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FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
2015 Next Wave Festival NOV 2015
2015 Next Wave Festival NOV 2015 Shinique Smith, Magnetic Beam, 2015 Published by: Season Sponsor: Brooklyn Academy of Music Alan H. Fishman, Epiphany: Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, The Cycle of Life Vice Chairman of the Board Katy Clark, President VisionIntoArt Joseph V. Melillo, Executive Producer Young People’s Chorus of New York City An immersive choral installation inpired by the Tibetan Book of the Dead, traditional African folk songs, and ancient mythologies DATES: NOV 4—7 at 7:30pm Doors and Installation at 7pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) RUN TIME: 1hr (no intermission) Viacom is the BAM 2015 Music Sponsor. Leadership support for programming by New York City artists in the BAM Fisher provided by Rockefeller Brothers Fund. Additional support provided by The TinMan Fund. Leadership support for music #EpiphanyCycle at BAM provided by: #BAMNextWave Frances Bermanzohn & Alan Roseman. BAM Fisher AMERICAN CONTEMPORARY MUSIC ENSEMBLE (ACME) Ben Russell & Caleb Burhans, violins Epiphany: The Cycle of Life Caitlin Lynch, viola Clarice Jensen, cello & artistic director CONDUCTED BY David Cossin, Ibrahima “Thiokho” Diagne, & Ian Rosenbaum, percussion Francisco J. Núñez PROGRAM PERFORMERS ORIGINAL CONCEPT & VIDEO Passage YOUNG PEOPLE’S CHORUS OF NYC CONCERT CHORUS Ali Hossaini Vhiri reNgoro Francisco J. Núñez, Artistic Director/Founder Composed by Netsayi Chigwendere THEATRICAL CONCEPT & Tiffany Alulema Emma Higgins Maya Osman-Krinsky STAGE DIRECTION Epiphany Clare Altman Nyota Holmes-Cardona Ranya Perez Michael McQuilken Michelle Britt Bianca Jeffrey Jordan Reynoso COMPOSED BY Kelli Carter Olivia Katzenstein Elvira Rivera STORY DEVELOPMENT Paola Prestini Samuel Chachkes Zoe Kaznelson Sophie Saidmehr Nathaniel Bellows, Maruti Evans, LIBRETTO BY Nadine Clements Bethany Knapp Jeniecy Scarlett Michael McQuilken, Netsayi, Niloufar Talebi Louisa Cornelis Maria Kogarova Isabel Schaffzin Francisco J. -
2009 NATPE Buyers*
2009 NATPE BUYERS* ANGOLA Blanca Ponce BRAZIL Jose Pedro CEO Claiton Fernandes General Manager Premium Media S.A. Director Acquisitions TV Zimbo California Films Analia Pollero Acquisitions Manager Vladimir Fernandes ARGENTINA Turner Broadcasting System President Martin Bonavetti Latin America California Films Canal 7 Argentina Roberto Buzzoni de Oliveira Ariel Taboada BELGIUM Director General Programming & Head of Programming & Production Christian Loiseau Acquisitions Claxson Head of Program BE TV S.A. Globo TV International Mariano Kon Paula Miranda General Manager International Division Boris Portnoy Director of International Programming Eyeworks Cuatro Cabezas President/CEO KNTV (Keynews Television) Globo TV International Patricia Daujotas Suzy Ubing Director of Programming & Valerie Lardinois Director/Contract Department Acquisitions Head of Acquisitions Globo TV International FOX Latin American Channel RTBF Claudia Macedo Gonzalo Fiure Luc Janssens Programming Research & Acquisitons VP Content Strategy Head of Acquisitions International Relations Fox Latin American Channel SRL VMMA Globosat Programadora Ltda Alfredo de la Torre BOLIVIA Alberto Pecegueiro Corporate Strategy Manager Fernando Perez CEO Grupo Clarin General Manager Globosat Programadora Ltda CANAL 4 - RDP Ronnie Amendolara Otelo Bettin Coltro Director Ernesto Monasterio Executive Vice President, Acquisitions Illusion Studios President Playarte Pictures Canal 9 TV (Ecor Ltda) - Unitel Gaston Cami R. Mari Kodama Head of Sales & Coprodutions Carlos Novaro Manager of Acquisitions -
Bam 2016 Annual Report
BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
FORM 10−K/A CABLEVISION SYSTEMS CORP /NY − CVC Filed: September 21, 2006 (Period: December 31, 2005)
FORM 10−K/A CABLEVISION SYSTEMS CORP /NY − CVC Filed: September 21, 2006 (period: December 31, 2005) Amendment to a previously filed 10−K Table of Contents Part I Part I Item 1A. Risk Factors Item 1A. Risk Factors Item 3. Legal Proceedings Item 6. Selected Financial Data Item 7. Management s Discussion and Analysis of Financial Condition and Results of Operations Item 9A. Controls and Procedures PART IV Item 15. Exhibits and Financial Statement Schedules SIGNATURES Item 8: Financial Statements and Supplementary Data EX−23.1 (Consents of experts and counsel) EX−23.2 (Consents of experts and counsel) EX−31.1 EX−31.2 EX−32 (Certifications required under Section 906 of the Sarbanes−Oxley Act of 2002) UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10−K/A (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2005 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 [NO FEE REQUIRED] For the transition period from ________ to _______ Commission File Registrant; State of Incorporation; IRS Employer Number Address and Telephone Number Identification No. 1−14764 Cablevision Systems Corporation 11−3415180 Delaware 1111 Stewart Avenue Bethpage, NY 11714 (516) 803−2300 1−9046 CSC Holdings, Inc. 11−2776686 Delaware 1111 Stewart Avenue Bethpage, NY 11714 (516) 803−2300 Securities registered pursuant to Section 12(b) of the Act: Name of each Exchange on which Title of each class: Registered: Cablevision Systems Corporation Cablevision NY Group Class A Common Stock New York Stock Exchange CSC Holdings, Inc. -
Michael J. Thompson Stephen Eric Bronner Wadood Hamad Richard Couto Henry Pachter Abbas Amanat Stanley Aronowitz Ali Hossaini Ta
summer 2003 volume two - issue three Michael J. Thompson Taxing Democracy: Politics and the Bush Tax Cut Stephen Eric Bronner Lies and the Distortion of Democracy Wadood Hamad Wither Iraq: From Despotism to Occu- pation Richard Couto The Incidental Liberation of Iraq Henry Pachter Who Are the Palestinians? Abbas Amanat Iran’s Social Revolution Stanley Aronowitz Rethinking C. Wright Mills Ali Hossaini Vision of the Gods Photography by Ira Cohen Fiction by Thomas de Zengotita Poetry by Andy Clausen REVIEWS: Terror and Liberalism, by Paul Berman reviewed by Kurt Jacobsen The History of Socialism by Joshua Muravchik reviewed by Jason Schulman Why George Orwell?, by Christopher Hitchens reviewed by Desmond MacNamara Straw Dogs by John Gray reviewed by Diana Judd The Specter of Democracy, by Dick Howard reviewed by Robert Antonio © Logos 2003 Michael J. Thompson Taxing Democracy: Politics and the Bush Tax Cut by Michael J. Thompson The science of economics is a political science. —Max Weber ew domestic political issues have been debated with more passion than Fthe tax cut that was proposed by the Bush administration and recently passed by Congress. The tax cuts have been characterized as everything from a giveaway to the rich to a stimulus package for an ailing economy. Political rhetoric frequently coalesces with “social science,” statistics and economic argumentation, but—interestingly enough—the political character of decision-making on tax policy has tended to disappear from the public debate. What I think is happening, however, is not simply a rethinking of tax codes or a move away from the redistributional character of the post-war American welfare state. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Introduction FINAL JAN 2010
Promoting Public and Private Reinvestment in Cultural Exchange-Based Diplomacy By Margaret C. Ayers Robert Sterling Clark Foundation Series on International Cultural Engagement ©Margaret C. Ayers April 16, 2010 New York, N.Y. 10065 All Rights Reserved Published by the Robert Sterling Clark Foundation, New York, N.Y. 10065 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of the author. Promoting Public and Private Reinvestment in Cultural Exchange- Based Diplomacy may be downloaded in PDF format from the Robert Sterling Clark Foundation website at www.rsclark.org . Table of Contents Page I. Introduction A. Robert Sterling Clark Foundation Interest in the Field 1 B. A New Day, A New Administration and New Opportunities 2 C. Definitions 3 D. Acknowledgements 5 II. Making the Case for Arts and Cultural Exchange-Based Diplomacy A. What Can Culture Do? 7 B. Building A Body of Evidence 8 C. Cultural Exchange is Good for Business 10 D. The Bottom Line 10 III. Trends in U.S. Public Support for Arts and Cultural Exchange-Based Diplomacy A. An Overview of U.S. Public Diplomacy 11 B. Agency Involvement in Public Diplomacy Post 1999 14 1. The Department of State 2. The Broadcasting Board of Governors 3. The Department of Defense C. Deterrents to Successful Cultural Engagement 22 1. Public Sector Disinvestment 2. Fragmentation of Public Diplomacy Post 1999 3. U.S. Cultural Trade Deficit 4. No Reporting Relationship between U.S. Embassies and the Under Secretary for Public Diplomacy and Public Affairs 5. -
2014 Winter/Spring Season JUN 2014
2014 Winter/Spring Season JUN 2014 Bill Beckley, I’m Prancin, 2013, Cibachrome photograph, 72”x48” Published by: BAM 2014 Winter/Spring Sponsor: BAM 2014 Winter/Spring Season #THEOLDWOMAN Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board The Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer Old Woman BAM Howard Gilman Opera House Jun 22 at 7pm; Jun 24—28 at 7:30pm; Jun 28 at 2pm; Jun 29 at 3pm Running time: one hour & 40 minutes, no intermission Direction, set design, and lighting concept by Robert Wilson With Mikhail Baryshnikov and Willem Dafoe Written by Daniil Kharms Adapted by Darryl Pinckney Music by Hal Willner Costumes by Jacques Reynaud BAM 2014 Winter/Spring Season sponsor: Lighting design by A.J. Weissbard Associate set design by Annick Lavallée-Benny Sound design by Marco Olivieri BAM 2014 Theater Sponsor Major support for BAM’s presentation of The Old A Baryshnikov Productions, Change Performing Arts, and Woman provided by Renova Group of Companies The Watermill Center project. Major support for theater at BAM provided by: Commissioned and co-produced by Manchester International Festival, Spoleto Festival dei 2Mondi, Théâtre de la Ville-Paris/ The Gladys Krieble Delmas Foundation Festival d’Automne à Paris, and deSingel Antwerp. The Fan Fox & Leslie R. Samuels Foundation, Inc. Donald R. Mullen Jr. Executive Producer Change Performing Arts in collaboration The Morris and Alma Schapiro Fund with Baryshnikov Productions and CRT Centro Ricerche The SHS Foundation Teatrali. The Shubert Foundation, Inc. -
Connected Culture Final Report
CONNECTEDCULTURE Project Report Centre for Telecommunications Research Department of Informatics King’s College London Cinema Arts Network Ericsson July 2017 21STCENTURYRENAISSANCE Six centuries ago a group of Italian inventors discovered invent new paradigms that have the powerful elegance of the value of cross-training in solving problems that pay how to portray 3D objects on 2D surfaces. Perspective Renaissance engineering? no heed to disciplinary boundaries. had been known for centuries, but it took a multidiscipli- At King’s College London, we think the future lies in a The massive challenges of this century require a holistic nary team to make it a successful communications me- combination of science, technology and aesthetics. For approach - compartmentalised thinking has brought un- dium. Not a team of artists, scientists and engineers, but one year our Connected Culture project recruited inter- foreseen and unwelcome results. We may do well to start a team of artist-scientist-engineers. Brunu Brunelleschi, disciplinary thinkers and doers to lay the foundations for a 21st century Renaissance that combines the rigour of Leon Battiste Alberti and Leonardo da Vinci were arche- 21st century communications. With support from 9 in- science with sensitivity to both the human condition and types of the Renaissance: people who cultivated multiple stitutional partners, over 50 participants created 6 events the beauty of the natural world that surrounds it. intelligences to solve thorny problems. that probed the expressive potential of 5G networks, Renaissance painting gave birth to technical drawing, spatial soundscapes and 3D video. photography, cinema, television and most electro-optical Our results demonstrate how arts and technology can in- media. -
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RIVER TO RIVER 2012 FULL PRELIMINARY SCHEDULE: SUNDAY JUNE 17 Bang on a Can Marathon June 17,12PM - June 18,12AM World Financial Center Winter Garden Bang on a Can brings its 25 Year celebration back downtown with its incomparable 12- hour super-mix of boundary-busting music from around the corner and around the globe. What started as a scruffy loft concert in Soho back in 1987, now ranks among the iconic annual concert events in NYC. This year’s edition features rare performances by some of the most innovative musicians of our time side-by-side with some of today’s newest music pioneers. Some highlights include Bang on a Can All-Stars, astonishing cellist Maya Beiser, Pauline Oliveros’ Deep Listening Band, sound pioneer Alvin Lucier, indie guitar sensation Kaki King, jazz genius Matthew Shipp, music by David Longstreth (Dirty Projectors), Thurston Moore (Sonic Youth), Steve Reich, David T Little, Ruby Fulton, Michael Harrison; film by Bill Morrison, and much more. Stay all Day! Presented by River To River Festival, Arts Brookfield and Bang on a Can. MONDAY JUNE 18 Movie Nights on the Elevated Acre presented in association with Tribeca Film Stella Days (2012) June 18, 8PM The Elevated Acre, 55 Water St. A small town cinema in rural Ireland becomes the setting for a dramatic struggle between faith and passion, Rome and Hollywood, and a man and his conscience. Martin Sheen stars as a priest in Stella Days, which encapsulates the dilemma of Ireland in the mid-1950’s – on the cusp of the modern but still clinging to the traditions of the church.