Sunflower December 05, 1975
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Reign Men Taps Into a Compelling Oral History of Game 7 in the 2016 World Series
Reign Men taps into a compelling oral history of Game 7 in the 2016 World Series. Talking Cubs heads all top CSN Chicago producers need in riveting ‘Reign Men’ By George Castle, CBM Historian Posted Thursday, March 23, 2017 Some of the most riveting TV can be a bunch of talking heads. The best example is enjoying multiple airings on CSN Chicago, the first at 9:30 p.m. Monday, March 27. When a one-hour documentary combines Theo Epstein and his Merry Men of Wrigley Field, who can talk as good a game as they play, with the video skills of world-class producers Sarah Lauch and Ryan McGuffey, you have a must-watch production. We all know “what” happened in the Game 7 Cubs victory of the 2016 World Series that turned from potentially the most catastrophic loss in franchise history into its most memorable triumph in just a few minutes in Cleveland. Now, thanks to the sublime re- porting and editing skills of Lauch and McGuffey, we now have the “how” and “why” through the oral history contained in “Reign Men: The Story Behind Game 7 of the 2016 World Series.” Anyone with sense is tired of the endless shots of the 35-and-under bar crowd whooping it up for top sports events. The word here is gratuitous. “Reign Men” largely eschews those images and other “color” shots in favor of telling the story. And what a tale to tell. Lauch and McGuffey, who have a combined 20 sports Emmy Awards in hand for their labors, could have simply done a rehash of what many term the greatest Game 7 in World Series history. -
Analysis of Annual Cbunci1
Analysis ofAnnual Cbunci1 The (burch and the \Xar in Lebanon A QuarterlyJournal of theAssociation ofAdventist fununs VolumeS, Number2 Reviews of Ronald Numbers' Book ' By Schwarz, G ,the White F5ttte Ana Others, Plus hers'Response SPECTRUM EDITORIAL BOARD Ottilie Stafford Richard Emmerson Margaret McFarland Alvin L. Kwiram, Chairman South Lancaster, Massachusetts College Place, Washington Ann Arbor, Michigan Seattle, Washington EDITORS Helen Evans La Vonne Neff Roy Branson Keene, Texas College Place, Washington Roy Branson Washington, D.C. Charles Scriven Judy Folkenberg Ronald Numbers Molleurus Couperus Washington, D.C. Madison, Wisconsin Lorna Linda, California CONSULTING Lawrence Geraty Edward E. Robinson Tom Dybdahl Berrien Springs, Michigan Chicago, Illinois Takoma Park, Maryland EDITORS Fritz Guy Gerhard Svrcek-Seiler Gary Land Kjeld' Andersen Berrien Springs, Michigan Lystrup, Denmark Riverside, California Vienna, Austria Roberta J. Moore Eric Anderson J orgen Henriksen Betty Stirling Riverside, California Angwin, California North Reading, Massachusetts Washington, D.C. Charles Scriven Raymond Cottrell Eric A. Magnusson L. E. Trader St. Helena, California Washington, D.C. Cooranbong, Australia Darmstadt, Germany Association of Adventist Forums EXECUTIVE Of Finance Regional Co-ordinator Rudy Bata COMMITTEE Ronald D. Cople David Claridge Rocky Mount, North Carolina Silver Spring, Maryland Rockville, Maryland President Grant N. Mitchell Glenn E. Coe Of International Affairs Systems Consultant Fresno, California West Hartford, Connecticut William Carey Molleurus Couperus Lanny H. Fisk Lorna Linda, California Silver Spring, Maryland Vice President Walla Walla, Washington Leslie H. Pitton, Jr. Of Outreach Systems Manager Reading, Pennsylvania Karen Shea Joseph Mesar Don McNeill Berrien Springs, Michigan Executive Secretary Boston, Massachusetts Spencerville, Maryland Viveca Black Stan Aufdemberg Treasurer Arlington, Virginia STAFF Lorna Linda, California Administrative Secretary Richard C. -
Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001
174 Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001 The following list does not include soloists for staged opera performances. I have also excluded soloists who performed art songs or chamber works. This list does include “Pops” performers, even though their repertoire might be listed only as “selections” and thus excluded from Part II. See the table of contents (p.iii) for the organization of the following. Pippa Borisey (Steenbock Award - twice) Piano Beethoven, Concerto No.1 for Piano and Steve Allen Orchestra (first mvt.) / 3/11/84(y) Pops soloist / 5/7/77(p) Schumann, Concerto for Piano and Orchestra Augustin Anievas (first mvt.) / 5/18/86(y) Rachmaninoff, Rhapsody on a Theme of Paganini, Gerald Borsuk for Piano and Orchestra / 10/24/70 Beethoven, Concerto No.2 for Piano and Claudio Arrau Orchestra (first mvt.) / 2/19/35 Beethoven, Concerto No.5 for Piano and Gershwin, Concerto in F for Piano and Orchestra / Orchestra, "Emperor" / 2/3/79 4/11/51 David Askins (Steenbock Award) John Browning Mozart, Concerto No.20 for Piano and Orchestra, Barber, Concerto for Piano and Orchestra / K.466 (first movement) / 4/6/74(y) 10/9/99 Emmanuel Ax Beethoven, Concerto No.3 for Piano and Chopin, Concerto No.1 for Piano and Orchestra / Orchestra / 12/8/73 9/29/79 Mozart, Concerto No.23 for Piano and Orchestra, Paul Badura-Skoda K.488 / 10/15/77 Beethoven, Concerto No.5 for Piano and Prokofiev, Concerto No.3 for Piano and Orchestra Orchestra, "Emperor" / 4/10/68 / 4/27/91 Allen Barker Ravel, Concerto in D Major for Piano Left Hand, -
April 2020 Shofar
519 Fourth Street • P.O. Box 659 • Greenport, NY, 11944 CONGREGATION 1-631-477-0232 • www.tiferethisraelgreenport.org [email protected] TIFERETH ISRAEL IN This issueAffiliated With The United Synagogue of Conservative Judaism A National Historic Site E-Volume 22 Number 4 April 2020/ Nisan-Iyar 5780 • CALENDAR OF EVENTS • Shabbat and Holiday Services Fridays: Erev Shabbat, 7:30 p.m., online only, via Zoom Saturdays: Shabbat, 9:30 a.m., online only, via Zoom Learning at our Shul Sundays, “The Ethical Life” course, online, dates TBD Mondays, Hebrew class: online, dates TBD Shul Events Wednesday, April 8: First Passover Seder, online only, via Zoom, please RSVP Thursday, April 9: Second Passover Seder, online only, via Zoom, please RSVP Book Circle: cancelled; new date, perhaps online, TBD Lighting Shabbat Candles in April April 3: 7:05 April 10: 7:12 April 17: 7:20 April 24: 7:27 Dates to Remember Sunday, April 5: Project Genesis, Peconic Landing, 1:30 p.m., cancelled Tuesday, April 21: Holocaust Remembrance Day Tuesday, April 28: Israel Remembrance Day Wednesday, April 29: Israel Independence Day (1948/5708) Thursday, July 16: Catch A Star luncheon, TBD Sunday, Sept. 13: Journal Dinner-Dance, TBD (Submission deadline for the May 2020 issue of The Shofar: April 20 From The Rabbi… “It’s Showtime for Humanity.” Shalom members and friends, It’s the beginning of spring. In the midst of everything shutting down, the daffodils have just risen from their death to bloom for another life cycle. This cycle has meaning at this time of coronavirus, and many spiritual Jewish inferences can be drawn. -
Lps-Vocal Recitals All Just About 1-2 Unless Otherwise Described
LPs-Vocal Recitals All just about 1-2 unless otherwise described. Single LPs unless otherwise indicated. Original printed matter with sets should be included. 4208. LUCINE AMARA [s]. RECITAL. With David Benedict [pno]. Music of Donaudy, De- bussy, de Falla, Szulc, Turina, Schu- mann, Brahms, etc. Cambridge Stereo CRS 1704. $8.00. 4229. AGNES BALTSA [ms]. OPERA RECITAL. From Cenerentola, Il Barbiere di Siviglia, La Favorita, La Clemenza di Tito , etc. Digital stereo 067-64-563 . Cover signed by Baltza . $10.00. 4209. ROLF BJÖRLING [t]. SONGS [In Swedish]. Music of Widéem, Peterson-Berger, Nord- qvist, Sjögren, etc. The vocal timbre is quite similar to that of Papa. Odeon PMES 552. $7.00. 3727. GRACE BUMBRY [ms]. OPERA ARIAS. From Camen, Sappho, Samson et Dalila, Dr. Frieder Weissmann and Don Carlos, Cavalleria Rustican a, etc. Sylvia Willink-Quiel, 1981 Deut. Gram. Stereo SLPM 138 826. Sealed . $7.00. 4213. MONTSERAAT CABALLÉ [s]. ROSSINI RARITIES. Orch. dir. Carlo Felice Cillario. From Armida, Tancredi, Otello, Stabat Mater, etc. Rear cover signed by Caballé . RCA Victor LSC-3015. $12.00. 4211. FRANCO CORELLI [t] SINGS “GRANADA” AND OTHER ROMANTIC SONGS. Orch. dir Raffaele Mingardo. Capitol Stereo SP 8661. Cover signed by Corelli . $15.00. 4212. PHYLLLIS CURTIN [s]. CANTIGAS Y CANCIONES OF LATIN AMERICA. With Ryan Edwards [pno]. Music of Villa-Lobos, Tavares, Ginastera, etc. Rear cover signed by Curtin. Vanguard Stereolab VSD-71125. $10.00. 4222. EILEEN FARRELL [s]. SINGS FRENCH AND ITALIAN SONGS. Music of Respighi, Castelnuovo-Tedesco, Debussy. Piano acc. George Trovillo. Columbia Stereo MS- 6524. Factory sealed. $6.00. -
Be Careful What You Wish For
Careful/Kruh 1 CHAPTER 1. Warm-ups To understand Jonathan Bailey and his obsession, we have to go back to Boston’s old West End, a teeming neighborhood of Italians, Poles, Jews, Albanians, Lithuanians, African-Americans, and pretty much anyone else the rest of the city didn’t want. They were as diverse a group of people as have ever been crammed into one tiny plot of land, with nary a white collar in the bunch. Tough as nails and loaded with strong opinions on everything from taxes to the Holy Ghost, but on this day it was a sure bet that everyone was in agreement on one thing: with Ted Williams, Bobby Doerr, Dom DiMaggio, and a host of other stars, the Red Sox were sure to beat the St. Louis Cardinals in the seventh and final game of the World Series. “Dad, there’s no sound!” It was about six in the afternoon on October 15, 1946, and Theodore Bailey of 29 Joy Street had his head and hands inside an old, wooden console radio. The urgency in his son Alexander’s voice was clear. “Don’t you think I know that?” came the agitated, muffled response from behind the speaker. “But the game, dad, the game.” Careful/Kruh 2 “Son, I’m trying as hard as I can to fix it,” Theodore said tenderly as he poked his head out from behind the console. “But I can’t make any promises.” Alexander tried to mask his frustration, but what nine-year-old has that capacity? His father smiled sadly. -
La Norma Al San Carlo: 'N Tiemp' 'E Tempesta Ogni Ppertuso È Ppuorto
La Norma al San Carlo: 'N tiemp' 'e tempesta ogni ppertuso è ppuorto..... Al San Carlo di Napoli va in scena in questi giorni la Norma di Bellini. E’ l’occasione per fare alcune osservazioni forse abbastanza nuove: perché dimenticate. La prima: sul podio c’è Nello Santi, che dirige con una straordinaria unione di musicalità, autorità e senso pratico derivantegli dall’esperienza: inoltre adopera un’edizione corretta contenente la seconda parte del coro Guerra, guerra, mancante anche nel recente allestimento della Fenice, che vedeva sul podio un giovane promettente e già rivelatosi annegato nella praticaccia, Gaetano D’Espinosa. Il grande maestro a settembre compirà ottantacinque anni. Oggi in grado di dirigere la difficillima partitura altrettanto bene ci sono solo, non in Italia, al mondo, Elio Boncompagni, prossimo e compire gli ottantatré, Gabriele Ferro, prossimo a compire i settantanove, Riccardo Muti (specie se correggerà gli errori di scelta dell’edizione), che a luglio compirà i settantacinque, e Donato Renzetti, che a gennaio ne ha fatti sessantasei. Nessuno fra quelli venuti dopo ha la cultura, la tecnica e l’esperienza per affrontare uno dei vertici dell’intero teatro musicale. La difficoltà tecnica e stilistica di partiture come la Norma, che i non italiani non immaginano nemmeno, rende inetti allo scopo anche maestri che in Wagner e Strauss fanno benissimo. Se dovessi pensare a un non italiano in grado di fare bene la Norma il solo che mi viene è il coltissimo e bravissimo inglese Mark Elder (1947), il quale è con Renzetti il ragazzo della comitiva. Or il ruolo della protagonista è quello di soprano drammatico di agilità. -
Cincinnati Reds Press Clippings January 30, 2019
Cincinnati Reds Press Clippings January 30, 2019 THIS DAY IN REDS HISTORY 1919-The Reds hire Pat Moran as manager, replacing Christy Mathewson, when no word is received from him while his is in France with the U.S. Army. Moran would manage the Reds until 1923, collecting a 425-329 record 1978-Former Reds executive, Larry MacPhail, is elected to the National Baseball Hall of Fame and Museum 1997-The Reds sign Deion Sanders to a free agent contract, for the second time ESPN.COM Busy Reds in on Realmuto, but would he make them a contender? Jan. 29, 2019 Buster Olney ESPN Senior Writer The last time the Cincinnati Reds won a postseason series, Joey Votto was 12 years old, Bret Boone was the team's second baseman and the organization had only recently drafted his kid brother, a third baseman out of the University of Southern California named Aaron Boone. Since the Reds swept the Dodgers in a Division Series in 1995, they have built more statues than they have playoff wins. In recent years, a Dodger said he was sick of Kirk Gibson -- not because of anything Gibson had done, but because the team had felt the need to roll out the highlight of Gibson's epic '88 World Series home run, in lieu of subsequent championship success. Similarly, most of the biggest stars in the Reds organization continue to be Johnny Bench, Joe Morgan, Pete Rose and Tony Perez, as well as announcer Marty Brennaman, who recently announced he will retire after the upcoming season. -
Data Generation and Multi-Modal Analysis for Recorded Operatic Performance Joshua Neumann University of Florida [email protected]
Data Generation and Multi-Modal Analysis for Recorded Operatic Performance Joshua Neumann University of Florida [email protected] ABSTRACT Opera’s textual nature makes possible the addition of a layer of nuance for understanding and characterizing the dramatic pacing Commercial recordings of live opera performance are only as it results from musical pacing. Also considering the textual sporadically available, mostly due to various legal protections narrative of the drama in this context makes it possible to assess held by opera houses. The resulting onsite, archive-only access better the creative process. This approach builds on tempo for them inhibits analysis of the creative process in “live” mapping techniques developed at the Centre for the Analysis and environments. Based on a technique I developed for generating History of Recorded Music (CHARM) and the Center for performance data from copyright protected archival recordings, Musical Performance as Creative Practice (CMPC) [2]. this paper presents a means of interrogating the creative practice Furthermore, as each successive performance contributes to the in individual operatic performances and across the corpus of a establishment of a tradition, proximal relationships form between recorded performance history. My analysis uses “In questa it and each of the other performances and points in the resulting Reggia” from Giacomo Puccini’s Turandot as performed at New tradition. Analyzing this network of relationships reveals York’s Metropolitan Opera. The first part of my analysis builds information about performances, their relationship to tradition, on tempo mapping developed by the Centre for the History and the nature of tradition itself. Analysis of Recorded Music. Given the natural relationship in Within Turandot, the titular character’s entrance aria, “In questa which performances of the same work exist, statistical and Reggia,” occupies a prominent place in the dramatic sequence of network analyses of the data extracted from a corpus of the work and in production design conceptions. -
Repertoire and Performance History Virginia Opera Repertoire 1974-2020
Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE -
January 2006 " ...'
Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO January 2006 " ...'.. :.-'... , 120 Volume 60, Number 1 EXECUTIVE DIRECTOR'S REPORT By ALAN S. GORDON IN TlIS A Tragedy In Several Acts More than a year after the dancers of The Washington Ballet (TWB) voted to be Iss UE represented by AGMA, they are still without a contract and have been locked out until at least April by a management that told them "We'd rather close down than have an President's Message 2 AGMA contract" Board of Governors Locked in a pitched battle with the Ballet's rabidly anti-union Board of Directors. but Terms Expiring 4 with the complete support of all organized labor in the Washington, D.C. area and Vacancy Seat Table 5 overwhelming encouragement from the local press and public, as well as from Allocation Table 6 dancers around the world, the DC Ballet dancers remain unified in their determination to secure a contract that protects them, their jobs, their safety, their health and their Board of Governors Petition 8 careers. Area News Northwest 9 Southern California 9 Washington/Baltimore 10 San Francisco 11 From New Orleans to Los Angeles 12 Tales from The Nutcracker 14 A Leap Forward for Professional Dancers 15 Metropolitan Opera Bake Sale 16 Left to right, kneeling: Kara Cooper, Laura Urgelles, Elizabeth Gaither; first row: Deborah Allton (AGMA Eastern Counsel), Zachary Hackstock, Sona Kharatian, Jonathan Jordan, Eleni Kallas (Mid-Atlantic Area Contact List 17 -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN JANUARY-FEBRUARY, 1970 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORR1GAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL EL1HU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MELLEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Hartt College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDROP Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois We are delighted to announce the appointment of Dr. Jan Popper (UCLA) and Mr.