“Songs of Travel”
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2013 Year in Review
OPERA AMERICA 2013 GROWING ONSTAGE AND OFF OPTION 1 TABLE OF CONTENTS A SURGE OF INNOVATION 6 RESONATING IN NEW SPACES 14 A COMMUNITY OF VOICES 20 OPERA AMERICA FINANCIAL REPORT 28 ANNUAL FIELD REPORT 30 SUPPORT FOR OPERA AMERICA 55 COVER: Maria Aleida as Queen of the Night in Opera Carolina’s production of The Magic Flute. Photo by Jon Silla. LEFT: Nina Yoshida Nelsen, Ji Hyun Jang and Mihoko Kinoshita in Houston Grand Opera’s production of The Memory Stone by Marty Regan and Kenny Fries. Photo by Felix Sanchez. CONCEPT AND DESIGN FOR ANNUAL REPORT BY THE LETTER FROM THE CHAIRMAN Since its inception OPERA America has existed as a community of like-minded individuals committed to the artistic and financial strength of the field. This past year, our definition of community expanded: our conference, held in Vancouver, affirmed our commitment to all of North America, while our growing partnership with Opera Europa continued to bridge the continents through our shared dedication to an art form that knows no borders. Most profoundly, however, the opening of the National Opera Center in New York has created a new center for our community, a tangible space where individual and company members can gather for auditions, recitals and professional learning programs. The center’s technology capabilities enable us to share these offerings globally, even as its flexible amenities enable us to share our love for opera locally. We are delighted to present our global, national and local achievements of the past year through this Annual Report. To our members we offer gratitude for your support of these achievements. -
Newsletter • Bulletin Spring 2005 Printemps
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Spring 2005 Printemps P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A Grand Night for Opera by Jean Saldanha pera arias filled the Unitarian Next was Bryan Estabrooks, bari- Church on January 29th as the tone, with arias “O Ruddier than the Cherry” Oseventh Brian Law Opera Schol- from ACIS AND GALATEA; “Avant de quitter arship competition was held. Bobbi Cain ces lieux” from FAUST sung with great feel- hosted the evening and welcomed the au- ing; and a spirited presentation of “Largo al dience to what was to be an evening of factotum” from IL BARBIERE DI SIVIGLIA. musical treats. It was good to see her back Liliana Piazza, mezzo-soprano, chose on her feet after an extended hospital stay. the arias “Va! Laisse couler les larmes” from Thanks to the preliminary jurors, WERTHER, “Ombra mai fu” from SERSE and Barbara Clark, Charlotte Stewart and Garth “Must the winter come so soon?” from Hampson, a fine group of four talented young VANESSA. All were sung beautifully in a lovely singers were chosen for the night’s finals. clear voice. First on stage was Joyce El-Khoury, Last, and to many the favourite, was soprano, who gave dramatic and moving Maghan Stewart, soprano, who easily presentations of the arias “Come scoglio” handled the arias “Piangero la sorte mia” from COSI FAN TUTTE; Marietta’s Lied from GUILIO CESARE, “In quali eccessi, oh, “Gluck, das mir verblieb” from DIE TOTE Numi” from DON GIOVANNI and “Mi STADT; and “Donde lieta usci” from LA chiamano Mimi” from LA BOHÈME. -
Kimberly Barber--Mezzo-Soprano
KIMBERLY BARBER, MEZZO-SOPRANO COMPLETE PERFORMANCE ARCHIVE Operatic and concert performances: 2019 “I never saw another butterfly: Music of the Holocaust”; Recital with Pianist Anna Ronai and Flutist Ulrike Anton; Richmond Hill Centre for the Performing Arts, Richmond Hill, ON, November 7, 2019 Gala Concert: Opening of CASP Conference; Edmonton, AB; mezzo-soprano Elizabeth Turnbull and others; October 16, 2019 Faculty Showcase: Music at Noon; Pianist Anna Ronai, Penderecki String Quartet, Pianists Anya Alexeyev and Glen Carruthers, vocalist Glenn Buhr; Maureen Forrester Recital Hall, Wilfrid Laurier University, Waterloo, ON; September 12, 2019 Mysterious Barricades: The Stories We Tell; Kitchener Public Library Theatre, Kitchener, ON; Pianist Anna Ronai, Penderecki String Quartet, Trumpeter Guy Few and others; Sept 10, 2019 (coast-to-coast livestream Sept. 14-21, 2019) Closing concert Festival de Fourvière; Chateau LaCroix-Laval, Lyon, France; Pianists Franck Avitabile and Catherine Garonne, cellist Yannick Callier; Aug 4, 2019 Opening concert Festival de Fourvière; Hôtel de Ville, Lyon, France; Three Songs of James Joyce, op. 10, Samuel Barber; Pianist Laetitia Bougnol; Aug 1, 2019 Concert Lyrique, NSVI, Église Ste-Claire, Riviere-Beaudette, QC; Pianist Michael Shannon, Mezzo-soprano Maria Soulis and others; July 3, 2019 Église Ste-Madeleine, Rigaud, QC, July 6, 2019 Mme. de la Haltière, Cendrillon, Jules Massenet; Conductor Leslie De’Ath, Soprano Emily Vondrejs, Mezzo-soprano Dominie Boutin and others; Theatre Auditorium WLU, Waterloo, -
TMS 3-1 Pages Couleurs
TMS3-4cover.5 2005-06-07 11:10 Page 1 CANADIAN GUIDE TO SIZZLING SUMMER MUSIC FESTIVALS ISSUE 09 www.scena.org Summer 2005 • Vol. 3.4 $4.95 National Youth Orchestra at 45 National Academy Orchestra Cross-Country Jazz Roundup Vancouver Jazz Festival at 20! Jazz Contest Inside Measha Brueggergosman A Graced Voice 0 4 0 0 6 5 3 8 5 0 4 6 4 4 9 TMS3-4 glossy 2005-06-06 09:14 Page 2 QUEEN ELISABETH COMPETITION 5 00 2 N I L O I V S. KHACHATRYAN with G. VARGA and the Belgian National Orchestra © Bruno Vessié 1st Prize Sergey KHACHATRYAN 2nd Prize Yossif IVANOV 3rd Prize Sophia JAFFÉ 4th Prize Saeka MATSUYAMA 5th Prize Mikhail OVRUTSKY 6th Prize Hyuk Joo KWUN Non-ranked laureates Alena BAEVA Andreas JANKE Keisuke OKAZAKI Antal SZALAI Kyoko YONEMOTO Dan ZHU Grand Prize of the Queen Elisabeth International Competition for Composers 2004: Javier TORRES MALDONADO Finalists Composition 2004: Kee-Yong CHONG, Paolo MARCHETTINI, Alexander MUNO & Myung-hoon PAK Laureate of the Queen Elisabeth Competition for Belgian Composers 2004: Hans SLUIJS WWW.QEIMC.BE QUEEN ELISABETH INTERNATIONAL MUSIC COMPETITION OF BELGIUM INFO: RUE AUX LAINES 20, B-1000 BRUSSELS (BELGIUM) TEL : +32 2 213 40 50 - FAX : +32 2 514 32 97 - [email protected] SRI_MusicScene 2005-06-06 10:20 Page 3 NEW RELEASES from the WORLD’S BEST LABELS Mahler Symphony No.9, Bach Cantatas for the feast San Francisco Symphony of St. John the Baptist Mendelssohn String Quartets, Orchestra, the Eroica Quartet Michael Tilson Thomas une 2005 marks the beginning of ATMA’s conducting. -
2017-2018 Season & Festival
2017-2018 SE ASON & FESTIVAL TURANDOT - L’ELISIR D’AMORE EUGENE ONEGIN - THE OVERCOAT TURANDOT L’ELISIR D’AMORE EUGENE ONEGIN THE OVERCOAT GENERAL DIRECTOR: KIM GAYNOR MUSIC DIRECTOR: JONATHAN DARLINGTON Call our box office to renew subscriptions before April 24th By Phone: (604) 683-0222 By Fax: (604) 682-3981 Online: www.vancouveropera.ca Mail in or in person: VO Ticket Centre The O’Brian Centre for Vancouver Opera 1945 McLean Drive Vancouver, BC V5N3J7 TURANDOT OCTOBER 13–21, 2017 QUEEN ELIZABETH THEATRE L’ELISIR D’AMORE JANUARY 21–27, 2018 QUEEN ELIZABETH THEATRE EUGENE ONEGIN APRIL 29–MAY 5, 2018 QUEEN ELIZABETH THEATRE THE OVERCOAT A MUSICAL TAILORING APRIL 28–MAY 12, 2018 VANCOUVER PLAYHOUSE for more date and time details please visit vancouveropera.ca TURANDOT PUCCINI’S FINAL MASTERPIECE OCTOBER 13 - 21, 2017 Music by Giacomo Puccini Libretto by Giuseppe Adami and Renato Simoni CONDUCTOR - JACQUES LACOMBE DIRECTOR - RENAUD DOUCET TURANDOT - AMBER WAGNER CALAF - MARCELO PUENTE LIÙ - MARIANNE FISET TIMUR - ALAIN COULOMBE La Bohème. Tosca. Madama Butterfly. Turandot. Puccini saved his most adventurous writing for this, his final opera, blending monumental choruses with unforgettably intimate moments in a thrilling retelling of an ancient story. Acclaimed Canadian director-designer duo Renaud Doucet and André Barbe have created this magnificent production, featuring the vocal talents of American soprano Amber Wagner in a role début as Turandot, and tenor Marcelo Puente making his Vancouver Opera début as Calaf. Maestro Jacques Lacombe, last seen conducting VO’s 2014 production of Carmen, returns to interpret this beautiful score, which features one of opera’s most famous arias – “Nessun dorma”. -
The Marriage of Figaro Partners
Study Guide 2015/16 Season Production Sponsor Manitoba Opera gratefully acknowledges our The Marriage of Figaro partners: Student Night at the Opera Sponsor Projected Translations Sponsor Making the Arts More Accessible® Education, Outreach and Audience Engagement Sponsors 1060 – 555 Main Street lower level, Centennial Concert Hall Winnipeg, MB, R3B 1C3 204-942-7470 www.manitobaopera.mb.ca For Student Night tickets or more information on student programs, contact Sophie Waldman at 204-942-7470 or [email protected] Join our e-newsletter for exclusive behind-the-scenes content: Go to www.manitobaopera.mb.ca and click “Join Our Mailing List” welcome Contents Great Resources for Teaching Your Students About Opera 4 The Marriage of Figaro: Good to Know 5 Production Information 6 Synopsis 7 The Principal Characters 8 The Principal Artists 9 The Composer 14 The Librettist 16 The Marriage of Figaro Musical Highlights 17 Opera Buffa 18 Historical and Literary Background 20 A Short Overview of Opera 21 Bringing an Opera to the Stage 23 The Operatic Voice and Professional Singing 25 Glossary: Important Words in Opera 26 General Opera General Audience Etiquette 30 Manitoba Opera 31 Student Activities 32 Winnipeg Public Library Resources 39 3 welcome Three Great Resources for Teaching Your Students About Opera 1. Student Night at the Opera In order to expose student audiences to the glory of opera, Manitoba Opera created Student Night. It’s an affordable opportunity for students to watch the dress rehearsal, an exciting look at the art and magic of opera before the curtain goes up on Opening Night.