09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
IT 3139 Postwar Directors (Dr Marina View Online Spunta)
1.
Marcus, Millicent: After Fellini: national cinema in the postmodern age. Johns Hopkins University Press, Baltimore (2002).
2.
Wood, Mary P.: Italian cinema. Berg Publishers, Oxford (2005).
3.
Brunetta, Gian Piero: Cent’anni di cinema italiano: Vol.2: Dal 1945 ai giorni nostri. Laterza, Roma (2001).
4.
Brunetta, Gian Piero: Guida alla storia del cinema italiano: 1905-2003. G. Einaudi, Torino (2003).
5.
Zagarrio, Vito: Cinema italiano anni novanta. Marsilio, Venezia (1998).
6.
Zagarrio, Vito: Il cinema della transizione: scenari italiani degli anni Novanta. Marsilio, Venezia (2000).
1/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
7.
West, Rebecca J.: Pagina, pellicola, pratica: studi sul cinema italiano. Longo, Ravenna (2000).
8.
Wagstaff: Cinema. In: Italian cultural studies: an introduction. Oxford University Press, Oxford (1996).
9.
Vighi, Fabio: Traumatic encounters in Italian film: locating the cinematic unconscious. Intellect, Bristol (2006).
10.
Steimatsky, Noa: Italian locations: reinhabiting the past in postwar cinema. University of Minnesota Press, Minneapolis (2008).
11.
Sitney, P. Adams: Vital crises in Italian cinema: iconography, stylistics, politics. University of Texas Press, Austin, Tex (1995).
12.
Sorlin, Pierre: Italian national cinema 1896-1996. Routledge, London (1996).
13.
Sorlin, Pierre: European cinemas, European societies 1939-1990. Routledge, London (1991).
14.
Sesti, Mario: Nuovo cinema italiano: gli autori, i film, le idee. Theoria, Roma (1994).
2/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
15.
Restivo, Angelo: The cinema of economic miracles: visuality and modernization in the Italian art film. Duke University Press, Durham, N.C. (2002).
16.
Repetto, Monica, Tagliabue, Carlo, Centro studi cinematografici: La vita è bella?: il cinema italiano alla fine degli anni Novanta e il suo pubblico. Editrice Il Castoro, Milano (2000).
17.
Raffaelli, Sergio: La lingua filmata: didascalie e dialoghi nel cinema italiano. Casa Editrice Le Lettere, Firenze (1992).
18.
Nichols, Bill: Representing reality: issues and concepts in documentary. Indiana University Press, Bloomington, Ind (1991).
19.
Nelmes, Jill: Introduction to film studies. Routledge, Oxon (2012).
20.
Micheli, Sergio, Di Carlo, Carlo: Il film: struttura, lingua, stile : analisi su alcuni campioni di cinema italiano: Antonioni, Scola, Visconti, Taviani. Bulzoni, Roma (1991).
21.
Miccichè, Lino: Cinema italiano: gli anni ’60 e oltre. Marsilio, Venezia (2002).
22.
Miccichè, Lino: Il neorealismo cinematografico italiano. Marsilio, Venezia (1999).
3/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
23.
Miccichè, Lino: Cinema italiano degli anni ’70: Cronache, 1969-1979. Marsilio, Venezia (1989).
24.
Marrone: The new Italian cinema. In: European cinema. Oxford University Press, Oxford (2004).
25.
Marrone, Gaetana, University of Notre Dame: New landscapes in contemporary Italian cinema. Department of Modern and Classical Languages, University of Notre Dame, Notre Dame (1999).
26.
Marcus, Millicent: Italian film in the light of neorealism. Princeton University Press, Princeton, N.J. (1986).
27.
Leprohon, Pierre, Greaves, Roger, Stallybrass, Oliver: The Italian cinema. Secker and Warburg, London (1972).
28.
Liehm, Mira: Passion and defiance: film in Italy from 1942 to the present. University of California Press, Berkeley, Calif (1984).
29.
Landy, Marcia: Italian film. Cambridge University Press, Cambridge (2000).
30.
4/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Hope, William: Italian cinema: new directions. Peter Lang, Oxford (2004).
31.
Hill, John, Gibson, Pamela Church: The Oxford guide to film studies. Oxford University Press, Oxford (1998).
32.
Günsberg, Maggie: Italian cinema: gender and genre. Palgrave Macmillan, Houndmills, Basingstoke (2004).
33.
Gieri, Manuela: Contemporary Italian filmmaking: strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation. University of Toronto Press, Toronto (1995).
34.
Fadda, Michele: Il cinema contemporaneo: caratteri e fenomenologia. Archetipolibri, Bologna (2009).
35.
Ellis, Jack C.: A History of Film. Allyn and Bacon, Boston, Mass (1995).
36.
Celli, Carlo, Cottino-Jones, Marga: A new guide to Italian cinema. Palgrave Macmillan, New York, N.Y. (2007).
37.
Casetti, Francesco: Theories of cinema, 1945-1995. University of Texas Press, Austin, Tex (1999).
5/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
38.
Buss, Robin: Italian films. Batsford, London (1989).
39.
Buccheri, Vincenzo: Sguardi sul postmoderno: il cinema contemporaneo: questioni, scenari, letture. ISU Università cattolica, Milano (2000).
40.
Brunetta, Gian Piero, Fondazione Giovanni Agnelli: Identità italiana e identità europea nel cinema italiano dal 1945 al miracolo economico. Edizioni della Fondazione Giovanni Agnelli, Torino (1996).
41.
Bordwell: The art cinema as a mode of film practice. In: The European cinema reader. Routledge, London (2002).
42.
Bordwell, David, Thompson, Kristin: Film art: an introduction. McGraw-Hill, New York, N.Y. (2013).
43.
Bondanella: From Italian neorealism to the golden age of cinecittà. In: European cinema. Oxford University Press, Oxford (2004).
44.
Bertellini, Giorgio: The cinema of Italy. Wallflower, London (2004).
45.
Bondanella, Peter: Italian cinema: from neorealism to the present. Continuum, New York (2001).
6/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
46.
Bondanella: Italian cinema. In: The Cambridge companion to modern Italian culture. Cambridge University Press, Cambridge (2001).
47.
Il grande dizionario del cinema online, http://www.mymovies.it/database/.
48.
Nowell-Smith, Geoffrey, Hay, James, Volpi, Gianni: The companion to Italian cinema. Cassell, London (1996).
49.
Arecco, Sergio: Il paesaggio del cinema: dieci studi da Ford a Almodovar. Le Mani, Recco (2001).
50.
Augé, Marc: Non-places: introduction to an anthropology of supermodernity. Verso, London (1995).
51.
Bonesio, Luisa: Geofilosofia del paesaggio. Mimesis, Milano (1997).
52.
Melanco: Il motivo del viaggio nel cinema italiano (1945-1965). In: Identità italiana e identità europea nel cinema italiano dal 1945 al miracolo economico. Edizioni della Fondazione Giovanni Agnelli, Torino (1996).
53.
7/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Hope, William: Italian cinema: new directions. Peter Lang, Oxford (2004).
54.
Rascaroli, L.: New voyages to Italy: postmodern travellers and the Italian road film. Screen. 44, 71–91 (2003). https://doi.org/10.1093/screen/44.1.71.
55.
Restivo: The nation, the body, and the autostrada. In: The road movie book. Routledge, London (1997).
56.
Soja, Edward W.: Postmodern geographies: the reassertion of space in critical social theory. Verso, London (1989).
57.
Spanu, Massimiliano, Festival Internazionale della Fantascienza: Spazio. Lindau, Torino (2002).
58.
Watson, Sophie, Gibson, Katherine: Postmodern cities and spaces. Blackwell, Oxford (1995).
59.
Amelio, Gianni, Lo Verso, Enrico, Placido, Michele, Milkani, Piro: Lamerica, (2004).
60.
Antonioni, Michelangelo, Cochran, Steve, Valli, Alida, Blair, Betsy: Il grido, (2000).
61.
8/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Smordoni, Rinaldo, Interlenghi, Franco, De Sica, Vittorio: Sciuscià =: Shoeshine, (2006).
62.
Maggiorani, Lamberto, De Sica, Vittorio: Ladri di biciclette =: Bicycle thieves, (2011).
63.
De Sica, Vittorio, Zavattini, Cesare, Battisti, Carlo, Casilio, Maria Pia, Gennari, Lina: Umberto D., (2003).
64.
Fellini, Federico, Masina, Giulietta, Quinn, Anthony, Basehart, Richard: La strada =: The road, (2005).
65.
Fellini, Federico, Mastroianni, Marcello, Ekberg, Anita: La Dolce vita, (2004).
66.
Leone, Sergio, Eastwood, Clint, Volonté, Gian Maria, Kurosawa, Akira: Per un pugno di dollari =: A fistful of dollars, (2001).
67.
Leone, Sergio, Eastwood, Clint, Van Cleef, Lee, Volonté, Gian Maria: Per qualche dollaro in più =: For a few dollars more, (2001).
68.
Leone, Sergio, Eastwood, Clint, Van Cleef, Lee, Wallach, Eli: Il buono, il brutto, il cattivo =: The good, the bad and the ugly, (2001).
69.
9/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Moretti, Nanni: Caro diario, (2009).
70.
Moretti, Nanni, Orlando, Silvio, Buy, Margherita: Il caimano =: The crocodile.
71.
Pietrangeli, Antonio, Adorf, Mario, Sandrelli, Stefania: Io la conoscevo bene.
72.
Fabrizi, Aldo, Rossellini, Roberto: Roma, citta aperta =: Rome, open city, (2005).
73.
Fellini, Federico, Fabrizi, Aldo, Rossellini, Roberto: Francesco, giullare di Dio =: Francis, God’s Jester, (2005).
74.
Visconti, Luchino, Girotti, Massimo, Calamai, Clara: Ossessione.
75.
Deborah Amberson: Battling history: narrative wars in Roberto Rossellini’s Paisa. Italica. 86, (2009).
76.
Bondanella, Peter: The films of Roberto Rossellini. Cambridge University Press, Cambridge (1993).
77.
Marcus, M.: National identity by means of montage in Roberto Rossellini’s Paisan. In: After
10/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Fellini: national cinema in the postmodern age. Johns Hopkins University Press, Baltimore (2002).
78.
Wagstaff, Christopher: Italian neorealist cinema: an aesthetic approach. University of Toronto Press, Toronto (2007).
79.
Minghelli, Giuliana: Chapter 2. In: Landscape and memory in post-fascist Italian film: cinema year zero. Routledge, New York, N.Y. (2013).
80.
Forgacs, D.: Antonioni: space, place, sexuality. In: Spaces in European cinema. Intellect, Exeter (1999).
81.
Nowell-Smith, Geoffrey: L’avventura. British Film Institute, London (1997).
82.
Rascaroli, Laura, Rhodes, John David: Antonioni: centenary essays. BFI, London (2011).
83.
Bondanella, Peter E.: The films of Federico Fellini. Cambridge University Press, Cambridge (2002).
84.
Miller, D. A., Fellini, Federico: 8 1/2 [Otto e mezzo]. Palgrave Macmillan, Basingstoke (2008).
85.
11/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Ravetto-Biagioli, K.: The circus of the self. In: Film analysis: a Norton reader. W.W. Norton & Company, New York, N.Y. (2013).
86.
Rohdie, Sam: Fellini lexicon. British Film Institute, London (2002).
87.
Comand, Mariapia: Commedia all’italiana. Il Castoro, Milano (2010).
88.
Commedie al femminile: The Gendering of Space in Three Films by Antonio Pietrangeli: Italian Studies: Vol 65, No 1.
89.
Morelli, G., Martini, G., Zappoli, G.: Un’ invisibile presenza. Il cinema di Antonio Pietrangeli.
90.
Lanzoni, Rémi Fournier: Comedy Italian style: the golden age of Italian film comedies. Continuum, New York (2008).
91.
Fawell, John Wesley: The art of Sergio Leone’s ‘Once upon a time in the West’: a critical appreciation. McFarland, Jefferson, N.C. (2005).
92.
Frayling, Christopher: Chapter on Once Upon a Time in the West. In: Sergio Leone: something to do with death. Faber and Faber, London (2000).
12/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
93.
Armes, Roy: Film and reality: an historical survey. Penguin, Harmondsworth (1974).
94.
Aufderheide, Patricia: Documentary film: a very short introduction. Oxford University Press, Oxford (2007).
95.
Bertozzi, M.: Scusi dov’è il documentario. In: La meglio gioventù: nuovo cinema italiano 2000-2006. Marsilio, Venezia (2006).
96.
Black, Joel: The reality effect: film culture and the graphic imperative. Routledge, London (2002).
97.
Breschand, Jean: Il documentario: L’altra faccia del cinema. Lindau, Torino (2005).
98.
Bruzzi, Stella: New documentary: a critical introduction. Routledge, Abingdon (2006).
99.
Corner, John: The art of record: a critical introduction to documentary. Manchester University Press, Manchester (1996).
100.
Casetti, F.: Cinema and reality. In: Theories of cinema, 1945-1995. University of Texas Press, Austin, Tex (1999).
13/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
101.
Bertozzi, Marco, Pannone, Gianfranco: Documentari imprevedibili come i sogni. In: L’idea documentaria: altri sguardi dal cinema italiano. Lindau, Turin (2007).
102.
Chanan, Michael: The politics of documentary. British Film Institute, London (2007).
103.
Hope, William: Italian cinema: new directions. Peter Lang, Oxford (2004).
104.
Nichols, Bill: Representing reality: issues and concepts in documentary. Indiana University Press, Bloomington, Ind (1991).
105.
Nichols, Bill: Introduction to documentary. Indiana University Press, Bloomington, Ind (2010).
106.
Pinelli, C.A.: L’ ABC del documentario. , 2.
107.
Renov, Michael: Theorizing documentary. Routledge, London (1993).
108.
Roscoe, Jane, Hight, Craig: Faking it: mock-documentary and the subversion of factuality. Manchester University Press, Manchester (2001).
14/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
109.
Alan Rosenthal: Writing, Directing, and Producing Documentary Films and Videos. Southern Illinois University.
110.
Rosenthal, Alan, Corner, John: New challenges for documentary. Manchester University Press, Manchester (2005).
111.
Rothman, William: Documentary film classics. Cambridge University Press, Cambridge (1997).
112.
Winston, Brian, British Film Institute: Claiming the real: the Griersonian documentary and its legitimations. British Film Institute, London (1995).
113.
Zagarrio, Vito, Mostra internazionale del nuovo cinema: La meglio gioventù: nuovo cinema italiano 2000-2006. Marsilio, Venezia (2006).
114.
Bertellini, Giorgio: The cinema of Italy. Wallflower, London (2004).
115.
Bondanella, Peter: Italian cinema: from neorealism to the present. Continuum, New York (2001).
116.
Bondanella, P.: Italian cinema. In: The Cambridge companion to modern Italian culture. Cambridge University Press, Cambridge (2001).
15/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
117.
Bondanella, P.: From Italian neorealism to the golden age of cinecittà. In: European cinema. Oxford University Press, Oxford (2004).
118.
Bordwell, D.: The art cinema as a mode of film practice. In: The European cinema reader. Routledge, London (2002).
119.
Buss, Robin: Italian films. Batsford, London (1989).
120.
Casetti, Francesco: Theories of cinema, 1945-1995. University of Texas Press, Austin, Tex (1999).
121.
Celli, Carlo, Cottino-Jones, Marga: A new guide to Italian cinema. Palgrave Macmillan, New York, N.Y. (2007).
122.
Cohan, Steven, Hark, Ina Rae: The road movie book. Routledge, London (1997).
123.
Everett, Wendy E., Goodbody, Axel: Revisiting space: space and place in European cinema. Peter Lang, Oxford (2005).
124.
Fowler, Catherine, Helfield, Gillian: Representing the rural: space, place, and identity in
16/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
films about the land. Wayne State University Press, Detroit, Mich (2006).
125.
Frayling, Christopher: Sergio Leone: something to do with death. Faber and Faber, London (2000).
126.
Gieri, Manuela: Contemporary Italian filmmaking: strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation. University of Toronto Press, Toronto (1995).
127.
Günsberg, Maggie: Italian cinema: gender and genre. Palgrave Macmillan, Houndmills, Basingstoke (2004).
128.
Hope, William: Italian cinema: new directions. Peter Lang, Oxford (2004).
129.
Landy, Marcia: Italian film. Cambridge University Press, Cambridge (2000).
130.
Landy, Marcia: Stardom, Italian style: screen performance and personality in Italian cinema. Indiana University Press, Bloomington, Ind (2008).
131.
Liehm, Mira: Passion and defiance: film in Italy from 1942 to the present. University of California Press, Berkeley, Calif (1984).
17/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
132.
Leprohon, Pierre, Greaves, Roger, Stallybrass, Oliver: The Italian cinema. Secker and Warburg, London (1972).
133.
Marcus, Millicent: After Fellini: national cinema in the postmodern age. Johns Hopkins University Press, Baltimore (2002).
134.
Marrone, Gaetana, University of Notre Dame: New landscapes in contemporary Italian cinema. Department of Modern and Classical Languages, University of Notre Dame, Notre Dame (1999).
135.
Mazierska, Ewa, Rascaroli, Laura: The cinema of Nanni Moretti. Wallflower, London (2003).
136.
Italian Studies: Vol 63, No 2.
137.
Restivo, Angelo: The cinema of economic miracles: visuality and modernization in the Italian art film. Duke University Press, Durham, N.C. (2002).
138.
Rohdie, Sam: Fellini lexicon. British Film Institute, London (2002).
139.
Sitney, P. Adams: Vital crises in Italian cinema: iconography, stylistics, politics. University of Texas Press, Austin, Tex (1995).
18/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
140.
Sorlin, Pierre: European cinemas, European societies 1939-1990. Routledge, London (1991).
141.
Sorlin, Pierre: Italian national cinema 1896-1996. Routledge, London (1996).
142.
Steimatsky, Noa: Italian locations: reinhabiting the past in postwar cinema. University of Minnesota Press, Minneapolis (2008).
143.
Vighi, Fabio: Traumatic encounters in Italian film: locating the cinematic unconscious. Intellect, Bristol (2006).
144.
Wagstaff, C.: A forkful of Westerns: industry, audiences and the Italian Western. In: Popular European cinema. Routledge, London (1992).
145.
Wagstaff, C.: Cinema. In: Italian cultural studies: an introduction. Oxford University Press, Oxford (1996).
146.
Watson, Sophie, Gibson, Katherine: Postmodern cities and spaces. Blackwell, Oxford (1995).
147.
19/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Wood, Mary P.: Italian cinema. Berg Publishers, Oxford (2005).
148.
Aitken, Stuart C., Zonn, Leo: Place, power, situation, and spectacle: a geography of film. Rowman & Littlefield, Lanham, Md (1994).
149.
Bordwell, David, Thompson, Kristin: Film art: an introduction. McGraw-Hill, New York, N.Y. (2013).
150.
Thompson, Kristin, Bordwell, David: Film history: an introduction. McGraw-Hill, London (2010).
151.
Bordwell, David: Poetics of cinema. Routledge, New York (2008).
152.
Chopra-Gant, Mike: Cinema and history: the telling of stories. Wallflower, London (2008).
153.
Ellis, Jack C.: A history of film. Allyn and Bacon, Boston, Mass (1995).
154.
Forbes, Jill, Street, Sarah: European cinema: an introduction. Macmillan, Basingstoke (2000).
155.
20/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Williams, Linda, Gledhill, Christine: Reinventing film studies. Arnold, London (2000).
156.
Hayward, Susan: Cinema studies: the key concepts. Routledge, London (2006).
157.
Hill, John, Gibson, Pamela Church: The Oxford guide to film studies. Oxford University Press, Oxford (1998).
158.
Isaacs, Bruce: Toward a new film aesthetic. Continuum, New York, N.Y. (2008).
159.
Kuhn, Annette: An everyday magic: cinema and cultural memory. I.B. Tauris, London (2002).
160.
Sorlin, Pierre: The film in history: restaging the past. Blackwell, Oxford (1980).
161.
Thompson, Kristin, Bordwell, David: Film history: an introduction. McGraw-Hill, London (2010).
162.
Aitken, I.: Post-war Italian and Spanish realist cinema. In: European film theory and cinema: a critical introduction. Edinburgh University Press, Edinburgh (2001).
163.
21/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Bonsaver, G.: Recent work on Neorealism. Italian Studies: Vol 63, No 2.
164.
Ellis, Jack C.: Chapter 10: Italian Neorealism. In: A history of film. Allyn and Bacon, Boston, Mass (1995).
165.
Landy, Marcia: Fascism in film: the Italian commercial cinema, 1931-1943. Princeton University Press, Princeton, N.J. (1986).
166.
Landy, Marcia: Italian film. Cambridge University Press, Cambridge (2000).
167.
Liehm, Mira: Passion and defiance: film in Italy from 1942 to the present. University of California Press, Berkeley, Calif (1984).
168.
Marcus, Millicent: Italian film in the light of neorealism. Princeton University Press, Princeton, N.J. (1986).
169.
Monticelli, S.: Italian post-war cinema and Neorealism. In: The Oxford guide to film studies. Oxford University Press, Oxford (1998).
170.
Reich, Jacqueline, Garofalo, Piero: Re-viewing fascism: Italian cinema, 1922-1943. Indiana University Press, Bloomington, Ind (2001).
22/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
171.
Restivo, Angelo: Time, melodrama, and Visconti. In: The cinema of economic miracles: visuality and modernization in the Italian art film. Duke University Press, Durham, N.C. (2002).
172.
Alessia Ricciardi: The Italian redemption of cinema: neorealism from Bazin to Godard. The Romanic Review. 97, (2006).
173.
Ruberto, Laura E., Wilson, Kristi M.: Italian neorealism and global cinema. Wayne State University Press, Detroit, Mich (2007).
174.
Shiel, Mark: Italian neorealism: rebuilding the cinematic city. Wallflower, London (2006).
175.
Sieglohr, Ulrike: Heroines without heroes: reconstructing female and national identities in European cinema, 1945-51. Cassell, London (2000).
176.
Sorlin, P.: Italian Cinema’s Rebirth, 1937-1943: a paradox of Fascism. Historical Journal of Film, Radio and Television. 14, 3–14 (1994). https://doi.org/10.1080/01439689400260011.
177.
Miller, Toby, Stam, Robert: Film and theory: an anthology. Blackwell Publishing, Oxford (2000).
178.
23/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Vighi, Fabio: Traumatic encounters in Italian film: locating the cinematic unconscious. Intellect, Bristol (2006).
179.
Marcus, Millicent: Italian film in the light of neorealism. Princeton University Press, Princeton, N.J. (1986).
180.
Bazin, André, Gray, Hugh: What is cinema?: Volume 1. University of California Press, Berkeley, Calif (1992).
181.
Bazin, André: What is cinema?: Volume 2. University of California Press, Berkeley, Calif (1992).
182.
Caldwell, L.: What about women? Italian films and their concerns. In: Heroines without heroes: reconstructing female and national identities in European cinema, 1945-51. Cassell, London (2000).
183.
Cohan, Steven, Hark, Ina Rae: pp. 9-20. In: Screening the male: exploring masculinities in Hollywood cinema. Routledge, London (1993).
184.
Landy, Marcia: Stardom, Italian style: screen performance and personality in Italian cinema. Indiana University Press, Bloomington, Ind (2008).
185.
Neale, S.: Masculinity as spectacle: reflection on men and mainstream cinema’. In: Beyond the Latin lover: Marcello Mastroianni, masculinity, and Italian cinema. Indiana University
24/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Press, Bloomington, Ind (2004).
186.
Riviello, Tonia Caterina: Women in Italian cinema. Libreria Croce, Roma (2001).
187.
Altman, Rick: Film/Genre. British Film Institute, London (1999).
188.
Horton, Andrew: Comedy/cinema/theory. University of California Press, Berkeley, Calif (1991).
189.
Lanzoni, Rémi Fournier: Comedy Italian style: the golden age of Italian film comedies. Continuum, New York (2008).
190.
Wagstaff: Italian genre films in the world market. In: Hollywood and Europe: economics, culture, national identity, 1945-95. BFI Publishing, London (1998).
191.
Buscombe, Edward, Brookeman, Christopher, British Film Institute: The BFI companion to the Western. Andre Deutsch/BFI Publishing, London (1993).
192.
Carlson, Michael: Sergio Leone. Pocket Essentials, Harpenden (2001).
193.
25/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Frayling, Christopher: Spaghetti westerns: cowboys and Europeans from Karl May to Sergio Leone. I.B. Taurus, London (2006).
194.
Frayling, Christopher: Sergio Leone: something to do with death. Faber and Faber, London (2000).
195.
Frayling, Christopher: Sergio Leone: once upon a time in Italy. Thames & Hudson, London (2005).
196.
Landy, M.: Which way is West’ Americanism, history and the Italian Western. In: Cinematic uses of the past. University of Minnesota Press, Minneapolis, Minn (1996).
197.
Landy, Marcia: History, genre and the Italian Western. In: Italian film. Cambridge University Press, Cambridge (2000).
198.
Saunders, John: The Western genre: from Lordsburg to Big Whiskey. Wallflower, London (2001).
199.
Wagstaff, C.: A forkful of Westerns: industry, audiences and the Italian Western’. In: Popular European cinema. Routledge, London (1992).
200.
Weisser, T.: Spaghetti westerns: the good, the bad, and the violent : a comprehensive, illustrated filmography of 558 Eurowesterns and their personnel, 1961-1977. McFarland & Company, Inc., Publishers, Jefferson, North Carolina (2005).
26/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
201.
Cohan, Steven, Hark, Ina Rae: The road movie book. Routledge, London (1997).
202.
Dargis, M.: Roads to freedom. Sight and Sound. 1, 14–18.
203.
Everett, Wendy E., Goodbody, Axel: Revisiting space: space and place in European cinema. Peter Lang, Oxford (2005).
204.
Fowler, Catherine, Helfield, Gillian: Representing the rural: space, place, and identity in films about the land. Wayne State University Press, Detroit, Mich (2006).
205.
Konstantarakos, Myrto: Spaces in European cinema. Intellect, Exeter (1999).
206.
Galt, R.: Italy’s landscapes of loss: historical mourning and the dialectical image in Cinema Paradiso, Mediterraneo and Il Postino. Screen. 43, 158–173 (2002). https://doi.org/10.1093/screen/43.2.158.
207.
Mazierska, Ewa, Rascaroli, Laura: Crossing new Europe: postmodern travel and the European road movie. Wallflower Press, London (2006).
208.
Rascaroli, L.: Mazzacurati, Soldini & Amelio: Highways, Side Roads and Borderlines - the
27/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
New Italian Road Movie. In: Italian cinema: new directions. Peter Lang, Oxford (2004).
209.
Rascaroli, L.: New voyages to Italy: postmodern travellers and the Italian road film. Screen. 44, 71–91 (2003). https://doi.org/10.1093/screen/44.1.71.
210.
Restivo, A.: The nation, the body, and the autostrada. In: The road movie book. Routledge, London (1997).
211.
Clarke, David B.: The cinematic city. Routledge, London (1997).
212.
Denzin, Norman K.: The cinematic society: the voyeur’s gaze. Sage Publications, London (1995).
213.
Capital City: Rome 1870–2010. Annali d’Italianistica. 28, (2010).
214.
Restivo, Angelo: Time, melodrama, and Visconti. In: The cinema of economic miracles: visuality and modernization in the Italian art film. Duke University Press, Durham, N.C. (2002).
215.
Shiel, Mark, Fitzmaurice, Tony: Cinema and the city: film and urban societies in a global context. Blackwell, Oxford (2001).
28/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
216.
Cinematic Rome. Troubador publishing, Leicester (2008).
217.
Vitti, Antonio: The films of Gianni Amelio: the search for a cinema of social conscience, true to his roots. Metauro, Pesaro (2009).
218.
GIANNI AMELIO’S IL LADRO DI BAMBINI: RECALLING THE IMAGE: Italian Studies: Vol 53, No 1.
219.
Arrowsmith, William, Antonioni, Michelangelo, Perry, Ted: Antonioni: the poet of images. Oxford University Press, New York (1995).
220.
Brunette, Peter: The films of Michelangelo Antonioni. Cambridge University Press, Cambridge (1998).
221.
Benci, J.: Michelangelo’s Rome: Towards an iconology of L’eclisse. In: Cinematic Rome. Troubador publishing, Leicester (2008).
222.
Antonioni, Michelangelo, Chatman, Seymour Benjamin, Fink, Guido: L’avventura. Rutgers University Press, New Brunswick (1989).
223.
Forgacs, D.: Antonioni: space, place, sexuality. In: Spaces in European cinema. Intellect, Exeter (1999).
29/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
224.
Leprohon, P.: Michelangelo Antonioni: an introduction. Simon & Schuster; First Edition edition (1963).
225.
Nowell-Smith, Geoffrey: L’avventura. British Film Institute, London (1997).
226.
Restivo, Angelo: The cinema of economic miracles: visuality and modernization in the Italian art film. Duke University Press, Durham, N.C. (2002).
227.
Rifkin, N.: Antonioni’s visual language. UMI Research Press, Ann Arbor, Mich (1982).
228.
Rascaroli, Laura, Rhodes, John David: Antonioni: centenary essays. BFI, London (2011).
229.
Snyder, Stephen J., Curle, Howard: Vittorio De Sica: contemporary perspectives. University of Toronto Press, Toronto (2000).
230.
Gordon, Robert Samuel Clive: Bicycle thieves. BFI, London (2008).
231.
Wagstaff, C.: Ladri di biciclette. In: Italian cultural studies: an introduction. Oxford University Press, Oxford (1996).
30/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
232.
Wagstaff, Christopher: Chapter 5: Ladri di biciclette. In: Italian neorealist cinema: an aesthetic approach. University of Toronto Press, Toronto (2007).
233.
Bondanella, P.: Essays in criticism. Federico Fellini. Oxford University Press, Oxford (1978).
234.
Fellini, F., Bondanella, P., Gieri, M.: La Strada: Federico Fellini, director. Rutgers University Press, New Brunswick, N.J. (1991).
235.
Bondanella, Peter E.: The films of Federico Fellini. Cambridge University Press, Cambridge (2002).
236.
Bondanella, P.: La strada. In: The cinema of Italy. Wallflower, London (2004).
237.
Burke, F.: Fellini’s films: from postwar to postmodern. Twayne Publishers, New York (1996).
238.
Burke, F., Waller, M.R.: Federico Fellini: Contemporary Perspectives. University of Toronto Press, Toronto (2000).
239.
Fellini, Federico, Cardullo, Bert: Federico Fellini: interviews. University Press of Mississippi, Jackson, Miss (2006).
31/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
240.
Fellini, Federico, Costantini, Costanzo: Fellini on Fellini. Faber & Faber, London (1995).
241.
Gieri, Manuela: Contemporary Italian filmmaking: strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation. University of Toronto Press, Toronto (1995).
242.
Gili, Jean A., Tokunaga, Sandra E.: Italian filmmakers: self portraits ; a selection of interviews. Gremese Editore, Rome, Italy (1998).
243.
Rohdie, Sam: Fellini lexicon. British Film Institute, London (2002).
244.
Cumbow, Robert C.: The films of Sergio Leone. Scarecrow Press, Lanham, Md (2008).
245.
De Fornari, O.: Sergio Leone: the great Italian Dream of Legendary America. Gremese International, Rome (1997).
246.
Fawell, John Wesley: The art of Sergio Leone’s ‘Once upon a time in the West’: a critical appreciation. McFarland, Jefferson, N.C. (2005).
247.
Frayling, Christopher: Sergio Leone: something to do with death. Faber and Faber, London
32/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
(2000).
248.
Frayling, Christopher: Sergio Leone: once upon a time in Italy. Thames & Hudson, London (2005).
249.
Martin, A., British Film Institute: Once upon a time in America. British Film Institute, London (1998).
250.
Bonsave, G.: The egocentric Cassandra of the left: Representations of politics in the films of Nanni Moretti.
251.
Millicent Marcus: Caro Diario and the Cinematic Body of Nanni Moretti. Italica. 73, 233–247 (1996).
252.
Mazierska, Ewa, Rascaroli, Laura: The cinema of Nanni Moretti. Wallflower, London (2003).
253.
Diffrient, D.S.: Autobiography, Corporeality, Seriality: Nanni Moretti’s Dear Diary as a Narrative Archipelago. Journal of Film and Video. 61, 17–30 (2009). https://doi.org/10.1353/jfv.0.0047.
254.
Vighi, F.: Nanni Moretti: trauma, hysteria, and freedom. In: Italian cinema: new directions. Peter Lang, Oxford (2004).
33/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
255.
Rascaroli, L.: Caro diario / dear diary. In: The cinema of Italy. Wallflower, London (2004).
256.
Three colours Italian. Sight and Sound. 28–30.
257.
Caro diario’ a modern journey of purification. Rivista di studi italiani. 18, 270–280.
258.
Giuliana Bruno: Heresies: The Body of Pasolini’s Semiotics. Cinema Journal. 30, 29–42 (1991).
259.
Gordon, Robert Samuel Clive: Pasolini: forms of subjectivity. Clarendon Press, Oxford (1996).
260.
Greene, N.: Pier Paolo Pasolini: cinema as heresy. Princeton University Press, Princeton, N.J. (1990).
261.
Rohdie, Sam, British Film Institute: The passion of Pier Paolo Pasolini. BFI Publishing, London (1995).
262.
Rhodes, John David: Stupendous, miserable city: Pasolini’s Rome. University of Minnesota
34/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Press, Minneapolis, Minn (2007).
263.
Rumble, Patrick, Testa, Bart: Pier Paolo Pasolini: contemporary perspectives. University of Toronto Press, Toronto, Ont (1994).
264.
Rumble, Patrick: Allegories of contamination: Pier Paolo Pasolini’s Trilogy of life. University of Toronto Press, Toronto, Ont (1996).
265.
Rumble, P.: Accattone. In: The cinema of Italy. Wallflower, London (2004).
266.
Stack, Oswald, Pasolini, Pier Paolo: Pasolini on Pasolini: interviews with Oswald Stack. Thames & Hudson, London (1969).
267.
Viano, Maurizio: A certain realism: making use of Pasolini’s film theory and practice. University of California Press, Berkeley, Calif (1993).
268.
Fullwood, N.: Commedie al femminile: The Gendering of Space in Three Films by Antonio Pietrangeli.
269.
Deborah Amberson: Battling History: Narrative Wars in Roberto Rossellini’s Paisà. Italica. 86, 392–407 (2009).
35/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
270.
Bondanella, Peter: The films of Roberto Rossellini. Cambridge University Press, Cambridge (1993).
271.
Bernardi, S.: Rossellini’s landscapes: Nature, myth, history. In: Roberto Rossellini: magician of the real. bfi Publishing, London (2000).
272.
Brunette, Peter: Roberto Rossellini. University of California Press, Berkeley, Calif (1996).
273.
Forgacs, David, Lutton, Sarah, Nowell-Smith, Geoffrey, British Film Institute: Roberto Rossellini: magician of the real. bfi Publishing, London (2000).
274.
Forgacs, David: Rome open city (Roma città aperta). British Film Institute, London (2000).
275.
Gallagher, Tag: The adventures of Roberto Rossellini. Da Capo Press, New York (1998).
276.
Hipkins, D.: Francesca’s salvation or damnation?: Resisting recognition of the prostitute in Roberto Rossellini's (1946). Studies in European Cinema. 3, 153–168 (2006). https://doi.org/10.1386/seci.3.2.153_1.
277.
Hipkins, D.: Were Sisters Doing it for Themselves? Prostitutes, Brothels and Discredited
36/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
Masculinity in Postwar Italian Cinema. In: War-torn tales: literature, film and gender in the aftermath of World War II. Peter Lang, Oxford (2007).
278.
Muscio, G.: Paisà. In: The cinema of Italy. Wallflower, London (2004).
279.
Vighi, F.: Encounters in the real: subjectivity and its excess in Roberto Rossellini. Studies in European Cinema. 1, 185–198 (2004). https://doi.org/10.1386/seci.1.3.185/0.
280.
Bacon, Henry: Visconti: explorations of beauty and decay. Cambridge University Press, Cambridge (1998).
281.
Liehm, M.: Obsession. In: Passion and defiance: film in Italy from 1942 to the present. University of California Press, Berkeley, Calif (1984).
282.
Duncan, D.: Ossessione. In: European cinema: an introduction. Macmillan, Basingstoke (2000).
283.
Giuliana Minghelli: Haunted Frames: History and Landscape in Luchino Visconti’s Ossessione. Italica. 85, 173–196 (2008).
284.
Nowell-Smith, Geoffrey, British Film Institute: Luchino Visconti. British Film Institute, London (2003).
37/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester
285.
Van Watson, W.: Luchino Visconti’s (Homosexual) Ossessione. In: Re-viewing fascism: Italian cinema, 1922-1943. Indiana University Press, Bloomington, Ind (2001).
286.
Ramsey Portolano, C.: Ossessione and Visconti’s alternative cinema. In: Pagina, pellicola, pratica: studi sul cinema italiano. Longo, Ravenna (2000).
287.
Restivo, Angelo: Time, melodrama, and Visconti. In: The cinema of economic miracles: visuality and modernization in the Italian art film. Duke University Press, Durham, N.C. (2002).
288.
Rohdie, Sam, British Film Institute: Rocco and his brothers: (Rocco e i suoi fratelli). British Film Institute, London (2000).
38/38