MUSIC WEEK MAY 18 1985 CTJ .0 R/. 7 Once Again, the Pro-Audio
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Palmexpo Magazine
PALM AV-ICN EXPO MAGAZINE PRO AUDIO | STAGE | STUDIO | AV INTEGRATED SYSTEMS | DISPLAY | LIGHTING Interviews Case Study ProAVL’s Caroline Moss and Sudeep Audio’s Aditya AV solutions by Eyte Sue Gould share their vision Mehta talks about Technologies at T-System and understanding of the global converSAtions as the Experience Center pro sound and AV market. channel completes ten years. Corporate Feature: NJSM’s 25 years in the Sound Rental business. NEWS & TECHNOLOGY AV Sound & Stage Audio & Music Production Lighting DJ Tech PRODUCT FOCUS Switchers and Matrices MAY-JUNE 2021 Sophisticated Engineering AV8805 AV Processor 13 Channel Processor Email : [email protected] Toll Free: 1800-209-7848 PALM AV-ICN CONTENT CHIEF Anil Shiv Raj Chopra [email protected] CONTENT ANCHOR Smita Rai [email protected] Mob: +91 982 094 3398 CONTENT MANAGER Tamshil Choudhary Aditya Mehta with his father Nikhil Mehta [email protected] upholds the legacy of Sudeep Audio with converSAtions Mob: +91 992 063 1292 ASSISTANT MANAGER - AD SALES 10 Priyanka Shukla [email protected] Mob: +91 810 850 4929 Features DTP MANAGER Lalita Tengle Interview - ProAudio [email protected] 10 converSAtions with SudeepAudio: Aditya Mehta shares his journey and vision as his YouTube chan- nel converSAtions completes Ten years in the Industry. Peter Pereira [email protected] Install story 15 Tech Savvy Environment for T-Systems: Eyte Technology Crafts a Tech Savvy Environment for T-sys- tems. WEB DEVELOPER Amol Kanchawade Interview - ProAV Media [email protected] 17 Pursuing the Pro Audio Trail: In conversation with Caroline Moss, Editor, ProAVL and Sue Gould, Sales Director, ProAVL. -
Studio-Sound-1981-08.Pdf
AND BROADCAST ENGINEERING 114 1,1 } t ) li 4i" ) et Is at $ a is 511 $1 i Ill II- ICI- Vy 1 III 112 II: I'S 0 il - a - 0 o --kig _ t_ , _ Automation Intercoms and talkback www.americanradiohistory.com series Na Stereo Broadcast is.. Production Console The modular construction of the Series 24A mixer with its unique interpatch facility permits any number of a wide variety of modules to be sited in any combination in the extendable main frame. By employing existing modules it is therefore possible to "custom build" to meet the requirements of the user while minimising cost and maximising the standard of construction and long term reliability. And should the requirements of the user subsequently alter, the mixer's format can easily be changed accordingly without any mainframe rewiring... MBI offer design, installation and commissioning services for studio equipment; acoustic treatment for studio areas; and architectural and interior design services for the studio complex - available individually or as a single, cost - effective package. All are guaranteed to meet broadcasting authority speci- fications. boedoest s PO Box 112 Brighton BN2 2RS Tel: Brighton (0273) 607384 broadcast imagineering by the makdw n bounden international group www.americanradiohistory.com EDITORIAL EDITOR: RICHARD ELEN ASSISTANT EDITOR: studio NOEL BELL sound PRODUCTION: ANN HORAN AND BROADCAST ENGINEERING CONSULTANT: HUGH FORD NEWS SECRETARY: WENDY 16 MARSHALL STUDIO DIARY including Danmarks Radio Mobile; Sarner Audio Visual, London 20 AUTOMATION CONTROL TECHNIQUES -
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9 de*- Mc` LRENFQ ;OVNO ,J S2.50 OCTOBER '981 __1 i ____A____.7 VOLL M E' 2- N U M B E R 5 ENO/NEER /PRNODUCERV .¡iwes;%- .áC..`Ta9r.Trg RELATING RECD DING ART TO iECCRDINC SCIENCE TO RECORJIN3 EQUIDMENT www.americanradiohistory.com IR t EXPAND YOUR HORIZONS To reach the stars in this business you need two things, talent and exceptionally good equipment. The AMEK 2500 is State of the Art design and technology respected worldwide. In the past 12 months alone, we've placed consoles in Los Angeles, Dallas, New York, Nashville, London. Frank- fort, Munich, Paris, Milan, Tokyo, Sidney, Guatemala City, and Johannesberg. When you have a great piece of equipment, word gets around. The "2500" has become an industry standard. It's everything you want in a master recording console, and...with the recent strength of the U.S. dollar versus the British pound, it's currently at a price that's even better than you expected. But why not find out for yourself? You can get all the speci- fications and information with just a phone call to one of our dealers... They'll be happy to help you "EXPAND YOUR HORIZONS." AMEK DEALERS: AMEK SYSTEMS AND CONTROLS, LTD. EVERYTHING AUDIO WESTBROOK AUDIO. INC. Islington Mill. lames Street 16055 Ventura Boulevard, Suite 1001 1 1836 Judd Court, Suite 336 Salford M3 SHW, England Encino, California 91436 Dallas. Texas 75243 Phone 001 -834 6747 Telex 668127 Phone (213) 995- 4175Teles 051485 Phone 1214) 699 -1203 www.americanradiohistory.com - ~ ~ n www.americanradiohistory.com ¡''xJ www.americanradiohistory.com "Obsolete" will never apply to Mitsubishi Digital Audio Equipment. -
Convention Program Master 4/13/12 4:33 PM Page 1
132_entire book_Convention Program Master 4/13/12 4:33 PM Page 1 CONTENTS 132ND TECHNICAL MEETINGS AND PROFESSIONAL EVENTS Message from the AES President........................................3 Message from the Convention Chair...................................5 General Information: Registration Information ....................................................7 Technical Papers, Workshops, Tutorials, and Special Events Hours .................................................8 Exhibit Hours .....................................................................8 Membership Services .......................................................8 AES Publications ..............................................................8 132nd Convention Papers .................................................8 Public Transportation Information ......................................9 Opening Ceremonies: Awards Presentation and Keynote Speaker ....................11 Technical Tours ...................................................................13 Special Events.....................................................................16 Student Events ...................................................................21 Technical Council and Technical Committee Meetings ......................................................................25 Standards Committee Meetings ........................................26 Technical Paper Sessions ..................................................27 Engineering Briefs ..............................................................91 -
Studio Design
.1111y 19S;9 FINCH PER/ The Applications Magazine for Audio Professionals AN INTERTEC PU3LICATION Studio Design .".4.' Focusrite: What Went Wrong? Ad of -the Year ,Contest www.americanradiohistory.com Attention Otar'i and Sonv /MCI Customers: G ou can afford quality ,,..00 and p- .00 . :-.. _ 00 -E i ;;A- Studer quality and performance has just entered OUP your price range with the affordable -very o 00."'15 affordable -A827 studio recorder, the first new a -2°" multichannel from Studer since its `2 23 standard- setting A820 -24. ,c - _ r * °EP Superior sound for music recording. The A827 ° is just plainly ahead of the competition. And why 19 s! s''" shouldn't it be? With the same transport and head _.1,-_ assembly, the same audio quality as its big brother, 0- the A827 is without doubt in the fdable Mice. Available in 24. 16 and 8 -track \ ,ions, the A827 features a computer trolled transport with 3 tape speeds, va ' , switchable Dolbÿ FIX' Pro and phase mpensated audio electronics. Featured for post production. For TV/Video/Film post production work, the A827 offers the fastest transport inithe business -0 to 600 ips in 4 seconds - and with 14" reel capacity. The optional chase lock synchronizer guarantees nobody'll be waiting on this machine. Post features like Reverse Play/Record and parallel/serial RS232 /422 control ports make for easy integration into post production facilities. There's never been a better time to part ways with those "other" machines...and move up to the famous Studer sound and quality. -
Sunday Edition DAILY
day three edition | map and exhibitor listings on page 20 From the editors of Pro Sound News & Pro Audio Review day3 sunday edition the AES SERVING THE 135THDA AES CONVENTION • october 17-20, I 2013 jacob k. LY javits convention center new york, ny Celebrating Phil Ramone Making the By Kelleigh Welch Most of AES In his 50-year career as a record pro- By Clive Young ducer and engineer, Phil Ramone As AES rolls into its last day, it would worked with some of the music indus- be natural to think that things are wind- try’s greatest performers, includ- ing down, but that would be a big mis- ing Ray Charles, Frank Sinatra, take. There’s tons going on—enough Paul Simon and Billy Joel. Ramone, that you’d swear the convention was a 14-time Grammy Award Winner, just getting started. including “Producer of the Year, Non- Some of the most dramatic stories Classical” in 1980, passed away in of the show will come to light during late March at the age of 79, leaving two early morning programs: The ins behind a legacy that audio profession- and outs of audio for reality TV will als will continue to celebrate for years be explored when Brian McCarty, Bob to come. On Saturday, The Recording Academy Producers & Engineers Wing Bronow and Josh Earl discuss “Sound To commemorate Ramone’s life held its GRAMMY SoundTables presentation paying tribute to for Deadliest Catch—Reality is Hard and his contributions to the recording the late, legendary Phil Ramone. A 14-time GRAMMY-winning Work” (Room 1E11; 10:30 a.m.). -
AES 132Nd Convention Program
AAEESS113322 nd CCoonnvveenn ttiioonn PPrroo ggrraamm April 26 – 29, 2012 Budapest Congress and World Trade Center At recent AES conventions, authors have had the option * * * * of submitting complete 4 - to 10- page manuscripts for peer-review by subject-matter experts. The following two The AES has launched a new opportunity to recognize papers have been recognized as co-winners of the AES student members who author technical papers. The Stu - 132nd Convention Peer-Reviewed Paper Award. dent Paper Award Competition is based on the preprint manuscripts accepted for the AES convention. A number of student-authored papers were nominated. Linear Mixing Models for Active Listening of Music The excellent quality of the submissions has made the Productions in Realistic Studio Conditions— selection process both challenging and exhilarating. Nicolas Sturmel ,1 Antoine Liutkus ,2 Jonathan 3 3 4 The award-winning student paper will be honored dur - Pinel, Laurent Girin , Sylvain Marchand , Gaël ing the Convention, and the student-authored manuscript Richard, 2 Roland Badeau ,2 Laurent Daudet 1 1 will be considered for publication in a timely manner for Université Paris Diderot, Paris, France the Journal of the Audio Engineering Society . 2Telecom ParisTech, Paris, France 3 Nominees for the Student Paper Award were required GIPSA-Lab, Grenoble INP, Grenoble, France to meet the following qualifications: 4Université de Bretagne Occidentale, Brest, France (a) The paper was accepted for presentation at the AES 132nd Convention. Convention Paper 8594 (b) The first author was a student when the work was conducted and the manuscript prepared. To be presented on Thursday, April 26 in Session P4 (c) The student author’s affiliation listed in the manu - —Sound Reinforcement and Studio Technologies script is an accredited educational institution.