EOS 2020 Annual Review
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Arsu and ‘Azizu a Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk by Finn Ove Hvidberg-Hansen
’Arsu and ‘Azizu A Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk By Finn Ove Hvidberg-Hansen Historiske-filosofiske Meddelelser 97 Det Kongelige Danske Videnskabernes Selskab The Royal Danish Academy of Sciences and Letters DET KONGELIGE DANSKE VIDENSKABERNES SELSKAB udgiver følgende publikationsrækker: THE ROYAL DANISH ACADEMY OF SCIENCES AND LETTERS issues the following series of publications: Authorized Abbreviations Historisk-filosofiske Meddelelser, 8° Hist.Fil.Medd.Dan.Vid.Selsk. (printed area 1 75 x 104 mm, 2700 units) Historisk-filosofiske Skrifter, 4° Hist.Filos.Skr.Dan.Vid.Selsk. (History, Philosophy, Philology, (printed area 2 columns, Archaeology, Art History) each 199 x 77 mm, 2100 units) Matematisk-fysiske Meddelelser, 8° Mat.Fys.Medd.Dan.Vid.Selsk. (Mathematics, Physics, (printed area 180 x 126 mm, 3360 units) Chemistry, Astronomy, Geology) Biologiske Skrifter, 4° Biol.Skr. Dan. Vid.Selsk. (Botany, Zoology, Palaeontology, (printed area 2 columns, General Biology) each 199 x 77 mm, 2100 units) Oversigt, Annual Report, 8° Overs. Dan.Vid.Selsk. General guidelines The Academy invites original papers that contribute significantly to research carried on in Denmark. Foreign contributions are accepted from temporary residents in Den mark, participants in a joint project involving Danish researchers, or those in discussion with Danish contributors. Instructions to authors Manuscripts from contributors who are not members of the Academy will be refereed by two members of the Academy. Authors of papers accepted for publication will re ceive galley proofs and page proofs; these should be returned promptly to the editor. Corrections other than of printer's errors will be charged to the author(s) insofar as the costs exceed 15% of the cost of typesetting. -
Iconographical Studies on Nike in 5Th Century BC
Fairfield University DigitalCommons@Fairfield Visual & Performing Arts Faculty Publications Visual & Performing Arts Department 4-2003 Iconographical Studies on Nike in 5th Century B.C.: Investigations of Her Functions and Nature by Cornelia Thöne Katherine Schwab Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/visualandperformingarts- facultypubs Originally appears in American Journal of Archaeology. Copyright 2003 Archaeological Institute of America. Peer Reviewed Repository Citation Schwab, Katherine, "Iconographical Studies on Nike in 5th Century B.C.: Investigations of Her Functions and Nature by Cornelia Thöne" (2003). Visual & Performing Arts Faculty Publications. 4. https://digitalcommons.fairfield.edu/visualandperformingarts-facultypubs/4 Published Citation Schwab, Katherine. 2003. Review of Iconographical Studies on Nike in 5th Century B.C.: Investigations of Her Functions and Nature, by Cornelia Thöne. AJA 107(2):310-311. This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 310 BOOK REVIEWS [AJA 107 In fact, much of the focus of this book is on material chaic period to the end of the fifth century B.C., from a that, for typological or geographical reasons, often re- more restricted and formulaic representation to one with ceives limited attention in handbooks. -
The Victory of Kallimachos Harrison, Evelyn B Greek, Roman and Byzantine Studies; Spring 1971; 12, 1; Proquest Pg
The Victory of Kallimachos Harrison, Evelyn B Greek, Roman and Byzantine Studies; Spring 1971; 12, 1; ProQuest pg. 5 The Victory of Kallimachos Evelyn B. Harrison HE FRAGMENTARY EPIGRAM from the Athenian Acropolis! record Ting a dedication to Athena by Kallimachos of Aphidna and apparently referring to his service at Marathon has been dis cussed and tentatively restored in various ways, but no complete restoration has found general agreement. Meiggs and Lewis, in A Selection of Greek Historical Inscriptions nO.18, print a conservative text, restoring only the first two verses completely and quoting in foot notes the supplements of Shefton and Ed. Fraenkel for the last three verses.2 Raubitschek, in a general discussion of Greek inscriptions as historical documents, also prints a text without the most controver sial restorations.3 Both still accept, however, the restoration which refers to the offering as "messenger of the immortals" and believe that the column on which the inscription was carved supported one of the winged female figures of which several examples have been lIG 12 609. Most recently, R. Meiggs and D. M. Lewis, A Selection of Greek Historical In scriptions (Oxford 1969). Add to their bibliography A. E. Raubitschek, Gymnasium 72 (1965) 512. The long article by B. B. Shefton, BSA 45 (1950) 14D--64, is the most informative about the stone, since it includes photographs and full discussion of difficult letters as well as a great deal of background material. 1 am grateful to Ronald Stroud for making me a good squeeze of the inscription and to Helen Besi for the drawings, unusually difficult to make because of the concave surface in which the letters are engraved. -
THE OLYMPIAN GODS Student Worksheets
CLIL COURSE MATERIALS CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS Student worksheets Pilar Torres Carmona December 2008 CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS STUDENT WORKDHEETS UNIT 1. MYTH AND MYTHOLOGY What is a myth? A myth is a story about gods and other supernatural beings and how they made or shaped the world and humanity. The events told in these stories happened in a very remote past. Myths are a part of religion, and they give an explanation of the world from a moral point of view; there is an ideology under every myth. Myths are also metaphorical; they do not try to explain the world in a logical or scientific way, but through imagination. However, we can still use myths to understand and explore culture: its viewpoints, activities and beliefs. Who made up Myths are very old stories. They are so old, that we do not know who myths? made them up: they are anonymous. People told these stories over the years and this is why we have many versions of them. Sometimes these stories –or parts of them—were written down and now we can enjoy them. Where does the The word ‗myth’ comes from the ancient Greek word μῦθος ―mythos‖. It word ‗myth‘ means ―word, story‖ and it reveals the oral origin of these stories. come from? ‗Mythology’, from the Greek words μῦθος ―mythos‖ story and λόγος What is ―logos‖ collection or study means both collection of stories/myths and study mythology? of the myths. Why classical Every civilization has its myths. We call classical mythology the body of mythology? myths of ancient Greece and Rome. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Gallery Walk of Greek Gods & Goddesses
Gallery Walk of Greek Gods & Goddesses What is a myth? • A myth is a kind of a story. • Characteristics include one or more: -About gods or supernatural beings with greater powers and abilities than humans -explain origins and how world came to be -take place a long, long time ago and passed down through time by oral story telling -thought to be true when told by original storytellers What is the purpose of myths? • They can explain how things came to be-origin of universe or the creation of humans. • They teach people the values and beliefs that are important in their society. • They contain deep, religious significance to the people who tell them and believe them. Do myths really matter? • Yes!! Reference to Greek mythology is all around us in our world • Examples: – Ever heard of Nike athletic gear? Nike was a goddess of personification and victory. – What would Valentine’s Day be without Cupid? Cupid, or Eros, is the God of love as the Greeks called him. – Does Apollo 13 ring a bell? The first crewed US space missions were named for Apollo, the god of archery and prophecy. Zeus—Leader of the Olympian Gods • He was the god of the sky and rain. • His weapon of choice was the thunderbolt, made for him by the mythical creatures, the Cyclops. • He married Hera, his sister, which was a family habit. • Hades and Poseidon were his brothers. Hera—Wife of Zeus • She was the protector of marriage and the home. • She was associated with the peacock, because of her great beauty. -
Greek Myths Student Sample
CONTENTS Why Study Greek Mythology? ......................................................................................................................................5 How to Use This Guide ...................................................................................................................................................6 Lesson 1: Olden Times, Gaea, The Titans, Cronus (pp. 9-15) ....................................................................................8 Lesson 2: Zeus and his Family (pp. 16-21) .................................................................................................................10 Lesson 3: Twelve Golden Thrones (pp. 22-23) ...........................................................................................................12 Lesson 4: Hera, Hephaestus (pp. 24-29) .....................................................................................................................14 Lesson 5: Aphrodite, Ares, Athena (pp. 30-37) ..........................................................................................................16 Review Lesson: Lessons 1-5 ........................................................................................................................................18 Lesson 6: Poseidon, Apollo (pp. 38-43) .......................................................................................................................26 Lesson 7: Artemis, Hermes (pp. 44-55) .......................................................................................................................28 -
Focus on Greek Gods and Goddesses
Focus on Greek Gods and Goddesses Ancient Greek gods and goddesses at The Ashmolean • The Ashmolean Museum’s collections from ancient Greece include Greek gods and goddesses represented on pottery, coins and in sculpture. • Gallery displays also include objects used in religious contexts including votive offerings, inscribed plaques, and lekythoi which once contained liquids for making offerings to the gods. • The same gods were worshipped throughout ancient Greece and formed a key part of daily life. • The Greeks believed their gods were very powerful and should be treated with reverence and respect. They honoured the gods by presenting them with gifts and sacrifices at temples. In return, they hoped that the gods would help them with different aspects of their lives. • Greek religion was polytheistic. Each god was responsble for many different areas of life and was worshipped according to the needs of the individual at the time. They were represented in human form, each with their own attributes. Galleries containing ancient Greek objects Gallery 7: Money Gallery Gallery 14: Cast Gallery Gallery 16: The Greek World Gallery 20: Aegean World Gallery 21: Greek and Roman Sculpture Gallery 16: The Greek World Gallery 14: Cast Gallery 1. Zeus 2. Nike Cast of a bronze statue of a man, about 470BC Cast of Nike of Paionios, from Olympia, c425- possibly Zeus 421BC The original was found in the 1920s at sea near Euboea, Greece. The nude bearded male about Nike, the winged goddess of victory, is flying to hurl a now-lost object is most commonly in to land on top of a tall triangular pillar as an identified as Zeus brandishing a thunderbolt, as eagle passes beneath her feet. -
Greek Gods and Myths – Overview Gaia and Uranus to Reign of the Olympians
GREEK GODS AND MYTHS – OVERVIEW GAIA AND URANUS TO REIGN OF THE OLYMPIANS ERA SUMMARY – GREEK GODS AND MYTHS The myths and legends of Ancient Greece are such an essential part of Greek culture that the first three units of the Ancient Greece Classical Curriculum are dedicated entirely to myth and folklore. Greek mythology is important, not only because it reflects the pagan religion of the Ancient world, but also because it gives great insight into Greek thought and expression. References to Greek Gods and folklore are present throughout the recorded history of the ancient world, in religious symbols and ceremonies, in literature, in poetry, in art, in archeological artifacts, and in day to day life. The Greeks worshiped Pagan gods but did not credit them with the same qualities of omniscience and goodness that Christians associate with their God. Greeks Gods shared many human foibles so the legends that arose concerning them were almost invariably dramas involving jealousy, indulgence, revenge, debauchery, and misunderstandings. Greek myths were often quite humorous and frequently involved morals applicable to human relations. The myths, heroes and legends of Ancient Greece are too numerous to list, but a few general categories of the types of heroes and stories can be given. The first category of Greek myths involves the Gods, or immortals, who have a human form, and decidedly human personality traits, but possess enormous powers over the earth. The twelve Olympians are the most ATHENE CHANGES ARACHNE INTO A SPIDER important, and they include Zeus, Poseidon, and Hades who rule over the heaven, Sea, and Underworld respectively. -
Summer Collection 2016 Brand Concept
SUMMER COLLECTION 2016 BRAND CONCEPT “I Sandals” knows how to show every aspect of you. Which may be adorable, Handsome, Elegant or smart. “I Sandals” shoes are specially designed for young ladies, As they well intergrade the latest fashion with dynamic design, exquisite details and high quality. “I Sandals” is dedicated to highlight the graceful beauty and youthful BEHIND THE NAME BEHIND THE NAME 7 Everyday is a new day MELLISA that cared for young Zeus in Greek mythology Art: Melissa/gl Color: Black platina Art: Melissa Art: Melissa/gl Color: Metal multi Color: Platina glitter 7 Everyday is a new day MELLISA that cared for young Zeus in Greek mythology Art: Melissa/gl Color: Black platina Art: Melissa Art: Melissa/gl Color: Metal multi Color: Platina glitter 9 GAIA : From the Greek word γαια (gaia), a parallel form of γη (ge) meaning "earth". In Greek mythology Gaia was the mother goddess who presided over the earth. She was the mate of Uranus and the mother of the Titans and the Cyclopes. Art: Gaia Art: Gaia Color: Natural Color: Black Art: Gaia Art: Gaia/pony Color: Platina Color: Black Art: Gaia/pin Art: Gaia/pin Art: Gaia Art: Gaia Color: Black Color: White Color: Silver Color: Platina 9 GAIA : From the Greek word γαια (gaia), a parallel form of γη (ge) meaning "earth". In Greek mythology Gaia was the mother goddess who presided over the earth. She was the mate of Uranus and the mother of the Titans and the Cyclopes. Art: Gaia Art: Gaia Color: Natural Color: Black Art: Gaia Art: Gaia/pony Color: Platina Color: Black Art: Gaia/pin -
Mythology, Greek, Roman Allusions
Advanced Placement Tool Box Mythological Allusions –Classical (Greek), Roman, Norse – a short reference • Achilles –the greatest warrior on the Greek side in the Trojan war whose mother tried to make immortal when as an infant she bathed him in magical river, but the heel by which she held him remained vulnerable. • Adonis –an extremely beautiful boy who was loved by Aphrodite, the goddess of love. By extension, an “Adonis” is any handsome young man. • Aeneas –a famous warrior, a leader in the Trojan War on the Trojan side; hero of the Aeneid by Virgil. Because he carried his elderly father out of the ruined city of Troy on his back, Aeneas represents filial devotion and duty. The doomed love of Aeneas and Dido has been a source for artistic creation since ancient times. • Aeolus –god of the winds, ruler of a floating island, who extends hospitality to Odysseus on his long trip home • Agamemnon –The king who led the Greeks against Troy. To gain favorable wind for the Greek sailing fleet to Troy, he sacrificed his daughter Iphigenia to the goddess Artemis, and so came under a curse. After he returned home victorious, he was murdered by his wife Clytemnestra, and her lover, Aegisthus. • Ajax –a Greek warrior in the Trojan War who is described as being of colossal stature, second only to Achilles in courage and strength. He was however slow witted and excessively proud. • Amazons –a nation of warrior women. The Amazons burned off their right breasts so that they could use a bow and arrow more efficiently in war. -
Lucifer Or Satan Play Any Role in the Teachings Or Rituals of Freemasonry
Neither the attributes nor personification of Lucifer or Satan play any role in the teachings or rituals of Freemasonry. The topic is only of interest insofar as anti-masonic attacks have accused Freemasonry of worshiping Lucifer. The confusion stems from such 19th century masonic authors as Albert Pike and Albert G. Mackey who have used the term "luciferian" in its classical or literary sense to refer to a search for knowledge. John Robinson notes "The emphasis here should be on intent. When Albert Pike and other Masonic scholars spoke over a century ago about the "Luciferian path," or the "energies of Lucifer," they were referring to the morning star, the light bearer, the search for light; the very antithesis of dark, satanic evil." LUCIFER, also called Lucifer Calaritanus (d. c.370), bishop of Cagliari, Sardinia, was a fierce opponent of the heresy of Arianism (first proposed early in the 4th century by the Alexandrian presbyter Arius, who taught that Christ is not truly divine but a created being). To further his rigorously orthodox views, Lucifer Calaritanus founded the Luciferians, a sect that survived in scattered remnants into the early 5th century. 9 It was attacked by St. Jerome in his polemic Altercatio Luciferiani et orthodoxi ("The Dispute of the Luciferian and the Orthodox"). References to these Luciferians, without further explanation, has perhaps lead subsequent writers such asNesta H. Webster to erroneously assume that they were satanic. "Lucifer" is the Latin term originally used by the Romans to refer to the planet Venus when that planet was west of the sun and hence rose before the sun in the morning, thereby being the morning star.