2018 Preliminary Program
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Report of the West African Hub Meeting
REPORT OF THE WEST AFRICAN HUB MEETING HELD IN LAGOS, NIGERIA 2-7 OCTOBER 2017 HOSTED BY: Report Compiled by: Nigerian Slum/Informal Settlement Federation Background to the West African Hub Meeting The West Africa Hub meeting is the opportunity for all Federations in West Africa to come together in one city through exchange to learn from and challenge each other. Exchange is one of the key tools of the SDI network that is central to deepening our core rituals, stopping forced evictions, promoting participatory urban planning and development. Exactly 1 year ago in Accra, Ghana, the West African Federations of SDI converged to hold the preceding Hub Meeting from 2-7 October 2016. The theme was “Keeping Our Federations Through Savings Data.” The theme was no doubt apt as savings is the first core ritual of SDI; a tool for mobilization of every federation of the urban poor for their dignity, development, and to resist forced eviction through advocacy for inclusion. The theme of the follow-up 2017 Hub Meeting hosted by the Nigerian Federation is “Building Inclusive Cities.” This is a response to the rhythm of pains, sufferings and negative experiences of the Nigerian Federation members, in the spate of violent-mass evictions. Over 300,000 waterfront residents threatened with forced eviction by the Governor of Lagos State Mr. Akinwunmi Ambode in October of 2016, and then in November 2016, 30,000 people were forcefully evicted from Otodo Gbame waterfront community. All 33 threatened waterfront communities profiled by the Nigerian Federation enjoyed the respite of court order that condemned the Lagos Government’s actions as illegal, cruel, inhuman and degrading – but so much more needs to be done. -
Lagos Books & Arts Festival ( LABAF) Creating
LAGOS STATE GOVERNMENT Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Ebi Festival Venue - Epe Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Angels & Muse Date - January 27th 2018 Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Wazobia FM Carnival Date - February 3rd – 4th Venue - Muri Okunola Park V.I Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Lagos Marathon Date – February 10th Venue - Eko Hotel & Suites Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Dance Gathering Lagos Date – February 12 - 25 Venue – Freedom Park Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Tourism Innovation & Development LAGOS LALALALA Advantage: 2018 Conference Theme: Impact of Tourism Development on the Nigerian Economy 27 February – 4 March 2018 LAGOS LALALALA Freedom Park, Unilag E.t.c Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show KulturecentrikLAGOS LALALALA@ the Capital March, June, September and December Venue - Airport Hotel, Ikeja . Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show World Theatre Day Marriage of Anansewa @ Terra Kulture and Muson Centre . Creating A Cultural Identity For A Smart Mega City #lagostourism -
S/No Placement 1
S/NO PLACEMENT ADO - ODO/OTA LOCAL GOVERNMENT SECRETARIAT, SANGO - OTA, OGUN 1 STATE AGEGE LOCAL GOVERNMENT, BALOGUN STREET, MATERNITY, SANGO, 2 AGEGE, LAGOS STATE 3 AHMAD AL-IMAM NIG. LTD., NO 27, ZULU GAMBARI RD., ILORIN 4 AKTEM TECHNOLOGY, ILORIN, KWARA STATE 5 ALLAMIT NIG. LTD., IBADAN, OYO STATE 6 AMOULA VENTURES LTD., IKEJA, LAGOS STATE CALVERTON HELICOPTERS, 2, PRINCE KAYODE, AKINGBADE CLOSE, 7 VICTORIA ISLAND, LAGOS STATE CHI-FARM LTD., KM 20, IBADAN/LAGOS EXPRESSWAY, AJANLA, IBADAN, 8 OYO STATE CHINA CIVIL ENGINEERING CONSTRUCTION CORPORATION (CCECC), KM 3, 9 ABEOKUTA/LAGOS EXPRESSWAY, OLOMO - ORE, OGUN STATE COCOA RESEARCH INSTITUTE OF NIGERIA (CRIN), KM 14, IJEBU ODE ROAD, 10 IDI - AYANRE, IBADAN, OYO STATE COKER AGUDA LOCAL COUNCIL, 19/29, THOMAS ANIMASAUN STREET, 11 AGUDA, SURULERE, LAGOS STATE CYBERSPACE NETWORK LTD.,33 SAKA TIINUBU STREET. VICTORIA ISLAND, 12 LAGOS STATE DE KOOLAR NIGERIA LTD.,PLOT 14, HAKEEM BALOGUN STREET, OPP. 13 TECHNICAL COLLEGE, AGIDINGBI, IKEJA, LAGOS STATE DEPARTMENT OF PETROLEUM RESOURCES, 11, NUPE ROAD, OFF AHMAN 14 PATEGI ROAD, G.R.A, ILORIN, KWARA STATE DOLIGERIA BIOSYSTEMS NIGERIA LTD, 1, AFFAN COMPLEX, 1, OLD JEBBA 15 ROAD, ILORIN, KWARA STATE ESFOOS STEEL CONSTRUCTION COMPANY, OPP. SDP, OLD IFE ROAD, 16 AKINFENWA, EGBEDA, IBADAN, OYO STATE 17 FABIS FARMS NIGERIA LTD., ILORIN, KWARA STATE FEDERAL AIRPORT AUTHORITY, MURTALA MOHAMMED AIRPORT, IKEJA, 18 LAGOS STATE FEDERAL INSTITUTE OF INDUSTRIAL RESEARCH OSHODI (FIIRO), 3, FIIRO 19 ROAD, OFF CAPPA BUS STOP, AGEGE MOTOR ROAD, OSHODI, LAGOS FEDERAL MINISTRY OF AGRICULTURE & RURAL DEVELOPMENT, FOOD & STRATEGIC GRAINS RESERVE DEPARTMENT (FRSD) SILO COMPLEX, KWANA 20 WAYA, YOLA, ADAMAWA STATE 21 FRESH COUNTRY CHICKEN ENTERPRISES, SHONGA, KWARA STATE 22 GOLDEN PENNY FLOUR MILLLS, APAPA WHARF, APAPA, LAGOS STATE HURLAG TECHNOLOGIES, 7, LADIPO OLUWOLE STREET, OFF ADENIYI JONES 23 AVENUE, IKEJA, LAGOS STATE 24 IBN DEND, FARM, KM. -
Mecklenburg Declaration of Independence by Southern Patriots 200
The original documents are located in Box 70, folder “Mecklenberg Declaration of Independence” of the John Marsh Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 70 of The John Marsh Files at the Gerald R. Ford Presidential Library - May 7 THE WHfTE HOUSE WASHINGTON Russ -- Re: Mechlenberg Declaration It was signed May 20, 1775. There is NO original document, only a copy of what is thought to be the original document. There is only one historian in North Carolina who recognizes the Declaration and he is not the leading historian in North Carolina. The President is presently scheduled to be in Charlotte, N. Carolina on May 20th. This decision was obviously just made in the last few days for the President to do the event. Thankx. donna THE WHITE H OUSE WASHINGTON 12.-2·~ --- ~rtJ. c·~~~,.,.,.- ME~10RANDUM APR 2 8 1975 THE WHITE HOUSE WASHINGTON April ,28, 1975 MEMORANDUM TO: PAUL THEIS FROM: TERESA RHODES RE: MECKLENBERG, N.C. -
“Which Way Nigeria?”
J EAN-CHRISTOPHE S ERVANT “Which way Nigeria?” MUSIC UNDER THREAT: A QUESTION OF MONEY, MORALITY, SELF-CENSORSHIP AND THE SHARIA “WHICH WAY NIGERIA?” Music under Threat: A Question of Money, Morality, Self-Censorship and the Sharia by JEAN-CHRISTOPHE SERVANT Published by Freemuse Editor in Chief: Marie Korpe Translated from French by Daniel Brown ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: Ali Bature Printed in Denmark 2003 by Handy-Print © Freemuse 2003 The views in the report do not necessarily represent the views of Freemuse. Report no. 04/2003 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 · fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org OTHER PUBLICATIONS BY FREEMUSE: 1st World Conference on Music and Censorship (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” – The Censorship of Music in Afghanistan, by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” – Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) Playing With Fire – Fear and Self-Censorship in Zimbabwean Music, by Banning Eyre (2001, ISSN: 1601-2127) TABLE OF CONTENTS PREFACE 5 ABSTRACT 7 5 CASE STUDY: FEMI KUTI - ABOUT THE AUTHOR 8 the banning of "Bang, Bang, Bang" MAP 9 5.1 Biography of Femi Kuti 56 INTRODUCTION 11 5.1.1 NBC vs. Femi Kuti 59 1 THE YEARS OF DEMOCRAZY: 6 GANGSTA RAP AND MAKOSSA 1999-2002 15 6.1 High moral grounds versus 65 the "Music of the Devil" 2 GENERAL BACKGROUND ON NIGERIA 2.1 Religion 17 7 SHARIAPHRENIA 2.2 -
Odo/Ota Local Government Secretariat, Sango - Agric
S/NO PLACEMENT DEPARTMENT ADO - ODO/OTA LOCAL GOVERNMENT SECRETARIAT, SANGO - AGRIC. & BIO. ENGINEERING 1 OTA, OGUN STATE AGEGE LOCAL GOVERNMENT, BALOGUN STREET, MATERNITY, AGRIC. & BIO. ENGINEERING 2 SANGO, AGEGE, LAGOS STATE AHMAD AL-IMAM NIG. LTD., NO 27, ZULU GAMBARI RD., ILORIN AGRIC. & BIO. ENGINEERING 3 4 AKTEM TECHNOLOGY, ILORIN, KWARA STATE AGRIC. & BIO. ENGINEERING 5 ALLAMIT NIG. LTD., IBADAN, OYO STATE AGRIC. & BIO. ENGINEERING 6 AMOULA VENTURES LTD., IKEJA, LAGOS STATE AGRIC. & BIO. ENGINEERING CALVERTON HELICOPTERS, 2, PRINCE KAYODE, AKINGBADE MECHANICAL ENGINEERING 7 CLOSE, VICTORIA ISLAND, LAGOS STATE CHI-FARM LTD., KM 20, IBADAN/LAGOS EXPRESSWAY, AJANLA, AGRIC. & BIO. ENGINEERING 8 IBADAN, OYO STATE CHINA CIVIL ENGINEERING CONSTRUCTION CORPORATION (CCECC), KM 3, ABEOKUTA/LAGOS EXPRESSWAY, OLOMO - ORE, AGRIC. & BIO. ENGINEERING 9 OGUN STATE COCOA RESEARCH INSTITUTE OF NIGERIA (CRIN), KM 14, IJEBU AGRIC. & BIO. ENGINEERING 10 ODE ROAD, IDI - AYANRE, IBADAN, OYO STATE COKER AGUDA LOCAL COUNCIL, 19/29, THOMAS ANIMASAUN AGRIC. & BIO. ENGINEERING 11 STREET, AGUDA, SURULERE, LAGOS STATE CYBERSPACE NETWORK LTD.,33 SAKA TIINUBU STREET. AGRIC. & BIO. ENGINEERING 12 VICTORIA ISLAND, LAGOS STATE DE KOOLAR NIGERIA LTD.,PLOT 14, HAKEEM BALOGUN STREET, AGRIC. & BIO. ENGINEERING OPP. TECHNICAL COLLEGE, AGIDINGBI, IKEJA, LAGOS STATE 13 DEPARTMENT OF PETROLEUM RESOURCES, 11, NUPE ROAD, OFF AGRIC. & BIO. ENGINEERING 14 AHMAN PATEGI ROAD, G.R.A, ILORIN, KWARA STATE DOLIGERIA BIOSYSTEMS NIGERIA LTD, 1, AFFAN COMPLEX, 1, AGRIC. & BIO. ENGINEERING 15 OLD JEBBA ROAD, ILORIN, KWARA STATE Page 1 SIWES PLACEMENT COMPANIES & ADDRESSES.xlsx S/NO PLACEMENT DEPARTMENT ESFOOS STEEL CONSTRUCTION COMPANY, OPP. SDP, OLD IFE AGRIC. & BIO. ENGINEERING 16 ROAD, AKINFENWA, EGBEDA, IBADAN, OYO STATE 17 FABIS FARMS NIGERIA LTD., ILORIN, KWARA STATE AGRIC. -
Nandipha Mntambo
Nandipha Mntambo Born 1982 in Mbabane, Swaziland Lives in Johannesburg, South Africa Education 2007 Master of Fine Arts, Michaelis School of Fine Art, UCT, South Africa Solo exhibitions 2017 The snake you left inside me, Stevenson, Johannesburg, South Africa Material Value, Zeitz Museum of Contemporary Art Africa, Cape Town, South Africa 2015 Love and its companions, Andréhn-Schiptjenko, Stockholm, Sweden Metamorphoses, Stevenson, Cape Town, South Africa 2014 Transience, Stevenson, Johannesburg, South Africa 2013 Nandipha Mntambo, Zeitz MOCAA Pavilion, V&A Waterfront, Cape Town, South Africa Nandipha Mntambo, Andrehn-Schiptjenko, Stockholm, Sweden 2012 Faena, Oliewenhuis Art Museum, Bloemfontein; Standard Bank Gallery, Johannesburg; University of Potchefstroom Art Gallery, South Africa The Unspoken, Stevenson, Cape Town, South Africa 2011 Faena, National Arts Festival, Grahamstown; Nelson Mandela Metropolitan Art Museum, Port Elizabeth; Iziko South African National Gallery, Cape Town; Durban Art Gallery, South Africa 2009 Umphatsi Wemphi, Brodie/Stevenson, Johannesburg, South Africa The Encounter, Michael Stevenson, Cape Town, South Africa 2007 Ingabisa, Michael Stevenson, Cape Town, South Africa Selected group exhibitions 2020 Contemporary Female Identities in the Global South, Joburg Contemporary Art Foundation, South Africa Matereality, Iziko South African National Gallery, Cape Town, South Africa 2019 Ngoma: Art and Cosmology, Johannesburg Art Gallery, South Africa Speculative Inquiry #1 (On abstraction), Michaelis Galleries, Cape -
Ikoyi G&C Fact Sheet 2017.Indd
Groups and Conferences FACT SHEET About the Destination A warm welcome greets guests to Southern Sun Ikoyi, which lies in the bustling city centre of Lagos – the capital city of Nigeria. Located within easy access to the central business district and government offices, this hotel offers business and leisure travellers the ultimate in convenient accommodation and conferencing. In addition to being near to the CBD, the hotel is also close to a number of local attractions. Highlights in the city and its surrounds include Lekki Conservation Centre, Lekki Market, Freedom Park Lagos, Black Heritage Museum, Lagos Island, Victoria Island, Kalakuta Republic Museum, National Art Theatre, Elegushi Beach, Civic Centre and Tafawa Balewa. Southern Sun Ikoyi has 195 stylish bedrooms, 5 meeting rooms, a restaurant, bar and terrace, swimming pool and fitness centre. The Conference Experience Southern Sun Ikoyi offers a full range of services and facilities that can be tailored to suit your meeting requirements. With state-of-the-art facilities, Southern Sun Ikoyi is the first choice for conferences in Lagos. 5 REASONS to have your next event at Southern Sun Ikoyi 1 LOCATION Southern Sun Ikoyi is situated near the central business district of Lagos. It is Spaces within easy reach from Murtala Muhammed International airport and is also close to The hotel’s stylish sophistication and classic yet contemporary design combined with discreet service many local attractions. ensures a memorable function – whether it be a conference, seminar or gala dinner. The largest venue is 120m2 and is ideal for large conferences and seminars and can seat 100 people 2 LUXURY ACCOMMODATION cinema style. -
The Irep Report
The iREP Report 2017 iREP Newsletter Vol. 6, Issue 4 It was also suggested that younger archiv- Liberating African History from Colonial Archives al researchers should be trained not just to recognise faces, but also important by Amarachukwu Iwuala should engage in negotiations with Euro- moments in history. Participants at the peans to release such footage to their round-table agreed that individuals uring the round-table for true owners wherever they are found should establish businesses in archiving, producers captioned Access similar to the way in which African states noting that there is a business case for to Archives - Imperatives of Co- gained independence from their colonial that since the materials can be aggregat- operatives and Collaboration, masters. ed and monetised. Dfilmmaker Jihan El-Tahri, traced the histo- El-Tahri also informed the gathering that The process of commencing such busi- ry of the disappearance of archived con- most archival material is still within the nesses could be as simple as persuading tent from Africa to Europe. continent because upon the establish- people not to discard their old belong- According to her, "African filmmakers ment of the Organisation for African ings and offering tokens to acquire the made deals with their European suppliers Unity (now African Union) in 1963, TV materials where possible. Barter, it was to exchange recorded tapes with empty stations across Africa were mandated to also mentioned, can be employed in ones and the Europeans, in turn, archived drop all their video recordings with the acquiring archival materials, which may the tapes, which now cost between €800 union at the end of every year. -
Visual Century
Volume four: 1990–2007 Edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu VISUAL CENTURY South African Art in Context The end of the Cold War and subsequent rise of globalisation, along with the advent of democracy in South Africa, introduced new social and political orders, with profound implicatio ns for South African artists. This was a time when the persistence of economic inequalities and con icts within and beyond national borders constantly militated against an unbridled celebration of ‘freedom’. This volume critically addresses some of the most notable developments and visible trends in post-apartheid South African art. These include South Africa’s entry into the internationa l art world, its struggle to address its past, and artists’ persistent and often provocative preoccupations with individual and collective identity. The widespread and often unsettling representation of the human body, as well as animal forms, along with the steady increase of new technologies and the development of new forms of public art, are also discussed. While much of the art of the period is open-ended and non-didactic, the persistence of engagement with socially responsive themes questions the reductive binary between resistan ce and post-apartheid art that has come to dominate accounts of artistic production before and after South Africa’s democratic election. Thembinkosi Goniwe Mario Pissarra volume four Mandisi Majavu 1990 - 2007 editors VISUAL CENTURY South African Art in Context Volume 4 1990–2007 Edited by Thembinkosi Goniwe, Mario -
Afrique Du Sud. Photographie Contemporaine
David Goldblatt, Stalled municipal housing scheme, Kwezidnaledi, Lady Grey, Eastern Cape, 5 August 2006, de la série Intersections Intersected, 2008, archival pigment ink digitally printed on cotton rag paper, 99x127 cm AFRIQUE DU SUD Cours de Nassim Daghighian 2 Quelques photographes et artistes contemporains d'Afrique du Sud (ordre alphabétique) Jordi Bieber ♀ (1966, Johannesburg ; vit à Johannesburg) www.jodibieber.com Ilan Godfrey (1980, Johannesburg ; vit à Londres, Grande-Bretagne) www.ilangodfrey.com David Goldblatt (1930, Randfontein, Transvaal, Afrique du Sud ; vit à Johannesburg) Kay Hassan (1956, Johannesburg ; vit à Johannesburg) Pieter Hugo (1976, Johannesburg ; vit au Cap / Cape Town) www.pieterhugo.com Nomusa Makhubu ♀ (1984, Sebokeng ; vit à Grahamstown) Lebohang Mashiloane (1981, province de l'Etat-Libre) Nandipha Mntambo ♀ (1982, Swaziland ; vit au Cap / Cape Town) Zwelethu Mthethwa (1960, Durban ; vit au Cap / Cape Town) Zanele Muholi ♀ (1972, Umlazi, Durban ; vit à Johannesburg) Riason Naidoo (1970, Chatsworth, Durban ; travaille à la Galerie national d'Afrique du Sud au Cap) Tracey Rose ♀ (1974, Durban, Afrique du Sud ; vit à Johannesburg) Berni Searle ♀ (1964, Le Cap / Cape Town ; vit au Cap) Mikhael Subotsky (1981, Le Cap / Cape Town ; vit à Johannesburg) Guy Tillim (1962, Johannesburg ; vit au Cap / Cape Town) Nontsikelelo "Lolo" Veleko ♀ (1977, Bodibe, North West Province ; vit à Johannesburg) Alastair Whitton (1969, Glasgow, Ecosse ; vit au Cap) Graeme Williams (1961, Le Cap / Cape Town ; vit à Johannesburg) Références bibliographiques Black, Brown, White. Photography from South Africa, Vienne, Kunsthalle Wien 2006 ENWEZOR, Okwui, Snap Judgments. New Positions in Contemporary African Photography, cat. expo. 10.03.-28.05.06, New York, International Center of Photography / Göttingen, Steidl, 2006 Bamako 2007. -
Bridget Baker Cv
BRIDGET BAKER Born in 1971 in East London, South Africa. Based in Cape Town and London. ONE ARTIST EXHIBITIONS 2011 Wrecking at Private Siding 661, an installation at the Wapping Project, London, UK. 2009 Exhibition of recent works by Bridget Baker, Centro des Artes Contemporanea, Burgos, Spain. 2008 But we look so good in our uniforms, Diet Gallery, Miami, USA. 2007 Bridget Bæker, Joao Ferreira Gallery, Cape Town, South Africa. 2006 But being a sensible woman, she subdued her terrors and turned over and went to sleep again. Joao Ferreira Gallery, Cape Town, South Africa. 2001 Official BB Project University of Stellenbosch Art Gallery, Stellenbosch, South Africa. 2000 As if you’ve never seen it before. Artists Unlimited Gallery, Bielefeld, Germany. 1997 Bridget Baker BAFA(Stell.), BA. Hons.(FA)(Stell.), MFA (UCT) cand. The Hänel Gallery, Cape Town, South Africa. 1996 The Shrill sound of a telephone at 3 a.m. The Planet Contemporary Art Site, Cape Town, South Africa. SELECTED GROUP EXHIBITIONS AND FILM FESTIVALS 2011 International Competition of the 57th International Short Film Festival Oberhausen, Germany. Curated by Lars Henrik Gass and Hilke Doering. Lens: fractions of contemporary photography and video in South Africa, Stellenbosch University Art Museum, South Africa. Including work by Andrew Putter, Dineo Seshee Bopape, Husain and Hasan Essop, Jo Ractliffe, Kathryn Smith, Pieter Hugo, Stephen Hobbs, Steven Cohen, and Zanele Muholi. Curated by Ulrich Wolff and Corlia Harmsen. Glasgow Short Film Festival with the The Magic Lantern, Glasgow, Scotland, UK. Mine, Iwalewa-House, Afrikazentrum der Universität Bayreuth, Germany. A selection of films by South African artists including Dineo Seshee Bopape, Jacques Coetzer, Teboho Edkins, Simon Gush and Dorothee Kreutzfelt, William Kentridge, Donna Kukama, Nandipha Mntambo, Zanele Muholi, Robin Rhode, Berni Searle, Lerato Shadi, Penny Siopis, Gregg Smith, and Johan Thom.