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IT 3139 Postwar Directors (Dr Marina Spunta) | Readinglists@Leicester 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester IT 3139 Postwar Directors (Dr Marina View Online Spunta) 1. Marcus, Millicent: After Fellini: national cinema in the postmodern age. Johns Hopkins University Press, Baltimore (2002). 2. Wood, Mary P.: Italian cinema. Berg Publishers, Oxford (2005). 3. Brunetta, Gian Piero: Cent’anni di cinema italiano: Vol.2: Dal 1945 ai giorni nostri. Laterza, Roma (2001). 4. Brunetta, Gian Piero: Guida alla storia del cinema italiano: 1905-2003. G. Einaudi, Torino (2003). 5. Zagarrio, Vito: Cinema italiano anni novanta. Marsilio, Venezia (1998). 6. Zagarrio, Vito: Il cinema della transizione: scenari italiani degli anni Novanta. Marsilio, Venezia (2000). 1/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester 7. West, Rebecca J.: Pagina, pellicola, pratica: studi sul cinema italiano. Longo, Ravenna (2000). 8. Wagstaff: Cinema. In: Italian cultural studies: an introduction. Oxford University Press, Oxford (1996). 9. Vighi, Fabio: Traumatic encounters in Italian film: locating the cinematic unconscious. Intellect, Bristol (2006). 10. Steimatsky, Noa: Italian locations: reinhabiting the past in postwar cinema. University of Minnesota Press, Minneapolis (2008). 11. Sitney, P. Adams: Vital crises in Italian cinema: iconography, stylistics, politics. University of Texas Press, Austin, Tex (1995). 12. Sorlin, Pierre: Italian national cinema 1896-1996. Routledge, London (1996). 13. Sorlin, Pierre: European cinemas, European societies 1939-1990. Routledge, London (1991). 14. Sesti, Mario: Nuovo cinema italiano: gli autori, i film, le idee. Theoria, Roma (1994). 2/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester 15. Restivo, Angelo: The cinema of economic miracles: visuality and modernization in the Italian art film. Duke University Press, Durham, N.C. (2002). 16. Repetto, Monica, Tagliabue, Carlo, Centro studi cinematografici: La vita è bella?: il cinema italiano alla fine degli anni Novanta e il suo pubblico. Editrice Il Castoro, Milano (2000). 17. Raffaelli, Sergio: La lingua filmata: didascalie e dialoghi nel cinema italiano. Casa Editrice Le Lettere, Firenze (1992). 18. Nichols, Bill: Representing reality: issues and concepts in documentary. Indiana University Press, Bloomington, Ind (1991). 19. Nelmes, Jill: Introduction to film studies. Routledge, Oxon (2012). 20. Micheli, Sergio, Di Carlo, Carlo: Il film: struttura, lingua, stile : analisi su alcuni campioni di cinema italiano: Antonioni, Scola, Visconti, Taviani. Bulzoni, Roma (1991). 21. Miccichè, Lino: Cinema italiano: gli anni ’60 e oltre. Marsilio, Venezia (2002). 22. Miccichè, Lino: Il neorealismo cinematografico italiano. Marsilio, Venezia (1999). 3/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester 23. Miccichè, Lino: Cinema italiano degli anni ’70: Cronache, 1969-1979. Marsilio, Venezia (1989). 24. Marrone: The new Italian cinema. In: European cinema. Oxford University Press, Oxford (2004). 25. Marrone, Gaetana, University of Notre Dame: New landscapes in contemporary Italian cinema. Department of Modern and Classical Languages, University of Notre Dame, Notre Dame (1999). 26. Marcus, Millicent: Italian film in the light of neorealism. Princeton University Press, Princeton, N.J. (1986). 27. Leprohon, Pierre, Greaves, Roger, Stallybrass, Oliver: The Italian cinema. Secker and Warburg, London (1972). 28. Liehm, Mira: Passion and defiance: film in Italy from 1942 to the present. University of California Press, Berkeley, Calif (1984). 29. Landy, Marcia: Italian film. Cambridge University Press, Cambridge (2000). 30. 4/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester Hope, William: Italian cinema: new directions. Peter Lang, Oxford (2004). 31. Hill, John, Gibson, Pamela Church: The Oxford guide to film studies. Oxford University Press, Oxford (1998). 32. Günsberg, Maggie: Italian cinema: gender and genre. Palgrave Macmillan, Houndmills, Basingstoke (2004). 33. Gieri, Manuela: Contemporary Italian filmmaking: strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation. University of Toronto Press, Toronto (1995). 34. Fadda, Michele: Il cinema contemporaneo: caratteri e fenomenologia. Archetipolibri, Bologna (2009). 35. Ellis, Jack C.: A History of Film. Allyn and Bacon, Boston, Mass (1995). 36. Celli, Carlo, Cottino-Jones, Marga: A new guide to Italian cinema. Palgrave Macmillan, New York, N.Y. (2007). 37. Casetti, Francesco: Theories of cinema, 1945-1995. University of Texas Press, Austin, Tex (1999). 5/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester 38. Buss, Robin: Italian films. Batsford, London (1989). 39. Buccheri, Vincenzo: Sguardi sul postmoderno: il cinema contemporaneo: questioni, scenari, letture. ISU Università cattolica, Milano (2000). 40. Brunetta, Gian Piero, Fondazione Giovanni Agnelli: Identità italiana e identità europea nel cinema italiano dal 1945 al miracolo economico. Edizioni della Fondazione Giovanni Agnelli, Torino (1996). 41. Bordwell: The art cinema as a mode of film practice. In: The European cinema reader. Routledge, London (2002). 42. Bordwell, David, Thompson, Kristin: Film art: an introduction. McGraw-Hill, New York, N.Y. (2013). 43. Bondanella: From Italian neorealism to the golden age of cinecittà. In: European cinema. Oxford University Press, Oxford (2004). 44. Bertellini, Giorgio: The cinema of Italy. Wallflower, London (2004). 45. Bondanella, Peter: Italian cinema: from neorealism to the present. Continuum, New York (2001). 6/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester 46. Bondanella: Italian cinema. In: The Cambridge companion to modern Italian culture. Cambridge University Press, Cambridge (2001). 47. Il grande dizionario del cinema online, http://www.mymovies.it/database/. 48. Nowell-Smith, Geoffrey, Hay, James, Volpi, Gianni: The companion to Italian cinema. Cassell, London (1996). 49. Arecco, Sergio: Il paesaggio del cinema: dieci studi da Ford a Almodovar. Le Mani, Recco (2001). 50. Augé, Marc: Non-places: introduction to an anthropology of supermodernity. Verso, London (1995). 51. Bonesio, Luisa: Geofilosofia del paesaggio. Mimesis, Milano (1997). 52. Melanco: Il motivo del viaggio nel cinema italiano (1945-1965). In: Identità italiana e identità europea nel cinema italiano dal 1945 al miracolo economico. Edizioni della Fondazione Giovanni Agnelli, Torino (1996). 53. 7/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester Hope, William: Italian cinema: new directions. Peter Lang, Oxford (2004). 54. Rascaroli, L.: New voyages to Italy: postmodern travellers and the Italian road film. Screen. 44, 71–91 (2003). https://doi.org/10.1093/screen/44.1.71. 55. Restivo: The nation, the body, and the autostrada. In: The road movie book. Routledge, London (1997). 56. Soja, Edward W.: Postmodern geographies: the reassertion of space in critical social theory. Verso, London (1989). 57. Spanu, Massimiliano, Festival Internazionale della Fantascienza: Spazio. Lindau, Torino (2002). 58. Watson, Sophie, Gibson, Katherine: Postmodern cities and spaces. Blackwell, Oxford (1995). 59. Amelio, Gianni, Lo Verso, Enrico, Placido, Michele, Milkani, Piro: Lamerica, (2004). 60. Antonioni, Michelangelo, Cochran, Steve, Valli, Alida, Blair, Betsy: Il grido, (2000). 61. 8/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester Smordoni, Rinaldo, Interlenghi, Franco, De Sica, Vittorio: Sciuscià =: Shoeshine, (2006). 62. Maggiorani, Lamberto, De Sica, Vittorio: Ladri di biciclette =: Bicycle thieves, (2011). 63. De Sica, Vittorio, Zavattini, Cesare, Battisti, Carlo, Casilio, Maria Pia, Gennari, Lina: Umberto D., (2003). 64. Fellini, Federico, Masina, Giulietta, Quinn, Anthony, Basehart, Richard: La strada =: The road, (2005). 65. Fellini, Federico, Mastroianni, Marcello, Ekberg, Anita: La Dolce vita, (2004). 66. Leone, Sergio, Eastwood, Clint, Volonté, Gian Maria, Kurosawa, Akira: Per un pugno di dollari =: A fistful of dollars, (2001). 67. Leone, Sergio, Eastwood, Clint, Van Cleef, Lee, Volonté, Gian Maria: Per qualche dollaro in più =: For a few dollars more, (2001). 68. Leone, Sergio, Eastwood, Clint, Van Cleef, Lee, Wallach, Eli: Il buono, il brutto, il cattivo =: The good, the bad and the ugly, (2001). 69. 9/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester Moretti, Nanni: Caro diario, (2009). 70. Moretti, Nanni, Orlando, Silvio, Buy, Margherita: Il caimano =: The crocodile. 71. Pietrangeli, Antonio, Adorf, Mario, Sandrelli, Stefania: Io la conoscevo bene. 72. Fabrizi, Aldo, Rossellini, Roberto: Roma, citta aperta =: Rome, open city, (2005). 73. Fellini, Federico, Fabrizi, Aldo, Rossellini, Roberto: Francesco, giullare di Dio =: Francis, God’s Jester, (2005). 74. Visconti, Luchino, Girotti, Massimo, Calamai, Clara: Ossessione. 75. Deborah Amberson: Battling history: narrative wars in Roberto Rossellini’s Paisa. Italica. 86, (2009). 76. Bondanella, Peter: The films of Roberto Rossellini. Cambridge University Press, Cambridge (1993). 77. Marcus, M.: National identity by means of montage in Roberto Rossellini’s Paisan. In: After 10/38 09/27/21 IT 3139 Postwar Directors (Dr Marina Spunta) | readinglists@leicester Fellini: national cinema in the postmodern age. Johns Hopkins University Press, Baltimore (2002). 78. Wagstaff, Christopher: Italian neorealist cinema: an aesthetic approach.
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