A Comparative Study of the Environmental Aspects of Lithographic and Digital Printing by Sachin R

Total Page:16

File Type:pdf, Size:1020Kb

A Comparative Study of the Environmental Aspects of Lithographic and Digital Printing by Sachin R A Comparative Study of the Environmental Aspects of Lithographic and Digital Printing By Sachin R. Kadam Processes Graduate Student, Enviornmental Health and Safety Management Mary Anne Evans, Ph.D. Professor, School of Print Media Sandra Rothenberg, Ph.D. Professor, College of Business A Research Monograph of the Printing Industry Center at RIT Rochester Institute of Technology No. PICRM-2005-01 A Comparative Study of the Environmental Aspects of Lithographic and Digital Printing Processes By Sachin R. Kadam Graduate Student, Environmental Health and Safety Management Mary Anne Evans, Ph.D. Professor, School of Print Media Sandra Rothenberg, Ph.D. Professor, College of Business Rochester Institute of Technology A Research Monograph of the Printing Industry Center at RIT Rochester, NY December 2005 PICRM-2005-01 © 2005 Printing Industry Center at RIT— All rights reserved. With Thanks The research agenda of the Printing Industry Center at RIT and the publication of research findings are supported by the following organizations: bc Kadam, Evans, and Rothenberg (PICRM-2005-01) Table of Contents Introduction ..................................................................................... 3 Background ...................................................................................... 5 Evaluation Method ........................................................................... 9 Results ........................................................................................... 15 Analysis of the Results .................................................................... 25 Conclusion ..................................................................................... 33 References ...................................................................................... 35 Appendix A .................................................................................... 37 Appendix B .................................................................................... 43 Appendix C .................................................................................... 45 Appendix D .................................................................................... 47 Appendix E .................................................................................... 49 Appendix F..................................................................................... 53 Appendix G .................................................................................... 57 A Comparatve Study of the Envronmental Aspects of Lthographc and Dgtal Prntng Processes 1 2 Kadam, Evans, and Rothenberg (PICRM-2005-01) Introduction The printing industry has been changing traditional printing processes. Moreover, digital dramatically for over 20 years. While the technology has its own demerits that restrict its majority of print volume is generated by offset use for certain circumstances. It is essential for lithography, many print operations are bring- printers to know and understand how the envi- ing in digital technologies as a complement ronmental, health, and safety aspects of their or even replacement for some offset market digital printing operations compare to tradi- segments. Amongst the advantages of these tional printing technologies. new digital technologies are the ability to produce variable data printing and economi- In this paper we compare some environmental, cally viable short-run jobs. At the same time, health, and safety issues associated with litho- societal, consumer, and regulatory pressures are graphic and digital printing processes. Two driving all areas of industry to examine closely commonly used press types, sheetfed lithograph- the effects of their operations on the environ- ic and digital electrophotographic, have been ment. With the advancement and proliferation studied to quantify material consumption, waste of digital technologies, the printing industry is generation, and certain health and safety aspects looking forward to digital printing as a panacea at each stage of document production. Since the for some significant technical and environmen- economic advantages of each technology relate tal problems that are currently associated with closely to print run-length, the experiments traditional printing methods. were constructed around a long- and short-run framework. The objectives of this study were: The two digital technologies showing the most growth potential are inkjet and electrophotog- • To identify and analyze environmen- raphy (Romano, 2003). Both technologies are tal, health, and safety (EHS) issues developing the capability to approach offset associated with lithographic and lithography in image quality. High-end elec- digital printing processes. trophotographic production presses are able to produce output at a rate which makes accessi- • To provide technical information, ble some short-run offset market segments and based on EHS observations and analy- there is significant development activity in this sis, which printing companies can use area from press manufacturers, software devel- when making technological choices. opers and consumables providers (The Print Extension, Inc., 2004) Volumes from conven- • To raise awareness within the print- tional printing technologies will probably grow ing industry about material usage and more slowly than those from digital technolo- waste generation resulting from print gies. Electrophotography is predicted to grow operations, thus creating a basis for at about 2.8% and inkjet at about 8.3% for the integrating EHS into printing busi- period 2003-2008, compared with an increase ness management. in only 0.7% over this period for offset lithog- raphy (Business Development Advisory, Inc., • To deliver a methodology by which 2003). However, issues of environment and a printing operation can perform a workplace health and safety do not disappear comparative environmental assess- merely because a facility is utilizing electro- ment of two different printing photographic digital technologies rather than technologies. A Comparatve Study of the Envronmental Aspects of Lthographc and Dgtal Prntng Processes Introduction This research report provides guidelines from will show a different utilization of resources which a print technology comparison process based on modifications, operation param- can be derived for application to specific press- eters, and the type of consumables used. The es within a print production operation. Each data generated in this study is of less signifi- print technology involves different technical cance than the methodologies used to generate, considerations for the evaluation of materials normalize and compare the data. and energy consumption and the generation of waste. Each press model based on similar tech- nology and even the same model of press oper- ated in two different production environments Kadam, Evans, and Rothenberg (PICRM-2005-01) Background The printing industry uses various printing significant environmental and health impacts, and technologies for printing books, magazines, its considerable space requirements (Cahill, n.d.). newspapers, business documents, catalogs, forms, etc. These technologies include lithog- The digital printing industry, on the other raphy, rotogravure, flexography, screen, letter- hand, is growing at a steady pace although so press, and digital technologies including inkjet far it represents just less than 10% of U.S. print and electrophotography. The use of these tech- industry revenues (Romano, 2003). The driv- nologies depends on the required quality of the ing forces for the adoption of this technology print, number of impressions to be printed, include minimal press setup time, variable data availability of required resources, cost of the customization, image quality improvements, equipment, consumables cost per print, need to sophisticated screening algorithms, lower costs use variable content, and other factors. for short run, minimal space requirements, overall reduction in hazardous materials usage, In this current environment of technologi- reduced waste production, and the ability to cal change, print volumes are migrating from transmit and collaborate on electronic print conventional offset lithographic printing files all around the world (Cahill, n.d.). to digital printing. According to the U.S. Economic Census data, lithography was still Despite these advantages, technology and cost, the most commonly used technology in 2001 disadvantages remain that will keep signifi- with a total of 15,038 firms using this technol- cant print volumes in the traditional arena; ogy (U.S. Census Bureau, 2001). However, the these include generally slower throughput for number of printing companies using lithogra- digital technologies, higher cost per impres- phy is declining as new technologies become sion for longer runs, and in some cases, a available and new applications become acces- requirement for specially prepared and coated sible. Between 1999 and 2001, the number of substrates for optimal output quality (Cahill, offset presses operating in the U.S. declined by n.d.). The migration to digital technology is 21,000—a 12% decrease. The dominance of partially hindered by the limited investment lithographic printing in the industry’s recent capital available to many printing companies. history may be attributed to the efficient Also, many offset printers are small in size production of multiple and inexpensive copies, and employ fewer than 10 employees, most very high resolution and print quality, a wide
Recommended publications
  • A Context and Taxonomy for Printing: Intersections of Culture and Technology, 1850-2000
    A context and taxonomy for printing: Intersections of culture and technology, 1850-2000 This project is based upon a research funding application being made to the UK Arts and Humanities Research Council (AHRC), the body responsible in the UK for funding University research in this area. It has been written by myself, Stephen Hoskins and Paul Thirkell in response to a series of discussions at the last AEPM General Meeting in Odense, Denmark and in particular response to Alan Marshall’s paper at that meeting. Unfortunately there have been problems in submitting this application, partly because of the pressures of daily life, which fall upon us all, but primarily because of the (AHRC) body closing its application process for 12 months and the ongoing funding crisis in UK universities. However the AHRC is now open to fresh bids, if there are still enough museums interested Research Context: As observed by Alan Marshall in 2008,1 ‘in the 1960s, before the extraordinary eruption of digital techniques in the graphic arts, no one, not even the best informed commentator could have imagined the desktop publishing and digital prepress techniques which we take for granted…’ Forty years later, we are in a position to put the apparently unique phenomenon of the digital revolution into its broader technological, historical and social perspective. However, there has been little analysis of the technical developments, social impacts, and market shifts that led up to the present domination of digital printing. The printing museum offers an entirely appropriate forum for understanding the core events that have culminated in the digital revolution.
    [Show full text]
  • Other Printing Methods
    FLEXO vs. OTHER PRINTING METHODS Web: www.luminite.com Phone: 888-545-2270 As the printing industry moves forward into 2020 and beyond, let’s take a fresh look at the technology available, how flexo has changed to meet consumer demand, and how 5 other popular printing methods compare. CONTENTS ● A History of Flexo Printing ● How Flexo Printing Works ● How Litho Printing Works ● How Digital Printing Works ● How Gravure Printing Works ● How Offset Printing Works ● What is Screen Printing? ● Corrugated Printing Considerations ● Flexo Hybrid Presses ● Ready to Get Started with Flexo? 2 A History of Flexo Printing The basic process of flexography dates back to the late 19th century. It was not nearly as refined, precise, or versatile as the flexo process today -- and can be best described as a high-tech method of rubber stamping. Printing capabilities were limited to very basic materials and designs, with other printing methods greatly outshining flexo. Over the past few decades flexo technology has continuously evolved. This is largely thanks to the integration of Direct Laser Engraving technology, advancements in image carrier materials, and in press technologies. These innovations, among others, have led to increased quality and precision in flexo products. These technological improvements have positioned flexography at the helm of consumer product and flexible packaging printing. Flexo is growing in popularity in a variety of other industries, too, including medical and pharmaceutical; school, home, and office products; and even publishing. How Flexo Printing Works Flexo typically utilizes an elastomer or polymer image carrier such as sleeves, cylinders, and plates. The image carrier is engraved or imaged to create the design for the final desired product.
    [Show full text]
  • Printing Industry Is the Large Proportion of Very Small Firms
    The printing sector is a diversified industry sector composed of firms who perform printing as well as firms who render services for the printing trade, such as platemaking and bookbinding. One of the most significant characteristics of the printing industry is the large proportion of very small firms. The Census Bureau reported that in 2002 nearly half of the 37,538 printing companies had fewer than five employees; approximately 80 percent employed fewer than 20 workers. Processes used in printing include a variety of methods used to transfer an image from a plate, screen, film, or computer file to some medium, such as paper, plastics, metal, textile articles, or wood. The most prominent of these methods is to transfer the image from a plate or screen to the medium (lithographic, gravure, screen, and flexographic printing). A rapidly growing new technology uses a computer file to directly "drive" the printing mechanism to create the image and new electrostatic and other types of equipment (digital or nonimpact printing). Four Main Segments The printing industry can be separated into four main segments: Lithography Flexography Gravure Screen printing Lithography Lithography is a planographic printing system where the image and non-image areas are chemically differentiated with the image area being oil receptive and non-image area water receptive. Ink film from the lithographic plate is transferred to an intermediary surface called a blanket, which, in turn, transfers the ink film to the substrate. Fountain solution is applied to maintain the hydrophilic properties of the non-image area. Ink drying is divided into heatset and non- heatset.
    [Show full text]
  • Introduction to Printing Technologies
    Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography.
    [Show full text]
  • The Art of the Cigar Label
    The Art of the Cigar Label A.AMO&CO. LA BVA TAMPA.FLA. An exhibition by the Ybor City Museum Society with assistance from the University of South Florida Libraries' Special Collections Curated by: Emanuel Leto "True, our pictures are many of them for the soap manufacturer, the insurance com­ panies, and the patent medicine man; but we try in our way to be educators of the people , and to give them good drawings and harmonious coloring. These business operators of ours who use pictures for advertising purposes know that the public have become fastidious; hence, they will only accept good designs. It is not so very long ago that advertising pictures invariably had hard, glaring backgrounds and crude, contrasting colors ... but that type of work would find no sale now except in the back woods." - Anonymous lithographer, New York, 1894 1 At first glance, the images on cigar labels seem simple; they are beautifully em­ bossed and the illustration- whether an attractive woman or a famous writer- jumps out at the viewer. However, cigar labels of the late 19th and early 20th centuries are also rich in allegory and symbolism, subtly illustrating themes like commerce, trade, or U.S. foreign relations. Label themes "reflect the tobacco industry's important influence on the economic, social, and political climate of Cuba and Florida cities like Key West and Tampa," 2 becoming "windows to the past," depicting contemporary events, political leaders, celebrities, and so­ cial life. A look at cigar labels also reveals quite a bit about America in the Gilded Age, from roughly 1870 to 1920.
    [Show full text]
  • Lithography Aluminum Plate Lithography
    Kevin Haas | http://kevinhaas.com/printmaking/ Lithography Aluminum Plate Lithography Preparing Your Plate The Five Main Steps in Cutting Your Plate to Size Lithography: The 25.5” x 36” aluminum litho plates can be cut either in half (18” x 25.5”), 1. Preparing Your Plate thirds (25.5” x 12”), or quarters (12.75” x 18”), but shouldn’t be any smaller than this. Plates should be handled by the edges only and with clean hands. 2. Drawing Your Image Lay the plate face down on a protective sheet of paper on a cutting board. Mark 3. First Etch and score the back of the plate about 10 times while firmly holding the straight 4. Roll-up and Second edge. Flip the plate over and fold the plate up and down. The plate will split at Etch the score. 5. Printing Round the corners of your plate with scissors and lightly file any rough edges. De-Oxidizing Before drawing on your plate, it is necessary to remove oxides that build up on the aluminum so the drawing material will attach well to your plate. To deoxidize your plate, rinse it with hot water. Wipe the entire surface in vertical and horizontal strokes for about two minutes to remove the oxides from your plate. Use a completely clean cotton rag or Webril Wipe that will not scratch or abrade your plate. If there are noticeable fingerprints or marks on the plate, use the Aluminum Plate Counter-Etch which contains phosphoric and hydrochloric acids. Wear gloves while applying in the same manner as above.
    [Show full text]
  • Commercial Nineteenth-Century American Lithography: an Economic History
    Commercial Nineteenth-Century American Lithography: An Economic History Georgia B. Barnhill American Antiquarian Society Presented at “Representations of Economy: Lithography in America from 1820 to 1860” The Ninth Annual Conference of the Program in Early American Economy and Society Co-Sponsored with the Visual Culture Program and “Philadelphia on Stone” At the Library Company of Philadelphia 1314 Locust Street, Philadelphia, PA Friday, October 15, 2010 1 Writers on American prints generally have ignored the speculative and entrepreneurial aspect of printing and publishing. We tend to focus on individual prints and the stories that they present, either through their publication and distribution or through the subject matter of the image. When Cathy Matson invited me to participate in this conference, I suggested a look at some of the economic aspects of the lithographic industry as a whole. This is a story that is difficult to construct because so little primary material has survived. I have tried to stitch together information gathered from a variety of sources with the understanding that this is not a definitive study. Others will have to build on this fragile patchwork. As in so many manufacturing enterprises, success is not guaranteed and seldom is there a straight line moving towards economic stability. There are many lithographic companies that lasted just a year or two, suggesting that being successful required a variety of skills. Other companies struggled at times and managed to survive. And, just as in book publishing, not all printers were publishers. Separating the two roles is important as we look at the business of lithographic printing and publishing.
    [Show full text]
  • 2019–2020 Xerox® Production Portfolio Powering Print and Beyond Xerox Business Development Support Drive Growth, Promote and Transform Your Business
    2019–2020 Xerox® Production Portfolio Powering Print and Beyond Xerox Business Development Support Drive Growth, Promote and Transform Your Business 2 XEROX DIGITAL HOT SPOT WEBSITE XEROX CUSTOMER BUSINESS XEROX PREMIER PARTNERS GLOBAL NETWORK This website provides one-stop access for Xerox DEVELOPMENT PROGRAM A collection of the world’s top printers and marketing production print customers to business-building Resources, tools and professional services designed services providers, this global network builds digital resources, industry insights and business to support efforts such as sales and marketing, business through information sharing, innovation, development webinars. business planning, operations and new application insights and business collaboration. development. Customers have access to: It’s also your connection with the Xerox Premier Exclusive membership benefits include business Partners Global Network to find a digital print • Xerox® ProfitAccelerator® and ProfitQuick® digital enhancement tools, regional networking opportunities partner with the right experience and equipment business tools and kits to create marketing plans, and first looks at emerging technologies and solutions. for your needs. calculate ROI, target vertical markets, conduct You can expand your own capabilities, or the open houses, manage a sales force and more geographies you serve, by finding a print partner via • Consulting and training services, business our Global Directory. You can search by application, development webinars and white papers/ location,
    [Show full text]
  • Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected]
    Western Oregon University Digital Commons@WOU History of the Book: Disrupting Society from Student Scholarship Tablet to Tablet 6-2015 Chapter 08 - Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/history_of_book Part of the Critical and Cultural Studies Commons, Cultural History Commons, and the History of Science, Technology, and Medicine Commons Recommended Citation Roemer, Robin. "Mechanization of the Printing Press." Disrupting Society from Tablet to Tablet. 2015. CC BY-NC. This is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in History of the Book: Disrupting Society from Tablet to Tablet by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. 8 Mechanization of the Printing Press - Robin Roemer - One of the important leaps in the technology of copying text was the mechanization of printing. The speed and efficiency of printing was greatly improved through mechanization. This took several forms including: replacing wooden parts with metal ones, cylindrical printing, and stereotyping. The innovations of printing during the 19th century affected the way images were reproduced for illustrations as well as for type. These innovations were so influential on society because they greatly increased the ability to produce large quantities of work quickly. This was very significant for printers of newspapers, who were limited by the amount their press could produce in a short amount of time. Iron Printing Press One major step in improving the printing press was changing the parts from wood to metal.
    [Show full text]
  • Tamarind Homage to Lithography Preface by William S
    Tamarind homage to lithography Preface by William S. Lieberman. Introduction by Virginia Allen Author Museum of Modern Art (New York, N.Y.) Date 1969 Publisher Distributed by New York Graphic Society, Greenwich, Conn. Exhibition URL www.moma.org/calendar/exhibitions/1869 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Tamarind:Homage to Lithography Tamarind: Homage to Lithography Preface by William S. Lieberman Introduction by Virginia Allen 4- The Tamarind Lithography Workshop has almost single- handedly revived the difficult medium of lithography in the past decade. It has provided not only the materials but also the environment that fosters the delicate collaboration be tween artist and printer. Such an environment and indeed even the materials were almost nonexistent in the United States before June Wayne and the Ford Foundation agreed on the importance of providing them. Since Tama rind opened its doors in 1960 it has provided fellowships for numerous artists and printers, most of whom have con tinued their exploration of lithography after leaving Tama rind. The author describes this unique Workshop and also gives a brief history of lithography in Europe and in the United States. Included is a list which catalogs part of the promised gift to The Museum of Modern Art of the Kleiner, Bell and Company Collection of Tamarind Impressions. The author, Virginia Allen, former curator of Tamarind, is now Assistant to William S.
    [Show full text]
  • Colour Lithography and Its Moral Nature a Paper Written As Part of the Requirements for the Masters in Library and Information Science Degree at Mcgill University
    This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Colour Lithography and its moral nature a paper written as part of the requirements for the Masters in Library and Information Science degree at McGill University Allana Mayer 2014 Introduction Lithography, the process of applying paints and inks to a stone for transfer to paper, was invented in Germany in 1798 by Alois Senefelder (Twyman, 2013). The technique is less talked-of than the invention of movable type, or the diffusion of digital tools, in their effects on the respective industries and sociocultural climates of their times, but historical documents do portray a similar tension between a new technology and existing processes. Lithography is in particular an interesting halfway point between the former and the latter: while the process of mechanical reproduction is an obvious antecedent to the invention of printing in general, its chemical-based process is a herald of things to come, namely home laser printing that uses toner and ink to apply images to paper -- or even the chemical negative/ positive processes that make up photosensitive reactions. The chemical process that operates in lithography relies on oil and water repelling one another but adhering to stone. An image is drawn onto a lithographic stone (often limestone or zinc) with a grease stick or wax crayon, then the stone is coated with gum arabic, citric acid, and water, which is repelled from the oily design and adheres to the negative space, without etching the stone. Then the stone is prepared for printing with a mixture of oil-based paint and water: the water adheres to the gum arabic in the negative space, while the oil-based paint creates a positive image and is transferred to subsequent sheets of paper.
    [Show full text]
  • 17. Chromolithography 1870-1930
    Chromolithography 1870-1930: The identification of commercial Erin Walker colour lithography processes, ink modifications and conservation [email protected] INTRODUCTION The research summarised in this poster contextualises chromolithography in the commercial printing trade by the various methods of their production and their ink compositions. Colour lithographic printing, commonly referred to as chromolithography, entered the commercial printing trade in the mid-nineteenth century. The rising demand for colour printing in the twentieth century resulted in more economic and efficient colour printing processes. These demands resulted in an array of new patents for ink formulations, printing papers and photomechanical productions. This research aims to uncover many of the patents, formulas and recipes used in the manufacturing of lithographic inks of the late 19th and early 20th centuries, with a specific focus on additives and modifiers used as driers, extenders and reducers. Information was gathered from relevant patents, treatises, technical manuals, and other historical literature. An overview of published conservation case studies was conducted to understand the potential sensitivities printing inks face. A clearer understanding of the composition of colour lithographic printing inks will serve to inform conservation practice on some of the risks associated with aqueous, solvent cleaning and other treatments. OVERVIEW OF PROCESS COMPOSITION AND MODIFICATIONS Chromolithography, photolithography and offset printing are all variants of the original lithography process invented by Alois Senefelder in 1798. Lithographic inks were specially formulated for several printing processes but the main components remain to be a pigment/dye mixed in a While the methods of etching the stone and zinc plate changes, there is no great difference in the lithographic principle, ink process, ink vehicle with added driers, extenders and reducers.
    [Show full text]