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A Contextualization and Examination of the Impi Yamakhanda (1906 Uprising) As Reported by J
1 A contextualization and examination of the impi yamakhanda (1906 uprising) as reported by J. L. Dube in Ilanga Lase Natal, with special focus on Dube’s attitude to Dinuzulu as indicated in his reportage on the treason trial of Dinuzulu. Moses Muziwandile Hadebe Dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts in Historical Studies Programme of Historical Studies Faculty of Human and Social Sciences University of Natal Durban 2003 2 Declaration I Moses Muziwandile Hadebe, hereby declare the content of this thesis is entirely my own original work. Moses Muziwandile Hadebe June, 2003 Dr Keith Breckenridge June, 2003 3 Abstract The thesis explores not only the history but also the competing histories of 1906. It is however no claim to represent the entire history - undoubtedly a period of great complexity, and a time of tragedy for the African people that culminated in their conquest. My exploration of the history relies heavily on the reportage of J. L. Dube in his newspaper, Ilanga Lase Natal. A close analysis of Dube’s reports points to a number of crucial aspects, such as the fundamental importance of the amakhosi/chiefs, the clear determination of the Natal settler government to break and undermine the power of the amakhosi, the central significance of the issue of land and the closely related matter of taxation. All these are contextualized in the African setting - homesteads and cattle, with their profound traditional influence for many reasons in Zulu culture. My exploration and analysis has been carried out by looking concurrently at the usage of metaphor, words and language in the newspaper, the impact of which is mesmerising. -
“Born out of Shaka's Spear”: the Zulu Iklwa and Perceptions of Military
Selected Papers of the Consortium on the Revolutionary Era (2020). “Born out of Shaka’s spear”: The Zulu Iklwa and Perceptions of Military Revolution in the Nineteenth Century Jacob Ivey, Ph.D. Florida Institute of Technology In May 2010, anticipating South Africa’s hosting of the World Cup, the city of Durban decided to make a dramatic addition to the newly opened King Shaka International Airport. Officials unveiled a statue of the Zulu king Shaka kaSenzangakhona, known popularly as “Shaka Zulu.” Shaka, founder of the Zulu nation in modern-day KwaZulu-Natal, South Africa, had since his death in 1828 become perhaps one of the most famous South Africans in history next to Nelson Mandela. The Zulu king had facilitated the creation of the Zulu kingdom during the early nineteenth century through what has been described as a “military revolution” that influenced the historic arc of the whole region. However, unlike the traditional image of Shaka with shield and iklwa, or short stabbing-spear made famous by the Zulu king, he was presented outside the airport terminal as unarmed, surrounded by Nguni cattle. This revelation created a major controversy in June when Goodwill Zwelithin kaBhekuzulu, Isilo (King) of the Zulus of South Africa, expressed his displeasure, arguing, “it made Shaka look like a herd boy, rather than the hunter and warrior he was.”1 Shaka, evidently, was not Shaka without his spear. If there is one indelible image of the Zulu nation, it is the iklwa. Literally “stabbing” through the title graphic of the mini-series Shaka Zulu (1986) and a key element of the imagery of the Inkatha Freedom Party, the short stabbing spear of the Zulu is frequently offered as part of the military genius of Shaka. -
PRESS CONFUSION OVER the BATTLES of HLOBANE and KAMBULA in the LONDON and DEVON NEWSPAPERS by Stephen Manning ______
PRESS CONFUSION OVER THE BATTLES OF HLOBANE AND KAMBULA IN THE LONDON AND DEVON NEWSPAPERS By Stephen Manning ________________________________________________________________________________ After the news of the British defeat at Ntombe Drift, the British press became evidently concerned as to the fate of those troops of Pearson’s command besieged in Eshowe and this appears to have resulted in the papers taking, initially, little notice of the news of Wood’s battles with the Zulus around the Hlobane mountains. Despite the fact that news of a British reversal at Hlobane, followed by a defeat for the Zulus at Khambula, was reported as early as 17 April, nearly a week before news of the relief of Eshowe arrived in England, these events were overshadowed in the press by concerns about the relief of the besieged troops. Although the events of the two battles were reported in the daily papers, editorial comment was still restricted to speculation as to the progress of the relief column under Chelmsford. The timing of the receipt of the news of the relief of Eshowe, on Tuesday 22 April, meant that the majority of the weekly newspapers of Devon, produced between Wednesday and Saturday, concentrated on the events of the relief and the battle of Gingindlovu. Indeed, details of the battles of Hlobane and Khambula did not appear in many Devon weekly papers until two weeks, or more, after they were first reported in the London daily papers. By then, of course, the news of the relief of Eshowe, and other British military successes, overshadowed news of a British reversal. -
To What Extent Is It True to Say That the Anglo-Zulu War of 1879 Achieved Very Little Apart from Humiliation for Britain? by BA Student Emma Still ______
To what extent is it true to say that the Anglo-Zulu war of 1879 achieved very little apart from humiliation for Britain? By BA student Emma Still ___________________________________________________________________________ Released one hundred years after the Anglo Zulu war in 1879, Douglas Hickox’s film Zulu Dawn (1979) portrays one of the greatest and most humiliating defeats suffered by the British Army during the Victorian era. Its predecessor Zulu (1964) tells of the battle of Rorke’s Drift: a seemingly impossible victory in the same war and through these films a surge of interest for the conquest was re-established. While the films are in many respects historically inaccurate, they encompass the British emotions towards both battles: the pride for Rorke’s Drift and utter humiliation over Isandlwana, as well as highlighting the changing attitudes towards colonialism. From the films alone, it would appear that the war achieved very little apart from humiliation for the British, whereas, in reality, its outcomes were far more diverse, devastating and durable. The legacy of humiliation left by the Anglo-Zulu war came almost entirely from the defeat at Isandlwana, which should have been ‘an unimportant battle in an unimportant war in an unimportant corner of the world.’(1) However, it turned into ‘arguably the most devastating humiliation in the British Imperial history’ (2) as a Zulu impi caught the British camp unaware and unprepared, resulting in the deaths of seventy-seven per cent of British soldiers. The defeat was caused almost entirely by General Chelmsford’s under-estimation of the Zulu and their successful tactics; the defeat plunged the army into a series of blame disputes, a deep cover-up and a promise for vengeance. -
Apartheid Mythology and Symbolism. Desegregated and Re-Invented In
Apartheid Mythology and Symbolism. Desegregated and Re-Invented in the Service of Nation Building in the New South Africa : the Covenant and the Battle of Blood River/Ncome Anton Ehlers To cite this version: Anton Ehlers. Apartheid Mythology and Symbolism. Desegregated and Re-Invented in the Service of Nation Building in the New South Africa : the Covenant and the Battle of Blood River/Ncome. Alizés : Revue angliciste de La Réunion, Faculté des Lettres et Sciences humaines (Université de La Réunion), 2004, Founding Myths of the New South Africa / Les mythes fondateurs de la nouvelle Afrique du Sud, pp.173-197. hal-02344096 HAL Id: hal-02344096 https://hal.univ-reunion.fr/hal-02344096 Submitted on 3 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Apartheid Mythology and Symbolism. Desegregated and Re-Invented in the Service of Nation Building in the New South Africa: the Covenant and the Battle of Blood River/Ncome Anton EHLERS University of Stellenbosch INTRODUCTION Although the focus and emphasis changed over time, the Covenant, the Battle of Blood River/Ncome, its physical monu- mental manifestation and its annual commemoration on December 16 were key components in the mythological legitimisation of Afrikaner nationalism and its apartheid manifestation in the 20th century. -
The Warrior and the State in Precolonial Africa Comparative Perspectives
The Warrior and the State in Precolonial Africa Comparative Perspectives G. N. UZOIGWE The University of Michigan, Ann Arbor, U.S.A. Introduction PREPARING this chapter was at once intimidating and challenging -in- timidating because I have no models to draw from; and challenging because it needed to be done. More significantly, it needed to be done by an Africanist historian. For the days, alas, are gone when such subjects were comfortably left to the nutty anthropologists while historians in their lonely and crusty arro- gance, exuded effortless superiority in dusty libraries and archives in a vain attempt to discover the &dquo;truth&dquo; about the past. &dquo;Hard history,&dquo; difficult enough as it is, is a much more straightforward and simpler affair than the &dquo;new history&dquo;. As our mentors were taught so did they teach us. The result is that most histori- ans of our generation are not properly equipped with the disciplines of anthro- pology and sociology as well as the other relevant social sciences which are crucial to African historical reconstruction. For a good Africanist, in whatever field, must be a jack-of-all-trades and master of one. The truth is perhaps that few of us are really master of anything at all - whatever we may claim. It is possible that I am really describing myself and no one else. Whatever is the case, I must begin this chapter with an apology relative to whatever weaknesses it may have. At a recent international conference on the military in Africa held in Accra, Ghana,’ a pet idea of mine received unsolicited support, namely, that a military interpretation of African history ought, at least, to be as rewarding as the economic or any other interpretation for that matter. -
Battlefield Tourism in South Africa with Special Reference to Isandlwana and Rorke’S Drift Kwazulu-Natal
University of Pretoria etd – Moeller M (2006) - Battlefield Tourism in South Africa with Special Reference to Isandlwana and Rorke’s Drift KwaZulu-Natal - by Maricki Moeller 24326063 Submitted in partial fulfilment of the requirements for the degree M Phil Tourism Management in the FACULTY OF ECONOMIC AND MANAGEMENT SCIENCES at the UNIVERSITY OF PRETORIA Study leader: (Dr. F. A. Fairer - Wessels) Date of submission October 2005 University of Pretoria etd – Moeller M (2006) EXECUTIVE SUMMARY Battlefield Tourism in South Africa is an increasingly important tourism product in northern KwaZulu-Natal. Rising visitor numbers to the famous Anglo-Zulu battlefields of Isandlwana and Rorke’s Drift over the past ten years have created certain challenges to the management of the area. Thanatourism is a form of Cultural Heritage Tourism that comprises visits to battlefields. Thanatourism sites often attempt to interpret sensitive events of the past. This requires management skills different to those needed by other heritage attractions. One of the issues faced by management is dissonance in heritage, which refers to dilemmas associated with reconciling the interests of rival groups with separate stakes in the development of controversial sites. This study attempts to investigate the level of dissonance present at the battlefields of Isandlwana and Rorke’s Drift and to identify ways of reducing it. A qualitative approach was applied to capture the different opinions of four major stakeholder groups as present in Seaton’s Force Field Model (2001): the subject groups (Zulu and British), visitor groups, owners/controllers of heritage and the host community. An ethnographic investigation combined with an analysis of the tourism situation on the battlefields revealed that the levels of dissonance between the stakeholders are much lower than expected. -
Johnny Fingo: War As Work on the Eastern Cape Frontier
Johnny Fingo: War as Work on the Eastern Cape Frontier HLONIPHA MOKOENA WiSER (Wits Institute for Social and Economic Research), University of the Witwatersrand ‘Johnny Fingo’ is a character and an archetype. He appears in the memoir of British soldier Stephen Bartlett Lakeman, titled What I Saw in Kaffir-land (1880). In the text he is oblivious to pain even as he bemoans the irreparable damage to his Westley-Richards rifle. He is a leader of the ‘Fingo’ African levies. He can therefore be distilled into a history of the general presence of African levies on the Eastern Cape frontier. Although soldiers, Johnny Fingo and his levies are also defined by their sar- torial choices, as captured in the words of Lakeman and other British officers. This article explores how the nineteenth-century South African figure of the ‘African levy’,1 an irregular and underpaid soldier, foreshadows the emergence of the more enduring archetype, namely that of the ‘Zulu Policeman’. Both of these characters/archetypes are bound by the fact that they were paid to fight; war was their work. This world of war work was, however, not sterile; both ‘Johnny Fingo’ and the ‘Zulu Policeman’ wore clothing (uniformed non-uniforms) which made these men swagger. It is very curious to see the cast-off clothes of all the armies of Europe find- ing their way hither. The natives of South Africa prefer an old uniform coat, or tunic, to any other covering, and the effect of a short scarlet garment, when worn with bare legs, is irresistibly droll. The apparently inexhaustible supply of old-fashioned English coatees, with their worsted epaulettes, is only just coming to an end here, and is succeeded by an influx of ragged red tunics of franc-tireurs, green jackets, and much-worn Prussian grey coats. -
ZULU DAWN: a Review
ZULU DAWN: A Review By John McAdam ___________________________________________________________________________________ The film Zulu Dawn evokes all that is British and is still highly popular with cinema and television audiences in Great Britain and all those peoples who value our national character and British pluck, but this international marketplace is not sufficient to generate the required gross profits. The one country in the world where a film must succeed, if it is to realise these expected financial returns, is the United States of America. Unfortunately, the film did not rise to such high expectations and was therefore deemed a failure in that vast cinema going country. The principal reason for this failure was simply that there was minimal American presence, no leading character in the storyline, which could be played by an American star with whom the American public could identify. Fortunately, the film’s director, Douglas (Duggy) Hickox, was British and faithful to his country’s heritage. Totally ignoring commercial considerations, he nobly remained true to the storyline by keeping it a British epic of courage, self-sacrifice and valour. No doubt, if the producers had cast Henry Fonda as Lord Chelmsford, explaining that our noble Lord was really an American fighting for the British, just as Prince Louis, the Prince Imperial was French; the film would have been a huge international and commercial success. A film can be placed in one of many categories, ranging from a 1st Feature film through musicals, documentary and drama documentary, commercials, promotional, political, industrial, training, children’s and cartoons. It is with this knowledge in mind that I will now review the film ZULU DAWN, a 1st Feature film based on the battle of Isandlwana, the greatest military disaster in British colonial history which occurred in a matter of hours on the 22nd January 1879. -
Desegregating History in South Africa Through The
DESEGREGATING HISTORY IN SOUTH AFRICA: THE CASE OF THE COVENANT AND THE BATTLE OF BLOOD/NCOME RIVER Anton Ehlers Department of History University of Stellenbosch INTRODUCTION The theme of “Desegregating History” implies a desire for an integrated history and in an even broader sense an ultimate grand or master narrative. In the case of South Africa with its divided past this is a much needed but very daunting ideal to achieve. A desegregated South African history is an ideal that can be achieved in more than one way. In this paper I want to suggest that one of the paths (processes) that can contribute to such a history is through the demythologising/deconstruction of Afrikaner history and historical consciousness as it was practised and perceived during the 20th century. Within Afrikaner ranks the above-mentioned process was started by Afrikaner historians in the late 1970s and led to intense debate on Afrikaner political mythology in the 1980s. This debate was not just limited to academic circles, but also spilt over to the broader public and received extensive coverage in the Afrikaans press. This was especially true with regard to the attempts by Afrikaner historians to demythologise the Covenant and the Battle of Blood River/Ncome (16 December 1838) as the central myth in the history of Afrikaner nationalism. This paper is an attempt to indicate how Afrikaner historians demythologised the Covenant and the Battle of Blood River by referring to the myths, their origin, development and application in the service of Afrikaner nationalism as well as the reinterpretations of these events by historians. -
Afrikander Volunteer Corps and the Participation of Afrikaners in Conflicts in Rhodesia, 1893–1897
25 THE AFRIKANDER VOLUNTEER CORPS AND THE PARTICIPATION OF AFRIKANERS IN CONFLICTS IN RHODESIA, 1893–1897 Gustav Hendrich Department of History, Stellenbosch University Abstract During the last decade of the nineteenth century, British colonisation in Southern Africa, in particular in Rhodesia (today Zimbabwe) had coincided with uneasy relations with the native black population. Partly because of continuing disillusionment over stringent policy regarding native livestock, hostilities between the colonial officials and Matabele and Mashona tribal groups resulted in devastating wars. Within these warring circumstances, Afrikaner settlers who had immigrated to Rhodesia since 1891 – mostly in search of better living opportunities – subsequently found themselves amidst the crossfire of these conflicts. Though subjugated to British colonial authority, the Afrikaner minority were regarded by native blacks as collaborators in maintaining white military and political power in Rhodesia. Consequently, the mere safety of Afrikaners were threatened by sporadic military attacks and skirmishes during the Anglo-Matabele war of 1893, and most of all, for the duration of the Matabele and Mashona rebellions of 1896 to 1897. During the Matabele rebellion, an Afrikander Volunteer Corps (known as the Afrikaner Korps) was established as a military unit, which provided substantial support in two decisive battles. This article seeks to address the role and history of the Afrikander Volunteer Corps, as well as the involvement of ordinary Afrikaners in the turbulent colonial wars in early Rhodesia. Introduction Unfavourable states of war occurred more or less simultaneously with the arrival in Rhodesia of the first Afrikaner treks. Increasing enmity between the British colonialists and the traditional Scientia Militaria, South African Journal of Military Studies, indigenous population groups, the Matabele Vol 40, Nr 1, 2012, pp. -
THE WAY of the ANCESTORS by Rebecca Rogerson
THE WAY OF THE ANCESTORS By Rebecca Rogerson 93,282 words Rebecca Rogerson 2017 TABLE OF CONTENTS Creative Portion of Thesis -- Section A Glossary In Praise of the Ancestors – Kunene Poem Preface PART ONE – Mnyama- Black Chapter One – Carrying the Load Chapter Two - Miasmatic Deluges: Drowning in Initiation Chapter Three – What the Dead Remember Chapter Four – Bloodied Knees. A Baby in the ‘Prayer Way’ Chapter Five – The New Arrival: Talking to ‘the Bones’ Chapter Six –Learning How Chickens Should Die, and Babies Should ‘Drop’ Chapter Seven - Plants Ashes: Changing Times and ‘Changed People” Chapter Eight –White (Workin’- Class) Settlers: Cadillacs, Crown Royale and Death Premonitions Chapter Nine - Grandmother Healers: First Kisses and Imagined Witches Chapter Ten – The Strong Woman’s Song Chapter Eleven –Spilled Manischewitz Wine and Chewed Chicken Bones Chapter Twelve –The Befallen, Intergenerational Trauma and Remembering with Ancestors Chapter Thirteen – Mostly Cured Chapter Fourteen – Digging for Muthi: Cold Orange Fanta and a Double Homicide Chapter Fifteen – Teach Them to Remember PART TWO – Bomvu - Red Chapter Sixteen – A Chance Meeting with a Pipe Smoking Nuclear Physicist in Calcutta Chapter Seventeen – Question and Answer Period (with a Deceased) Mother Theresa Chapter Eighteen –Government AIDS Clinics, Bacon-Wrapped Scallops, a Glass of Merlot, and Other Inequalities Chapter Nineteen –Legacies of Prophecies Chapter Twenty – A Missing Donkey, An Almost Evaded Murder-Rap, Ghosts Bothering Children, and the Struggles of a Crack Addict: All in a Day’s Work! Chapter Twenty-One –Healing the ‘Un-Healable’ Chapter Twenty-Two – A Stream Can Wear a Mountain Down Chapter Twenty-Three – Try Not to Go into Labour When Enraptured Chapter Twenty-Four – Blood Thirsty Battles, Lost Souls and Colonial Reckonings Chapter Twenty-Five – The Meeting of a Misogynist Ancestor and My Baby Girl Chapter Twenty-Six – Botswana Bound Chapter Twenty-Seven – Institutionalized Homophobia, George W.