One Day, Sean O'casey
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This dissertation has been 65-9757 microfilmed exactly as received SMITH, Bobby L ., 1930- SATIRE IN THE DRAMA OF SEAN O’CASEY. The University of Oklahoma, Ph. D ., 1965 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SATIRE IN THE DRAMA OF SEAN O'CASEY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree o f DOCTOR OF PHILOSOPHY BY BOBBY L. SMITH Norman, Oklahoma 1965 SATIRE IN THE DRAMA OF SEAN O'CASEY APPROVED BY c y'i> r- -U)JiUfrwv lA-. DISSERTATION COMMITTEE ACKNOWLEDGMENTS I am especially indebted to Dr. A. J. Fritz for his professional aid and his personal encouragement during the several years since he first introduced me to the dramas of Sean O'Casey. In addition, I am grateful to him for directing this dissertation and for offering a recent seminar which concentrated on the development of modern Irish drama. I am also grateful to Dr. Calvin G. Thayer, Dr. Bruce I. Granger, and Dr. William H. Maehl, Jr., who courteously consented to serve as a reading committee and whose teaching and personal friendship have been invaluable through out my career as a graduate student. i i i TABLE OF CONTENTS Page ACKNOWLEDGMENTS i i i C hapter I . INTRODUCTION....................................................................................... 1 I I . THE IRISH PLAYS .............................................................................. 13 The Shadow o f a Gunman ..................................................... I3 Kathleen Listens In ............................................................ 25 Juno and th e Pay cock .............. .. ............................... 31 Nannie's Night Out .............................................................. 40 The Plough and the Stars ................................................ I I I . TRANSITIONAL PERIOD .................................................................... -
Ulysses — 16 June 1904
Ulysses — 16 June 1904 https://archive.org/details/Ulysses-Audiobook http://www.gutenberg.org/files/4300/old/ulyss10h.htm Ulysses (1922) Novel of Adultery/Crime Fiction — Realism Mythic — Homeric (sub species temporis nostri) Modernist — Modes of representation (particularly consciousness–monologue interieur) Post-Modernist — Experimental (interrogation of presuppositions; cultural; “play”) Modernism ‘Modernism is not so much a thing as a set of responses to problems posed by the condition of modernity’ —Michael H. Whitworth, Ed., Modernism. Oxford: Blackwell, 2007, p. 3. Modernity Modernity defined in terms of: technology and social and ideological context telephone; telegrams; electric light; train travel; cinema; international cable network for news; radio; mechanised warfare; steam ships • the city and the comforts of modern life • the dominance of ‘instrumental reason’ • Historical events such as WWI and the Holocaust —Michael H. Whitworth, Ed., Modernism. Oxford: Blackwell, 2007, pp. 5-10. ‘So what was that all about?’ — Spike Milligan Within the arts at least, and among some philosophers, it is, after all, not news that what some regard as the great achievements of European modernity, such things as an urban, cosmopolitan civilization, material prosperity, a methodologically secure, rational grounded science, individual liberty, might also reflect a dangerously naïve optimism, merely class-based interests, or might represent or presuppose disguised forms of repression, or might contribute to a stultifying, boring, even a pointless life. Robert B. Pippin, Modernism as a Philosophical Problem. 1991; Oxford: Blackwell, 1999, p. 2. “Character” as text; intertext; context Leopold Bloom (“Poldy”) 38 years old (married when 23) Father Jewish; Mother English. Canvasser for The Freeman’s Journal (A newspaper with Catholic sympathies). -
Colour in the Plays of Sean O'casey
“To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face”: Colour in the Plays of Sean O’Casey To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face: Colour in the Plays of Sean O’Casey Ryan K Evans This thesis is submitted for the degree of Master of Philosophy August 2019 English and Creative Writing “To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face”: Colour in the Plays of Sean O’Casey Declaration This thesis has not been submitted in support of an application for another degree at this or any other university. It is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated. Many of the ideas in this thesis were the product of discussion with my supervisors Tony Pinkney and Tony Sharpe. Ryan Evans Lancaster University, UK Ryan K Evans July 2019 ii “To Throw a Whole World in Colour on a Canvas Though it be but a Man’s Fine Face”: Colour in the Plays of Sean O’Casey Abstract This thesis examines the presence and use of colour in the plays of Sean O’Casey and argues that while a portion of colour in the drama is aesthetic, another portion is intentionally utilized as a means to provide additional contextual commentary, be it cultural, religious, political, or artistic in nature. This practice stems, I argue, in part because of O’Casey’s tendency towards an appreciation for beautiful things stemming from his artistic leanings. -
Joyce's Dublin
1 James Joyce Centre Mater Misericordiae NORTH CIRCULAR ROAD 2 Belvedere College Hospital A MAP OF 1904 MAP OF 3 St George’s Church 4 7 Eccles St BELVEDERE PLACE ROAD ECCLES STREET 5 Glasnevin Cemetery 6 Gresham Hotel R.C.Ch Joyce’sRICHMOND PLACE 7 The Joyce Statue 4 8 O’ConnellCharleville Bridge Mall 3 Free 9 Night Town Ch. Dublin St. George’s 10 Cabman’s shelter Nelson St. STREET Church Upr. Rutland St. 11 North Wall Quay BLESSINGTON STREET 12 Clarence St. Temple St. PORTLAND Sweny’s ROW Chemist PHIBSBOROUGH 13 The National Maternity MOUNTJOY SQUARE Hospital D O R S E T Wellington St. 14 Finn’s Hotel BUCKINGHAM FREDERICK STREET 2 ERHILL 15 The National Library Hardwicke St. Hill St. 16 Davy Byrnes T MID. GARDIN E 17 UCD Newman House E Nth.Gt.George’s St. SUMM R STREET 18 The Volta Cinema T Grenville St. S 19 Barney Kiernan’s Pub Y GREAT DENMARK STREET O 20 Ormond Hotel J STREET T CAVENDISH ROW 1 Empress Place N E R S T. 21 The Dead House L B R O A D S T O N E U L 22 Sandymount Strand S T A T I O N I DOMINICKO 19 H M Cumberland St. 23 Sandycove Tower SEVILLE PLACE N G R A N B Y R O W O 24 The School I T RUTLAND NORTH STRAND Oriel St. MARLBOROUGH ST. Tramlines in 1904 U Granby Lane SQUARE LWR. GARDINER ST. T GLOUCESTER STREET I Henrietta St. STREET T Rotunda TYRONE STREET S M A B B O T S T. -
WB Yeats and the Legacy of Censorship
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library 'I Sing What Was Lost and Dread What Was Won': W. B. Yeats and the Legacy of Censorship Author(s): Lauren Arrington Source: Irish University Review, Vol. 38, No. 2 (Autumn - Winter, 2008), pp. 222-242 Published by: Edinburgh University Press Stable URL: https://www.jstor.org/stable/40344296 Accessed: 07-05-2020 12:33 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Edinburgh University Press is collaborating with JSTOR to digitize, preserve and extend access to Irish University Review This content downloaded from 78.16.160.210 on Thu, 07 May 2020 12:33:58 UTC All use subject to https://about.jstor.org/terms Lauren Arrington 'I Sing What Was Lost and Dread What Was Won': W. B. Yeats and the Legacy of Censorship The historiography of theatre censorship has recently undergone a transformation. Received wisdom formerly held that since there was no legislative censorship of theatres, no censorship occurred, but work by Joan FitzPatrick Dean and Peter Martin has significantly revised the understanding of the way that censorship operates. -
ABBEY THEATRE. Abbey Theatre Collection, 1905-1995
ABBEY THEATRE. Abbey Theatre collection, 1905-1995 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Abbey Theatre. Title: Abbey Theatre collection, 1905-1995 Call Number: Manuscript Collection No. 244 Extent: 4 linear ft. (8 boxes) Abstract: Collection of play scripts and programs from the Abbey Theatre from 1921-1995. Language: Materials entirely in English. Administrative Information Restrictions on access Unrestricted access. Terms Governing Use and Reproduction Information on copyright (literary rights) available from repository. All requests subject to limitations noted in departmental policies on reproduction. Related Materials in This Repository William Butler Yeats collection, Gregory family papers, Cuala Press collection, and in the rare book collection. Source Purchased from Glenn Horowitz Booksellers in 1986 with subsequent additions from 1987 to 1999. Custodial History Purchased from dealer, provenance unknown. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Abbey Theatre collection, 1905-1995 Manuscript Collection No. 244 Citation [after identification of item(s)], Abbey Theatre collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Appraisal Note Acquired by Director of the Rose Library, Linda Matthews, as part of the Rose Library's holdings in Irish Literature. Processing Processed by Susan Potts McDonald, 2000. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. -
Sean O'casey Modern Judgements
Modern Judgements SEAN O'CASEY MODERN JUDGEMENTS General Editor: P. N. FURBANK Dickens A. E. Dyson Henry James Tony Tanner Milton Alan Rudrum Sean O'Casey Ronald Ayling Pasternak Donald David and Angela Livingstone Walter Scott D. D. Devlin Shelley R. B. Woodings Swift A. NormanJeffares IN PREPARATION Matthew Arnold P. A. W. Collins Ford Madox Ford Richard A. Cassell Freud F. Cioffi Marvell M. Wilding Pope Graham Martin Racine R. C. Knight Sean 0' Casey MODERN JUDGEMENTS edited by RONALD AYLING Macmillan Education Selection and editorial material© Ronald Ayling 1969 Softcover reprint of the hardcover rst edition 1969 978-0-333-03330-2 ISBN 978-o-333-07049-9 ISBN 978-1-349-15301-5 (eBook) DO I 10.1007I 978-1-349-15301-5 First published 1969 MACMILLAN AND CO LTD Little Essex Street London WC2 and also at Bombay Calcutta and Madras Macmillan South Africa (Publishers) Pty LtdJohannesburg The Macmillan Company ofAustralia Pty Ltd Melbourne The Macmillan Company ofCanada Ltd Toronto For Elsie and Charles Osborn to whom I owe so much Contents Acknowledgements 7 General Editor's Preface 9 Introduction II Chronology 42 Drama HERBERT COSTON Prelude to Playwriting 47 P. s. o'HEGARTY A Dramatist ofNew-born Ireland 6o A. E. MALONE O'Casey's Photographic Realism 68 JAMES AGATE Juno and the Paycock and The Plough and the Stars 76 DENIS JOHNSTON Sean O'Casey: An Appreciation 82 w. B. YEATS TheSilverTassie:ALetter 86 CHARLES MORGAN The Silver Tassie 88 GEORGE BERNARD SHAW LettertotheProducerofThe Silver Tassie 91 BONAMY DOBREE SeanO'CaseyandthelrishDrama 92 UNA ELLIS-FERMOR PoetryinRevolt 106 JOHN GASSNER TheProdigalityofSeanO'Casey IIO JACQUES BARZUN O'Casey at Your Bedside 120 A. -
1 Visual Geo-Literary and Historical Analysis
Charles Travis, Final Accepted Manuscript, Annals of the Association of American Geographers, 2015 Visual Geo-Literary and Historical Analysis, Tweetflickrtubing, and James Joyce’s Ulysses (1922) Abstract Situated at the intersection of the arts and sciences, Humanities GIS (HumGIS) are contributing to new knowledge systems emerging in the digital, spatial and geo humanities. This article discusses the conceptualization and operationalization of two HumGIS models engaging the cartographical and discursive tools employed by James Joyce to compose Ulysses (1922). The first model is used to perform a visual geo-literary historical analysis by transposing Homeric and Dantean topologies on a spatialized narrative of Joyce’s work. The second model integrates Ulysses within a social media map to interpret Bloomsday 2014 digital eco-system spatial performances in Dublin and globally. This article suggests that HumGIS models reflecting human contingency, idiosyncrasy and affect, drawing on literary, historical and social media tools, sources and perceptions, may offer GIScience, Neogeography and Big Data studies alternative spatial framings, and modelling scenarios. Keywords: GIS, literature, history, social-media, digital humanities. Introduction This article discusses the conceptualization, creation, and application of two Humanities Geographic Information Science (HumGIS) models respectively facilitating visual geo-literary- historical analysis, and social media activity interpretation, drawing on the “soft” data, cartographical, and discursive tools, and cultural impacts of James Joyce’s novel Ulysses (1922). HumGIS concepts and practices operate at the epistemological intersection of the arts and sciences, are shaping new discourses in the digital humanities, and provide GIScience, Neogeography and Big Data studies with an ontological shift and alternative modelling scenarios, shaped by the vagaries of human contingency and affect. -
Claudia Parra Building Empowerment Through
CLAUDIA PARRA BUILDING EMPOWERMENT THROUGH DRAMA: SEAN O’CASEY’S FEMALE REPRESENTATIONS IN THREE DUBLIN PLAYS São José do Rio Preto 2020 CLAUDIA PARRA BUILDING EMPOWERMENT THROUGH DRAMA: SEAN O’CASEY’S FEMALE REPRESENTATIONS IN THREE DUBLIN PLAYS Tese apresentada como parte dos requisitos para obtenção do título de Doutora em Letras, junto ao Programa de Pós-Graduação em Letras, do Instituto de Biociências, Letras e Ciências Exatas da Universidade Estadual Paulista “Júlio de Mesquita Filho”, Câmpus de São José do Rio Preto. Financiador: CNPq – Proc. 140054/2017-0 Orientador: Prof. Dr. Peter James Harris São José do Rio Preto 2020 CLAUDIA PARRA BUILDING EMPOWERMENT THROUGH DRAMA: SEAN O’CASEY’S FEMALE REPRESENTATIONS IN THREE DUBLIN PLAYS Tese apresentada como parte dos requisitos para obtenção do título de Doutora em Letras, junto ao Programa de Pós-Graduação em Letras, do Instituto de Biociências, Letras e Ciências Exatas da Universidade Estadual Paulista “Júlio de Mesquita Filho”, Câmpus de São José do Rio Preto. Financiador: CNPq – Proc. 140054/2017-0 Comissão Examinadora Prof. Dr. Peter James Harris UNESP – Câmpus de São José do Rio Preto Orientador Profa. Dra. Giséle Manganelli Fernandes UNESP - Câmpus de São José do Rio Preto Profa. Dra. Claudia Maria Ceneviva Nigro UNESP - Câmpus de São José do Rio Preto Profa.Dra. Laura Patricia Zuntini De Izarra Universidade de São Paulo – Câmpus São Paulo Profa. Dra. Mariana Bolfarine Universidade de Federal de Mato Grosso – Câmpus Rondonópolis São José do Rio Preto 10 de fevereiro de 2020 ACKNOWLEDGMENTS I shall begin by thanking my supervisor, Dr. Peter James Harris, for his supportive and encouraging assistance throughout my trajectory in Irish Studies. -
Robert G. Lowery Papers and Collection of Sean O'casey 1887-1993, Undated MS.1996.025
Robert G. Lowery Papers and Collection of Sean O'Casey 1887-1993, undated MS.1996.025 http://hdl.handle.net/2345/2795 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill, MA, 02467 617-552-3282 [email protected] http://www.bc.edu/burns Table of Contents Summary Information ................................................................................................................................. 3 Administrative Information .........................................................................................................................4 Related Materials ........................................................................................................................................ 4 Biographical note: Lowery............................................................................................................................ 5 Biographical note: O'Casey........................................................................................................................... 5 Scope and Contents note............................................................................................................................... 7 Arrangement note...........................................................................................................................................7 Collection Inventory...................................................................................................................................... 8 Series I: Correspondence........................................................................................................................8 -
Honesty: the Stinging Fly on the Rump of Free State Respectability
Estudios Irlandeses, Number 12, 2017, pp. 60-72 __________________________________________________________________________________________ AEDEI Honesty: The Stinging Fly on the Rump of Free State Respectability Anthony Keating Edge Hill University, UK [email protected] Copyright (c) 2017 by Anthony Keating. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. This essay will examine the exposé of the realities regarding poverty, immorality and sexual crime in the Irish Free State by the radical journal Honesty (1925-1931). Honesty was edited by the socialist republican James W. Upton, a man with a longstanding commitment to the rights of women and the poor. Upton was by instinct anti-establishment in an era when the country’s religio-political leadership was insecure and keen to manage the Free State’s news agenda. Something they attempted in the service of projecting what was viewed as an ideologically acceptable image of life in the Free Sate, to both domestic and foreign audiences. Upton viewed this policy as a manifestation of the social and political cant favoured by the Free State’s leadership, which was aided and abetted by, and gave succour to, the hypocrisy of wider bourgeois Free State society. A coalition of forces, Upton reasoned, that damaged the interests of the most vulnerable sections of Irish society, in particular, the nation’s women and children living on or below the breadline. However, notwithstanding it radicalism and reputation in the Free State, Honesty has been largely lost to the history of Irish journalism. -
A Post-Colonial Study of O'casey's Dublin's Trilogy
Bulletin of Advanced English Studies – Vol. 1, No. 1 , 2018, pp. 16 - 27 Available online at http:// www.refaad.com The Curse of the Place: A Post-Colonial Study of O'casey's Dublin's Trilogy Amal Riyadh Kitishat Associate professor in English Literature-Al Balqa Applied university -Ajloun University College. Department of English Language and Literature- Jordan [email protected] Muneerah Badr Almahasheer Assistant professor in English literature – Imam Abdulrahman Bin Faisal University -Faculty of Arts- Dept. of English Language. KSA [email protected] Abstract: Sean O’Casey is considered one of the greatest play writers in the Irish Dramatic Movement. His importance refers back to his realistic portrayal of the Irish society in general and of Dublin in particular. It is his experience in the slums of Dublin that provides him with the details that he employed in his plays. The study aims at proving that by describing Dublin slums, O’Casey indirectly directs a criticism of the social and political reality as a background of the bloody events that Ireland witnessed. The plays that are going to be studied are The shadow of a gunman, Juno and the Paycock, Red Roses for me. Unlike other Irish dramatists who idealized Ireland, O’Casey reveals the contradictions in the Irish society. Thus, the study concludes that O’Casey is distinguished from other Irish writers in avoiding the idealized portrayal of Ireland and offers us a mock-heroic treatment of his society Keywords: O’Casey; Mock-heroism; Dublin city; Dublin's Trilogy .post -colonial literature, Irish drama. 1 Introduction Probably more than any Irish dramatist, the figure of Sean O'Casey is still considered to be the greatest among those who benefited the Irish Dramatic Movement.