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3 Doors Down and Collective Soul to Co-Headline Tour with Special Guest Soul Asylum
ALL ABOARD THE ROCK & ROLL EXPRESS! 3 DOORS DOWN AND COLLECTIVE SOUL TO CO-HEADLINE TOUR WITH SPECIAL GUEST SOUL ASYLUM – Tickets On Sale to the General Public Starting March 30 at LiveNation.com – – Watch Tour Announcement Video HERE – LOS ANGELES, CA (March 26, 2018) – With more than 30 million albums sold, 18 million digital single sales, billions of streams and 12 iconic hits combined, 3 Doors Down and Collective Soul are inviting fans aboard The Rock & Roll Express Tour this summer with special guest Soul Asylum on select dates. Produced by Live Nation, the amphitheater outing will kick off July 6 in Atlanta, GA and travel to 36 cities across North America before wrapping September 16 in Phoenix, AZ. View and embed the tour announcement video at the link here: https://youtu.be/1Ina5pP8Fpo Citi® is the official pre-sale credit card of The Rock & Roll Express Tour. As such, Citi® cardmembers will have access to purchase pre-sale tickets beginning Tuesday, March 27th at 10am local time until Thursday, March 29th at 10pm local time through Citi’s Private Pass® program. For complete pre-sale details, visit www.citiprivatepass.com. Tickets go on sale to the general public starting Friday, March 30 at 10am local time. 3 Doors Down and Collective Soul will be offering their own VIP packages, which include band meet and greets, exclusive merch, and much more. All VIP packages will be available starting Tuesday, March 27th at 10am local time. More information can be found at www.3doorsdown.com and www.collectivesoul.com. “Soul Asylum, Collective Soul and 3 Doors Down, that’s a big night of hits!! I’m looking forward to hopping on the Rock & Roll Express this summer, gonna be fun!” said Brad Arnold of 3 Doors Down. -
Night Network Review
THE CRIBS RETURN WITH Shera Tanvir Editor-in-Chief After parting ways with their old and melodically swooning song that They still stayed true to their core and their management, The Cribs took a break from contrasts with the loud and brash tracks sound is unique to them. the music scene to deal with legal issues that follow. Main single “Running Into Night Network is the epitome of The concerning their rights to their own music. You” blends indie power pop and garage Cribs, defying all expectations. It exempli- They were unsure if continuing music was rock. Its energy and passion sets the stage fies elegance in the face of adversity, rather ideal for them. Foo Fighters frontman Dave for the rest of the album. “She’s My Style” than throwing in the towel. The Cribs Grohl swooped in and offered the band is especially energetic. It’s meant to be per- reconnect with their love of music. They access to his home studio. After formed live, which is a shame considering made a euphoric record several long legal bat- the limits of COVID on the music indus- despite their night- tles and a pandemic try. “Under the Bus Station Clock” layers marish ex- friend- ly self harmonies, distant vocals and power punk periences pro- duction, guitar, recalling the work of The Strokes. with the they finally The Cribs’ debut album was full of wit music re- leased and dynamic lyrics. It introduced a band industry. their eighth that wanted to be heard. Night Network Their al- bum, steps away from this and let’s the guitars stamina is Night Net- shine. -
Eighteenth-Century Wharf Construction in Baltimore, Maryland
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1987 Eighteenth-Century Wharf Construction in Baltimore, Maryland Joseph Gary Norman College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Norman, Joseph Gary, "Eighteenth-Century Wharf Construction in Baltimore, Maryland" (1987). Dissertations, Theses, and Masters Projects. Paper 1539625384. https://dx.doi.org/doi:10.21220/s2-31jw-vn87 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. EIGHTEENTH-CENTURY WHARF CONSTRUCTION IN BALTIMORE, MARYLAND A Thesis .Presented to The Faculty of the Department of Anthropology The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Joseph Gary Norman 1987 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joseph Gary Norman Approved, May 1987 Carol Ballingall o Theodore Reinhart 4jU-/V £ ^ Anne E. Yentsch TABLE OF CONTENTS Page PREFACE .................................................................................................................iv -
GIGS I VISUAL ARTS I Eventss I FOOD on Worcestershirewhatson.Co.Uk PARTOF WHAT’S on MEDIA GROUP Inside
Worcestershire Cover January 2018.qxp_Worcestershire Cover 15/12/2017 13:26 Page 1 CLAIRE SWEENEY AT Your FREE essential entertainment guide for the Midlands MALVERN THEATRES WORCESTERSHIRE WHAT’S ON JANUARY 2018 ON JANUARY WHAT’S WORCESTERSHIRE Worcestershire ISSUE 385 JANUARY 2018 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On worcestershirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide FromANTON Broadway AND to HollywoodERIN at Symphony Hall TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: WelshMARTYN singer-songwriter JOSEPH plays Huntingdon Hall FACEBOOK: @WHATSONWORCESTERSHIRE non-stopARENACROSS white-knuckle ride WORCESTERSHIREWHATSON.CO.UK at Genting Arena Sold Out F/P Artric Fire Jan 18.qxp_Layout 1 15/12/2017 12:56 Page 1 Contents January Warwicks_Worcs.qxp_Layout 1 15/12/2017 14:52 Page 2 January 2018 Contents A slice of Pie - political satirist Tom Walker talks about his cult creation, Jonathan Pie - feature page 24 Gautier Capuçon Guz Khan Shrek’s back in town the list explores the musical landscapes former school teacher sees the award-winning musical returns Your 16-page of Dvorak at Warwick Arts... funny side in Coventry to the region week-by-week listings guide page 17 page 26 feature page 36 page 55 inside: 4. First Word 11. Food 13. Music 26. Comedy 30. Theatre 43. Film 48. Visual Arts 51. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Dead Master's Beat Label & Distro October 2012 RELEASES
Dead Master's Beat Label & Distro October 2012 RELEASES: STAHLPLANET – Leviamaag Boxset || CD-R + DVD BOX // 14,90 € DMB001 | Origin: Germany | Time: 71:32 | Release: 2008 Dark and weird One-man-project from Thüringen. Ambient sounds from the world Leviamaag. Black box including: CD-R (74min) in metal-package, DVD incl. two clips, a hand-made booklet on transparent paper, poster, sticker and a button. Limited to 98 units! STURMKIND – W.i.i.L. || CD-R // 9,90 € DMB002 | Origin: Germany | Time: 44:40 | Release: 2009 W.i.i.L. is the shortcut for "Wilkommen im inneren Lichterland". CD-R in fantastic handmade gatefold cover. This version is limited to 98 copies. Re-release of the fifth album appeared in 2003. Originally published in a portfolio in an edition of 42 copies. In contrast to the previous work with BNV this album is calmer and more guitar-heavy. In comparing like with "Die Erinnerung wird lebendig begraben". Almost hypnotic Dark Folk / Neofolk. KNŒD – Mère Ravine Entelecheion || CD // 8,90 € DMB003 | Origin: Germany | Time: 74:00 | Release: 2009 A release of utmost polarity: Sudden extreme changes of sound and volume (and thus, in mood) meet pensive sonic mindscapes. The sounds of strings, reeds and membranes meet the harshness and/or ambience of electronic sounds. Music as harsh as pensive, as narrative as disrupt. If music is a vehicle for creating one's own world, here's a very versatile one! Ambient, Noise, Experimental, Chill Out. CATHAIN – Demo 2003 || CD-R // 3,90 € DMB004 | Origin: Germany | Time: 21:33 | Release: 2008 Since 2001 CATHAIN are visiting medieval markets, live roleplaying events, roleplaying conventions, historic events and private celebrations, spreading their “Enchanting Fantasy-Folk from worlds far away”. -
Intertextuality, Intermediality and Mediality in Benjamin Britten's
Intertextuality, Intermediality and Mediality in Benjamin Britten’s Nocturne, Op. 60 Von der Falkutät für Geistes- und Erziehungswissenschaften der Technischen Universität Carolo-Wilhelmina zu Braunschweig zur Erlangung des Grades Doktor der Philosophie (Dr. phil.) genehmigte Dissertation von Kenton Emery Barnes aus Toledo, Ohio, USA Eingereicht am 11.06.2012 Mündliche Prüfung am 28.08.2012 Referent: Prof. Dr. Rüdiger Heinze Korreferent: Prof. Dr. Hero Janßen Druckjahr 2017 Intertextualität, Intermedialität und Medialität in Benjamin Brittens Nocturne, Op. 60 Benjamin Britten ist nicht nur einer der am meisten verehrten Komponisten Großbritanniens, sondern zugleich auch einer der Komponisten, über die äußerst kontrovers diskutiert wird. Kritiker bewerten seine Musik auf sehr unterschiedliche Art und Weise. Einige halten seine Musik für zu altmodisch und zu sehr den Traditionen der Tonalität verbunden, andere bewerten sie als zu modern und schwer zugänglich, an Atonalität grenzend. Aber wie soll man Brittens Musik betrachten? Setzt sie die Traditionen der romantischen Komponisten des 19. Jahrhunderts fort? Ja, dies ist der Fall, jedoch bringt Britten diese Konventionen an ihre Grenzen. Ist Brittens Musik atonal? Obwohl manche Kritiker der Ansicht sind, dass seine Kompositionen abstrakt sind, bleibt er den etablierten Konventionen der Musik doch treu. Nicht zu bestreiten ist, dass Brittens gesangliche Kompositionen in ihrer Poesie nur schwer zu übertreffen sind. Er vertonte Gedichte von bedeutenden Dichtern wie Arthur Rimbaud, Victor Hugo, Paul Verlaine, Henry Longfellow, William Shakespare, Edith Sitwell, Emily Brontë und William Blake. Alles in allem vertonte Britten mehr als 300 Gedichte von nicht weniger als neunzig Dichtern. Die vorliegende Arbeit Intertextualität, Intermedialität und Medialität in Benjamin Brittens Nocturne, Op. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
The BG News January 28, 2010
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 1-28-2010 The BG News January 28, 2010 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News January 28, 2010" (2010). BG News (Student Newspaper). 8191. https://scholarworks.bgsu.edu/bg-news/8191 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. SEE WHAT WWW.BGVEIWS.COM HAS TO OFFER I* BLOGS I PHOTOS I VIDEOS I MORE ESTABLISHED'1920 A daily independent student press serving THE BG NEWS the campus and surrounding community Thursday January 28,2010 Volume 104. Issue 89 www BG VIEWS COM Ice cream stores thrive Local businesses offer plenty of options for those with ice cream cravings, even in the winter | Pag« $ £NOCH WU IHE BG NEWS Avoid the vast OBAMA: President Obama speaks on jobs and the state of the economy at Loiain County Community College. The President also toured EMC Precision Machining and the wasteland Wind Turbine Manufacturing and Fab Lab at Lorain County Community College on his known as TV visit. Forum editor Kyle Schmidlin feels that Obama declares today's television land- scape is grim, offering only mindless enter- 1 don't quit' in his tainment | Page 4 Reality TV State of the Union dominates By Jennifer Loven lus package passed last February. -
Die Offizielle Schweizer Hitparade
DIE OFFIZIELLE SCHWEIZER HITPARADE - TOP 100 SINGLES - 17.06.2001 # Vorw Interpret Titel Label Woche 1 (1) Safri Duo Played-A-Live UNI 158 542-2 17 2 (2) Atomic Kitten Whole Again EMI 89 7361 2 14 3 (7) Shaggy feat. Rayvon Angel UNI 155 836-2 2 4 (4) Geri Halliwell It's Raining Men EMI 87 9301 0 6 5 (3) Gorillaz Clint Eastwood EMI 87 9050 0 10 6 (5) Crazy Town Butterfly SME 669 257 2 14 7 (6) Wheatus Teenage Dirtbag SME 669 656 2 14 8 (8) Destiny's Child Survivor SME 670 749 2 9 9 (9) Shaggy It Wasn't Me UNI 155 802-2 15 10 (14) Lil Bow Wow Bow Wow (That's My Name) SME 670 697 5 3 11 (10) Brandy and Ray J Another Day In Paradise WMS 8573873832 12 12 (12) Bosson One In A Million EMI 87 9063 2 10 13 (13) Jennifer Lopez Play SME 670 887 2 8 14 (11) Manu Chao Me gustas tu EMI 89 7614 2 4 15 (18) Janet Jackson All For You EMI 89 7487 2 11 16 (21) Dido Thank You BMG 74321858902 3 17 (17) Dario G Dream To Me UNI 568 902-2 11 18 neu Faithless We Come 1 BMG 74321858882 1 19 (24) Barthezz On The Move UNI 158 888-2 4 20 (15) Westlife Uptown Girl BMG 74321855452 8 21 (25) No Angels Rivers Of Joy UNI 587 853-2 6 22 (16) Missy Elliott Get Ur Freak On WMS 7559672062 6 23 (19) Eros Ramazzotti & Cher Più che puoi BMG 74321852142 6 24 (22) Nelly Furtado I'm Like A Bird UNI 450 934-2 11 25 (36) Eve Who's That Girl UNI 497 495-2 6 26 (20) Ricky Martin with Christina Aguilera Nobody Wants To Be Lonely SME 670 750 2 17 27 (27) Emma Bunton What Took You So Long? EMI 89 7462 0 8 28 neu Backstreet Boys More Than That MV ZOM 79252193 1 29 (23) Sarah Connor feat. -
Propuestas-Artisticas-Mmvv-2012.Pdf
Addictive TV Jueves 13 de septiembre. 02.00 h. Sucre Electrónica Graham Daniels y Mark Vidler Inglaterra Los británicos del dúo electrónico Addictive TV crean música con una diferencia, es música que se puede ver, por lo tanto el público tendrá una experiencia audiovisual total, donde se mezclan elementos de la cultura contemporánea, desde películas de culto, iconos del rock o incluso el mundo del fútbol. Han actuado en más de 50 países, como Brasil, Xina, EEUU, además de por toda Europa o en el Egipto de después de la revolución. Los espacios de actuación son tan diferentes como el Centro Pompidou de París, la sala Razzmatazz o el festival Glastonbury del Reino Unido. Actualmente trabajan en su último proyecto “Orchestra of Samples” con imágenes de músicos de todo el mundo. Amatria Sábado 15 de septiembre. 1.15 h. Jazz Cava Pop-rock Joni Antequera (voz), Gilberto Aubán (teclados y guitarras) y Pablo Ortuño (batería). Valencia El directo de Amatria presenta las canciones de su primer disco “Hoy van a salirte las alas” (2012) combinando la vertiente más electrónica (samplers i sintetizadores) con las melodías pop creadas con guitarra y voz. Sus actuaciones son perfectas para hacer subir unos cuantos grados la pista de baile hasta llegar a un estado de trivialidad feliz. Este no es el debut de un recién llegado ya que los temas de Amatria circulan des del 2009 por la red, su maqueta fue considerada una de las mejores por la revista Mondo Sonoro en 2009 y reconocida en diversos concursos. Con su presencia en el MMVV se confirman las buenas sensaciones recibidas durante la primera gira de presentaciones del disco en Valencia, Barcelona, Zaragoza y Madrid. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.