Summer Newsletter 2012
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RETROSPECTIVE BOOK REVIEWS by Esley Hamilton, NAOP Board Trustee
Field Notes - Spring 2016 Issue RETROSPECTIVE BOOK REVIEWS By Esley Hamilton, NAOP Board Trustee We have been reviewing new books about the Olmsteds and the art of landscape architecture for so long that the book section of our website is beginning to resemble a bibliography. To make this resource more useful for researchers and interested readers, we’re beginning a series of articles about older publications that remain useful and enjoyable. We hope to focus on the landmarks of the Olmsted literature that appeared before the creation of our website as well as shorter writings that were not intended to be scholarly works or best sellers but that add to our understanding of Olmsted projects and themes. THE OLMSTEDS AND THE VANDERBILTS The Vanderbilts and the Gilded Age: Architectural Aspirations 1879-1901. by John Foreman and Robbe Pierce Stimson, Introduction by Louis Auchincloss. New York: St. Martin’s Press, 1991, 341 pages. At his death, William Henry Vanderbilt (1821-1885) was the richest man in America. In the last eight years of his life, he had more than doubled the fortune he had inherited from his father, Commodore Cornelius Vanderbilt (1794-1877), who had created an empire from shipping and then done the same thing with the New York Central Railroad. William Henry left the bulk of his estate to his two eldest sons, but each of his two other sons and four daughters received five million dollars in cash and another five million in trust. This money supported a Vanderbilt building boom that remains unrivaled, including palaces along Fifth Avenue in New York, aristocratic complexes in the surrounding countryside, and palatial “cottages” at the fashionable country resorts. -
A Mechanism of American Museum-Building Philanthropy
A MECHANISM OF AMERICAN MUSEUM-BUILDING PHILANTHROPY, 1925-1970 Brittany L. Miller Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Departments of History and Philanthropic Studies, Indiana University August 2010 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. ____________________________________ Elizabeth Brand Monroe, Ph.D., J.D., Chair ____________________________________ Dwight F. Burlingame, Ph.D. Master’s Thesis Committee ____________________________________ Philip V. Scarpino, Ph.D. ii ACKNOWLEDGEMENTS In the same way that the philanthropists discussed in my paper depended upon a community of experienced agents to help them create their museums, I would not have been able to produce this work without the assistance of many individuals and institutions. First, I would like to express my thanks to my thesis committee: Dr. Elizabeth Monroe (chair), Dr. Dwight Burlingame, and Dr. Philip Scarpino. After writing and editing for months, I no longer have the necessary words to describe my appreciation for their support and flexibility, which has been vital to the success of this project. To Historic Deerfield, Inc. of Deerfield, Massachusetts, and its Summer Fellowship Program in Early American History and Material Culture, under the direction of Joshua Lane. My Summer Fellowship during 2007 encapsulated many of my early encounters with the institutional histories and sources necessary to produce this thesis. I am grateful to the staff of Historic Deerfield and the thirty other museums included during the fellowship trips for their willingness to discuss their institutional histories and philanthropic challenges. -
Partly-Printed Bond Relied on a Continued Rise in Value, 27
EARLY STOCKS AND BONDS BALTIMORE WATER COMPANY * 4 NORTH AMERICAN 1809, Maryland. Partially printed LAND COMPANY STOCK early stock certificate with the ap- NOTED SPECULATOR CERTIFICATE ISSUED HORSES FOR pearance of a check for one share. WILLIAM DUER TO JAMES GREENLEAF WASHINGTON’S ARMY Blind embossed company seal. AND SIGNED BY Some toning at edges. Overall Fine. * 6 * 2 WILLIAM DUER (1747-1799) ROBERT MORRIS 1780, PA Anderson PA1. York Founded in 1804, the Baltimore Revolutionary War soldier, finan- County, Pennsylvania bond issued Water Company operated for fifty cier, land speculator and aristo- * 1 in which Lawrence Minfore”…has years before it was purchased by the 1795, Pennsylvania. North Ameri- crat. Autograph Document Signed, furnished this State, for the use of city of Baltimore for over one mil- can Land Company stock certificate “Wm. Duer.” One page, 7 3/8” x the United States, with one dark lion dollars, resulting in the found- number 2101 for eight hundred and 6 3/4”. No place. August 11, 1785. brown Horse 5 years old, 15 hands ing of the Baltimore Water Depart- thirty-three shares issued to JAMES Duer writes to Captain Seymour: high for a waggon which has been ment. $ 300 - up GREENLEAF, who organized the “ Sir, the Bearer Captain Henry is appraised by two freeholders. Very authorized by me [to] take charge North American Land Company Fine. $500 - up along with Robert Morris and John of the Vessell [sic] bought of Nicholson in February 1795, the you on my account by Mr. Ste- month this certificate was issued. phen Sayre, the terms of which The company was formed by the I will comply with- Wm. -
Connecting the Islands.Indd
Connecting the Islands Chambly Canal Before the completion of the 3.4 mile long cause- way in 1899 from Colchester Point to Allen Point in South Hero, the Rutland Railroad’s freight and Québec passenger cars were transported by way of a steam- boat between Burlington, Vermont and Rouses Canada Point, New York. Constructed in just over one United States year’s time, this incredible accomplishment of industry and immigrant laborers was one part of the Railroad’s 41-mile Island Line linking Vermont via the Champlain Islands to New York. It crossed the Winooski River, miles of Courtesy of John Gardner New York beautiful but foreboding wetlands, and spanned Lake Champlain three more times to connect You Are Here the Champlain Islands, Vermont and New York. Colchester Courtesy of Life Vermont Magazine With the completion of this Rail Link, and with The bridge tenders, who lived on site, opened and closed the 230-ton bridge Dr. William Seward Webb, owner of Shelburne by hand! The bridge was dismantled Farms as its President, the Rutland Railroad then and its high quality steel recycled. experienced some of its most prosperous years since its founding in 1843. The Island Line also opened Vermont the door to prosperity for the small island farming communities by connecting them with the markets of New York City and Boston. Farms and businesses Courtesy of John Gardner sent milk, butter, vegetables and huge quantities of block ice cut from Lake Champlain in winter. 7 % Two miles further north is the gap in the causeway 3 known as “the cut”. -
Carlquist Lloyd Hyde Thesis 2010.Pdf
1 Introduction As the Colonial Revival reached its zenith in the 1920s, collecting American antiques evolved from nineteenth-century relic hunting into an emerging field with its own scholarship, trade practices, and social circles. The term “Americana” came to refer to fine and decorative arts created or consumed in early America. A new type of Americana connoisseurs collected such objects to furnish idealized versions of America’s past in museums and private homes. One such Americana connoisseur was Maxim Karolik, a Russian-born tenor who donated to the Museum of Fine Arts, Boston one of the most celebrated collections of American paintings, prints, and decorative arts. A report about the collection’s 1941 museum opening described how “connoisseurs looked approvingly” at the silver, “clucked with admiration” over the Gilbert Stuart portraits, and turned “green-eyed at the six-shell Newport desk-and-bookcase.”1 Karolik began collecting antiques in the 1920s, adding to those that had been inherited by Martha Codman Karolik, his “Boston Brahmin” wife. His appetite for Americana grew until he became one of the 1930s’ principal patrons, considered second only to Henry Francis du Pont. He scoured auction houses, galleries, showrooms, and small shops. Karolik loved the chase and consorting with dealers. He enjoyed haggling over prices despite his wife’s substantial fortune.2 1 “Art: Boston’s Golden Maxim,” Time (December 22, 1941). 2 Frieda Schmutzler (of Katrina Kipper’s Queen Anne Cottage), Oral History, May 26, 1978, Winterthur Archives. See also Carol Troyen, “The Incomparable Max: Maxim Karolik and the Taste for American Art,” American Art 7, n 3 (Summer 1993): 65-87. -
Massachusetts Massachusetts Office of Travel and Tourism, 10 Park Plaza, Suite 4510, Boston, MA 02116
dventure Guide to the Champlain & Hudson River Valleys Robert & Patricia Foulke HUNTER PUBLISHING, INC. 130 Campus Drive Edison, NJ 08818-7816 % 732-225-1900 / 800-255-0343 / fax 732-417-1744 E-mail [email protected] IN CANADA: Ulysses Travel Publications 4176 Saint-Denis, Montréal, Québec Canada H2W 2M5 % 514-843-9882 ext. 2232 / fax 514-843-9448 IN THE UNITED KINGDOM: Windsor Books International The Boundary, Wheatley Road, Garsington Oxford, OX44 9EJ England % 01865-361122 / fax 01865-361133 ISBN 1-58843-345-5 © 2003 Patricia and Robert Foulke This and other Hunter travel guides are also available as e-books in a variety of digital formats through our online partners, including Amazon.com, netLibrary.com, BarnesandNoble.com, and eBooks.com. For complete information about the hundreds of other travel guides offered by Hunter Publishing, visit us at: www.hunterpublishing.com All rights reserved. No part of this publication may be reproduced, stored in a re- trieval system, or transmitted in any form, or by any means, electronic, mechani- cal, photocopying, recording, or otherwise, without the written permission of the publisher. Brief extracts to be included in reviews or articles are permitted. This guide focuses on recreational activities. As all such activities contain ele- ments of risk, the publisher, author, affiliated individuals and companies disclaim any responsibility for any injury, harm, or illness that may occur to anyone through, or by use of, the information in this book. Every effort was made to in- sure the accuracy of information in this book, but the publisher and author do not assume, and hereby disclaim, any liability for loss or damage caused by errors, omissions, misleading information or potential travel problems caused by this guide, even if such errors or omissions result from negligence, accident or any other cause. -
Annual Report
( r> r» • * rv r\ t f\ JT NURSING LIBRARY *>,. LUKE’S HOSPITAL TO '2' IT • •' • . Digitized by the Internet Archive in 2017 with funding from Metropolitan New York Library Council - METRO https://archive.org/details/annualreport69stlu ®fje £5HXtp=mntfj Annual Report of is>t. ICufee’s! hospital Jleto §9ork jfor tfje §^ear Cnbing September 30, 1927 CONTENTS PAGE Officers of St. Luke’s Hospital 3 Managers of St. Luke’s Hospital 4 Standing Committees 5 Members of the Society of St. Luke’s Hospital 6 Members Paying Annual Dues 7 House Officers 8 Medical and Surgical Staff 10 Officers and Standing Committees of the Medical Board for 1927 14 Members of the House Staff 15 Pathological Department 16 Out-Patient Department 17 The Sixty-Ninth Annual Report of the Board of Managers of St. Luke’s Hospital 21 Sundry Donations 25 List of Subscriptions to the Century Fund 26 Annual Subscriptions for the Support of Beds 27 Donations received through Superintendent 28 Income and Expenditure Account 33 Hospital Properties and Equipment 35 Unrestricted Funds 35 Endowment Fund and Funds for Designated Purposes 36 Special Appeal Facing page 38 Report of the Committee on Training School 39 Superintendent’s Report 42 Occupations of Patients 45 Applications Declined 46 Expense and Revenue Statement for Fiscal Year 47 Method of Computing Cost of Out-Patient Department 52 Pastor’s Report 55 Endowed Rooms 57 Endowed Beds 57 Terms of Endowment of Beds 76 Special Foundations 77 Special Trust Funds 80 Gifts of Articles 81 Appendix: List of Officers and Members of the Board of Managers of St. -
MAJOR COLLECTION of 19TH-CENTURY AMERICAN ART OPENS May 9, 2004, at the NATIONAL GALLERY of ART
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: February 4, 2004 MAJOR COLLECTION OF 19TH-CENTURY AMERICAN ART OPENS May 9, 2004, AT THE NATIONAL GALLERY OF ART Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871-1875 oil on canv as, 30.5 x 67.3 cm (12 x 26 1/2) John Wilmerding Collection Washington, DC-- American Masters from Bingham to Eakins: The John Wilmerding Collection will showcase one of the most important private collections of 19th-century American art. The exhibition of 51 paintings by 26 American artists will be on view at the National Gallery of Art's East Building, May 9, 2004 through February 6, 2005. Works by such masters as George Caleb Bingham, Frederic Edwin Church, Thomas Eakins, William Stanley Haseltine, Martin Johnson Heade, Fitz Hugh Lane, John Marin, John F. Peto, and William Trost Richards represent four decades of collecting in an area of particular scholarly interest to Wilmerding. "Over the course of his career John Wilmerding has become one of the most respected and widely known authorities on American art. His many books and articles have helped define the scholarly nature of the field as a whole and have also documented the works of key figures. John has organized many exhibitions on American art and through his teaching and lectures he has introduced literally thousands to the wonders and complexities of our national art," said Earl A. Powell III, director of the National Gallery of Art. -
United States Department of the Interior National Park Service National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: Shelburne Falls Historic District Other names/site number: ______________________________________ Name of related multiple property listing: ___________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _____________________________________________ City or town: Shelburne State: Vermont County: 05482 Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets -
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMBNo. 1024-0018 SHELBURNE FARMS Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: SHELBURNE FARMS Other Name/Site Number: SOUTHERN ACRES FARM (southern portion only) 2. LOCATION Street & Number: 1611 HARBOR ROAD Not for publication: N/A City/Town: SHELBURNE Vicinity: N/A State: VT County: CHITTENDEN Code: 007 Zip Code: 05482 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: X District: X Public-State: ___ Site: ___ Public-Federal: Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 17 43 buildings _2_ sites 7 6 structures 1 3 objects 28 54 Total Number of Contributing Resources Previously Listed in the National Register: 18 Name of Related Multiple Property Listing: N/A NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMBNo. 1024-0018 SHELBURNE FARMS Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. -
Bay Road Existing Conditions Memo
Memorandum Subject: November 22, 2016 Ana Janda, Town of Shelburne, Director of Administration Paul Goodrich, Town of Shelburne, Highway Superintendent Joe Colangelo, Town of Shelburne, Town Manager Dean Pierce, Town of Shelburne, Director of Planning and Zoning Kate Lalley, Town of Shelburne, Resident/Planning Commission Peter Keating, CCRPC, Senior Transportation Planner To: Sai Sarepalli, CCRPC, Transportation Planning Engineer Katelin Brewer-Colie, Local Motion, Community Technical Assistance Program Manager Marc Gamble, Town of Shelburne, Bike and Pedestrian Paths Committee John Kerr, Town of Shelburne, Selectboard Allen Fortin, Town of Shelburne, Sergeant Jason DeGray, New England Regional Director, Toole Design Group From: Pete Robie, Planner, Toole Design Group John Dempsey, Project Manager, Toole Design Group Project: Bay Road Pedestrian and Bicycle Mobility Study The Town of Shelburne, with assistance from the Chittenden County Regional Planning Commission (CCRPC), is examining walking and bicycling conditions along the Bay Road corridor. This memorandum summarizes the existing conditions assessment completed for the Bay Road Pedestrian and Bicycle Mobility Study. The existing conditions were presented at a Local Concerns Meeting on October 25, 2016 to validate these findings and gather feedback from the public. This memorandum presents: A draft purpose and need statement Characteristics of the Bay Road corridor Existing natural, cultural, and other resources Next steps Archeological Resource and Historic Preservation Assessment The next step in this process is to develop an understanding of a desired facility alignment for all users in the Bay Road corridor, and its potential impacts. 1 Purpose and Need Bay Road is currently heavily used by pedestrians, bicyclists, motorists, and recreational boaters/anglers providing direct access to Shelburne Bay, Shelburne Bay Park, Shelburne Farms, and the popular Ti Haul Recreation Path. -
SHELBURNE MUSEUM Page 13
FAQ (5/27/21) ANSWERS TO FREQUENTLY ASKED QUESTIONS, 2021 Table of Contents GENERAL INFORMATION Page 2 ADMISSION Page 3 THE BRICK HOUSE Page 5 MEMBERSHIP Page 6 ACCESSIBILITY Page 8 VISITOR AMENITIES Page 9 CHANGES Page 11 BUILDING STAFFING AND ACCESSIBILITY Page 13 CAROUSEL Page 13 CHILDREN AT SHELBURNE MUSEUM Page 13 COLLECTIONS Page 14 CONSERVATION Page 15 GROUNDS Page 15 APPENDIX A – FAQs FOR PIZZAGALLI CENTER FOR ART AND EDUCATION Page 17 1 FAQ (5/27/21) SHELBURNE MUSEUM ANSWERS TO FREQUENTLY ASKED QUESTIONS, 2021 GENERAL INFORMATION Q: What is Shelburne Museum? A: The Museum, founded in 1947, is Vermont’s largest museum and one of the country’s finest, most diverse collections of art, design, and Americana. The product of a lifetime of collecting by Museum founder, Electra Havemeyer Webb, Shelburne’s collections range from folk art and architecture to fine art and transportation exhibits. Decorative arts, textile arts, and contemporary design fill the buildings. You may view paintings by Monet, Manet and Degas, hand carved circus figures, quilts, as well as a 220-foot steamboat, Ticonderoga, a National Historic Landmark. The Museum’s 45 acres of exquisite landscaping is home to 39 exhibit buildings. On August 18, 2013, the Museum opened the new Pizzagalli Center for Art and Education, a spectacular new exhibition and learning space with two 2,500 sf galleries, an auditorium with seating for 140 and a dedicated classroom. Q: How old is the Museum? A: The Museum was founded in 1947 and opened to the public in 1952. Q: Where is the Museum located? A: 6000 Shelburne Road, Shelburne, VT 05482 Q: What are the dates/hours the Museum is open? A: Museum grounds & gardens and select buildings will be open to the public starting June 2, 2021, with member early access June 1, 2021.