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com Have This One On Me 2015 Wood 289 x 79 x 79 cm “Have This One On Me" is a replica of a 'Cookie' bomb, a high capacity bomb used by the British air force during World War II. The sculpture and hangs from the ceiling next to the video work "South of Heaven". The bomb also appears in the video, where it’s being dropped from a Lancaster Bomber. The video projection measures 9 meters wide which makes the miniature model landscape appear as in natural size. c/ Mallorca, 205 08036 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com South Of Heaven 2014 HD video with sound Link to video: http://vimeo.com/105573827 The video “South Of Heaven” is based on the painting "Monastery Graveyard in the Snow" by German Romantic painter Caspar David Friedrich (1774-1840). The painting was destroyed in 1945 during the Allied bombing of Berlin during World War II.
    [Show full text]
  • Jansson Mathias Everything I
    LINK Editions Domenico Quaranta, In Your Computer, 2011 Valentina Tanni, Random, 2011 Miltos Manetas, In My Computer – Miltos Manetas, 2011 Gene McHugh, Post Internet, 2011 Domenico Quaranta (ed.), Collect the WWWorld. The Artist as Archivist in the Internet Age, 2011. Exhibition Catalogue. Texts by Josephine Bosma, Gene McHugh, Joanne McNeil, Domenico Quaranta Brad Troemel, Peer Pressure, 2011 Domenico Quaranta (ed.), Gazira Babeli, 2011 Yves Bernard, Domenico Quaranta (eds.), Holy Fire. Art of the Digital Age, 2011 Kevin Bewersdorf, Spirit Surfing, 2012 Mathias Jansson Everything I Shoot Is Art Publisher: LINK Editions, Brescia 2012 www.linkartcenter.eu This work is licensed under the Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Printed and distributed by: Lulu.com www.lulu.com ISBN 978-1-291-02050-2 Mathias Jansson is a Swedish art critic and researcher. He writes about New Media Art and Game Art for blogs and magazines such as Gamescenes, Digimag and Next Level. His main body of work consists of a huge corpus of interviews with the pioneers of Game Art, as well as critics, curators and gallery owners operating in the field of Game Art. www.janssonswebb.se Contents Preface 1 ESSAYS 5 > Confessions of a Game Art Addict 7 > Insert Art to Play 13 > From Plaintext Players to Avatar Actors: A Short Survey of Online Gaming Performance 19 > Pain is not the Game: Virtual and Real in Video Game Art 31 > Video Game Appropriation in Contemporary Art 37 INTERVIEWS 61 > Pippin Barr 63 > Nils Deneken 69 > Constant Dullaart 73 > Jakub Dvorsky 81 > Sachiko Hayashi 85 > Krystian Majewski 97 > Christy Matson and Melissa Baron 101 > Iman Moradi and Max Capacity 109 > Shinji Murakami 117 > Jason Nelson 123 > Martin Pichlmair 131 > Rafel Rozendaal 135 > Jonatan Söderström 143 > Jeroen D.
    [Show full text]
  • Education Previous Positions and Works and Work
    1 p​alle torsson Palle Torsson Born 1970 Currently living in Stockholm Current position since 2014 (50%) ● Senior Lecture at Konstfack University of Art, Craft and Design ● Roles: Lecturing and tutoring at Graduate and Master levels, responsible for developing a experimental hackerspace for digital media, interactive systems and moving image. Education University degree ​1​999 ● Master of Visual Arts, Royal Institute of Art, Stockholm As part of the education, Internship at Gallery White Columns New York (96) and student at Hochschule der Kunst Berlin (95) University courses prior to 1993 ● History of ideas, aesthetics and philosophy at Uppsala University Higher vocational education 2011 ­ 2014 ● KYH ­ Agile Web Developer Previous positions and works and work experience Until January 2015 From 2012: Conducting a three­year artistic research project supported by the Science Council (Vetenskapsrådet) called Performative strategies and participation at the edge of network society. The research is about the changing role of creativity in network society and the knowledge economy. 2014 ● Riot chat.​ The project was realized with the javascript framework Meteor, additionally using a python backend as Markov chain based chatbot. Exhibition: Piratbyrån and Friends, Furtherfield Gallery, London (a​nnex)​ Co­organizing ● 3 x Cryptoparty,​ T​eaching cryptography to the public at K​ onsthall­C,​ Stockholm 2013 Collaborative Project ● Cortex,​ with Sparvnästet, creating a visual feedback loop to the brain with Unity3d, Oculus rift, and Emotiv EEG headset, Internetdagarna, Stockholm ● DeathRay,​ with Sparvnästet. This visualization of leaking SSID from mobile devices was realized with Flask, MongoDB, Arduino, Shell Scripting, Html5, and Javascript, Art Hack Day, Bonnier Art Hall, Stockholm ● Hackerspace meetings at Royal Institute of Art, Stockholm, with Sparvnästet on such themes as mesh networks and 3d printing.
    [Show full text]
  • Tobias Bernstrup C/ Enrique Granados, 49, SP
    c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Tobias Bernstrup c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Obras selección /Worksselection Biografía /Biography Publicac iones /Publications Textos selección /Texts selection Prensa selección /Press selection c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Obras/ Works Performances c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Friktioner Performance at Uppsala Konsert Kongress, June 2. 2012 Organized by SU‐EN Butoh Company & Uppsala konstmuseum c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Performance at Utah Museum of Contemporary Art, Salt Lake City, 2012 c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Body 5 Arrives Performance at Galería Roca, Barcelona, 2010 Organized by ADN Galería c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com No Soul For Sale Performance at Tate Modern, London May 15th 2010 Curated by Maurizio Cattelan c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Midnight Blue Performance at Wierd New York Dec 2008 c/ Enrique Granados, 49, SP. 08008 Barcelona T. (+34) 93 451 0064, [email protected] http://www.adngaleria.com Pop! Goes The Weasel Perform Badischer Kunstverein,Karlsruhe Feb.
    [Show full text]
  • Palle Torsson CV Born 1970 Currently Living in Stockholm. Education
    Palle Torsson CV Born 1970 Currently living in Stockholm. Education: 1993-1999 Master in Visual Art, Royal College University of Fine Arts, Stockholm. As part of the education; Internship at gallery White Columns New York (96) and exchange student at Hochschule der Kunst Berlin (95) 1990-1993 History of Ideas and Aesthetics at the University of Uppsala. Current employment since 2006: Teacher at Department for Studies of Social Change and Culture (ISAK) at the program of “Cultural, society and media production” (KSM), Linköping university. Roles: Course responsibility, concept and development. Lecturing about digital culture, tutoring, over-all responsibility for digital media, responsibility for single subject courses. at Graduate level: 3D/Animation and at Master level: Visual Culture Science & Technology and Concept and Development. Selected Work and Experience: 2009 Group Exhibition: Logo City at AllReadyMade, Västerås. Theater: Spectrail, organized events around The Pirate Bay trail, Stockholm. Workshop/course: Concept Development and Design: Game design at Linköping University. Roles: Concept and course responsibility, lecturing and tutoring. 2008 Workshop/course: Research and Practice in Game design 2008 at Linköping University. Research and implementation of games on The Google map API, the Arduino platform, the Wii console and mobile Phones. Roles: Concept and course responsibility, lecturing and tutoring. Group Exhibition: Try Again at La Casa Encendida Madrid and Koldo Mitxelena, San Sebastian, Spain, works displayed Museum Meltdown and Evil Interiors. Exhibition Project: S23m at Manifesta 7, Stockholm, Sweden - Berlin to Bolzano, Italy. Documenting and managing the acquisition and renovation of bus, bus trip from Sweden to Italy via Exhibition in Berlin to install the bus as an installation and organize the of Opening Party in Bolzano.
    [Show full text]